R&B/Hip-Hop

Cardi B has never been one to hide how she feels or cower in fear of her haters. In a new interview with The Spout Podcast, the Grammy-winning “Up” rapper opens up about her approach to handling haters, and where she takes cues from Beyoncé’s example. “Surprisingly, I have held myself back a lot … […]

Drake and SZA joined forces on “Slime You Out,” which was released midday Friday (Sept. 15) as the first single from Drizzy’s upcoming album For All the Dogs.
The five-minute song is a slugfest fueled by disappointment and lies. Drake leads the way on the R&B-centric tune by expressing his frustrations about spending an exorbitant amount of money on women. Clever lines such as “sending wires on wires on wires like Idris” are aplenty. At the same time, SZA delivers counterjabs about her beau’s fraudulent behavior, including one colossal haymaker: “Tripping when that d–k is barely third place.”

The superstar rapper first announced the single at the Austin stop of his It’s All a Blur Tour with 21 Savage. “I’m even going to say something tonight in Austin, Texas, I haven’t said yet,” he shared at Moody Center. “I know y’all excited to hear the album. I know it’s, like, two weeks out. I’m a drop a song for y’all this week. Yeah, yeah. What a time, what a time. I appreciate y’all. Deeply, by the way, I do. It’s a lot of love in Texas.”

The green slime-covered cover art for “Slime You Out” originates from Halle Berry getting slimed at the 2012 Nickelodeon’s Kids’ Choice Awards.

Although “Slime You Out” marks Drake and SZA’s first official collaboration, the two have nodded to each other multiple times throughout their musical releases. SZA’s 2016 “2AM” track — which was officially released last June as part of CTRL‘s deluxe edition to commemorate her critically acclaimed debut studio album’s five-year anniversary — refers to PartyNextDoor and Drake’s “Come and See Me” from the former’s 2016 album PartyNextDoor. On Drake’s “Diplomatic Immunity” track from the 2018 Scary Hours two-pack, he raps, “I just pulled up on Solána show, the girl’s a natural/ I knew her way back when Hollywood was international.”

On “Mr. Right Now” from 21 Savage and Metro Boomin‘s 2020 joint project Savage Mode II, he raps “Yeah, said she wanna f–k to some SZA, wait/ ‘Cause I used to date SZA back in ’08” in his guest verse. (She later confirmed on Twitter — now X — that the pair dated in ’09, but “in this case a year of poetic rap license mattered.”) And most recently, SZA’s guest verse on the Future-assisted “Telekinesis” from Travis Scott‘s 2023 Utopia album seems to directly respond to Drake’s third verse on “Marvins Room” from his 2011 sophomore album Take Care.

For All the Dogs will be released next Friday, Sept. 22, via OVO Sound and Republic Records. He announced the highly anticipated album’s release date by posting an archival video on Instagram of his father, Dennis Graham, from the early ’90s, singing alongside a blues band on the local Toronto TV show Stormy Monday With Danny Marks. 

For All The Dogs marks the 6 God’s eighth studio album and his first solo album since his dance-heavy Honestly, Nevermind project that he released in June 2022. Five months later, he teamed up with 21 Savage on their joint LP, Her Loss. Both releases debuted at No. 1 on the Billboard 200. 

Listen to “Slime You Out” below.

[embedded content]

Two of Billboard’s newly crowned R&B/Hip-Hop Hall of Fame recipients joined forces on Friday morning (Sept. 15), when Nas enlisted Lil Wayne for his Magic 3 standout track “Never Die.” The Hit-Boy-produced song comes shortly after Nas’ 50th birthday, as the venerable MCs ruminate about their longevity in the rap game. “We ain’t gon’ never die, I’m […]

Time and time again, Michael Jackson’s immeasurable influence reminds us why he’s called the King of Pop. Now, Grammy-nominated rapper Offset is leaning on Jackson’s iconography, as well as the antics of social media personality Kai Cenat, to deliver a music video for new song “Fan” that shows off his artistic eye, dancing ability and overall creative vision.
The new video begins with a newscaster reporting live from “the aftermath of a riot,” while a Cenat lookalike screams, “I don’t know what’s going on! It’s a riot” before the scene cuts to Offset waking up on a mattress placed in the center of the chaos. The scene appears to be in reference to Cenat’s headline-making Manhattan giveaway on Aug. 4; the giveaway-turned-unruly riot injured several people, damaged property and resulted in Cenat being taken into NYPD custody and charged with rioting, inciting a riot and unlawful assembly.

Cenat himself appeared in a promotional clip via Offset’s Instagram page on Thursday (Aug. 14); the streamer subsequently made a cameo in the official music video.

The bulk of the video’s visual identity, however, comes courtesy of Jackson, with the plot taking inspiration from “Thriller.” Offset and his girlfriend — played by Everybody Hates Chris actress Paige Hurd — take a walk around the neighborhood, and after she ends the relationship, his immediate emotional turmoil transforms him into a werewolf. Similar to Jackson’s boundary-pushing John Landis-helmed video, the scene turns out to be part of a movie that Offset and his girlfriend are watching in the present day. Nonetheless, once the couple steps outside of the movie theater, Offset morphs into a zombie — just as Jackson did in his visual.

The MJ references don’t stop there. When the camera zooms out to capture the full scene of Offset lying on a mattress in the middle of a riot, the “Clout” rapper is wearing a replica of Jackson’s iconic singular rhinestone-encrusted white glove. In another part of the video, an Off the Wall vinyl decorates the couple’s bedroom. The second half of the “Fan” video takes some cues from Jackson’s “Smooth Criminal,” with Offset wearing a similar white suit and hat as he smoothly executes a dance sequence that includes a reverse Moonwalk.

The new video comes on the heels of some MJ-adjacent controversy in the world of Offset and Grammy-winning wife Cardi B. In an interview with Hot 97 on Sept. 8, Cardi hilariously lamented about Offset’s unfortunately placed Michael Jackson stomach tattoo. “I don’t even wanna take it there. I will take it there, but it’s just like, y’all really have to see it,” Cardi said. “Because every single time I, you know like, [mimes oral sex], it just be looking at me. I swear to God. You gotta see that tattoo. The tattoo really be looking at me like, ‘Yeahhhh.’” Offset responded that he’s “never” removing the tattoo.

On Thursday (Sept. 14), Offset revealed the official title and artwork for his forthcoming sophomore solo studio album. The new record, titled Set It Off, features a semi-apocalyptic album cover and is slated for an Oct. 13 release. Set It Off is the follow-up to Father of 4, his 2019 debut solo studio album which spawned Billboard Hot 100 hits such as “Red Room” (No. 49) and the Grammy-nominated “Clout” (No. 39, with Cardi B). As a member of Migos, Offset has released four studio albums — two of which have topped the Billboard 200.

Watch Offset’s new “Fan” music video above.

It’s all love in Diddy’s world. The music legend and business mogul unveiled his latest studio effort, The Love Album: Off the Grid, on Friday (Sept. 15). The jam-packed feature lineup includes notable names such as The Weeknd, Justin Bieber, Mary J. Blige, Jazmine Sullivan, H.E.R, Summer Walker, Babyface, John Legend, Teyana Taylor and more. “Music […]

So what happens when three best friends from Atlanta — each packing their own estimable music credits — come together to pool their talents? A new genre tagged “trap jazz.”

Explore

See latest videos, charts and news

See latest videos, charts and news

Trap Jazz is also the title of an insightful docu-film chronicling the origins of this creative undertaking by musicians Chris Moten, Devon “Stixx” Taylor and Cassius Jay, whose collective credits outside of that realm include working with marquee talents such as Cardi B, Justin Bieber, Questlove, Machine Gun Kelly, Future, Migos and Post Malone. Directed by Sadé Clacken Joseph and presented by Black multimedia platform Andscape and HULU, Trap Jazz premiered Aug. 23 on the streaming service.

[embedded content]

Internationally, Trap Jazz will premiere on Star+ in Latin America on Oct. 6 and Disney+ in all other territories on Oct . 27. Beyond the film’s soundtrack, the trio is also working on another trap jazz album with their bass player Raschad Marshall.

As much as the docu-film is about trap jazz and its genre parents (“This is the next sh–” says veteran producer Jazze Pha at one point), its spotlight also shifts to other areas — like the spiritual connection between Moten, Taylor and Jay, the personal challenges they’ve experienced, how Atlanta’s stance as a music mecca helped shape their careers and, above all, why creative freedom is crucial.

How did the notion of trap jazz first come to mind?

Moten: It’s something that I started in 2015. I’d been playing with a lot of celebrity artists, traveling and working as their music director. Then I decided that it was finally time for me to do something of my own. Something that would be very catchy; that people wouldn’t have to work hard to understand what it was. After that, I knew I needed some help. So I called Cassius and kept bugging him every day until he gave me exactly what we needed: a book of songs with some beats and I put my little 2% on there. Then we called Devon and became a group of like minds. Quincy [Jones] got a chance to hear it, and that was dope.

What do you want people to realize after listening to trap jazz?

Taylor: Jazz music is a way to express anything that you’re going through emotionally. You just sit down and play whatever you want. A lot of kids right now think jazz is lame. But what we’re trying to do is bridge the gap to where they hear these beats, these cool beats. And then they can hear the melodic jazz lines, which are also cool. I don’t think jazz is ever going to die. Because if you really think about it, jazz riffs and chords are in R&B, hip-hop and gospel. It just depends on how you play it. You’re never going to get away from jazz. I don’t care what anybody says.

Moten: As long as we continue to let the kids hear the street sound, the R&B sound, the sounds being heard most today, and sprinkle in jazz, then it will never die. In that sense, if you really talk to some of these kids, they’re actually looking for something different than what they’ve been forced to listen to. So we’re never going to lose jazz because it’s going to continue to evolve. It may be called different things. But it’s still going to be a form of jazz. I like to call jazz structured chaos because it doesn’t have a destination. Jazz is so much about expression and improv that I think old school jazz players would say today, “Don’t try to micromanage the music. Let it breathe and be a complete expression.”

Jay: People have been accepting this music with open arms. Every day that you wake up, you’re creating your path, your destination. So that’s the way we process this music. Jazz is improvised. You’re creating your own runs, riffs, patterns, substitutions and chords. That’s how we create. There’s no format, no pattern. You can’t tell me this is what we’re about to create today in the studio because I’m going to create whatever the f**k I feel like creating because it’s ours. We’re three different personalities. You’re going to get jazz from Chris; the straight-head drums, banging and trap from Devon and straight ghetto from me [laughs]. That’s the whole creative vibe. That’s what you get when you get us. No structure; no right or wrong.

And what one life lesson do you want viewers to take away from the docu-film?”

Jay: Creative freedom. I want people to just fly when they hear trap music. And when they think about creating something, they can say, “I can do what I want to do. I can go where I want to go. There’s no limit.”

Taylor: God gave us creative freedom to do what we want to do. We also want the younger generation to take away that you don’t have to be out here gang banging or selling drugs. Many people think music and musicians are lame. You can still be cool doing music.

Moten: No matter what we go through in the Black community, there are a lot of complications, trials and tests that keep us from reaching our potential. No matter what you’ve gone through, you can still come out on top, accomplishing every goal that you’ve set. All it takes is to just stand up, believe and keep doing it [pushing forward] every day.

Offset is back. The rapper announced on Thursday (Sept. 14) that his upcoming album, Set It Off, is arriving on October 13. He shared the announcement on Twitter alongside the album’s cover art, which features the star falling from an upside down city engulfed in flames. Set It Off will serve as a follow-up to […]