R&B/Hip-Hop

Bryson Tiller’s Self-Titled Album Is Finally Here: Stream It Now

The wait is over — Bryson Tiller released his self-titled album on Friday (April 5) via RCA Records.

“My main goal with this album is for the masses to hear everything I’m capable of doing,” Tiller told Billboard in a recent interview. “So they give me a chance and stick around as fans. My main goal is that everybody hears it and my guarantee is that you’ll love at least one song from this album. I can guarantee that.”

The 19-track project includes collaborations with Victoria Monét on “Persuasion” and Clara La San on “Random Access Memory [RAM]” as well as previous singles “Outside,” “Calypso” and “Whatever She Wants.” The lattermost single scored Tiller his first Billboard Hot 100 top 20 single as a lead artist since his 2015 breakthrough debut single “Don’t,” and “Whatever She Wants” also reached No. 8 on Hot R&B/Hip-Hop Songs.

But he said “Calypso” is the “most story-driven song” out of his three previously released singles. “It is just a movie, top-to-bottom. It’s about a guy going to the club and looking at the guest list and realizing his name is on there next to a girl he used to date. He never forgot her name because she wore her name on her necklace,” Tiller explains. “They get inside the club and it’s empty. Maybe it’s not empty and it’s a vibe, but it reminds them of a time in the club when it was packed. That song comes on, ‘Just like magic they playing our song.’ It’s just like, ‘We gotta get one last dance in.’ The guy’s hoping he can go home with her that night, but it doesn’t end up that way.”

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His eponymous fourth studio album arrives four years after Anniversary, which marked the fifth anniversary of his debut album Trapsoul. Anniversary included the Drake-assisted “Outta Time” and “Still Yours,” featuring Big Sean, on the deluxe edition. The 10-song set peaked at No. 5 on the Billboard 200 and No. 4 on Top R&B/Hip-Hop Albums.

Listen to Bryson Tiller below.

Dynamicduo Discuss ‘2 Kids on the Block’ Album Finale & Collaborating With BTS’ J-Hope & RM

Two decades in any industry is worth celebrating, but Dynamicduo has not only persisted through the early, nascent days of Korea’s hip-hop scene but has also hit new creative and mainstream peaks ahead of reaching the 20-year milestone.

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Since childhood friends Choiza and Gaeko officially paired up in 2004 with debut album Taxi Driver, the pair have trailblazed their legacy after setting records for hip-hop sales in Korea, taking top honors at mainstream awards shows in music and videos, establishing their Amoeba Culture label, and collaborating with a range of stars through the decades like DJ PremierJ.Y. ParkTiger JKBoARainWonder Girls and members of K-pop groups like BTSEXO and Monsta X.

Dyanmicduo’s three-part album, 2 Kids on the Block, officially wrapped its 10-month rollout with the release of Part.3 on March 28, with the new tracks documenting two decades of inner dialogues and growth to ultimately decide to set their sights even higher by the LP’s conclusion. Parallel to the record’s past-meets-present concept, Dynamicduo experienced balancing an old and new track, both taking over on social media for a minute in 2023. Their 2014 single “AEAO” featuring DJ Premier” went unexpectedly viral on TikTok (landing itself as one of TikTok’s Top 10 Song of Summer from South Korea), while their collaboration cut “Smoke” with rising rapper Lee Young Ji for a popular TV dance competition also took off via dance challenges, earning the guys their first-ever entry on the Billboard Global 200 chart. Helping fuel DD’s 2023 hits were infectious dance and lip-sync covers from K-pop heavyweights like V and Jung Kook of BTS, Minho, EXO, SEVENTEEN, TOMORROW X TOGETHER, ITZY, ATEEZ and IVE, as well as stars across the J-pop and Korean hip-hop scenes.

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A day after the release of 2 Kids on the Block — Dynamicduo’s milestone 10th album together — was the unveiling of J-Hope from BTS’ latest solo project, Hope on the Street Vol. 1, featuring Gaeko on the lead single “NEURON.” Alongside this J-Hope collaboration, the slew of rising and established names in Korean pop, R&B, rap and even acting on 2 Kids all point to Dynamicduo’s continued influence and expert ability to navigate different musical realms for decades.

Speaking exclusively with Billboard, Dynamicduo reflect on their journey thus far, share their ambitious vision for the next decade, discuss differences between their BTS collaborations and more.



Congratulations on the release of 2 Kids on the Block – Part.3. How does it feel now that the series is complete? With five full tracks, Part.3 is the longest chapter in the 2 Kids on the Block series. Was there a reason for breaking out the parts like you did?

Gaeko: We feel so happy to be able to release the album on our 20th anniversary. The timing was perfect.

Choiza: Our CEO, who had been with us since the establishment of our company, suddenly passed away as her condition worsened, and while she was here, she really liked the songs that we were working on from the tenth album. So we wanted to gift the release to her while she was still here with us. And the current state of the music market makes it impossible for people to listen to all the songs in an album. Even if we released all the songs at once, only one to two songs would have stood out, so we thought dividing it into parts would have people listen through all the songs. Lastly, this album expresses stories and the history of Dynamicduo, so we released it in several parts to sequentially tell different stages of our lives from past to present.

You also released a remix package for “AEAO” with DJ Premier and “Smoke” for Street Woman Fighter 2, both viral hits, in between parts. Was there a balance you had to find with these singles and returning to the album?

Gaeko: Apart from the hits of the two singles, we tried to refocus on maintaining the album’s concept and improving its level of completion. We took a short break, about two weeks, at the beginning of the year to refresh our minds and then got back to the grind.

Choiza: Actually, 2 Kids On The Block – Part.3 was originally going to be released as three songs last year, but “Smoke” became such a huge hit, so we couldn’t complete the album at that time. But, thanks to that, we were able to prepare five songs instead of three with the extra time we were given, and we are satisfied with how it turned out. The additional two songs that we added fit right in with the concept of the album.

Your new single, “PITAPA” featuring pH-1 and Junny, is really impressive. What inspired the theme of “pizza, tacos and pasta” and what do you hope listeners will take away?

Choiza: “PITAPA” is a song that resembles the aspiration of wanting our music to be appealing to people all over the world and to be known in such a way as pizza, taco, and pasta are as global foods familiar to everyone around the world. pH-1 and JUNNY are well-received in both Korea and overseas, so having them on the track added extra flavor and we think overseas listeners who like Korean hip-hop will have fun listening to it.

Gaeko: We felt that the words “pizza, taco, pasta” connected well and the line just stuck to our mouth. We felt the groove and loved the sound of it, so we were able to make the hook right away. “PITAPA” was the last song we worked on on the album, and it was completed quickly with the inspiration we got from our U.S. performance that we had just gotten back from.

Personally, I hear some DJ Premier influence on the production of “PITAPA.” Did his work inspire you or parts of this album after the resurgence of “AEAO”?

Choiza: “AEAO” is a song that gave us the courage to pursue overseas activities. We worked with an amazing artist, DJ Premier, and when the song resurged on TikTok, it helped bring in a wider audience, giving them exposure to who we are and our songs. The resurgence encouraged us to think that we have the potential to do something overseas and that the idea of rapping and singing in Korean would still appeal to the foreign market. “AEAO” gave us tremendous inspiration.



BewhY gives props to Dynamicduo as inspiration for his career on the album track “Love Myself.” This LP has many rising rap and R&B stars. Do you have humbling moments like this where you realize your influence?

Choiza: We are very grateful that young artists are inspired by us and how long we’ve been doing this. We think one of the reasons we’ve been able to make music for so long is that we get a lot of help and learn a lot from working with new artists. We want to continue working hard and creating good music together.

Actor Jung Man Sik does the intro on “Dramatic,” which was very clever. How did he end up on the album?

Gaeko: When we got Man Sik’s part added to the song, it felt like we found the missing piece to the puzzle. We contacted him last minute, like two days before our scheduled mix session. We had nobody else in mind other than Man Sik and, luckily, it was his day off that day, and he understood exactly what we wanted and acted so quickly on it. He completed our puzzle and we want to thank him again.



Gaeko, you collaborated with J-Hope of BTS on “NEURON” from Hope on the Street Vol. 1 album. Since J-Hope is enlisted and cannot share much about the song, can you tell us about how the track came together?

Gaeko: J-Hope came to my studio last year and we not only talked about music, but also talked about many different things in life — it was such a fun time and I felt his deep passion for music and dance. I think his energy transferred over to me because I was able to write the lyrics quickly. We recorded our verses separately, and I went over to HYBE and we recorded the hook together. It was a fun project.

All three verses on “NEURON” express a strong sense of positivity and gratitude. Can you share how you approached your verse? Did you hear J-Hope and Yoon Mirae’s verses, or was it all a surprise when the album came out?

Gaeko: It wasn’t until after 20 years of making music that I began to understand that good things come out only when you relax and empty yourself. I wanted to capture those emotions in the verse, and I also tried to make the overall structure of the verse simple and plain. J-Hope’s verse was already completed before I did my part, and I listened to Tasha (yoonmirae)’s verse after it was mixed. Their parts were so good so I had second thoughts on recording my part again, but I decided not to. If I did it again, I wouldn’t have been able to capture the same emotions from the initial recording, so I left it as is.

RM featured on Gaeko’s single, “Gajah” from 2017. How do the collaboration experiences and recording processes differ between RM and J-Hope?

Gaeko: I felt that the musical direction they were both pursuing was similar yet different. I felt that RM had a deep affection, understanding, and love not only for hip-hop but also for music itself. And J-Hope had a massive passion for hip-hop and dance and wanted to pour all his energy into them before enlisting into the army. I also received a lot of energy from those two.



As Dynamicduo celebrates its 20th anniversary in 2024, how do you look back on the 20 yeras? Do you have anything special planned to celebrate this year?

Gaeko: Looking back now, we think that we were meant to do music. There were times when we experienced challenges, joy, and frustration, but the fact that the two of us were together in all those moments is probably the biggest accomplishment of our career.

Choiza: [The] 20th anniversary isn’t any special to us because we want to work just as hard as we’ve been and treat it like all our previous years. However, we will be holding a concert at the end of the year for our 20th anniversary and we want to make it big — we will be working hard and preparing a show for all to enjoy.

Collaboration has been a significant aspect of your career and we see it in 2 Kids. Whether it’s with fellow artists or producers, how do you approach collaborations to make them successful? Is there anyone still on your bucket list?

Choiza: We enjoy working together, but there are also a lot of new things that we discover when working with other artists. It’s fun to work with famous artists, but we also want to collaborate with rising, up-and-coming artists because we have a lot to learn from each other as well.

We think it would also be fun to mix various languages into one song. We are currently working with Thai rapper F.HERO, and we hope to work with artists from the U.S., Japan, Southeast Asia, and other parts of the world.

While K-pop impacts globally, Korean hip-hop and R&B are also rising. Do you have any thoughts—or hopes—of what it will take for these genres and artists to be more noticed internationally looking forward?

Gaeko: It’s important to make an effort to create the best work in whichever area we work in and to respect each other. We try not to set any high expectations for the results and just do our best in our field.

Choiza: Our goal is to be good at making music and to do it for a long time, so we’ll do our best to keep this going. We ask for your continued interest, and I believe that our overseas listeners will find songs that suit their tastes when they listen to all our songs that have been released so far. Please check out our 10th album as well as all our previous ones. We feel so grateful and honored to take part in this interview. Thank you for having us!

Future & Metro Boomin Release Menacing Trailer for ‘We Still Don’t Trust You’ Album: ‘Job’s Not Finished’

One time wasn’t enough for Future and Metro Boomin as the Atlanta rapper-producer duo are ready to spin the block again later this month.

Metro Boomin shared a menacing trailer for the second serving of their double album titled We Still Don’t Trust You on Thursday (April 4).

The cinematic clip features Young Metro and Pluto draped in white suits while walking around a dark room. Matching luxury cars flank the pair before stunt doubles continue to fill the alley. Everything comes to a close by revealing the project’s April 12 release date.

“Job’s not finished 4/12/24 @1future,” Metro captioned the clip on social media.

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Young Metro also made sure to clarify on X that this project isn’t some sort of deluxe edition and should be looked at as a completely new idea separate from the first.

“This is not a deluxe this is completely separate body of work #WeSTILLDontTrustYou 4/12/24,” he added.

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Metro Boomin and Future took the hip-hop world by storm with their We Don’t Trust You album, which topped the Billboard 200 with 251,000 total album-equivalent units in the week ending March 28, per Luminate. It’s the biggest sales week for any album thus far in 2024.

“ALL PURELY OFF STREAMS NO PHYSICALS NO BUNDLES JUST GREAT MUSIC AND EMBRACE FROM YOU ALL!! THANK YOU!!!! #WETRUSTYOU #WEDONTTRUSTTHEM,” Metro wrote on X after the project reached No. 1.

Album standout “Like That” featuring Kendrick Lamar also soared to top the Billboard Hot 100 thanks in part to K. Dot’s incendiary bars scorching his “Big 3” running mates Drake and Future.

“Like That” ended up drawing 59.6 million streams and 5.6 million radio airplay audience impressions and sold 9,000 in the week ending March 28, according to Luminate. The 59.6 million streams are the most for a track in one week since Miley Cyrus’ “Flowers” tallied 59.7 million in its second week (Feb. 4, 2023).

Gear up for We Still Don’t Trust You by watching the trailer below. Look for the album to arrive on April 12.

Kehlani Makes Magic on the Dance Floor for Vibrant ‘After Hours’ Single: Listen

Surfing the Pacific Ocean’s peaceful waves along with enjoying San Diego’s breeze brought Kehlani the tranquility needed to craft their upcoming project.

Lani returned on Thursday (April 4) with their first offering of new music since 2022’s Blue Water Road. The airy “After Hours” hit streaming services oozing with good vibes spurring fans to get outside ahead of summertime.

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The groovy track features a familiar sample implementing the drums from Nina Sky‘s 2004 hit “Move Ya Body,” which peaked at No. 4 on the Billboard Hot 100.

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“We don’t gotta take it slow/ I’ma hit the gas if you’re ready to go/ I wanna speed it, breathe into your clothes/ The way you touch my neck got me ready to fold,” she sings.

Kehlani caught up with Apple Music’s Zane Lowe on Thursday where she detailed her love for “Move Ya Body” when it came to sampling and how she wanted to create more cheerful music rather than the sorrowful tunes her fans cling to.

“Because those drums, when they drop, it’s so recognizable and everybody just loses it. It’s one of those things where it drops and everybody goes, ‘Woo,’ and bends their knees and puts their hands on their knees,” she explained.

“Coming out of this pandemic to global tragedy to global tragedy to global tragedy, I was like I’m not really in a space to make something that feels super jarring or super sad. I’m very outspoken about these things, but I want my art to provide some kind of life and fun. I wanna hear this outside and I wanna feel good.”

Kehlani still hasn’t revealed the title or release date of their anticipated LP. Her last LP Blue Water Road peaked at No. 13 on the Billboard 200 and No. 8 on Top R&B/Hip-Hop Albums.

Listen to “After Hours” and watch Kehlani’s Apple Music interview below.





Nicki Minaj Teases ‘FTCU’ Remix With Sexyy Red: ‘Bring the Kids & the Stroller’

Nicki Minaj cleared the tarmac for Sexyy Red’s rise to stardom when she lent the St. Louis rapper a major co-sign after hopping on the remix to her bubbling “Pound Town” anthem last year, which ended up being Red’s first Hot 100 entry.

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Minaj is looking for Big Sexyy to return the favor as she recruited the 25-year-old to join her for the remix of Pink Friday 2 standout “FTCU.” Nicki turned up the pressure by taking to X — formerly known as Twitter – to get Sexyy’s attention.

“You got your verse for #FTCU? Finna drop the remix @SexyyRed314_ Left #PoundTown to go #FTCU a remix for a remix,” she wrote on Thursday (April 4).

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Hours later, Sexyy Red was summoned and appears to be down to run it back and join Minaj for another collaboration on one condition.

“Song + Video,” Red replied while hoping for the chance to star in a second visual with the Queens icon.

Minaj implored Sexyy to send over her verse and teased another potential superstar joining them both on the “FTCU” remix.

“Miss lady, bring the kids & the stroller that’s all I got to offer right now. a play date,” Nicki replied. “Let somebody film us bi$h sexy know DANG well we on tour in #gagcity Barbz. send me that verse right away pls ma’am. It’s a superstar (or 2) on there as well. GET IT SEXY!!!!!!”

Fans were ecstatic about hearing Nicki and Sexy Redd potentially reuniting. “CAN YOU HEAR ME SCREAMING,” one person asked.

In a conversation with Billboard last year, Sexyy Red gushed about having the opportunity to work with Minaj on “Pound Town 2.”

“It was such a good experience! She’s a sweet person, and you can really tell she’s really serious about her music,” she said. “She gave me some of the best advice that I know I’ll always come back to. I really appreciate her for being supportive and kind.”

“FTCU” debuted at No. 42 on the Billboard Hot 100 in December before surging up the chart to reach a peak of No. 15. The Waka Flocka Flame-sampling track is one of two Pink Friday 2 songs still on the Hot 100 where it currently sits at No. 82.

Sexyy Red is making noise of her own on the charts as her latest Tay Keith-produced single “Get It Sexyy” is slotted in at No. 28 on this week’s Hot 100, marking her highest-charting solo track to date.

As for Nicki Minaj, she’s still on the road for the Pink Friday 2 World Tour, which returns home to the Big Apple with a stop in Brooklyn’s Barclays Center on Thursday night (April 4).

Former Bad Boy Rapper G. Dep Released from Prison: See the Clips

Rapper Travell “G. Dep” Coleman was officially released from prison on Thursday (April 4).

In a series of posts to his Instagram on Thursday, G. Dep fully documented his release from Fishkill Correctional Facility in Upstate New York. Throughout the videos, the rapper can be seen exiting the facility, riding in a car back to New York City, and enjoying his first meal as a free person in nearly 14 years at an IHOP. “I’m free at last,” he says in his video at the restaurant.

Late last year, after serving 13 years of a 15-years-to-life sentence, the former Bad Boy signee was among 16 individuals granted clemency by New York Governor Kathy Hochul. In 2010, Coleman walked into Harlem’s 25th Precinct and confessed to a 17-year-old cold murder case. Back in 1993, he shot 32-year-old John Henkel in a botched robbery and fled the scene, tossing the murder weapon into the East River. After learning that Henkel passed away, Coleman said the murder weighed heavily on his conscience.

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In a 2010 interview with the New York Post, Coleman claimed that he had struggled with drug addiction, which played a factor in his decision to come forward. “That’s just the life I was living back then,” he said. “I started to wonder if all the bad things that happened to me in my life were karma for what I did … you start to think, ‘My happiness is because of someone else’s sadness.’ I thought that if I turned myself in, it might give me closure.”

Coleman signed to Bad Boy in 1999, releasing his solo debut Child of the Ghetto two years later. He had a hit in “Special Delivery,” which reached number three on Billboard’s Hot Rap Songs chart and was featured on “Let’s Get It” alongside labelmate Black Rob and Bad Boy founder Puff Daddy.

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See the clips chronicling G. Dep’s release below:

Future, Metro Boomin & Kendrick Lamar’s ‘Like That’ Earns Best Streaming Week for a Hip-Hop Hit Since 2021

Future, Metro Boomin and Kendrick Lamar reign on Billboard’s Streaming Songs chart dated April 6 with “Like That,” which blasts in at No. 1. In the March 22-28 tracking week (the song’s first, after premiering March 22), “Like That” earned 59.6 million official U.S. streams, according to Luminate.

It’s the biggest week for any song in the U.S. in 2024 and the most streams in a single week since the second week of release for Miley Cyrus’ “Flowers” (as reflected on the Feb. 4, 2023, chart), which accrued 59.8 million listens.

As “Flowers” opened with 52.6 million streams (Jan. 28, 2023), “Like That” boasts the biggest opening week for a track since Taylor Swift’s “Anti-Hero,” which began with 59.7 million streams (Nov. 5, 2022).

Among R&B/hip-hop titles (defined as those that have hit Billboard’s Hot R&B/Hip-Hop Songs chart), “Like That” sports the most weekly streams since Drake’s “Way 2 Sexy,” featuring current leader Future and Young Thug, soared in with 67.3 million (Sept. 18, 2021).

“Like That” is Future’s third Streaming Songs No. 1, following “Way 2 Sexy” and his own “Wait for U,” featuring Drake and Tems (2022).

Metro Boomin earns his first Streaming Songs ruler (as a billed recording artist), eclipsing a pair of No. 2 peaks with “Runnin,” a co-bill with 21 Savage (2020), and “Creepin’,” a triple bill alongside The Weeknd and 21 Savage (2023).

Lamar nabs his fourth Streaming Songs No. 1, following “Humble.” (2017), Lil Wayne’s “Mona Lisa,” on which he’s featured (2018), and “N95” (2022).

“Like That” leads an onslaught of titles from Future and Metro Boomin’s new collaborative album We Don’t Trust You on Streaming Songs — 17 in total, the LP’s entire tracklist. That includes five of the chart’s top six, with “Like That” followed directly by “Type Shit,” by Future, Metro Boomin, Travis Scott and Playboi Carti, at No. 2 (34.9 million streams). The only non-Future and -Metro Boomin song in the top six: Hozier’s “Too Sweet,” which debuts at No. 3 via 28.9 million streams.

Concurrently, as previously reported, “Like That” debuts at No. 1 on the multimetric Billboard Hot 100 with 5.6 million radio audience impressions and 9,000 downloads in addition to its streams. We Don’t Trust You bounds in atop the Billboard 200 with 251,000 equivalent album units earned.

Nicki Minaj’s Style Evolution, From 2009 to Now

Nicki Minaj‘s sense of style is just like her music: wild, colorful, daring and boundary-pushing.  

Throughout the years, she’s rocked eye-catching wigs, bold patterns, avant-garde silhouettes and a number of blinged-out accessories — perhaps most famously, her collection of “Barbie” necklaces. The record-breaking rapper’s fashion was definitely at its wackiest back in the days of her Pink Friday era, with Minaj sporting everything from a full-body leopard-spotted look at the Grammys to a metallic dress tricked out with vibrant plushies and an ice cream cone necklace in 2011. 

As her career has progressed, the Trinidadian artist has opted for slightly more sophisticated looks while keeping things fun and interesting. She’s known for showing off her curves in demure, form-fitting gowns or bodysuits with cool cutouts, but she’s also still down to take risks, too – be it with a wild animal print or a dangerously sheer fabric.  

No matter what she wears or how her style changes, though, one thing will always remain the same: Pink is her color. Nobody pulls off the shade quite like Minaj, who’s made it her own with neon hair highlights, babydoll lipsticks and powerfully feminine outfits. 

It’s also important to note that Minaj’s style doesn’t just change with the times – it also varies based on which of her alter egos she’s embodying on any given day. “If I’m more dressed down in sweats and black hair, that’s the Nicki character,” she explained to New York magazine in 2012. “Roman is more outlandish with his dress code — he’ll wear speakers on his butt and stuff like that. Barbie wears little cute dresses that don’t show too much skin.” 

See how the Queen of Rap’s fashion has evolved over the years, from 2009 to now, below: 

Travis Scott Celebrates Release of Cactus Jack College Collection With Trips to LSU & Texas

Travis Scott is heading back to college for the day. To celebrate the release of his Jack Goes Back to School collection — helmed by his Cactus Jack brand in collaboration with Mitchell & Ness and Fanatics — La Flame pulled up to LSU (Louisiana State University) and the University of Texas on Thursday (April 4).

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Joined by Fanatics CEO Michael Rubin, Scott headed to the LSU bookstore for a midnight launch of the collection where he was greeted by fans looking to get their hands on the Tiger-themed merchandise, and the “SICKO MODE” rapper even gifted a girl his sweatshirt off his back.

The 32-year-old Cactus Jack boss linked up with the star power on campus as he hung out with LSU quarterback and highly touted NFL Draft prospect Jayden Daniels as well as LSU hoop stars Angel Reese and Flau’jae Johnson, who signed autographs for fans.

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Travis Scott then jetted to the University of Texas where he was an honorary Longhorn for the afternoon. Scott participated in a panel discussion with UT president Jay Hartzell and then got rowdy with the football team by joining the squad for spring practice.

The cross-country trip isn’t done just yet with a Trojan stop at the University of Southern California still on tap for the afternoon where they’ll hit the USC bookstore at 3 pm.

Fans can shop the Jack Goes Back to School collection — which features garments from 28 different colleges — at La Flame’s online store as well as the Fanatics website. University bookstores and select Lids locations will also be carrying the capsule.

The Houston rager used his creative vision to blend the worlds of collegiate sports with streetwear for a merchandise run that includes snapback hats, hoodies, T-shirts, shorts, sweatpants, crewnecks and backpacks. The limited-edition apparel ranges in price from $68 to $160.

Some of the marquee schools on board outside of LSU, University of Texas and USC include the University of Michigan, University of Miami, University of Kentucky, University of Alabama, Penn State University, Clemson University, Florida State University and many more.

Travis Scott is still entrenched in the litigation surrounding the tragic 2021 Astroworld Festival, but last week his legal team requested in Houston court that he be dismissed from the sprawling lawsuits.

While the festival left 10 dead and has since compiled 2,500 lawsuits against Astroworld, Scott’s attorneys are arguing that safety and security at live events is “not the job of performing artists.”

Find images from the collection below.

Jack Goes Back To College

Jack Goes Back To College

Cactus Jack

Jack Goes Back To College

Jack Goes Back To College

Cactus Jack

Jack Goes Back To College

Jack Goes Back To College

Cactus Jack

Jack Goes Back To College

Jack Goes Back To College

Cactus Jack

Cardi B & Ice Spice Squash Feud Rumors With Sweet Photo Together: ‘De Lo Mío’

It’s official — there’s no bad blood between Cardi B and Ice Spice, as confirmed by the two women in a sweet interaction on X Wednesday (April 3).

The hip-hop stars effectively dispelled any rumors that there may be beef between them when the 24-year-old “Munch” rapper tweeted photos they took together at the 2024 Vanity Fair Oscars party in March. In the snaps, the 31-year-old Whipshots founder flashes a peace sign as Ice leans in close, making a kissy face.

“De lo mio,” the younger musician captioned the post.

Cardi then retweeted the pics, adding three heart emojis.

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The exchange came about after the “WAP” artist engaged in an argument about heritage, colorism and public perception with influencer Raymonte Cole. At one point, Cardi tweeted, “I asked you why you feel comfortable calling me a Mexican when ice and Jharrel Jerome Zoe Saldana are Dominicans and you don’t do that to them.”

In response, Ice wrote to Cardi, “no offense bardi its cus i have a dominican parent & a Black one,” leading the Love & Hip Hop alum to clarify: “My father is Dominican…I’m Dominican just like you. I also used other Dominicans as an example because as you should know a lot of times we get clustered into one because of the language. Also can you send me that pic you took of me wit ya camera from vanity fair? Thank youuu.”

Cardi recently appeared on Shakira’s new album Las Mujeres Ya No Lloran, guesting on the project’s opening track, “Puntería,” which hit No. 72 on the Billboard Hot 100. Earlier this year, she also released the singles “Enough (Miami)” and “Like What (Freestyle).”

Ice released her latest single, “Think You the Shit (Fart),” in January. The track debuted at No. 37 on the Billboard Hot 100.

See Cardi and Ice’s Vanity Fair photos below.