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R&B/Hip-Hop

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It’s been years since the infectious kids song “Baby Shark” wiggled its way onto everyone’s computer screens in 2016. And since it went viral in 2018, eventually charting in the Billboard Hot 100 top 40 the next year, the absurdly catchy dance-along hit has gained a number of high-profile fans — including Cardi B. So much so, Cardi […]

Ms. Lauryn Hill has had to push back the 25th anniversary tour celebrating her landmark Grammy-winning The Miseducation of Lauryn Hill album once again. The singer told fans in a statement on Tuesday (Nov. 21) that her ongoing issues with a severe vocal strain mean that she has to push the remaining dates on the outing into 2024.
“Id like to start this off by saying how much I’ve enjoyed being on the road, and how much I appreciate all of the fans who have come out to celebrate this incredible milestone anniversary and history making reunion with us. Being able to tour this album to sold out crowds after 25 years has been an emotional experience!” Hill wrote in an Instagram post accompanied by footage of her straining through a performance of “Ex-Factor,” her voice audibly hoarse and scratchy.

According to a statement from her spokesperson, Hill has been suffering from the side effects of nightly use of the steroid prednisone to treat her vocal condition; common side effects of using prednisone include dizziness, irregular heartbeat, headaches, irritability, rattling breathing, numbness in arms/legs, shortness of breath and labored breathing.

Hill addressed those unintended consequences in the post. “As many of you may know, I’ve been battling serious vocal strain for the past month. I made it through each show by taking prescribed prednisone, but this can be detrimental to the body when taken in large amounts over long periods of time,” she wrote. “In order to prevent any long term negative affect on my voice and my body, I need to take time off to allow for real vocal recovery so that I can discontinue the medication completely.”

Last month, Hill postponed a run of shows to “heal and rest” her voice, including a gig in Philadelphia that was originally slated to take place early in the run of shows that also find her reuniting on stage with her Fugees bandmates Wyclef Jean and Pras. She paid tribute to the pair in Tuesday’s note about the tour postponement.

“I’ve loved sharing the stage again with Wyclef and Pras. The Return of the Fugees has been powerful and amazing — those who’ve witnessed it can testify,” she wrote. “The tour itself reminds us the artists, and the audiences alike of earlier, perhaps less complicated times when ‘It could all be so simple…’ or ‘Ready Or Not, here I come!’ were on repeat on the airwaves. Simply put, classic. Classic music, classic performances with audiences who love those classics has been nothing but…wait for it…EPIC. (I almost said classic again! 🙀).”

The note ended with Hill breaking the news that the remainder of this year’s scheduled gigs — including shows in Atlanta, Nashville, Charlotte, Huntsville, Tampa, Miami and Boston — will be pushed to next year. The exception is Saturday night’s (Nov. 25) already rescheduled gig at the Wells Fargo Center in Philadelphia.

“The shows that were cancelled this year will be rescheduled for early 2024 AND because of the overwhelming response, we’ll be adding new cities to the tour, including overseas,” Hill added, noting that her team is working on a new calendar of dates that they plan to announce soon.

Check out Hill’s post below.

It’s Chris Brown’s time again on Billboard’s Top R&B Albums chart as his new project, 11:11, debuts at No. 1 on the list dated Nov. 25. The set, released on Nov. 10 through CBE/RCA Records, starts with 45,000 equivalent album units earned in the U.S. in the week ending Nov. 16, according to Luminate.

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The new champ also achieves a feat that had seemed nearly impossible in the last year, unseating his RCA labelmate SZA’s SOS blockbuster from the No. 1 spot on Top R&B Albums. Since SOS docked at No. 1 on the chart dated Dec. 24, 2022, the album had ranked at No. 1 every week since – a total of 48 frames.

Streaming contributes most of 11:11’s first-week activity. 38,000 units of the album’s 45,000 total are from streaming clicks, equaling 51 million official on-demand audio and video streams of the album’s songs. Traditional album units provide 6,000 units from the remaining sum, with the last 1,000 units from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

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In all, 11:11 gives Brown his fifth No. 1 on the Top R&B Albums chart, which began in 2012.Elsewhere, 11:11 clocks a No. 2 entrance on Top R&B/Hip-Hop Albums and No. 9 on the all-genre Billboard 200. On both charts, the launch secures Brown’s 12th top 10 album – the entirety of his output, sans his collaborative mixtape with Young Thug, Slime & B, which peaked at No. 15 on the former and No. 24 on the latter list.

As 11:11 arrives, eight of its songs appear the Hot R&B Songs chart, including six debuts. The previously released singles “Sensational” jumps 21-7 in its third week on the list, while “Summer Too Hot” re-enters at No. 23 after having achieved a No. 6 peak in August. Here’s a look at the 11:11 placements on this week’s list:

No. 7, “Sensational,” featuring Davido & Lojay

No. 8, “Angel Numbers/Ten Toes”

No. 9, “That’s on You,” featuring Future

No. 11, “No One Else,” featuring Fridayy

No. 12, “Press Me”

No. 17, “Feel Something”

No. 22, “Nightmares,” featuring Bryson Messia

Brown also lands a ninth concurrent hit on this week’s chart. His collaboration with Ciara, “How We Roll,” slides 8-15, in part due to the 11:11 debuts, in its 14th chart week.

Meet Boys Are Rolling. The producing trio of Miles Sugarman, Crosby Spagnoli and Arno Sugarman are making a name for themselves by working with artists such as Joey Bada$$, Gunna, JID and Smino. The trio opens about how they came together, the projects they are working on, how they find artists to work with, the future of the group and more!Crosby Spagnoli:I definitely saw some people at the beginning were like, “Whoa, you guys made this.”

Miles Sugarman:It’s always, “You guys made this?” that’s always … Arno Sugarman:They always thought that we would pull up like somebody else’s beats or something.

Miles Sugarman:I’d say the simplest way to put it is Arno will start something, kind of get a great base idea down, we’ll then give it to Crosby. Crosby will polish it up, make it ready to then give to an artist, have it, like, song ready, and then I’ll get it to the artist. I’d say that’s the simplest way to put it.

Boys Are Rolling:Yeah.

Miles Sugarman:Me and Arno are brothers, so I guess we’ve known each other for quite a long time now and Crosby went to our high school. He and I did a music theory class together, and at the time, Arno was making beats on his computer, which wasn’t that popular, at least in my personal opinion. It didn’t seem that popular. And Crosby one day was like, “Oh, yo, like I make beats too, like, check this out.” I thought he was hilarious. I thought his music was really interesting, and because they were the only two that I personally knew that did that kind of, I guess, producing, I was like, “You guys need to meet.”

I find mostly bubbling artists, mainly through Spotify. I’ll check out artists that I really like, see who they’ve worked with or check their Instagram to see who likes them, and you’ll stumble upon something fantastic. Luckily, we now have, I feel like, enough credibility where I can DM someone who’s not, you know, completely blown up and usually we have a good success rate of who will hit us back. That’s my favorite part of this. It’s been like this is great. We want to work with them and actually have the ability to work with them.Watch the full video above!

Mitski’s “My Love Mine All Mine” ranks atop the TikTok Billboard Top 50 yet again, while Jack Harlow’s viral hit “Lovin on Me” makes a major move into the Nov. 25-dated tally’s top five.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Nov. 13-19. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“My Love Mine All Mine” appears at No. 1 for the second straight week and fifth overall, extending its standing as the longest-running No. 1 in the TikTok Billboard Top 50’s two-month history. It concurrently lifts 3% to 12.5 million official U.S. streams in the U.S. on traditional streaming services, according to Luminate, begetting its new No. 14 peak on Billboard’s Streaming Songs chart.

Checking in on the sound nearly two months after its initial debut on the TikTok Billboard Top 50 (Sept. 30), “My Love Mine All Mine” continues to be utilized in largely the same way, with users uploading videos showcasing love or budding friendships.

Lil Mabu and Chrisean Rock’s “Mr. Take Ya B-tch” remains at No. 2, while Kanye West’s “Runaway” featuring Pusha T vaults onto the ranking at No. 3. The 2010 song, featured on West’s My Beautiful Dark Twisted Fantasy, sports a sizable bump on TikTok, led by an upload showing when West changed the lyrics of the song to address his divorce from Kim Kardashian.

Jack Harlow’s “Lovin on Me” jumps to No. 4 after debuting at No. 23 on the Nov. 18 survey, its first full week of tracking after being released Nov. 10. The viral tune, which was teased on TikTok prior to its release, concurrently debuts at No. 2 on the Hot 100, as previously reported, largely via 22.2 million streams across all streaming services that report to that chart.

Usages of the song on TikTok mostly center on its opening refrain of “I’m vanilla, baby,” with perhaps the most viral upload featuring user quinickle doing a Rubik’s cube while lip synching – with many subsequent videos referencing him, as well as other so-called “vanilla” men.

Rounding out the top five, Mariah Carey’s “All I Want for Christmas Is You” reaches a new peak of No. 5 after breaking into the top 10 the previous week at No. 6. It’s one of three holiday songs on the latest ranking, with Carey followed by Wham!’s “Last Christmas” at No. 17 and Brenda Lee’s “Rockin’ Around the Christmas Tree” at No. 25.

Outside of “Runaway,” the chart’s next highest debut of the week belongs to Colbie Caillat’s “Bubbly,” which bows at No. 12. The 2000s hit has taken off thanks in large part to uploads in which posters use the song to soundtrack other musicians dancing at their own concerts, from Lil Uzi Vert and Justin Bieber to Kiss and NLE Choppa.

“Bubbly,” which peaked at No. 5 on the Hot 100 in October 2007, sported a gain of 29% to 1.5 million streams.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Cardi B had some pointed words for a commenter on X (formerly known as Twitter), who appeared to take shots at the “Bongos” rapper after a recent post in which Cardi posed at the gym in butt-hugging leggings that showed off her famous backside. “I hate influencers who do this get all the surgery acting […]

50 Cent had a very special, surprise guest for the fans at his “Final Lap” show at London’s O2 Arena on Tuesday night (Nov. 21). During his performance a giant box on stage flashed the message “there’s a monster in this box,” as the familiar strains of Ed Sheeran‘s “Shape of You” filled the arena […]

Among the music gems being released on Record Store Day Black Friday (Nov. 24) is WAR’s The World Is a Ghetto: 50th Anniversary Collector’s Edition. Billboard’s top-selling album of 1973 has been remastered and repackaged as a deluxe, five-LP boxed set curated by founding WAR member/lead singer Lonnie Jordan, the band’s longtime producer Jerry Goldstein and Jeremy Levine. 

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The boxed set — limited to only 4000 copies — is comprised of the original 1972 album, featuring the gold-certified Hot 100 hits “The World Is a Ghetto” and “The Cisco Kid,” six previously unreleased session bonus tracks and unreleased “the making of” recordings that reveal the origins of the album’s six tracks. The original album (which topped the Billboard 200 and R&B charts) and bonus tracks are pressed on two gold-vinyl LPs; the making of tracks on three black-vinyl LPs. “War Is Coming,” one of the bonus tracks, will also be available digitally on Black Friday. The entire project is being released through Rhino and Avenue Records/Far Out Productions.

The 50th Anniversary Collector’s Edition is a fitting insight and tribute to one of the most seminal bands in music. Hailing from Long Beach, Calif., the multi-racial group’s visionary fusion of R&B, funk, rock, Latin, jazz and reggae was embraced by producer Jerry Goldstein and the Animals’ frontman Eric Burdon. The latter joined WAR on its first two albums in 1970, Eric Burdon Declares “War” (spinning off the group’s first Hot 100 hit “Spill the Wine”) and The Black-Man’s Burdon. The band etched its solo status in 1971 with the All Day Music, charting the top 20 R&B hits “Slippin’ Into Darkness” and the title track. Then came The World Is a Ghetto.

“They practically invented their own genre while addressing race, class issues and more,” noted Extra senior music correspondent Adam Weissler when he recently moderated “An Evening with WAR” with Jordan and Goldstein at the Grammy Museum. “They had people on their feet every night.”

“They had a great version of [the Rolling Stones’] ‘Paint It Black,’” recalled Goldstein of first hearing the band play in the late ‘60s. “But I didn’t know what to do with them.” That’s when Goldstein called Burdon and said, “But I have a hunch that you might. And Eric got it right away.”

Lonnie Jordan and Jerry Goldstein speak with Adam Weissler at An Evening With WAR at The GRAMMY Museum on October 25, 2023 in Los Angeles, California.

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Another Goldstein hunch also proved prescient for the 50th anniversary set. “I learned to record these guys every time they jammed,” he added. “They were the original super jam band.” Further into the museum chat, Jordan and Goldstein shared that the vibe while recording the original The World Is a Ghetto was “incredible,” with only 29 days elapsing between playing the first note to mastering the project.

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Along with The World Is a Ghetto and All Day Music, WAR counts 17 gold, platinum or multi-platinum albums in its catalog. Those include Deliver the Word (“Me and Baby Brother”), Why Can’t We Be Friends? (“Low Rider,” the title track) and Platinum Jazz (“War Is Coming,” “L.A. Sunshine”). The aforementioned “War Is Coming” and “L.A. Sunshine” are among the previously unreleased bonus tracks featured in the anniversary package that later evolved into future WAR songs.

Describing WAR as a “universal street band,” Jordan noted that the group “refused to be political. We just wanted to let people know what was going on outside of their box. We were their internet then.”

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Over the years, WAR’s music has been sampled or covered by a diverse range of artists. For example, “The Cisco Kid” has been sampled by Janet Jackson (“You”) and Method Man, Redman and Cypress Hill (“Cisco Kid”) and covered by Willie Nelson and Los Lonely Boys. The Geto Boys sampled “The World Is a Ghetto.”

Currently, three of WAR’s surviving original core members — Howard E. Scott, Lee Oskar and Harold Brown — perform as the Lowrider Band. Jordan continues to perform under the WAR moniker. 

“It’s still enduring music,” Jordan told the Grammy Museum audience. “What’s happening now happened back in the day. We were waging war against war, but we didn’t shoot bullets. We shot rhythms and harmonies.” 

“Ay, Carl, you need me to Superkick your ass, too?” snarls WWE superstar Jey Uso.
While the invite seems tempting, I back down, knowing Jey is a trigger-happy wrestler who revels in unexpected kicks to the chin and top turnbuckle splashes. The swaggering athlete isn’t just a nine-time WWE tag-team champion but a lyrical obliterator on the mic.

He and his twin brother, Jimmy Uso, arguably have not only one of the best WWE entrances of all time, courtesy of their song “Day One Ish,” but also a history of decimating their peers in freestyle battles. In 2017, the Usos chewed out The New Day in a lyrical skirmish during Monday Night Raw. Hosted by Wale, Jey, and Jimmy savored the opportunity of skewering the New Day with their menacing bars. According to Jey, he and his brother’s love for penning raps came during their high school days. They would freestyle for their friends in the cafeteria and in return, received “oohs” and “aahs” for their steely efforts.

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“I knew at the freestyle battle that they didn’t know we would come the way we did. They were doing some nursery rhymes over there,” Jey remembers about the classic 2017 battle against the New Day. “I knew we wanted them to be like, ‘What is going on here, dog?’ Let alone on national TV. Hell yeah, we gonna fire it up.”

Fast forward, Uso is now one of the most popular wrestlers in the business. After being embroiled in a three-year saga with his cousin, WWE undisputed champion Roman Reigns, Jey departed from WWE’s highly touted faction, The Bloodline, to live out his dreams as “Main Event Jey Uso.” Now, on his solo expedition, Jey has his own new WWE entrance theme, which remixes the bombastic original “Day One Ish.” The new song, “Main Event Ish,” symbolizes Jey’s lone wolf status, as he howls, “It’s just me Uce. Day one ish. It’s just me Uce,” on the hook.”

With dreams of overtaking Gunther, the WWE’s longest-reigning intercontinental champion, and fighting his brother Jimmy at the Super Bowl of all wrestling events, Wrestlemania, Jey has no issue superkicking anyone on his way to the top.

Billboard spoke to Jey about his love for Nipsey Hussle, wanting to invite Sexxy Red to a WWE show, why Kodak Black is his spirit animal, and recording his new entrance song “Main Event Ish.”

Big E did an interview a couple of years ago and he was like, “You guys were so good at rapping, you could drop an EP.” If Jey Uso was gonna drop a rap EP, who are the three people you’re calling up for features?

J. Cole, Kendrick Lamar and T-Pain.

Why those three?

J. Cole is Cole and Kendrick is Kendrick. T-Pain, we grew up in Pensacola, Florida down the street from Tallahassee in the early 2000s. T-Pain was slapping. We used to ride out to Panama City Beach playing his hits before football games. It’s Florida boy all day. 

 What music are you listening to get pumped for your match-ups?

Nipsey Hussle, man. He be putting me in the zone. J. Cole is my favorite. I ain’t never been to no concerts, but if I ever get to go to a J. Cole concert, I’m in there. 2Pac, Jay-Z. We in there. I got a playlist all the way to damn Britney Spears. We got range over here. 

Who would you say is the Jey Uso of the rap game?

I don’t even put myself up like that because I’m hustling trying to find myself. If I had to pick somebody, Kodak Black. He really be making noise out there, but he really don’t be. He’s trying to find his way out there just like me. 

Talk about how the original “Day One Ish” song came about with your brother Jimmy.

After we turned heel, I knew we had to get away from all the colors. We’re dropping all the facepaint, we’re just going black-and-white. At the time, nobody was wearing white boots at all. We at the mall. Damn Champs got one and the other half-off type of stuff. We got these black joggers and this black hoodie with the white Forces. In the middle of the mall, where they put the logo on your shirts. We sitting on there, “What we gon’ put on this s–t?” My brother’s like, “I don’t know, man. Some Day One S–t?” We can’t say s–t but what about ish? You know how they blank it out on the rap records. “Day One Ish, uce.”

So it really means “Day One S–t.” We put that on a hoodie and we wore it on TV and it stuck since. Some “Day One Ish” from then on. We got in the booth and they wanted us to have new music. We had these two younger cats that came up with the hook, “Down since Day One Ish.” We was just ad-libbing on the track and they let us flow. First couple times we was held back, but then we got warmed up and started yelling and hitting it. We were damn near sweating in the booth.

What was it like re-recording your new entrance music solo? What was that energy like?

I went back to New York. They wanted to take Jimmy off the original. The Usos and the Uso Penitentiary – take all that out. I’m like, “Fly me over there, let me see if I can re-do it.” They wanted to keep the “Day One Ish, [and] line ‘em all up.” I could keep all that, but I needed a damn switch for that beginning part. I’m in there with another young homie. He’s like trying to help me find the rhythm. He goes, “It’s just you now.” I go, “Yeah, it is. It’s just me on the track.”

Then I started like, “It is just me in this b–-ch.” It’s my turn. I started getting in that mindset. I was like, “Main Event Jey Uso is now in yo city!” I started yelling on there, and he’s plugging it in. Taking the old parts out and plugging in the new s–t. The beats were a little more tweaked. Other than that, I kept it to when I get on the turnbuckle — this part right here, no lyrics. This just needs to be the beat. This is where the hip-hop hooray handwave or whatever you wanna call it comes from. I wanted to incorporate the audience into it. It will make you say, “Ay.” I wanted to bleep all the lyrics out and just have the people getting involved here. Every second of that theme is timed to as soon as I hit the turnbuckle, they’re there with me. All timing, dog.

Did you see the Sexyy Red “SkeeYee” mash-up? What were your thoughts? I know she said she wants to pull up for a show.

First off, I was like, “No way, dog! She out here responding?” Then, I see her in a controversy and I don’t give a damn. Us too, who cares? Let’s get these numbers in with her. She’s still down and said she’s never came to a wrestling live event, a PLE, TV taping. If you hear this, [Sexyy,] you’ll be my VIP guest around here, girl. You can come out with me and help me sing my theme song. We gon’ have to change that red to blue though! 

I think it’s dope entertainers are pivoting into wrestling whether it’s Bad Bunny or Logan Paul. Who’s the next athlete or entertainer you’d like to see step into the ring?

First one that comes to mind is Conor McGregor. He’s kinda been tip-toeing around us a little bit. He’s had interactions with a couple of us, but never fully got in here. I’d like to see what he’s about. I love Shaquille O’Neal, so I personally think about LeBron James and I know he’s a huge fan. Let’s run it. They can all catch this Superkick though. Sexyy Red can get her ass Superkicked too!

Thanksgiving is coming up, and I’m concerned how the house gonna be with you, Solo, Jimmy and your dad Rikishi. Talk about what that dynamic’s gonna be like.

Ay, Carl, ain’t nobody coming to my house for Thanksgiving except my dad. That’s the only one. I’ma fly him down. Last year, I fried a turkey and everybody ate that. I’m frying three turkeys this year. It’s going down. As far as Solo and Jimmy, y’all take your asses home and stay somewhere. Especially Solo, he’s over there tripping.

What does an ideal singles run look like for Jey Uso?

The first singles championship on the top of my list is the IC [Intercontinental Championship] title. Gunther gonna have to run that. Everybody over there. He likes the Tribal Chief, you see what I do to the Tribal Chief? I don’t give a damn, let’s run that. My dad was an IC champion, my uncle, Umaga IC champion. Shawn Michaels. My favorite wrestler, the greatest, Razor Ramon. All the greats held the Intercontinental Championship and I’m trying to get that. That’s Pay-Per-View material right there.

You and your brother Jimmy had the conversation of what a Wrestlemania match-up would look like. With Wrestlemania 40, do you have in mind who’d you want to fight on that stage?

Right now, I feel like Jimmy’s at the top of the list. He’s gotta get this work. He’s still ducking me right now. He knows what it is. If I could talk from Josh and me, it’s my dream match. If this does happen, I’d be so grateful and happy. I would just look at him like look what we doing. Look at this! Those are special moments in the ring that nobody in the world knows. When we did the Money in the Bank with Roman [Reigns] and Solo, I was just looking at them getting a little teary-eyed like, “Look at us.” That would go down as the No. 1 moment in my career if I get to wrestle with Jimmy in the sold-out Philadelphia in front of friends and family. And I’d beat his ass. If I could pick someone else, I’d probably wanna run it one time with Seth Rollins for that championship. He’s a GOAT. He’s a beast and got my respect. He’s been holding down Monday Night RAW forever. I’m with it. 

 

Post Malone is spending his Thanksgiving down under. The rap crooner is in the midst of a swing through New Zealand and Australia through early next week, but on a recent night off he did what any global superstar would do: pop into a local Irish pub and sing some favorite tunes while hanging with […]