R&B/Hip-Hop
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Summer Walker said both of her birthing experiences were life-threatening, and that her first birth lasted over two days. In an interview with Mariah The Scientist for Summer Walker’s Over It Radio show on Apple Music 1, the latter spoke a bit about what it was like giving birth, and said both times were incredibly […]
Erica Banks is clearing the air about allegations she sounds like other rappers, including the most recent comparisons to GloRilla. The “Buss It” rapper hopped on X on Thursday (April 23) to push back against assumptions she’s trying to sound like other female rappers. “I don’t sound like anyone,” she wrote in her post. “I […]
Young Thug has a lot to say. After being released from prison in October following a two-year-plus bid as part of the YSL RICO trial, Thugger has remained quiet. That is, until Friday (April 25), when his first all-encompassing interview since regaining his freedom dropped via GQ .
In addition to his case, jail and his relationship with Gunna, Thug gave his unfiltered thoughts on the state of the rap game today.
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“I think the numbers could be better, but yes,” he said when asked if the rap game’s in a good place. “I think a lot of people rapping about the same thing. Ain’t nobody bringing something that you could actually watch. You can enjoy the music and enjoy the things they do, but we used to make movies. Now it’s just quick. We gotta get back to movies to where like people respect it.”
Thug expanded on the dominance of simplicity. “It was just a big wave of nothingness running the game,” he said. “Super-simple videos, not really high-priced videos. That wave came in really strong. Even the people that was doing high-priced videos, they started doing regular videos because that’s what was popping. We did it so long where we’re comfortable with that. We don’t want to do stuff like this that takes time.”
The YSL boss also spoke on his friendship with the late Rich Homie Quan. Thug explained that Quan wanted to do his own thing and pursue a solo career, which led to them not releasing more music together.
“I think we just grew and became our own bosses and men,” he said. “We were getting bigger, so I wanted to do my own thing. I think he did. I love music, but I don’t care about songs. I’ll have a No. 1 hit record song and I’ll put you on it. Whoever go to the top with you, go to the top. I don’t care. I would’ve been OK with keep doing it.”
Even after spending more than two years away, Thug hears his melodic influence across today’s hip-hop. “Absolutely, you hear some s–t and you’re like, ‘Me, for sure.’ You never rapped like that.”
Thug returned with his first single of 2025 on Friday as well, which finds him alongside a familiar face in Future as the Super Slimey duo teamed up for “Money on Money.” Thugger is headed toward releasing his UY SCUTI album, which is rumored to arrive in May.
Watch the full interview below.
DDG says his expensive lifestyle is causing him to live paycheck to paycheck. On his latest livestream on Wednesday (April 23), DDG confessed that despite having a sizable income, he constantly has to work to keep up with his expenses. “I have to make money. My bills are high,” DDG said. “Did I tell you […]
Flo Milli is a mom. The Alabama rapper revealed that she gave birth by sharing a photo of her baby boy on Instagram Friday (April 25).
Flo melted the collective hearts of her followers with a picture holding her baby boy sporting a diaper. She also made sure to let her fans know that they need to take their job of protecting their nephew seriously. “Yall bett not play bout yall internet nephew,” Flo wrote.
All of the uncles and aunties flooded Flo Milli’s IG comment section, with congratulatory messages from Latto, Halle Bailey, GloRilla, Rubi Rose and more.
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According to Vibe, Flo revealed that the father is rapper G6reddot when she shared photos from her baby shower showing the two together.
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Shortly after Flo revealed she had given birth, G6reddot also announced his son’s arrival on Instagram with a carousel of photos featuring the newborn. “Welcome my first born sixx,” he captioned the post. “it’s not easy being a black father in America Dey already counting me out.”
Flo’s followers knew she was going into labor when she posted a photo of a hospital bed on Thursday (April 24,) and captioned it, “yall pray for me.” The “Never Lose Me” rapper received support from J.I.D., Wale, Latto once again and many others in her comments.
Flo Milli confirmed her pregnancy in November when she took to X writing: “Flo mommy s—t … I can’t even see my coochie nomore that’s crazy.”
Weeks prior to her confirmation, pregnancy rumors ran rampant on social media after Flo posted a clip featuring her previewing new music, which saw a man rubbing her baby bump. She pushed back, claiming to be “bloated” at the time.
What’s fitting is that the same song she was teasing when fans first saw her pregnant belly also arrived in full on Friday. “Gripper” features T-Pain and samples the Florida legend’s 2005 anthem “I’m N Luv (Wit a Stripper).”
Find Flo Milli and G6reddot’s photos of the baby boy below.
Young Thug has spoken about his relationship with Gunna in a new interview with GQ. The Atlanta rap star finally breaks down everything from his rumored falling out with Rich Homie Quan to his lengthy and chaotic RICO Trial that kept him behind bars for over two years in GQ’s video cover story published Friday […]
Birdman revealed some interesting tidbits about Cash Money’s rise from New Orleans street label to mainstream powerhouse.
He sat down with Nick Cannon for the Counsel Culture Show in the episode that dropped Wednesday (April 23) to talk about how he and his older brother Ronald “Slim” Williams became success stories, and some of the early label meetings they had before signing their historic deal with Universal Records. Baby said he first took a meeting with Warner Bros. and executive Sylvia Rhone, but they weren’t really into the independent label’s music. “Sylvia Rhone said our music don’t work for them, so we just left,” he said. “I just walked out.”
Cash Money then took a meeting with legendary rap label Def Jam, but was turned down because of their artwork, which still confuses the rapper and music executive. “I went to Def Jam and met with Russell [Simmons], Lyor [Cohen] and Kevin Liles,” Baby told Nick Cannon. “This n—a Russell said he don’t like our artwork. I said, ‘This some weird s—t. I walked clean out. N—a don’t like my artwork, what about my music? You don’t care for the music? So, I left.”
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Baby then said that he and his brother almost had a deal with Priority Records, who just so happened to be in business with fellow New Orleans label No Limit headed up by Master P. However, according to him, things fell apart after the label flew them out to their offices in L.A. “I went to Priority — some weird s—t here — I go to Priority, they fly us to California,” he said. “Me and Slim, a couple of the homies, we go out there. N—a come in there and said, ‘I’m sorry, we can’t do the deal. They said because Master P said, ‘If we sign y’all, he’s leaving.’ I just jumped on a jet and went back to New Orleans was like, ‘F—k it, we just gonna grind with it.”
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Finally, Universal came calling and the two sides were able to carve out one of the more historic deals in music history. “And then Mel Lewinter and them called and I said this my last trip. I ain’t taking no more motherf—king flights to New York or California,” he recalled. “F—k it, we’ll thug it out. I’m still making millions, they gonna come down here and f—k with me, I ain’t going back. And that was my last flight.”
Master P and Birdman have seemed to have moved past those early issues, as the New Limit founder gave Lil Wayne key to New Orleans alongside Mayor LaToya Cantrell last year. He also said there weren’t any issues between the two camps when he went on No Chill with Gilbert Arenas in 2021, saying, “A lot of people thought, ‘Oh, they got beef,’ but, man, we lived right up the street from each other.”
Watch the full conversation below.
Bone Thugs-N-Harmony famously could not re-assemble earlier this month to appear on comedian John Mulaney’s live Netflix late night talk show Everybody’s Live due to what the host said was a scammer posing at the Cleveland rap crew’s phony manager. Explore Explore See latest videos, charts and news See latest videos, charts and news But […]
Dallas rapper BigXthaPlug is speaking out about his journey to understand autism in a new PSA for the Autism Society of America’s Autism Is campaign during Autism Acceptance Month. “To me, autism is a journey,” he says in a new video in which he talks about his 6-year-old autistic son.
“The reason I say that it is a journey is because I have a six-year-old son who has autism,” he continues about his son, Amar. “There’s nothing wrong with him. He’s a perfectly good child. My journey as far as me having to be gone, be able to make funds for my child and him having autism, so the journey is not an easy journey. You can’t make it a hard journey, because if you make the process hard, it’ll all be hard.”
April is Autism Acceptance Month and BigX’s advocacy for his son comes just a week after Health and Human Services Sec. Robert F. Kennedy Jr., drew widespread criticism for his latest comments about autism, in which he said it “destroys families,” as well as making broad, unscientific claims about autistic people.
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At an April 16 press conference, Kennedy said that many autistic children were “fully functional” and then “regressed… into autism when they were 2 years old. And these are kids who will never pay taxes, they’ll never hold a job, they’ll never play baseball, they’ll never write a poem, they’ll never go out on a date. Many of them will never use a toilet unassisted.”
According to a PBS report, medical experts and people on the autism spectrum told PolitiFact that Kennedy’s comments were off-base, citing a 2023 study written by CDC officials and university researchers that found that one-quarter of people on the autism spectrum have severe limitations, a figure that is at the high end of studies. It noted that the vast majority of people on the spectrum do not have the kinds of severe challenges Kennedy suggested, nor do many of the people in the one-quarter of the autism population cited in the studies.
A HHS spokesperson later clarified that Kennedy was referring to “those that are severely affected by this chronic condition” and that “this was in no way a general characterization.” Kennedy, a vaccine skeptic who for many years has made false claims that vaccines cause autism, recently announced that his department is launching a “a massive testing and research” effort to determine the long-sought cause of autism by September of this year.
According to the BBC, experts called the effort “misguided and unrealistic,” given that autism spectrum disorder is a complex syndrome that has been studied for decades and that promising a definitive answer in six month is unlikely. At press time Kennedy had not revealed any details on the scope and range of the research project or how much funding will be devoted to it at a time when Pres. Trump’s administration is making drastic, wide-ranging cuts to research grants at HHS.
“As a dad to an autistic son, I’ve seen the importance of being understood for who you truly are,” the “Texas” rapper added in a statement. “This is personal for me — it’s about sharing our journey, showing up for my son, and breaking down the walls around autism. It’s about being real, spreading awareness, and making sure no one feels alone in this.”
The Autism Society — the largest and oldest grassroots autism organization in the U.S. — praised BigX (born Xavier Landum) for speaking out to “authentically” combat the “stigma and stereotypes by sharing his own family’s journey. Through his platform, BigXthaPlug is using his voice to reach fans and families who may be navigating similar paths — especially in communities where awareness and access to support can be limited. His participation in the Autism Is campaign encourages conversation, connection, and compassion.”
Speaking to People, BigX also offered some advice for other parents trying to navigate the sometimes confusing journey of helping their children. “You ain’t alone. I know in our communities, sometimes it feels like you gotta keep stuff to yourself, or like nobody’s gonna understand,” he said. “But there is support out there — you just gotta start askin’ questions, lean into the love you got around you, and don’t be afraid to speak up for your kid… Every kid on the spectrum is different, so take time to learn your child. Be patient, be open, and don’t wait for a ‘perfect’ answer — just show up, every day. That’s what matters most.”
BigX just scored his first top-five hit on the Billboard Hot 100 when his Bailey Zimmerman collab “All the Way” ran up to No. 4 on the chart dated April 19.
Watch BigXthaPlug’s video below.
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Most of Gen Z met Destin Conrad, 24, over a decade ago on Vine, where he shared hilarious clips that frequently intersected with music. In one classic clip, for instance, he freestyled “To the- to the- to, to the left!” over a lunch table beat.
Music has remained at the center of the Tampa native’s creative output in the years since, with his debut EP, Colorway, arriving in 2021. The year prior, he wrote several songs on Kehlani’s It Was Good Until It Wasn’t, setting the foundation for his slow-burning ascent in the R&B world. His ethereal mélange of hazy acoustic guitars, explicitly Black and queer lyrics and soulful, heartfelt vocal performance quickly spun early hits out of cuts like “In the Air,” which he recently performed as a surprise guest at the first Brooklyn show of FLO’s Access All Areas Tour.
Across a slew of post-Colorway EPs – including Satin (2022), Submissive (2023) and Submissive 2 (2024) – Conrad continued honing his sound, slowly crafting a singular lane in the contemporary R&B space through his incorporation of left-of-center subjects like the worlds of leather and BDSM. Those projects landed him supporting gigs on tours by alt-R&B stars Kehlani and Syd, as well as his own 2024 headlining tour.
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Over eight years since Vine disappeared, Destin has finally unleashed his debut studio album, Love on Digitial. Released on Friday (April 25) via Above Ground Entertainment and EMPIRE, Love on Digital trades on the futuristic percussion of turn-of-the-century R&B and disarmingly frank lyrics that explore the intricacies of navigating Black queer love in the digital age. Assisted by Lil Nas X, Kehlani, Cari, Teezo Touchdown and serpentwithfeet, Love on Digital is a stellar full-length project – and one that feels extra sweet for fans who have patiently waited for Conrad songs longer than two minutes. The new set is the culmination of all the things Conrad has learned in the years leading up to his formal debut.
“I’m still learning so many important things, but one of the main ones is that whatever I see for myself can be real,” he tells Billboard over a saucy Cava bowl. “There’s also a lot of different jobs and moving parts — making the music is literally just one part. Being onstage is another job, and then I gotta market myself too, there’s so many factors. Learning what I like most and what feels most natural to me has been fun.”
In a candid conversation with Billboard, Destin Conrad talks Love on Digital, performing with FLO, Black queer representation in R&B and defeating imposter syndrome.
How do you feel now that your debut album is finally out in the world?
Happy for it to be out. I’m also excited to move on. I’ve been trying to not make [the pressures of a debut album] real because it’s only real if you make it real. I’ve been reminding myself that I will keep making music after this; this isn’t the end-all be-all, even though it’s my debut. I’m going to grow and make better music.
Do you view Love on Digital as an introduction, a re-introduction or neither?
An introduction. I feel like people haven’t gotten to hear a full-length from me, and that’s been a common theme with my last couple projects. Everybody’s like, “All these songs are so short!” And I’m like, “Okay, well, I’m going to give y’all a bridge and you’re gonna know what a full song sounds like from me.” It also feels like I’m actually putting thought and intention behind a lot of things that we didn’t really do in the other projects for whatever reason. It feels like an album.
When did you officially begin and finish working on the album?
I recorded the first song [“Kissing in Public”] almost two years ago. I’ve had that one for the longest time; I made it in Tulum. I made a lot of the other songs in many different places: London, L.A., New York. I knew that I didn’t want to put “Kissing in Public” on Submissive, but I didn’t know it was going on my album. It didn’t fit [on Submissive], but it’s stood the test of time.
How would you characterize the sound of your debut? Would you say it builds on or moves away from sounds you’ve explored on your EPs?
I describe the sound as digital. It’s R&B through a different lens than what we view it in. Loud. Queer.
How and when did you land on the title?
I don’t know! And that’s the crazy part — I don’t remember [specifically] thinking about it. I called it Love on Digital because it’s a nod to the digital era of R&B. I feel like R&B used to be very instrument-heavy and then there was a shift where we got new software, and it became a different sound and style. Over time, [the title] gained a new definition and reason. It’s also me thinking about love from a long-distance standpoint and using the Internet to stay connected to people. Over the past year or two, the title has been in my ether.
What frustrates you most about navigating love in the digital age?
I hate being on the phone for hours talking on FaceTime. I really envy the people that can just sit and talk to their boo. That’s how I know I really like you – if I’m sitting on FaceTime with you. And even then, I don’t like it! I really enjoy being present and I love doing things with my time physically. One of my love languages is definitely physical touch. I need whoever my partner is to be there. I’m not equipped enough to do long-distance.
Have your feelings of imposter syndrome subsided now that you’ve made it to your debut album?
1000%. I still experience imposter syndrome, but not to that magnitude. Going on tour watered a lot of that down for me, seeing real people and real faces. [Those feelings] were there because I dropped Colorway during the pandemic, so I didn’t really get to do a full, traditional rollout.
After that, I toured Submissive, and I opened for Syd — that was my first time singing my songs anywhere. And then I opened for Kehlani, which was also really tight. But it’s a different feeling doing my own headlining shows. My fans have helped me navigate my imposter syndrome.
You were giving Main Pop Boy energy in the “Kissing in Public” video, hitting choreography and all. What was that video shoot like? Do you want to dance more in the future?
I definitely want to dance more! It was so fun shooting that video. [It was directed by] Zev York, who I’ve shot a couple of videos with, and my friend Kassidy Bright choreographed it, and she’s a joy to work with. I’m excited to keep pushing that and seeing what it looks like when we add movement to the visuals.
“Mr. E” is so witty. What was your songwriting process like for this album?
I wrote all of Colorway, and then I slowly started working with more writers. With [2022’s] Satin, it was me, my best friend Ambré, Jean Deaux, and one of my friends Astyn [Turr]. We went to Joshua Tree and made a good chunk of Satin in a week.
I’ve been working with a lot of different writers that are established in their field; I feel like that’s what’s different with this album. I worked with Starrah on “P.B.S.,” which was really different for me. Mack Keane also was a huge collaborator for this album. I wanted to challenge myself and push it in a different direction.
When you bring new cooks into the kitchen, how do you still keep the essence of Destin at the center?
I’m just not going to lie on the song. If it’s not something I genuinely resonate with, I’m not going to sing it.
Conceptually, you pull from a lot of really cool places, from leather and BDSM to the evolution of technology. Where do you get the confidence to create R&B through these lenses?
Fear is definitely still a thought; it’s not a non-factor to me. I definitely think about things all the time. I kind of just throw myself into s—t and see what sticks. I’m also very gay and that’s a factor. I feel like there’s not a lot of people like me in the R&B space, so I want to poke at people a little bit and not be mute or minimize myself – and do it in a way that’s still tasteful and authentic to me.
You and Lil Nas X reunited again on “P.B.S.” What does it mean to you to be able to connect with another young, black gay music star and have the work penetrate the mainstream?
I think what he’s doing is so bold that I wanted to bring it into my world a little bit. And he’s actually my friend! That was something I was very adamant about: working with people I’m actually cool with in real life and not just getting people on my album because they’re popping. I was like, “Who genuinely inspires me?” And [Lil Nas X] was definitely on that list. I sent him “P.B.S.” and he was like, “I’m going to do a verse tomorrow and send it.”
Who were some artists you felt a connection to growing up?
Brandy is at the top of my list when it comes to any form of inspiration in music. My mom loved Luther Vandross, and I grew up listening to a lot of him. Michael Jackson’s fearlessness. Stevie Wonder’s approach. I’m a melting pot of inspiration.
“Soft Side” is so intimate and Black. Talk to me about linking with serpentwithfeet for that one.
Serpent is also a huge inspiration. He’s somebody I’ve wanted to work with since I first heard his music. He’s a Cancer like me, and he’s so well-spoken and articulate. He asked me what my perspective was from my verse, and I feel like a lot of artists don’t really ask me what I was thinking when I made the song. “Soft Side” is definitely one of my favorites.
You popped out for FLO’s first Brooklyn show on their ‘Access All Areas’ tour earlier this week. How was that?
I love FLO! I’ve been a fan of them since they popped out. It’s so amazing to see them blossom and become such amazing performers. The last time I saw them was in D.C., I had a college show and they had a show the same night. I went to go pull up on them and it was a really small, intimate show. Going to see them play last night in front of thousands of people was so inspiring. They’re definitely at the forefront of the argument against R&B being dead, and I love that.
What does it feel like as a rising R&B artist to constantly hear people say that the genre is dead?
I never hear anybody say rap is dead! I just feel like people aren’t digging. They want it to come to them. Sometimes I just go on my Apple Music, and I literally just search for music. I feel like people don’t want to do that anymore. I feel like people just want it to be handed to them on a silver platter. I’m not going to lie, I like some artists, but I don’t love every song by them. I find what I do like and keep it pushing, it’s all subjective. But for you to say the whole genre is dead, that’s a stretch.
Can we expect a Love on Digital tour anytime soon?
Very soon! We’re actually working on it right now.