R&B/Hip-Hop
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With an uptick in gun violence plaguing the New York City area, LIFE CAMP Inc.’s co-founder and hip-hop community activist Erica Ford hopes to remedy the ongoing issues by holding the first annual Gaming 4 Peace NBA 2K Tournament on April 6 and 7 at York College. The tournament will feature appearances by Lola Brooke, […]
310babii’s “Soak City” douses the competition on two Billboard charts as it takes the throne on both Rhythmic Airplay and Rap Airplay. The new radio champ advances from the runner-up slot on both rankings to rule the lists dated March 30 and gives the rapper, who solely wrote the song, his first No. 1s on any Billboard charts.
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“Soak City” rises from No. 2 on Rhythmic Airplay after a 5% increase in plays that made it the most played song on U.S.-monitored rhythmic radio stations in the tracking week of March 15-21, according to Luminate. WHTP-FM, in Portland, Maine, led the way, with 140 plays, while three stations – WHZT-FM (Greenville, S.C.), KPHW-FM (Honolulu, Hawaii) and KHTN-FM (Modesto, Calif.) – shared second place after each registered 134 plays.
“Soak City” first caught viral attention through TikTok with the squabble dance, which soon became further popularized as multiple NFL players, including the Kansas City Chiefs’ Travis Kelce and Houston Texans’ C.J. Stroud, performed versions of it as an end-zone celebration. Thanks to the growth, the song reached a No. 17 peak on the TikTok Billboard Top 50 chart in November.
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The viral buzz fueled momentum for a radio campaign, and “Soak City” landed on Rhythmic Airplay in late November. In reaching the summit in its 19th week, it ties for the fourth-longest wait to the top spot in the chart’s 31-year history.
Here’s a review of the songs that required the most weeks to attain the No. 1 rank on Rhythmic Airplay:
Weeks to No. 1, Song Title, Artist, Date Reached No. 1
24, “Waterfalls,” TLC, Aug. 5, 1995
20, “Day ‘N’ Nite,” Kid Cudi, May 23, 2009
20, “Sky Walker,” Miguel featuring Travis Scott, Feb. 3, 2018
19, “Don’t Let Go (Love),” En Vogue, Feb. 15, 1997
19, “Work Out,” J. Cole, Dec. 31, 2011
19, “Soak City,” 310babii, March 30, 2024
On Rap Airplay, “Soak City” steps 2-1 following a 4% improvement in audience in the latest tracking week. As with its Rhythmic Airplay rise, patience was rewarded – “Soak City” leads in its 17th week, becoming the 14th of 217 No. 1s to need at least that much time to complete a chart-topping trek.
If the dual radio coronations weren’t enough, “Soak City” is already looking to expand to a third radio ranking soon. The track climbs 3-2 on Mainstream R&B/Hip-Hop Airplay, where it added 11% more plays in the most recent tracking window.
Nearly nine months since arriving on the Adult R&B Airplay chart, Maeta’s “Through the Night,” featuring Free Nationals, finally reaches No. 1 on the list dated March 30. By reaching the summit in its 35th week, it completes the second longest trek to the top in the chart’s 30-year history.
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“Through the Night,” released on Roc Nation, captures the flag after a 6% jump in plays that made it the most-played song on U.S. monitored adult R&B radio stations in the tracking week of March 15-21, according to Luminate.
Singer-songwriter Maeta achieves her first Adult R&B Airplay No. 1 through her third chart appearance. Her first, “Bitch Don’t Be Mad,” peaked at No. 14 in 2023, while 2023’s “(S)EX,” went one rank higher.
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Featured artist Free Nationals, who frequently perform as a backing band for Anderson .Paak, claim their initial Adult R&B Airplay leader with their first try.
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With its 35-week journey to its coronation, “Through the Night” wraps the second longest trek, in terms of weeks on the chart, to reach No. 1. It trails Snoh Aalegra’s “I Want You Around,” which crowned the list in its 43rd chart week, in March 2020.
Here’s a look at the songs with the longest marches to reach No. 1 on Adult R&B Airplay:
Weeks to No. 1, Song Title, Artist, Date Reached No. 1
41, “I Want You Around,” Snoh Aalegra, March 14, 2020
35, “Through the Night,” Maeta featuring Free Nationals, March 30, 2024
34, “Step in the Name of Love,” R. Kelly, Nov. 1, 2003
33, “Love Calls,” Kem, Sept. 13, 2003
32, “Permission,” Ro James, Sept. 10, 2016
31, “Please Don’t Go,” Tank, May 19, 2007
31, “For the Rest of My Life,” Robin Thicke, Jan. 11, 2014
31, “I’m Baby,” Ambre featuring Jvck James, May 6, 2023
30, “Anything,” Jaheim featuring Next, June 22, 2002
30, “Never Would Have Made It,” Marvin Sapp, July 26, 2008
Elsewhere, “Through the Night” slips from 21-22 from its peak on R&B/Hip-Hop Airplay, which ranks songs by combined audience from adult R&B and mainstream R&B/hip-hop radio stations. Despite the position drop, the single improved to 5.1 million in audience, a 6% gain over the prior week.
New snippet alert! Kehlani teased their upcoming single “After Hours” Monday (March 25), and it sounds like the perfect vibe for being outside. She reshared a TikTok video on Instagram of the Grammy-nominated singer-songwriter getting amped in the gym but getting her knees ready for the club. “We don’t gotta take it slow/ I’mma hit […]
After his Los Angeles and Miami homes were raided by law enforcement on Monday (Mar. 25) following his involvement in an ongoing federal sex traffic investigation, Sean ‘Diddy’ Combs’ attorney, Aaron Dyer, sent Billboard a statement calling the raid an “unprecedented ambush” and labeling the takedowns against his client as a “witch hunt.” Explore Explore […]
Sean “Diddy” Combs has reportedly agreed to a deal to sell his stake in Revolt TV after stepping down from his role as chairman in November amid sexual assault allegations.
According to TMZ, Combs sold his remaining shares of Revolt to an anonymous buyer. The report notes that the company will remain Black-owned. Financial terms of the deal were not disclosed.
Revolt TV’s new owner is reported to be keeping their identity hidden for the next few weeks but will eventually have a formal introduction as the head of the media company at a later date.
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The deal was reportedly finalized this week; Revolt’s current CEO, Detavio Samuels, and chief brand officer, Deon Graham, will remain in their roles for the time being.
The news broke as Combs’ Miami and Los Angeles homes were reportedly raided by federal agents on Monday (March 25). The raids were executed by Homeland Security “in connection” with an ongoing federal sex trafficking investigation, according to reports.
TMZ reported on Monday that Homeland Security of New York launched an ongoing investigation linked to Combs and that the case is being handled out of the Southern District of New York.
With officers swarming the Los Angeles property, video footage appeared to show individuals being detained, two of whom appeared to be Diddy’s sons, King Combs and Justin Combs. It’s unknown whether the elder Combs was at either home during the raids.
Combs has been the subject of numerous sexual assault-related civil lawsuits over the past several months. Ex-girlfriend Cassie lit the fuse in November 2023 when she filed a lawsuit accusing Combs of physical abuse and repeated sexual assault while they were dating. The two parties agreed to settle the lawsuit less than 24 hours later.
Later in November, after being accused of sexual abuse by two more women, Combs stepped down as chairman of Revolt, which he helped launch in 2013. In the months since, he has been accused of sexual assault in two additional lawsuits: one filed by a Jane Doe who claimed he “sex trafficked” and “gang raped” her and another by a music producer who allegedly worked with Combs on his 2023 album, The Love Album: Off the Grid.
The Bad Boy CEO has denied any wrongdoing and attempted to clear his name with a post on social media in December.
“ENOUGH IS ENOUGH,” Combs wrote at the time. “For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”
Billboard has reached out to representatives for Combs for comment on this story.
The hip-hop world has been in flames since the Friday (Mar. 22) release of Future & Metro Boomin’s “Like That,” featuring an incendiary Kendrick Lamar verse taking thinly veiled shots at “First Person Shooter” co-stars J. Cole and Drake. Rap traditionalists are unsurprisingly clamoring for a response record from both MCs — but which of the two has the most to gain by jumping into the fray, or the most to lose by staying out of it?
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Below, two Billboard Hip-Hop writers present the case for each artist being the one who most needs to get in the game ASAP.
WHY DRAKE MOST NEEDS TO RESPOND
When Drake graced the cover of Billboard in August 2013 ahead of his acclaimed Nothing Was the Same album, he brushed off Kendrick Lamar’s genre-shaking “Control” verse, referring to the atomic bomb Lamar dropped on rap as an “ambitious thought.”
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“That’s all it was,” he said dismissively. “I know good and well that Kendrick’s not murdering me, at all, in any platform. So when that day presents itself, I guess we can revisit the topic.”
Just over a decade later, that day has presented itself. Lamar has dropped the gloves and scorched Drizzy and J. Cole, with a scathing verse aiming at his supposed “Big Three” running mates on Future and Metro Boomin’s “Like That” (“Think I won’t drop the location? I still got PTSD/ Motherf–k the Big Three, n—a, it’s just big me”), which had hip-hop in a tizzy over the weekend.
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Actually, it extended well beyond the rap world: debates about the simmering feud between Drake, Kendrick and Cole extended far outside the genre, with even the likes of ESPN’s Stephen A. Smith spitting bars from Eminem’s final 8 Mile battle on his show while discussing the potential clash of the “Big Three.”
Drake has scoffed in the past at disses from rappers whom he didn’t deem worthy of his time. Some he’d address with subliminal jabs when he felt suitable, on his terms, while others beneath him on the food chain never even got half an OVO bar. It’s an opportunity he’s earned, as one of hip-hop’s titans with a battle-tested past where he’s repeatedly proven to be a formidable opponent – including battles with Joe Budden, Diddy and most notably Meek Mill in 2015, when he ethered the Philly rapper with “Back to Back” and put the ghostwriting claims to rest. After most battles, Drizzy has emerged stronger from his battle scars.
However, there’s always going to be a stain on Drake’s decorated resume that no record amount of Hot 100 hits could remove when it comes to his 2018 feud with Pusha T. Drizzy backed down following Pusha’s scintillating “Story of Adidon” exposing his child, Adonis, at the advice of Rap-A-Lot co-founder and consigliere J. Prince – who claimed his response would have “hurt families.”
This isn’t a situation Drake can rightly shrug off as beneath him, though. While Kendrick Lamar only stands at 5’5”, the West Coast legend sees eye-to-eye with the 6 God – one of his few true peers in rap, with comparable levels of commercial appeal, critical acclaim and years in the game.
With all that Drake has accomplished in his Hall-of-Fame career, it’s rare for an artist of his caliber to have an opportunity to elevate their legacy and wipe away some of the years-old stench leftover from the botched Pusha T feud that OVO detractors still bring up to this day.
Rising to Lamar’s challenge — and potentially emerging victorious — could wash out the bad taste Drake opting out of that beef left in fans’ mouths a half-decade ago.
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The “Poetic Justice” collaborators have been entrenched in a Cold War of digs since “Control” and K. Dot’s BET Hip-Hop Awards cypher dissing the “sensitive” Toronto star months later. Drake has jabbed back on records like Future’s “Sh!t” remix and “The Language,” but they’ve never met head-on for a collision on the throne.
Showing out in such a showdown could have a profound effect on Drake’s legacy. To spell it out in sports terms Drake would appreciate, longtime New England Patriots quarterback Tom Brady didn’t cement his GOAT case until completing the 28-3 comeback at Super Bowl LI in 2017 against the Atlanta Falcons. Similarly, many already labeled LeBron James as the best player of the 21st century, but pulling off the improbable 3-1 comeback against the 73-win Golden State Warriors in the 2016 NBA Finals launched his legacy into the same stratosphere as Michael Jordan.
Both were undoubtedly seminal moments in the careers of those all-time legends, and took place well over a decade after they entered the league. A line could be drawn to Drake possibly getting the best of Lamar in this rap version of the ultimate game.
While “Like That” is a response to Cole and Drake’s “First Person Shooter,” it’s Drake that most of Dot’s smoke is specifically directed at. After dismantling the “Big Three” argument, Kendrick takes aim at Drake with a For All the Dogs reference, and snarlingly compares their relationship to iconic rivals Michael Jackson and Prince: “And your best work is a light pack/ N—a, Prince outlived Mike Jack’/ N—a, bum/ ‘Fore all your dogs gettin’ buried/ That’s a K with all these nines, he gon’ see Pet Sematary.”
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With Kendrick and Drake’s icy relationship taking shots at one another dating back to 2013’s “Control,” it’s imperative for the 6 God to step up and be first in line rather than J. Cole, who has had an admirable relationship with Lamar from a distance over the years. There’s been way less friction between the Dreamville boss and Compton native, as they were even rumored to be working on a joint project at one point.
All that said, Drake could end up falling back and avoiding the fray, maybe addressing K. Dot down the line with a series of jabs after he goes on hiatus following his Big As the What? Tour wrapping next month. He’s already allegedly liked a comment saying he’s not taking K. Dot’s threats “seriously,” and is still posting selfies to his IG Story in an unbothered fashion.
Not all hope is lost for a quicker response, though, as Drizzy appeared to respond to Lamar’s threats sweeping the rap world with a chest-puffed rant during a recent tour date. “I’m 10 f–king toes down in Florida or anywhere else I go – and I know that no matter what, there’s not a n—a on this earth that could ever f–k with me in my life,” Drake confidently told a Florida crowd while on stage over the weekend.
In a genre with a dwindling number of A-list stars, the Drake-Kendrick Lamar tussle gives rap a rare monocultural moment, and a chance for the 6 God to etch another chapter in the hip-hop history books. The ball’s bouncing inside Drake’s home court – but will he put a shot up or leave the gym and retreat to the wine cellar of his Toronto estate? — MICHAEL SAPONARA
WHY COLE MOST NEEDS TO RESPOND
Let’s keep it all the way honest: It’s scary hours. The rap civil war is upon us, and the best man to spar with Kung Fu Kenny is his one-time brother-in-arms, Jermaine Lamarr Cole.
This part of rap is largely unfamiliar territory for Cole: though he’s had words for 6ix9ine, Lil Pump, and the Soundcloud generation, he’s never engaged in true one-on-one combat, making this potential battle with Kendrick Lamar an even more important one. Rather than let Drake stand ten toes down and attempt to get the pinfall on K. Dot, Cole needs to tag in, earn the W to get out of the shadows of both men, and show why he’s indeed not the two or the three when speaking on this rap hierarchy.
In truth, there hasn’t been a time in Cole’s career when he was undoubtedly “the one.” When Cole entered the fray in the late 2000s, fans immediately pitted him against Drake because both were spry and capable lyricists with booming potential to push the genre forward. Going into it, Drake had the leg up after his seismic mixtape So Far Gone rocketed him to the moon in 2009. The following year, he instantly became the go-to guy with debut album Thank Me Later, netting close to 500,000 units sold during its opening week.
Cole’s road to success was more arduous, as he struggled to put together a favorable single to please radio and his boom-bap audience. “Who Dat” failed to catch traction, and though “Work Out” became his first breakout hit, peaking at No. 13 on the Hot 100, skepticism surfaced because Cole had to dumb down its lyrics a little and rely on a borrowed Paula Abdul hook and Ye sample for radio approval. He later admitted to his missteps on the 2013 Born Sinner standout song “Let Nas Down” when he revealed Nas’ displeasure over the record. Still, Cole notched his first No. 1 album and mostly evaded further criticism until the mainstream arrival of Kendrick Lamar.
Cole and Kendrick’s friendship goes back to the days before the Compton rapper was signed. “Before my album was even out, before he even had a deal, I was making sure to stamp him,” Cole told Elliott Wilson during his CRWN interview in 2014. “Kendrick was one I saw right away and said, ‘This kid is special.’” Cole even entertained the idea of wanting to sign Kendrick to Dreamville. That’s how real the brotherhood was.
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Lamar’s ascension into Rap God status wasn’t an overnight success. Like Cole, he played the long game, releasing mixtapes and EPs. While Section 80 was lauded in the underground as a classic, it wasn’t until his 2012 major label debut, good kid, m.A.A.d city, that he was dubbed as a generational talent. By then, Lamar also received an extended Drake co-sign, as he worked with the 6 God on Take Care for his “Buried Alive Interlude,” opened up for him during his Club Paradise tour, and collaborated on “Poetic Justice.”
Kendrick’s career crescendoed from there with classic album after classic album, spanning from good kid, m.A.A.d city to To Pimp a Butterfly, to his game-changing opus, 2017’s DAMN. Suddenly, most conversations about the best MC weren’t between Drake and Cole anymore. The narrative shifted to Drizzy and Kenny, with Cole sliding to third. Despite his superstar growth, Kendrick and Cole remained allies, with rumbles of a collaborative album brewing after they freestyled on each other’s tracks in 2016.
During this time, Kendrick and Drake have sent shots at each other for title contention – most notably Kendrick’s “Control” verse and his BET Cypher freestyle in 2013 – while again, Cole quietly chipped away with No. 1 album after No. 1 album. The Cole and Kendrick joint album never happened, with the two’s lone team-up on record remaining their Born Sinner collab “Chaining Day.” And then, last year, Cole and Drake — who were once pitted against each other at the early stages of their careers – unleashed their For All the Dogs Hot 100-topper “First Person Shooter.” They would up the ante by teaming up again for Drake’s indelible gem “Evil Ways” on his Scary Hours Edition of Dogs and later going on tour together, where the love fest was inescapable.
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Was this a case of sour grapes for Kendrick? Of course. His old buddy is siding with the opps. So because of his allegiance to Drake, Dot brought the Uzi out on Cole and had no issues hosing him down. Now, even though Cole shouted Kendrick out on “First Person Shooter,” rhyming “Love when they argue the hardest MC Is it K-Dot? Is it Aubrey? Or me?” – realistically, in Kendrick’s mind, he consistently lapped Cole. And for quite some time, Cole believed it too, rapping on “Heavens EP” about how “They threw the bronze at me/ Behind Drake and Dot, yeah, them n—as is superstars to me/ Maybe deep down, I’m afraid of my luminosity.” But those words pierce harder when heard aloud from Cole’s competition. Kendrick essentially said it’s never been us; it’s always been me against me.
Cole, who has cemented himself as one of the best feature artists of all time after constructing two hellacious runs in 2018 and 2023 – even being named Complex’s Rapper of the Year for ’23 without releasing any new music of his own – boasted about being on top of his game. If you’re feeling that froggy, then Cole, you have to leap – and do it over the biggest amphibian in the pond? If you’re tired of being the little bro, being told you’re not top-10 all-time material, a win against Lamar at your lyrical peak could shift your story considerably. The narrative wouldn’t be about you being the third-best; it’d be about the quiet giant who chose violence and defeated the Boogey Man when no one else could.
All the rap greats have beefed at one time or another. A heavyweight battle between Cole and Kendrick would be must-watch material and could alter Cole’s all-time ranking. For many, he’s currently just outside that all-time top 10. Having a memorable feud and outlasting Kendrick could change his trajectory because he already has the stats of an all-world performer. Now, as the underdog, if he could slay the beast and be the last man standing, then he could finally be the No. 1 we all knew he was capable of being. — CARL LAMARRE
Cardi B has opened up about what she says was a frightening interaction with the Los Angeles Police Department she had over the weekend.
The Bronx native recounted details about the LAPD incident during an Instagram Live session early Monday (March 25), during which she alleged that officers accused her of trafficking fentanyl and having a weapon in her car.
“You don’t even know what happened to me yesterday, like, y’all don’t even know,” Cardi said. “I got stopped by the cops and everything. I got stopped by the cops yesterday. You gon’ see, it’s gonna hit TMZ real soon. They thought I was trafficking. Yeah, they thought I was trafficking fentanyl. And they thought I had a gun in my car.”
The Grammy-winning rapper went on to allege that they had her outside for “three hours,” and said she’s planning to sue the LAPD.
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“They had me getting butt naked outside,” she continued. “S–t was crazy. It was deada– a movie and whatever. But you already know I’m ’bout to sue the LAPD. They got me f–ked up for doing it.”
Cardi believes one of her “opps” put the police up to this, as she claimed the officers admitted they received a tip about her.
“It was, like, some white cops or something. They didn’t know who I was so they was really tough on me and everything. They said that somebody gave them a clue,” the 31-year-old alleged. “I already feel like it was one of my opps and s–t. They really trying to ruin my life.”
When reached for comment, the LAPD denied Cardi B’s allegations and told Billboard, “We don’t have any record of any traffic stop.”
Billboard has reached out to Cardi B’s reps for comment.
On the music side, Cardi is staying busy heading into her anticipated sophomore album. The “WAP” rapper’s latest single earned her another top 10 entry on the Billboard Hot 100 — the 12th of her career — with “Enough (Miami)” debuting at No. 9 this week.
Watch Cardi B’s Instagram Live recalling the alleged incident with LAPD below.
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50 Cent is never one to mince words, and he’s continued mocking his longtime foe Diddy for years whenever the embattled Bad Boy mogul has been entrenched in trials and tribulations.
After federal agents raided Diddy’s Miami and Los Angeles estates Monday, the G-Unit boss didn’t waste any time on Tuesday (March 26) to get back on the offensive and troll Combs with a post to X.
“Now it’s not Diddy do it, it’s Diddy done they don’t come like that unless they got a case,” 50 declared with accompanying screenshots of the raid report and footage that appeared to show Diddy’s sons Justin and King Combs being detained.
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The Queens rapper added in a since-deleted post: “S–t just got real the Fed’s in all the cribs, d–n they got the kids in cuffs.”
Back in December, 50 confirmed that he was working on a documentary through his G-Unit Films division about the history of sexual misconduct allegations against Diddy, with the “Disco Inferno” rapper promising to donate proceeds to help victims of sexual assault.
A rep for 50 Cent relayed a statement to Variety in December, laying out plans for the documentary. “The untitled Diddy documentary is in development through G-Unit Film and Television with Curtis 50 Cent Jackson serving as executive producer, proceeds from this documentary that G-Unit Film & Television receives will go to victims of sexual assault and rape,” the rep said.
According to CNN, the Department of Homeland Security Investigations New York confirmed after reports of raids at Diddy’s homes surfaced that it had “executed law enforcement actions as part of an ongoing investigation,” which a law enforcement source told the cable news network is related to an ongoing sex trafficking investigation.
It’s unknown whether Diddy was home at the time of the raids. TMZ posted footage of Diddy pacing around the Miami airport from Monday while his private jet was tracked to Antigua.
Reps for Diddy and the LAPD and Miami police departments have not yet returned Billboard‘s multiple requests for comment.
Diddy has been the subject of multiple sexual assault-related civil lawsuits. Ex-girlfriend Cassie lit the fuse in November 2023 with a lawsuit accusing Diddy of physical abuse, repeated sexual assault and trafficking while they were dating. The two parties agreed to settle the lawsuit less than 24 hours later.
When reached for a statement about the raid reports, Douglas Wigdor — lawyer for Cassie as well as a Jane Doe in a claim against Diddy — responded to Billboard in part: “We will always support law enforcement when it seeks to prosecute those that have violated the law.”
Diddy has denied any wrongdoing and attempted to clear his name with a post to social media in December.
“ENOUGH IS ENOUGH,” he wrote at the time. “For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”
A lawyer for Diddy vehemently denied the allegations against his client and called the accusations “pure fiction.”
Xscape and SWV have been announced as co-headliners for The Queens of R&B Tour. Produced by Monami Entertainment and Live Nation, the 30-city tour will launch June 27 with special guests MYA, 702 and Total.
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Monami Entertainment founder/CEO Mona Scott-Young tells Billboard, “Xscape and SWV are an indelible part of R&B music; their influence and reach are undeniable. These Queens of R&B have connected to the hearts and souls of fans and, along with 702, MYA and Total, will travel across the country this summer to give the fans what they have been asking for — an unforgettable co-headline experience! From their hit television series to embarking on this tour, the journey for these ladies has not been easy but they are all a living testament to the power of resiliency and strength through perseverance. I am so proud to be part of this defining moment in R&B culture and so grateful for our partnership with Live Nation.”
After its first show in Concord, CA on June 27, The Queens of R&B Tour will also stop in Las Vegas, Houston, Washington, D.C. and New York before closing in Los Angeles on Aug. 18. The tour is represented by Seth Shomes through Day After Day Productions (DADP).
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A Citi presale begins on March 26; additional presales run through the week ahead of the general sale that starts March 29 (10 a.m. local time) via Ticketmaster.
Check out the dates for The Queens of R&B Tour below:
June 27 — Concord, CA @ Toyota Pavilion at ConcordJune 29 — Las Vegas, NV @ Bakkt Theater at Planet Hollywood Resort & CasinoJuly 2 — Phoenix, AZ @ Talking Stick Resort AmphitheatreJuly 3 — Albuquerque, NM @ Isleta AmphitheaterJuly 5 — Dallas, TX @ Dos Equis PavilionJuly 6 — Houston, TX @ The Cynthia Woods Mitchell Pavilion presented by HuntsmanJuly 9 — North Little Rock, AR @ Simmons Bank ArenaJuly 10 — Birmingham, AL @ Legacy Arena at The BJCCJuly 12 — Jacksonville, FL @ Daily’s PlaceJuly 13 — Tampa, FL @ MIDFLORIDA Credit Union AmphitheatreJuly 14 — West Palm Beach, FL @ iTHINK Financial AmphitheatreJuly 16 — Atlanta, GA @ Lakewood AmphitheatreJuly 17 — Charlotte, NC @ PNC Music PavilionJuly 19 — Washington, D.C. @ Capital One Arena*July 20 — Raleigh, NC @ Coastal Credit Union Music Park at Walnut CreekJuly 21 — Virginia Beach, VA @ Veterans United Home Loans Amphitheater at Virginia BeachJuly 24 — New York, NY @ Madison Square GardenJuly 25 — Holmdel, NJ @ PNC Bank Arts CenterJuly 26 — Boston, MA @ TD GardenJuly 27 — Atlantic City, NJ @ Atlantic City Boardwalk HallAugust 2 — Bridgeport, CT @ Hartford HealthCare AmphitheaterAugust 3 — Syracuse, NY @ Empower Federal Credit Union Amphitheater at LakeviewAugust 4 — Toronto, ON @ Scotiabank ArenaAugust 6 — Buffalo, NY @ Darien Lake AmphitheaterAugust 9 — Detroit, MI @ LIttle Caesar’s ArenaAugust 10 — Cleveland, OH @ Blossom Music CenterAugust 11 — Chicago, IL @ Credit Union 1 AmphitheatreAugust 13 — St. Louis, MO @ Chaifetz ArenaAugust 14 — Oklahoma City, OK @ Paycom CenterAugust 18 — Los Angeles @ Kia Forum
*without MYA