R&B/Hip-Hop
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The same week he made his Billboard Hot 100 debut as a recording artist, Grammy-winning producer, actor and R&B star Leon Thomas made his live television debut on The Late Show With Stephen Colbert on Thursday (Feb. 6). Surrounded by his band on a red-lit stage with a projection of his Mutt album cover behind […]
Kendrick Lamar will return to the Super Bowl stage on Sunday (Feb. 9), but this time, the Compton native is slated to headline the Super Bowl LIX Halftime Show in New Orleans.
Between the Drake battle, arrival of GNX and âNot Like Usâ taking home five Grammy Awards â including song of the year and record of the year â itâs quite possibly been the most decorated 10-month stretch of Lamarâs career.
As detailed in this episode of Billboard Explains, the 37-year-old West Coast hip-hop titan has long laid the foundation, with decades of work honing his craft and refining his flows to get to this point at the top of the rap food chain.
Born in 1987, Kendrick took an interest in poetry and released his first mixtape as a teenager in 2003 titled Y.H.N.I.C. (Hub City Threat: Minor of the Year) under his initial K-Dot alias.
It wasnât until his fourth mixtape, Overly Dedicated, that he made his Billboard chart debut in 2010 and changed his rap name to Kendrick Lamar.
Following his Billboard 200 debut (No. 113) with Section.80 in 2011, Lamar unleashed his major label studio album under Top Dawg Entertainment/Interscope Records when Good Kid, M.A.A.D City arrived in October 2012 and debuted at No. 2 on the all-genre albums chart.
The cinematic LP earned Kendrick seven Grammy nominations and was led by singles such as âSwimming Pools (Drank),â which was his Billboard Hot 100 debut, reaching the top 20.
To Pimp a Butterfly saw Lamar continue to elevate his profile when he scored his first Billboard 200 chart-topper in 2015. Two years later, DAMN. hit the streets and made history as K. Dot became the first artist to win the Pulitzer Prize for a hip-hop album.
He curated the Black Panther soundtrack in 2018, and Kendrick returned in 2022 following a hiatus with the poignant Mr. Morale & The Big Steppers.
2024 proved to be his biggest year yet, as his Drake diss âNot Like Usâ topped the Hot 100, and he spun the block before the year ended with the release of GNX, which produced the No. 1 âSquabble Upâ and occupied the entire Hot 100âs top five.
Explore more about Lamarâs rise in the video above.
We all remember the hits, but what about the fan favorite street singles?
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In the midst of his hourslong spree of hate-filled, antisemitic, homophobic and ableist tweets on Friday morning (Feb. 7), Ye reached out to his friend President Donald Trump with a plea for the commander in chief to free disgraced hip-hop mogul Sean âDiddyâ Combs.
âFree Puff,â Ye wrote in all caps on X in the first missive of the barrage of tweets, later adding, â@realDonaldTrump please free my brother Puff.â Combs (variously known as Puffy, Puff Daddy and Puff over the course of his career) was arrested in September and is currently in jail without bail awaiting federal trial in New York on racketeering, sex trafficking and transportation to engage in prostitution charges tied to what prosecutors say was an intricate scheme in which he âabused, threatened and coerced women and others around him to fulfill sexual desires.â
Combs is also facing dozens of civil lawsuits from women and men who claim that the once unstoppable Bad Boy Records boss sexually and physically assaulted them, forced or coerce them into sexual activity during hedonistic âfreak offâ parties and threatened them over the course of incidents dating back almost 30 years; Combs, who has denied all the allegations, is slated to go on trial in May in the case that could land him in prison for the rest of his life.
West visited the White House during Trumpâs first term and has proudly worn the MAGA hat over the years. Amid the offensive tweets he also announced the launch of a collaboration between his Yeezy fashion brand and Combâs Sean John fashion line. As of Friday morning, a number of basic-form white, grey and black âSean Johnâ t-shirts were available on the Yeezy site alongside a black sweatshirt with the white supremacist phrase âWhite Lives Matter.â
According to West, profits from the $20 shirts will be split evenly with Combs. âI just found out that Puff is not allowed to make or collect money while heâs locked up so Iâma send his half of the money to Justin,â he wrote, not identifying which Justin he was referring to.
The profanity-filled tweet string also featured a call-out of fellow celebrities â whom he referred to as âcelebrity niâas and bâches [who] is pâsyâ â who âwatch our brother rot and never say sât.â Trump, who pardoned more than 1,500 January 6 rioters on his first day in office in January â and who in the waning days of his first term pardoned or commuted the sentences of rappers Lil Wayne and Kodak Black â has not mentioned Combsâ case in the first few weeks of his second term.
In addition to advocating for the release of Combs, Ye also praised singer Chris Brown, writing, âwe all watched them try to cancel Chris Brown and aint nobody do nothing,â adding, âI was pâsy then too Chris Brown its til the wheels fall off,â a seeming reference to Westâs new song with Ty Dolla $ign, âWheels Fall Off.â
Brown plead guilty to felony assault on then-girlfriend Rihanna after brutally beating the singer in 2009, for which he was sentence to five years probation, domestic violence counseling and six months of community service. In the years since, as Brown has continued to release charting songs as his list of reported physical altercations and allegations of battery have grown.
He was involved in a scuffle with Drakeâs entourage at a New York nightclub in 2012, got into an altercation with singer Frank Ocean in 2013, was arrested for felony assault later that year in D.C. and was identified as the person who allegedly assaulted another adult male during a 2015 basketball game in Las Vegas; two months later a woman told police that Brown battered her in a Vegas hotel room during a spat over a cell phone. In August of 2016 Brown was arrested at his home in Los Angeles for suspicion of assault with a deadly weapon.
Since then, former girlfriend Karrueche Tran was granted a five-year restraining order against Brown in 2017 after sharing threatening texts heâd allegedly sent her and last year he was the subject of a lawsuit in which four men said Brown and his associates âbrutally and severelyâ beat them backstage at Dickies Arena.
Yeâs advocacy for Combs and Brown came during a seven-plus-hour X rant in which he repeatedly used homophobic (âfagât aâ nâgasâ) and ableist slurs (âfâk ret-rds,â âdumb aâ ret-rdsâ) and praised Nazi leader Adolf Hitler (âI love Hitler,â âIâm a Naziâ) while repeatedly denigrating the Jewish people (âyou can get money with Jewish people but they always gonna steal.â)
In a statement on X, Anti-Defamation League CEO Jonathan A. Greenblatt responded by calling the comments, âAnother egregious display of antisemitism, racism and misogyny from Ye on his X account this morning⌠We condemn this dangerous behavior and need to call it what it is: a flagrant and unequivocal display of hate.â Some of Westâs antisemitic post were amplified and re-shared by white supremacist Nick Fuentes, who joined Ye at the White House in 2018 for the meeting with Trump, who the rapper said at the time was like a âfatherâ to him.
EST Gee knows all too well about turning tragedy into triumph, but that doesnât mean it gets any easier each time out.
The Louisville slugger returned last week (Jan. 31) with his sophomore album I Ainât Feeling You, which he followed up on Friday (Feb. 7) with a four-pack deluxe.
Geeski continues to elevate his gritty street tales out of the âVille, but he says the imitators continue to surface. âPeople always take my style,â he contends to Billboard. âHowever I get to coming, itâs like a clone pops out of nowhere. But itâs cool though, I like it. Itâs like a little army of Minions.â
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Inspired by Drakeâs âHoustatlantavegas,â the EST boss recruited Lil Baby and Travis Scott, who he ran into during a night out at the strip club in Houston, to complete album standout âHoustatlantaville.â
âWe was just at the strip club in Houston,â Gee explains. âI always bump into Travis. We came across each other a few times. It was a good night and he was asking what we was getting ready to do after we left the club. Iâm like, âWe bout to go to the studio. We gonâ go to the house and record like right now.â He was like, âYeah?â Iâm like, âCome on, we gonna go right now.’â
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Signed to his EST label in a joint venture with Alamo, EST Lu Mike was someone Gee looked at as the younger version of himself. Unfortunately, Lu Mike was killed last year following a self-inflicted gunshot wound, and Gee memorialized his mentee on âRIP Lu Mike.â
Geeski looked inward to finish the LP as he paid tribute to his late mother, who passed away from leukemia in 2020 before his rise to fame, with the poignant âOutroâ seeking her direction. âI was gonâ go to my mommaâs gravesite,â he recalls before recording the heartbreaking track. âI had planned on it because Iâve never been, but then something happened and I ended up not going. I was just thinking about her.â
Through it all, Gee is upbeat in conversation during his trip to NYC as we touch on his street style versus melodic rap in the music landscape, why he left that Bootleg Kev interview and a conversation with Jay-Z where the Brooklyn icon compared Drake and Futureâs dynamic to Jayâs competitive nature with Nelly in the early 2000s.
I Ainât Feeling You. Who arenât you feeling?
Anybody that ainât feeling me.Â
What inspired the project? When did you record it and what did you hope to leave the people with?
I been had it for six months. I like to record in little pockets. Whatever comes out of the pocket, thatâs the project. That was probably like a two-week thing. I probably went to the studio six or seven times.Â
Talk about âThe Streetsâ and how much you appreciate that âDuffle Bag Boyâ sample.
Yeah, that was one of my joints growing up. I always used to wonder what happened to the other dude [Dolla Boy]. That was my way of sending the word out and a beacon for him. Whereâs he at though? Turn him back up. Thatâs when I was playing the project for [Yo] Gotti. Most of it I had done. Dame was in there â he was like, âI got a beat for you I know you gonâ like.â Iâm like, âLet me do this real quick.âÂ
How was linking up with Travis Scott and Lil Baby for âHoustatlantaville?â Howâd you get in touch with Travis?
We was just at the strip club in Houston. I always bump into Travis. We came across each other a few times. It was a good night and he was asking what we was getting ready to do after we left the club. Iâm like, âWe bout to go to the studio. We gonâ go to the house and record like right now.â He was like, âYeah?â Iâm like, âCome on we gonna go right now.â
I was just pumping him up. He was like, âCome on letâs go!â When we be in Houston, it be like a vibe for artists and stuff down there⌠We gonâ have five half-a-million-dollar cars, smoking raise the window down, good strip club, they got good food. Then we can go pull up at the spot to record. It was me and Baby at first and I was playing [Travis] some songs. He was like, âI want to get on that one.â Iâm like, âYou sure?â Heâs like, âYeah. Letâs do it.â I think I [was thinking] the Drake âHoustatlantavegas.â Took the Vegas off and put the Ville.
âRIP Lu Mike,â what made you want to memorialize him in that way?
Lu Mike, that was my lilâ bro. He shot himself. Something was going on in front of himself and he ended up shooting himself and having a gun in his pants. The shot rang off and the crowd at the club scattered so nobody seen that he was shot and helped him.
Lu Mike was signed to Alamo, and I had a joint venture with [him]. He was the younger version of me. My boy. He was just like my lilâ son. It was deeper than music. I seen him make his first $100,000 and fâk it all up in two weeks. I just seen him go through his stages of becoming a man. Heâd be frustrating, but you gotta love him.Â
The outro is a tribute to your mom. What kinda space do you get into where you think, âIâm gonna end the album with that?â
It was just one of the days. I donât know if you been through something like that, but sometimes you got days where you caught up thinking about âem. It was just one of them days.
You know what clip I see go viral from yo? Your pick-six against SLU.
For real? Where do you be seeing it? I donât get on Twitter. I had a whole lot of pick-sixes. I got a whole lot of highlights. My whole life been a highlight. That was light though. I ainât celebrating with nobody.Â
You gotta pop up in the Eagles locker room like Gillie if they win the Super Bowl.
Heâs a super Eagles fan. I might do that. Gillie and Wallo, thatâs my people. I might do that and go in the locker room with the big hat on with Gillie. You know who else Gillie and Wallo made me like? They really part of the reason I started watching sports again. I was not watching football or nothing for years. When Gillie and them was going to Colorado, and I was seeing that, I liked it so much. [Deion] coaching his sons and stuff. I thought it was the coldest. I was watching from home and betting. I probably won $70,000 betting. I think I bet on Colorado and two or three more games.Â
One time Underdog wasnât trying to pay me out. My first bet I was supposed to win like $100,000 and they said, âItâs a limit on your first bet so you canât win over $50,000.â But they let me bet the $10,000. They was all lilâ spicy bets. Like Donovan Mitchell to get a block, Shedeur to not throw an interception. It was crazy on the first bet â and they were like, âHell nah, we ainât paying you all that money.â When I lost once or twice I was like, âThey tryna come back and get that money from me. Iâma fall back off of them.â
[Gambling] brought it back for me. I was never really watching it since I was little playing, but since I started sports betting Iâve been watching it more. I ainât miss a Colorado game all year. Â
I feel like in hip-hop now the Playboi Carti-type of sound is at the forefront, but youâve been able to break through on the mainstream.Â
I donât think thatâs true. You said Playboi Carti type of music is at the forefront of music? Hell no.Â
What do you think is the sound that dominates hip-hop then?
I think itâs just hip-hop is dominating the music industry. I donât think itâs one sound in hip-hop thatâs dominating hip-hop. Whatever you mean by that type of music, I donât think thatâs the sound thatâs dominating music. Hip-hop is dominating the music industry and thatâs cool to say.Â
What do you think itâs about your music thatâs been able to resonate in the mainstream?
Itâs more people that are living day-to-day that have real stuff going on. I think when it be more gimmicky and fake stuff and 15-second attention-span stuff to make it look like itâs a thing, itâs a lot of fake sât that goes along with it. People put the fake streams with it. It makes you feel like, âDamn, that many people are paying attention to that?â I just figured out when people do stadium shows, theyâll make the tickets a dollar. Thatâs crazy to me. When I had my show at the stadium in Louisville, them tickets wasnât no dollar. It was $400, $550. I just figured out people do that. Itâs a lot of tricking the eye in the music industry. I ainât against it, though â itâs what it is. Iâm just a player.
Do you care about chart success? Do the plaques matter?
I did a lot of that. I think Iâm probably the biggest artist thatâs came out since 2020 as far as a street artist. I probably got the most album and single success. I probably got the most tangible thing that you could see. Iâm not depending on nobody else to do what I gotta do. I probably got the most money too. If you came out with me, I probably got the most of everything you can have. Iâm talking about liquid cash too. They donât gotta say it either. When we meet each other, you can just tell. Iâm glad I could be a good example.Â
A couple of years ago you told me âFuture is our Jay-Z.â What do you think itâs about Future that heâs been able to maintain this longevity? He had an insane year.
Itâs probably the third or fourth time heâs done it too. I think itâs more a testament to what I said a couple of years ago. Future is the guy. I said it to Jay-Z, and his homies didnât really understand it. He understood and then he explained it to them. He put in perspective â like, in his time, Nelly was more like Drake. Heâs selling a whole lot of records and doing movies. Nelly was the guy at the award shows. But for all the street stuff, and when itâs time to go to the BET Awards, everyone wanted to be with Jay-Z, because it was the streets. Year after year it never went away â and thatâs kind of what Future is. I think his friend was saying Drake was the biggest of my generation, and this was a couple of years ago. When he broke it down to him and Nelly, I was like, âWhat?â He was like, âNelly was going quadruple-platinum every time.âÂ
Did something else happen on the Bootleg Kev interview that we didnât see when you dipped on him?
Just asking weird sât, and I wasnât feeling that. You know Red? I talk about Red a lot, and his older brother had died. If it wasnât that day, it was the day before. He was asking me some weird aâ sât. He asked about the fake jewelry, but mentioned my jewelry â and I donât be playing like that. I think he asked me about, did I know a porn star? Iâm like, âBro, what?â And it was over with.Â
How was reuniting with 42 Dugg since he got out? You see his sports gambling tweets? That sât is hilarious.Â
My boy, heâs a funny dude. I didnât know he was doing all that, bro. Heâs going off on people?
Yeah, heâs like Iâm gonna make a Jared Goff diss track because the Lions lost. Heâll find random college games and go off on No. 4 on North Carolina like, âWhat the fâk are you doing?âÂ
I ainât gonna lie, I be feeling the same way when Colorado used to piss me off. My boy No. 7 on Colorado [CamâRon Silmon-Craig]. I used to think he was the worst DB. Heâs alright, I hope he makes it to the league. But damn he used to be making me so mad last year. I didnât know that Dugg was doing that. The world donât know how funny he really is. If he just let somebody follow him around like a reality show. If he really let yâall into what he does every day. If I called him right now, heâs probably doing some funny aâ sât. Yesterday, when I called him during the interview he was riding around in all Black in that truck. Then you know heâs short. Heâs driving the car by himself he canât really see. Heâs on some bullsât. Like, âYeah Iâma call you back.â Yeah, Dugg is funny. Thatâs my brother.
What else is coming up for 2025?
Iâm gonna be back on the scene this year. Last year, I kinda took a break and was chilling and relaxing. This year, Iâm back pressing the gas. Itâs gonna be dat.Â
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Ye went on a hate-filled tweet spree on Friday morning (Feb. 7) in which he once again praised Nazis and Adolf Hitler, while insulting the LGBTQ community and people with disabilities with phrases such as âfâk ret-rds.â
West, whose once formidable music and fashion empire crumbled in 2022 after a string of hate-filled, antisemitic rants in which he stated âI like Hitlerâ and repeatedly embraced antisemitic stereotypes and hate speech, doubled-down on that rhetoric in the dozens of posts on Friday.
The all-cap tweets began early in the morning with a statement in which Ye claimed that he âturned down 3 photos this week with Make-A-Wish kids in wheelchairs,â followed by a further, full embrace of antisemitic language. âI love Hitler, how what bâches,â Ye wrote, followed by âIâm a Nazi.â
Anti-Defamation League CEO Jonathan A. Greenblatt responded to the posts on X with a statement that read: âHere we go again. Another egregious display of antisemitism, racism and misogyny from Ye on his X account this morning. Just a few years ago, ADL found that 30 antisemitic indents nationwide were tied to Kanyeâs 2022 antisemitic rants. We condemn this dangerous behavior and need to call it what it is: a flagrant and unequivocal display of hate.â
He added, âWe know this game all too well. Letâs call Yeâs hate-filled public rant for what it really is: a sad attempt for attention that uses Jews as a scapegoat. But unfortunately, it does get attention because Kanye has a far-reaching platform on which to spread his antisemitism and hate. Words matter. And as weâve seen too many times before, hateful rhetoric can prompt real-world consequences.â
Yeâs spree also included the use of homophobic slurs (âfâot aâ nâgasâ), ableist insults (âdumb aâ ret-rdsâ) and the statement âall white people are racist.â A number of the tweets were marked âvisibility limitedâ as they ran afoul of Xâs rules against hateful conduct.
Among them were comments such as, âJewish people actually hate white people and use Black people,â âyou can get money with Jewish people but they always gonna stealâ and âthis is how I really feel, how I really felt and how I will always feel⌠fâk all of your fâk aâ unfair business deals any Jewish person that does business with me needs to know I donât like or trust any Jewish person and this is completely sober with no Hennesy [sic].â
West also referenced Twitter/X owner and White House advisor Elon Muskâs repeated use of a Nazi-like salute at an inauguration event for Donald Trump last month that was widely criticized (Musk responded to critics by saying they âneed better dirty tricksâ). âElon stole my Nazi swag at the inauguration⌠yooo my guy get your own third rale,â Ye wrote, adding, âI can say Jew as much as I want. I can say Hitler as much as I want.â
Claiming he has no interest in âadjusting nothing I do or say for anybody,â West promised to ânormalize talking about Hitler they [sic] way talking about killing niâas has been normalized,â followed by âHitler was sooooo freshâ and âcall me Yaydolf Yitler.â
The string of hate speech was seemingly embraced by white supremacist Nick Fuentes who wrote âand weâre backâ in response to one of Yeâs tweets; Ye posted a series of crying laughing emoji on that Fuentes comment. Fuentes, known for his antisemitic, misogynistic and white supremacist views, also reposted a few of Yeâs most incendiary tweets, including one that read: âall you pleeeeease come at me⌠thatâs who we spot the kâns⌠let these white people and Jewish people tell you what to do and say.â
Amidst Yeâs earlier embrace of Hitler and Nazi propaganda, experts spoke to Billboard about the dangers of someone with such a wide social media reach promoting antisemitic tropes at a time when hate crimes against Jews and Jewish institutions were at the highest point in recent memory.
âAt a time when the community is dealing with this level of hatred to have one of the most well-known entertainers in our culture making statements like âI like Hitlerâ and showing up on [Jonesâ] InfoWars is not just vile and offensive, but itâs also endangering Jews by giving people permission to express that kind of prejudice,â Greenblatt said at the time. âPeople in the mainstream did not make such overtly awful, inflammatory comments before like this.â
Ye also tweeted support for Diddy, who is currently behind bars as he awaits trial for sex trafficking charges. âPuff we love you,â he posted. âI stood up for Puff and Iâm still winning 20 Grammies [sic] next year and doing the Super Bowl.â
In a podcast interview earlier this week, Ye claimed that heâd recently been diagnosed with Autism Spectrum Disorder (ASD) after his wife said she thought his previous diagnosis of bipolar disorder was incorrect.
Over the past year, West had slowly begun to try and rebuild his music and fashion empire following its rapid meltdown after his 2022-2023 spree of antisemitic hate speech in interviews, which included a tweet announcing he was going âdeath con [sic] 3 on Jewish people,â repeated praise for Holocaust mastermind Adolf Hitler and the promotion of the white supremacist phrase âWhite Lives Matterâ on shirts at Paris Fashion Week.
In the wake of those incidents, Ye was dropped by the Gap, Adidas, Balenciaga and his agents at CAA and his social media accounts were suspended or revoked in a fallout so wide-ranging that the former â and according to him, again â billionaire said in February of last year that he nearly went bankrupt.
At press time, the string of antisemitic statements continued unabated with Ye writing, âI donât even know what the fâk anti semetic [sic] means⌠its just some bullsât Jewish people made up to protect their bullsât,â as well as a claim that he âchanneledâ misogynist influence Andrew Tate in his comments. Tate was released from five months of house arrest in Romania in January related to allegations of human trafficking and sex with a minor; Tate has denied the allegations.
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Everyoneâs curious about the teens and twenty-somethings who make up Gen Z. How do they interact with each other? Do they even dance in the clubs anymore? Whatâs the dating world like for them? With his new Wonderlove album, rising ATL-bred R&B singer Chase Shakur may have a few answers.Â
Introduced by singles like âFocus on Meâ and the TyFontaine-assisted âFairytailes in Midtown,â Wonderlove arrived on Friday (Feb. 7) as Shakurâs debut studio album â and his second full-length project under Def Jam. His new record charts its moody, introspective emotional odyssey through a soundscape that amalgamates gospel, soul, dancehall, Miami bass, trap, Afrobeats and more. Inspired by the surrealist world of Quentin Tarantinoâs Oscar-winning Pulp Fiction and the globe-traversing DJ sets of his closest friends, Shakur sought to make an album that truly examined what love looks like for Gen Z in 2025.Â
âSometimes we look at love kinda surface-level,â he tells Billboard just two days before the album drops. âWe look at love for what we can get from it instead of adding to one another. I wanted to make a body of work that feels like a hug.âÂ
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After bursting onto the scene with his 2022 debut project, Itâll Be Fine, Shakur spent the next two years pumping out music and hitting the showcase circuit in 2023. Last summer, he toured the globe alongside The Kid LAROI on the Grammy nomineeâs The First Time tour.Â
A rapper-turned-singer with deep reverence for the roots of traditional R&B, Shakur displays tremendous growth across his debut album, which he began recording while touring London in December 2023 and finished during The Kid LAROIâs tour. On âFairytales,â he slickly flips Sexyy Redâs raucous âGet It Sexyyâ into a brooding, sensuous ballad, and he even buried a trap-inflected hidden track on the back half of the albumâs closer, âA Song for Her.âÂ
Billboard caught up with Chase Shakur about Wonderlove, deepening his film knowledge, his forthcoming tour, and honoring his family legacy through music.
Do you have a favorite moment from the creative process for this album?Â
Just living in L.A. for three months and being hella disciplined. I was on a meal prep routine and going to the gym; we only wore black clothes so we could lock in and not be distracted by anything else.Â
How do you feel youâve grown as an artist and as a person since your debut?Â
I have a better understanding of what Iâm trying to do with my career and my art. Iâm learning maturity in my music.Â
What are some elements that you would consider immature in your older music?Â
Being scared a girl Iâm talking to might hear something that I say [on a record] and crash out on me. I used to be nervous about that, but now Iâm like âFâk that sât.â Â
How do you think your growth manifests itself on Wonderlove specifically?Â
Iâm a lot more fearless on this project. I had a session with No I.D. and Raphael Saadiq, and No I.D. gave a nâa the illest advice about not giving a fâk about perception. Just tell your story and bring those special nuances. I was nervous as fâk because theyâre my inspirations, but theyâre mad cool. In between recording, I would walk out into the lobby and get to hear how they did âHow Does It Feelâ with DâAngelo. We [as up-and-coming artists] overthink it. Listening to them talk about how the song was made because DâAngelo was looking for weed⌠we overthink a lot of the time!Â
You dropped your first two projects in back-to-back years. Whyâd you take a bit more time with this one?Â
I wanted to make a story that people could understand. This was my first time doing something that had elements of surrealism, but I still wanted to keep it rough at the same time. When I was on tour [with The Kid LAROI], I was watching a bunch of movies that I hadnât seen but everybody else had seen. I watched Pulp Fiction for the first time, and it felt real but like⌠your friend not gonna tell you no sât like that, you know what Iâm saying? [Laughs]. Iâm trying to blend that world with my production and lyrics and make a full body of work, not just one song.Â
What does the term âwonderloveâ mean and when did you know that was the title?Â
I came up with the title after coming home from tour and going to my grandmaâs house. I grew up in a house with eight people, split between the women in the family and the men in the family. In Black households, we all have that picture that everybody knows. I was flipping through the photo album with my grandma, and thereâs a picture of her and my grandpa. I never met my grandpa, but my grandma used to always tell me about the love they had for each other and the type of man he was. In her telling me that, I wanted to make something that was the opposite of what people are talking about right now.Â
Other than Pulp Fiction, what else were you consuming while making Wonderlove?Â
I listened to a lot of stuff. Reggae, a lot of Afrobeats, R&B of course. I watched Belly and Paid in Full â I know, Iâm supposed to have been seen that shit â and Eternal Sunshine of the Spotless Mind. Iâve just been studying film, man; Iâm trying to make my visuals stand out with those elements of surrealism. Â
I think when people see me â I donât know what they think really â but I feel like thereâs an element of mystique. And with mystique, thereâs a little bit of magic.Â
How did the Smino collaboration come together?Â
I was on The Kid LAROIâs tour, and he sent his verse a month before I left Baltimore. I randomly got it on the bus, and I was like, âWhat the fâk!â In my personal opinion, we got the best Smino verse in a minute. The video for that is gonna be wild too, so Iâm excited. Thereâs always an element of unpredictability; I was playing his sât months before that particular exchange even transpired. I like having a blend of vocals or a different contrast when I collaborate with people. I also want to step outside [my comfort zone] and mix genres.Â
You got a track on here called âSex N Sade.â Whatâs your favorite Sade song?Â
âSoldier of Love!â
You end the album with a slightly more traditional piano-led ballad. How do you keep traditional R&B present in your style?Â
For this album, I would say the [main traditional]Â element was gospel music. With â2ofUs,â my mentor, Ari PenSmith, really helped me understand how to use my voice in a way that still has what I grew up on: the gospel and blues elements of traditional R&B.Â
In the past, I undermined my vocal evolution. I listened to the last project I dropped a couple of days ago, and vocally, Iâve made a 180 [degree turn]. When you listen to the first joint and then listen to me now, Iâm much more confident and open. Â
âUndercover Angelâ is a sick mix of Miami bass and dancehall. What was that studio session like?Â
Everybody thought I was crazy when I said [that was gonna work], ainât gon lie. Thatâs slick how it goes a lot of the time, and then it works! A lot of my friends are DJs, and I go to their events and listen to their mashups and sât. I record them when they blend Afrobeats and all that, I think itâs cool. I donât know what made me want to have those dancehall elements, but I just wanted people to have fun. People be like, âWhat the fâk?â when they hear it â especially when the bass drops. Â
âFaceâ also has some overt house influences. Do you plan on exploring dance music further on future projects?Â
I try everything in the studio. I have rock songs, I got jazz songs, I got country songs, everything. When I tried making dance songs for the first time, it wasnât cause I could dance. I canât fâking dance. When I started working on this album, I was going to a lot of clubs where it wasnât section culture. Iâm in Atlanta, so Iâm pulling up on R&B nights and seeing itâs possible for us to have fun and be cool at the same time. Thatâs what inspired me to make and throw out more dance songs.Â
How have you grown personally and professionally since signing to Def Jam?Â
I learned that everything is a choice. Somebody told me that, at this stage, you can choose to do three shows a night or do one show and go home. But itâs all up to you to put in 10,000 hours â not just with recording, but performing and being an all-around artist too. I know I want to be an artist with longevity, and being on Def Jam is teaching me ways to be patient with that.Â
Do you have any tour plans?Â
Itâs gonna be a family affair, man. Iâm excited about the tour. I got SWAVAY opening up and my family with me. Got a couple of shows being opened up by artists from the [Forever N September] collective. Weâre coming with a stage that tells a story. Itâs my first time doing some stage design, so this is a real learning process. Iâm most excited to perform âSay That You Will.âÂ
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Legendary hip-hop outfit the Wu-Tang Clan are teaming up with producer and group DJ Mathematics to release their first new record in eight years.
Set for release on Record Store Day, on April 12, the albumâs full title is Black Samson, The Bastard Swordsman: Wu-Tang, The Saga Continues Collection, and brings to mind their last joint effort, 2017âs The Saga Continues.Â
A somewhat controversial entry in the bandâs discography, the release was issued without the word âClanâ in the groupâs name, and described as a âcompilationâ album due to the absence of U-God. âIt canât be a complete Wu-Tang Clan album without UG,â Mathematics said at the time.
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The forthcoming record, however, has seen Mathematics recruit the entire group for the project. As Variety reports, Method Man, Raekwon, Ghostface Killah, Cappadonna, U-God, Masta Killa, Inspectah Deck, GZA and RZA all confirmed to appear, along with guest spots from Kurupt, Kool G. Rap, Benny the Butcher, and more.
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 âYou can be sure of a great body [of] work,â Raekwon said to Variety. âMathematics is a top tier producer who makes music with his soul attached.â
âWu-Tang has always been about pushing boundaries â musically, artistically, and culturally. With Black Samson, The Bastard Swordsman, Iâm giving fans not just an album, but a piece of history â something truly one of a kind,â Mathematics explained in a statement. âThis is more than music; itâs innovation, storytelling, and legacy all in one. I am excited for everyone to hear the music and see the artwork around this album.â
5,000 copies of the album will be made available for Record Store Day. According to its dedicated page on the RSD website, âEvery album jacket features unique â1 of 1â cover art, making each design truly distinct and highly collectible â a first in the vinyl record industry.â A digital release is also expected, with final track âCharleston Blue, Legend of a Fighterâ described as a vinyl-only bonus track.
Black Samson, The Bastard Swordsman will mark the first Wu-Tang Clan record to feature the full current lineup of the collective since 2015âs Once Upon a Time in Shaolin. To date, no widespread commercial release for that album has been announced since its controversial sale to the notorious so-called âpharma broâ Martin Shkreli. It did, however, receive a debut public airing at the Museum of Old and New Art in Hobart, Australia last year.