R&B/Hip-Hop
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Kendrick Lamar may have been the headline performer at the 2025 Super Bowl, but Ye (formerly known as Kanye West) made sure that his presence was still known during the event.
In a strange commercial dropped during the game in some local markets, Ye appeared in a vertical video, appearing to film himself on his iPhone from a dentist’s chair. Sporting a dark pair of sunglasses and a blue hoodie, a visibly drowsy Ye explained that this was his Super Bowl commercial for his fashion brand Yeezy.
“What’s up, guys? I spent all the money for the commercial on these new teeth,” he said, flashing the audience a look at his new diamond-encrusted fangs. “So, once again, I had to shoot it on the iPhone. Um … go to Yeezy.com.” The website currently contains pre-orders for new articles of clothing, along with a few pieces of music available to purchase.
The clip comes after Ye went on a series of antisemitic, misogynistic, homophobic, hate-speech-fueled rants on X, in which he praised Adolf Hitler, referred to himself as a Nazi, asked Donald Trump to “free my brother” Diddy, mocked people with disabilities and openly claimed that he has “hit women” before, among myriad other offensive claims.
Friends star David Schwimmer chimed in to ask X owner Elon Musk to ban Ye from the app. “We can’t stop a deranged bigot from spewing hate filled, ignorant bile… but we CAN stop giving him a megaphone, Mr. Musk,” the actor wrote. “Kanye West has 32.7 million followers on your platform, X. That’s twice as many people than the number of Jews in existence. His sick hate speech results in REAL LIFE violence against Jews.”
Even Ye’s wife, Bianca Censori, has expressed her own “concern” over Ye’s latest string of hate-filled posts, sharing a prayer to help her husband. “Soften his heart, guide his words, and fill him with wisdom and kindness. Protect him from trouble & lead him toward understanding & respect for all people,” she wrote. “Despite our differences, I love him unconditionally. Strengthen our bond & help me be a source of patience & encouragement.”
As soon as the NFL announced Kendrick Lamar as the Super Bowl LIX Halftime Show headliner, fans and haters alike began to surmise just what the Compton MC would do with the 10 to 15 minutes allotted to him. Would he take time to honor some of rap legends who hailed from the Super Bowl host city of New Orleans? A small contingent believed Lil Wayne should have gotten the tap instead of Lamar, so, some thought, perhaps Lamar would bring out 504’s own as a show of respect.
Or would Lamar go the complete other direction and take time to really beef up his pop-star bonafides by bringing out some friends who are much more famous than he is? After learning that Jack Antonoff helped to produce his latest album, GNX, some thought maybe Taylor Swift would make her way down from the Chiefs box to the field. But, nah. What we got instead was an unadulterated Kendrick Lamar show. That is to say: Over 120 million people were treated to the first ever real and true rap concert masquerading as a Super Bowl Halftime Show.
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During his Apple Music interview with Ebro Darden and Nadeska Alexis, Lamar said all the success of the past year was “just a continuum of who I am.” And if you’ve somehow missed out on what happened in rap in 2024, here’s a quick rundown: On the first of Future and Metro Boomin’s two collaboration albums, Kendrick Lamar hopped on a tracked called “Like That” and called out Drake, and, to a lesser extent, J. Cole for claiming to be the best. The song went No. 1 on the Billboard Hot 100 and reignited a long simmering beef with Drake that resulted in over six diss tracks between the two. The highlight of the battle was the DJ Mustard-produced “Not Like Us,” which also went No. 1 on the Hot 100 and saw Lamar cap off the beef with an incredible West Coast-tinged party track that garnered him five Grammys.
But, as Kendrick said, this was just a continuum of who he is. Almost more than any other rapper working today, Lamar embodies the ethos of hip-hop. He works to make each album and song count — making sure they not only make a statement about the times and the people living them, but say something different than the ones that came before them. He realizes the power of the position he holds and tries to make the most of the opportunities afforded to him. So it wasn’t a surprise to see Kendrick Lamar put on the most hip-hop halftime show we’ve ever seen. Only Kendrick Lamar would start a show on the biggest stage in the world with a verse from an unreleased song, a verse that ended with him rapping, “the revolution about to be televised, you picked the right time, but the wrong guy,” a bar that gives a wink and a nod to the situation at hand: Lamar being the first rapper to headline the Super Bowl Halftime Show on his own.
After performing “Squabble Up,” Samuel L. Jackson, playing an Uncle Sam character, chastised Lamar for making his performance “too ghetto” and asked him if he really knew “how to play the game.” The rapper answered by performing two of his other Hot 100 chart toppers, “Humble” and “DNA” before going straight into “Euphoria.”
The conversation leading up to the show was whether or not Lamar would perform “Not Like Us.” In the months since its release, Drake has sued Universal Music Group — Kendrick Lamar and Drake’s record label — for allegedly defaming him by releasing and promoting a song that claims he fraternizes with pedophiles. Very few people thought for a moment that he would perform “Euphoria,” despite the release reaching No. 3 on the Hot 100. But he did, with a group of dancers stepping to impeccable choreography. From there he went into a GNX medley including “Man at the Garden” and “Peekaboo” before telling the audience, “I want to perform their favorite song, but you know they love to sue” as the beat for “Not Like Us” quickly pulsated in and out.
He took the temperature down by instead going into his and SZA’s most recent hit “Luther” from GNX, and their former hit “All the Stars” from the Black Panther soundtrack. “Tell me what you gone do to me, confrontation is nothing new to me,” he rapped before SZA belted the cinematic chorus. As that wrapped, Uncle Sam popped back up, pleased that Lamar opted for a more pop-oriented direction. It was then that Kendrick began to freestyle a call-and-response verse with some of the dancers asking him, “You really about to do it?” and Lamar answering, “They tried to rig the game, but you can’t fake influence.”
Then, the moment millions were waiting for: Kendrick Lamar performed “Not Like Us” to over 100 million people around the world. There was a lot to take in as this was all happening: The dancers draped in the colors of the American flag all stepping in metronomic precision. The camerawork reminiscent of his “Pop Out” concert from last year. Serena Williams crip walking. Or Lamar looking directly at the camera as he rapped, “Say, Drake, I hear you like ‘em young.” After months of speculation, it felt like an incredible cap on an incredible run that started nearly a year ago.
Was it a perfect halftime performance? Perhaps not. Despite him seemingly rapping without a backing track, playing a few of his chart-topping hits and bringing out a fellow chart-topper in SZA, the set would have benefited from a real and true surprise — something that would have made even the most hardened Kendrick hater say “wow.” But even without pulling a rabbit out of a hat, Kendrick Lamar managed to pull of the rarest feat: He brought an unfiltered hip-hop show to the Super Bowl. Who knows when we’ll see something like this again.
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In the weeks leading up to the Super Bowl, fans have been wondering whether or not Kendrick Lamar would perform his Grammy Award-winning Drake diss “Not Like Us.” Not only did K.Dot perform a section of the track during his set, but he may have thrown a little extra shade at Drizzy. During Lamar’s fiery […]
There were a lot of messages woven throughout Kendrick Lamar‘s Super Bowl halftime show on Sunday night (Feb. 9). But the main message social media commentators took away from the spectacle was: Don’t mess with Kendrick Lamar. Leading up to Super Bowl Sunday, a lot was made about whether Lamar would perform his Billboard Hot […]
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After a triumphant Grammys night on Feb. 2 during which he clinched five awards — including the coveted record and song of the year for “Not Like Us” — hip-hop powerhouse Kendrick Lamar made his way to the Caesars Superdome in New Orleans on Sunday (Feb. 9) to bask in his well-deserved victory lap at the Super Bowl 2025 Halftime Show.
As the Philadelphia Eagles unexpectedly surged ahead of the Kansas City Chiefs with a resounding 24-0 halftime lead, the stage was set for Lamar to electrify. With a birds-eye view of the stage, a massive tic-tac-toe board awaited viewers as they were greeted by Uncle Sam — well, Samuel L. Jackson. Dressed in a patriotic ensemble, the actor welcomed fans to “The Great American Game.”
Lamar began his lyrical exhibition by rapping to “Bodies” on top of a GNX. A frenetic Lamar is swarmed by an army of dancers dressed in red and white before segueing into his Billboard Hot 100 chart-topper “Squabble Up.” Flanked by his dancers, Lamar’s surgical precision and breath control remained on par until he reached the hook and is interrupted by Jackson. “No, no, no. Too loud, too reckless, too ghetto,” declared Jackson. “Mr. Lamar, do you really know how to play the game? Then tighten up.”
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Lamar took heed of Jackson’s words of wisdom and entered a quick medley of 2015’s DAMN, during which he dishes out “Humble” and “DNA.” Lamar continued to blitz fans with surprises, mainly when he performed “Euphoria,” his searing diss track against Drake, which also doubles as a subtle sign that maybe he’d detonate “Not Like Us.” Shortly after, Lamar veered to a pseudo-street corner, where he rapped “Man in the Garden” in front of his homies to the disdain of Jackson.
“I see you brought your homeboys with you,” sneered the actor. “The old culture cheat code. Scorekeeper, deduct one life.”
Lamar kept the GNX buzz intact as the stage shapeshifted again, this time into the form of an X, where he performed “peekaboo.” “Ladies, I wanna make a move,” Lamar rapped to his female dancers before tantalizing them with “their favorite song.” The instrumental for “Not Like Us” hummed through the speakers. Instead of succumbing to the pressure, Lamar slowed things down and brought out his one-time TDE compatriot SZA for “Luther” and “All the Stars.”
“That’s what I’m talking about. That’s what America wants,” cheered Jackson. You’re almost there. Don’t mess this up.”
Jackson’s cautionary warning came on the heels of “Not Like Us,” as Lamar gave an impromptu freestyle, positioning his reasoning for ultimately performing the song. “You really ’bout to do it?/ Yeah, they tried to fake the game, but you can’t fake influence,” said Lamar before pressing go on “Not Like Us.” With the cameras focused on Lamar’s face, he didn’t lose eye contact and delivered the controversial verse with fury, name-dropping Drake and having the crowd rap back the now popular “a minor” line with fervor.
After “Not Like Us,” Lamar seamlessly pivoted to “TV Off,” with the song’s producer, Mustard, alongside him. The now-classic yell of “Mustard” reverberated through Caesars Superdome, allowing the rapper to cap off a monumental set with a lit-up sign reading “Game Over” set up in the crowd, punctuating his efforts.
The impact of Lamar’s performance is indisputable, leaving hip-hop and pop culture awestruck once again.
R&B star Ledisi performed on one of the biggest stages in her Grammy-winning career with a compelling live rendition of “Lift Every Voice and Sing” during the pre-game festivities for Super Bowl LIX in New Orleans. The occasion marked the fifth time that the song — also known as the Black national anthem — has been performed at the Super Bowl.
Dressed in a white pantsuit complemented by a floor-length long-sleeved coat, Ledisi was accompanied by a yellow-robed choir of 121 students from schools in the greater New Orleans area. Starting off slow and measured, the singer-songwriter-actress built up to a soaring crescendo that ended in her full-bodied voice sustaining the note on the last word in the song’s final verse: “Let us march on till victory is won.”
Earning hearty applause, her moving performance underscored the song’s message of hope, faith, resilience and unity amid the recent Los Angeles wildfires, last month’s act of terrorism on Bourbon Street in New Orleans and current challenges to such initiatives as DEI.
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While not a household name for some, New Orleans native Ledisi is heralded among fans for her potent vocals and colorful riffs integrated within a spirited fusion of R&B, soul, gospel and jazz. She counts legendary artist and civil rights activist Nina Simone as one of her major influences. Ledisi Sings Nina, released in 2021, was nominated for a Grammy for best traditional pop vocal album and an NAACP Image Award for outstanding jazz vocal album. Ledisi also portrayed another civil rights advocate, gospel singer Mahalia Jackson, in two projects: the 2022 biopic Remember Me: The Mahalia Jackson Story and in 2014’s Ava DuVernay-directed film Selma.
Ledisi recently released a new single “Love You Too.” A 2021 Grammy winner for best traditional R&B performance for “Anything for You,” Ledisi released 11th studio album, Good Life, last March.
In a statement prior to her pregame performance, Ledisi commented, “Performing at the Super Bowl is one of the most significant moments of my career. I’m honored to bring my voice and my story to such a monumental event, and I hope to inspire unity and pride with this performance.”
After partnering with Roc Nation in 2019, the NFL inaugurated its Super Bowl pre-game tradition of including “Lift Every Voice” in the wake of George Floyd’s murder. Alicia Keys first performed the song in a video that premiered for the NFL in September 2020 that was later re-aired ahead of Super Bowl LV in 2021. Since then, gospel duo Mary Mary, Sheryl Lee Ralph and, last year, Andra Day have delivered their own interpretations on the global sports stage.
The hymn originated as a poem written by NAACP leader James Weldon Johnson in 1900, with its verses paired with music composed by Johnson’s brother, John Rosamond Johnson. The song was later adopted by the NAACP as a clarion call during the civil rights movement of the ‘50s and ‘60s.
Preceding Kendrick Lamar’s highly anticipated Super Bowl LIX halftime performance, the pregame lineup also included performances by Lady Gaga (“Hold My Hand”), Lauren Daigle and Trombone Shortly (“America the Beautiful”) and Jon Batiste (“The Star-Spangled Banner”).
Cardi B was in full party mode ahead of Super Bowl LIX, twerking her way through a night of festivities.
In the hours leading up to the highly anticipated matchup between the Kansas City Chiefs and the Philadelphia Eagles at New Orleans’ Caesars Superdome, the 32-year-old rapper celebrated at local clubs.
On Saturday (Feb. 8), Cardi shared a series of videos on her Instagram Story, showing off her moves in a form-fitting beige dress. In the clips, she’s seen bent over, delivering an epic twerk at a mystery spot in the Big Easy.
In another video, Cardi is seen in what looks like a hotel room, preparing to head to her next club destination with a group of friends. “I’m so sleepy and here comes miss meanie P,” she captioned the clip, featuring a friend who impatiently urged, “OK, let’s go!”
The fun didn’t stop there. The next video shows Cardi back at the club, grooving to the White Stripes’ “Seven Nation Army” with a mischievous look. “The thoughts in my head be soo bad,” she wrote over the video.
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Switching up her look, Cardi dons a shiny dark gray dress as she gives fans a peek into her night at Beacher’s Madhouse at Republic NOLA. In the video, she showcases a Michael Jackson impersonator and sprays the crowd with a fog cannon. It looks like the rapper had a late night, with one video timestamped at approximately 4:30 a.m.
Her fun night comes after the release of her highly anticipated new track “Toot It Up,” a collaboration with Pardison Fontaine that dropped on Friday.
The two last teamed up on 2018’s “Backin’ It Up,” which they performed together at the 2018 BET Hip Hop Awards. The song reached No. 40 on the Billboard Hot 100 and cracked the top 20 on Hot R&B/Hip-Hop Songs (No. 18) and Rhythmic Airplay (No. 11).
Pardi has also co-written several of Cardi’s biggest hits, including “Bodak Yellow,” “I Like It” with Bad Bunny and J Balvin, “WAP” with Megan Thee Stallion, and “Up,” as well as much of her Grammy-winning debut album, Invasion of Privacy.
“Toot It Up” is just one of the new tracks Cardi has on the horizon. Earlier this week, a trailer for the upcoming Smurfs movie teased a new track “Higher Love” by Desi Trill, featuring DJ Khaled, Cardi B, Natania and Subhi.
Less than a week after stealing the show at the Grammy Awards and winning the best rap album trophy, Doechii brought her magnetic stage presence to the Big Easy with a late night performance at the House of Verizon activation during Super Bowl weekend in New Orleans on Saturday night (Feb. 8). Explore Explore See […]
Ashanti is opening up following the death of Irv Gotti.
On Friday (Feb. 7), the R&B star shared a heartfelt tribute on social media to honor the Murder Inc. Records founder after his passing.
“I can’t believe things ended like this….and it makes me so sad,” Ashanti wrote on her Instagram Story, according to TMZ. “We weren’t on the best terms the past few years but as I’ve always said, through our ups and downs I will forever be grateful for everything that you’ve done for me. We made history and that will remain infinite..”
The “Foolish” singer continued, “I’ve always respected your musical genius and ability to push me to be my best.. All the greatness and positive things that came, far outweigh the dark and negative times. I have always prayed for you to find peace. Sending love and prayers to the entire family. Rest well. Rest in Peace Irv.”
Along with the post, Ashanti also reportedly shared a series of throwback photos from her Murder Inc. days, including an image from the release of her 2002 self-titled debut album.
Gotti, who co-founded the iconic Murder Inc. Records and helped launch the careers of Ja Rule and Ashanti in the early 2000s, passed away on Feb. 5 after suffering a stroke. He was 54 years old.
Alongside his brother Chris, Irv Gotti (born Irving Domingo Lorenzo Jr.) launched Murder Inc. in 1998 as an imprint of Def Jam, following his success in helping bring DMX to the vaunted hip-hop label. Ja Rule became the flagship artist for Murder Inc., and the label’s first release was his 1999 debut album, Venni Vetti Vecci.
In addition to Ja Rule, Gotti also discovered Ashanti when she was a teenager. She went on to achieve fame with memorable hooks on rap hits and her own solo R&B success. Ashanti’s three biggest hits all came in 2002: Ja Rule’s “Always on Time,” featuring Ashanti, topped the Billboard Hot 100 chart for two weeks; Fat Joe’s “What’s Luv?,” featuring Ashanti, peaked at No. 2; and her own “Foolish” spent 10 weeks at No. 1 on the Hot 100.
Billboard recently named “Foolish” and “I’m Real” among the Top Hot 100 Songs of the 21st Century.
Gotti won a Grammy in 2003 for co-producing Ashanti’s eponymous debut album, which earned best contemporary R&B album. He was nominated again the following year for co-writing Ashanti’s “Rock Wit U (Awww Baby),” which was a finalist for best R&B song.
2025 might not be so bad after all. Roc Marciano and DJ Premier surprised rap fans with a new single in “Armani Exchange” and have announced that they’ll be releasing a collaborative EP later this year. Ironically enough, this all came together by a chance meeting at Macy’s flagship Herald Square store in New York […]