Publishing
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When Bonnie Raitt‘s touching ballad “Just Like That” won the Grammy for song of the year, the singer-songwriter seemed just as shocked as the crowd. “I am just totally humbled,” she said while accepting the award.
Though she is a decorated and critically acclaimed musician, with 11 Grammys and five top 40 hits on the Hot 100 to her name, Raitt’s “Just Like That” was the least commercially successful song up for the category this year by a long shot. Despite not cracking the Hot 100 chart, “Just Like That” managed to beat out the nine other nominated songs, each of which ranked in the top 20 of the Hot 100 this year, including two No. 1 tracks (“As it Was” by Harry Styles and “About Damn Time” by Lizzo). Many see Raitt’s win as proof that the top Grammy awards do not necessarily always go to those with the most commercial or widespread success.
This particular award win is surprising for Raitt in more ways than one. Song of the year is one of four top awards given out each year by the Recording Academy, along with record of the year, album of the year and best new artist, and it is the only one of the big four that honors the craft of songwriting specifically. Raitt, as she admitted in her acceptance speech, “[doesn’t] write a lot of songs,” but she did write “Just Like That” singlehandedly.
So how much did “Just Like That” earn in publishing royalties for Raitt as its only songwriter, and how much did the Grammy win help the song commercially?
Billboard estimates that before the Grammys, “Just Like That” had earned Raitt over $6,000 in publishing royalties from its release date (April 22, 2022) to the week of the Grammys, which aired on Feb. 5, 2023, for her work as a songwriter from U.S. streaming, sales and airplay combined. In the two weeks following the show, those formats earned her another nearly $6,000. In other words, Raitt earned almost as much from the song in just two weeks as she did in the more than nine months prior to the broadcast.
Raitt owns her publishing, and she houses her songwriting catalog under two entities, Kokomo Music and Open Secret Music. In 2018, she entered an arrangement with indie publishing house Bluewater Music to administer her publishing catalog worldwide. Because she owns her publishing and wrote “Just Like That” by herself, the vast majority of the money she earns from the song will end up in Raitt’s pocket, with deductions likely only made to pay Bluewater Music administration fees and whatever cut her manager makes.
Overall, since the release of “Just Like That,” Billboard estimates that Raitt has earned a total of about $12,000 in publishing royalties from streams and sales of the song. The majority of that came from both physical sales of the album on which the song appears — also called Just Like That — and U.S. on-demand audio streams, according to Luminate. In the two-week period after the Grammys, song downloads and streaming were the biggest source of royalties by far.
In terms of streaming alone, Raitt earned only about $975 worth of publishing royalties from U.S. on-demand audio streams in the almost 10 months that elapsed between the song’s release and the week of the Grammys. But in just the two weeks since her song of the year win, she has earned a little over $2,000 in publishing royalties for U.S. on-demand audio streams.
The week before the Grammys, dated Jan. 27-Feb. 2, “Just Like That” was racked up 44,000 on-demand audio streams in the U.S. The week after the Grammys, dated Feb. 3-9, on-demand U.S. audio streams increased by 3,028% to 1.377 million, according to Luminate. The massive spike, however, did not hold steady in the following week, dated Feb. 10-16, when the number of U.S. on-demand audio streams fell to just over 410,000.
On the physical sales side, Raitt earned over $4,000 in publishing royalties from selling copies of her albums through to the night of the Grammys. In the two weeks after the awards show, Raitt earned about $700.
Along with increased consumption in the sales and streaming categories, “Just Like That” has also sparked interest at radio. The week before the Grammys, it was played just a handful of times, but in the two weeks after her win, she received a total of 144 radio spins, according to Luminate. While still not significant enough to push her to the top of any charts, airplay could contribute solidly toward her future publishing earnings if it continues to gain traction.
So far, the big Grammy win for “Just Like That” doesn’t appear to be boosting sales and streaming activity for Raitt’s overall catalog in the U.S. While weekly catalog album consumption activity jumped to over 9,000 copies on average in each of the two weeks after the show — up from the weekly average of over 3,000 copies before the show — all of that gain is coming from the Just Like That album.
Reservoir Media said Wednesday it acquired the publishing and recorded rights to the catalog of jazz living legend Sonny Rollins — aka “The Saxophone Colossus.”
A recipient of the Lifetime Achievement Award at the 2004 Grammys, Rollins is perhaps best known for his 1956 album Saxophone Colossus and its track, “St. Thomas,” which has been deemed “culturally, historically…significant” by the Library of Congress’ National Recording Registry.
A regular collaborator of other jazz giants Charlie Parker, John Coltrane, Thelonious Monk, Miles Davis and Dizzy Gillespie, among others, Rollins continued to release music, including his 2001 Grammy-winning album This is What I Do and 2006 Grammy-winning solo “Why Was I Born?”
“I’m happy that Reservoir will be helping to maintain my musical legacy, which was created in concert with so many great musicians I’m proud to be associated with,” Rollins said in a statement announcing the acquisition.
Terms of the deal were not disclosed, with Reservoir adding that it includes a “mix of rights across Sonny’s entire catalog.”
Rollins catalog is a body of work spanning more than 70 years of “musical innovation,” Rell Lafargue, Reservoir president and chief operating officer, said in a statement.
“I first learned of Sonny through his music, playing ‘St. Thomas’ as a young jazz student, and it’s incredibly meaningful that Reservoir and I can now commit to preserving Sonny’s musical legacy and amplifying his contributions to the artform for audiences old and new,” Lafargue said.
Seeker Music has signed Australian-born songwriter, producer, DJ, and artist Kito to a publishing agreement. Known for her collaborations with artists like FLETCHER, Empress Of, Jorja Smith and more, Kito’s deal is one of the company’s first frontline signings.
Kito first became known as a DJ at the start of the 2010s, remixing songs like Beyonce’s “Run the World,” Saweetie and Doja Cat’s “Best Friend,” and MARINA’s “Venus Fly Trap.” Later on, as she developed her writing and production skills, Kito earned cuts with Mabel, BANKS, Tinashé and Jorja Smith and released her own EP Blossom, featuring Jeremih, ZHU and Terror Jr.
Seeker Music was founded in 2020 and quietly amassed a catalog of music IP over the next two years, including hits recorded by Run the Jewels, Christopher Cross, Ginuwine and more. The company is administered by Downtown and funded by London-based private equity firm M&G.
Seeker Music founder and CEO, Evan Bogart, told Billboard in a previous interview that his aim was always to become a multi-hyphenate music company, developing current songwriters and artists as well as building up a robust back catalog of songs, however, the company’s frontline efforts were hindered by the COVID-19 pandemic. “I invest with my heart before money,” the executive explained, adding that meeting talent over Zoom made it difficult to foster camaraderie with potential signees. Now that in-person meetings and writing sessions have resumed, Seeker has bolstered its frontline business, signing acts like Kito as well as Sofía Valdés (Warner Records), Katie Pearlman (Kelly Clarkson, Grace Potter, Sabrina Carpenter), Sweetsound (Jesse Baez, Snoop Dogg, Natanael Cano), and MNDR.
Kito noted that she opted to sign with Seeker for its “quality over quantity” approach to its roster and that Bogart is a songwriter himself. Best known for penning hits like “SOS” by Rihanna and “Halo” by Beyonce, Kito says of Bogart “I trust Evan because he understands what it’s like to write a song and bring it into the world. He’s also built himself as a songwriter ‘business,’ and worked with, and mentored, some of the greatest writers in the world. The whole team at Seeker really ‘gets’ the creative process and what’s important to music creators. I’m excited for this next chapter together and everything we’re cooking up for 2023 and beyond.”
Bogart says of the deal, “everyone wanted to sign Kito and I couldn’t be prouder that she chose Seeker to be her family. She’s insanely talented and she’s going to dominate music, and the music business, in the years to come.”
A new London-based buyer has entered the already crowded catalog acquisition market. Called Bella Figura Music, the company was founded by former BMG U.K. president, Alexi Cory-Smith, who will act as CEO, and former BMG global investments division leader, Neelesh Prabhu, who will act as head of investments.
According to the company’s announcement, Bella Figura Music is a “purpose-built, artist-centric music company, bringing together leading technology and a relentless focus on creative excellence.”
Over the last year, Bella Figura’s team has been quietly amassing a catalog of recording and publishing assets with financing aid from private equity fund Freshstream.
So far, Bella Figura has acquired the publishing catalog of Guy Chambers, one of the songwriters behind Robbie Williams‘ “Angels,” “Feel” and “Let Me Entertain You,” as well as David Gray‘s record label IHT, which owns and controls all of the singer-songwriter’s albums, from 1998’s White Ladder to 2019’s Gold in a Brass Age.
According to the company’s announcement, Gray is “closely involved with Bella Figura Music,” acting as an “interested party” in the catalog’s business dealings. Gray’s management team at Mick Management will remain closely involved with the catalog, new products and new initiatives. “Dave remaining involved financially and with creative controls and input intact was a key feature of us wanting to do the deal,” says Cory-Smith. “This is the kind of deal we really like.”
Other acquisitions by Bella Figura include R3HAB‘s recorded music catalog up until 2022, including “All Around the World,” “Sad Boy,” “Runaway” and “Call Me”; AWAL’s divested portfolio of rights, including shares of recordings by Gray, Placebo, The Wombats and Dashboard Confessional; songwriter-producer Darrell Brown’s publishing shares in 25 of his songs, including songs performed by LeAnn Rimes and Keith Urban.
“I view David Gray and Guy Chambers as the founding blocks on which we build the business,” Cory-Smith says. “One is records, the other is publishing — both top quality catalogues. I am very proud of what we have achieved in Bella Figura Music’s first year of business.”
Cory-Smith adds, “I’ve always wanted to have my own music company and after years in corporates, the timing to take an entrepreneurial path felt right.”
“I’ve been looking for a new partner for my music for quite some time, so when I heard about Alexi and Bella Figura I thought it had the potential to be a good fit,” says Gray. “They struck me as a company with serious ambitions, an eye for detail and a point to prove, and the fact that I had a good relationship with Alexi from her time at Chrysalis/BMG was definitely a major positive too. The world of music and technology is in a state of constant flux and it’s vital to work with people who are not only attentive to its challenges but also alert to its opportunities. I feel very optimistic that with Bella Figura I’ve found just that.”
“I’m so pleased to be working with Bella Figura,” adds Chambers. “I think Alexi is one of the most dynamic executives working in the music industry. Having Alexi at the helm of Bella Figura is an exciting prospect for what is a new and vital area for songwriters in the industry today.”
George Gershwin‘s heirs have opted to renew their long-term publishing administration deal with Raleigh Music Publishing. The deal is specifically for the works owned under A Gershwin, LLC, which holds a major share of Gershwin’s copyrights, including “Rhapsody in Blue” (arr. Ferde Grofé), works from musicals like Porgy and Bess, Shall We Dance, Crazy for You, An American in Paris, Nice Work If You Can Get It, and more. Songs from these stage productions remain some of the most vital musical works in American history, including “They Can’t Take That Away from Me,” “Love Is Here to Stay,” “Let’s Call the Whole Thing Off,” “A Foggy Day,” and “Summertime.”
Sony Music Publishing has extended its global partnership with David Gates and his publishing company Kipahulu Music which began in the 1960s. Gates is best known as the frontman of the band Bread and as the songwriter of hits for The Murmaids and The Monkees, and worked with Elvis Presley, Bobby Darin, Merle Haggard and more. His hits include “If,” “Everything I Own,” “It Don’t Matter To Me,” “Baby I’m-A Want You,” “Make It With You” and many more.
Warner Chappell Music has signed a worldwide publishing deal with MZMC Inc. Korea Co. — a popular production and publishing company in the K-pop market. Under the partnership WCM will be administering MZMC’s entire music catalog worldwide, including hits like ‘Fine’ by Taeyeon; ‘Ko Ko Bop’, ‘Love Shot’, and ‘Tempo’ by EXO; RBB (Really Bad Boy)’ by Red Velvet, as well as ‘We Go Up’ by NCT DREAM.
Ultra International Publishing has expanded its Afrobeats operations to Nigeria and has formed a new creative hub there. Ultra has appointed Harold Serero, a London-based A&R manager, to oversee the operation. The company’s signings within the genre include Tejiri Akpoghene who is signed jointly between Ultra and Revels Group’s publishing arm Coup D’Etat Music. They have also signed Maesu, a rising Afrobeats artist, and Amexin to publishing agreements.
Marv Green has inked a global publishing deal with Red Door Music Group and Warner Chappell Music. Over the past few years, he has worked with Morgan Wallen, Jake Owen, Eric Church, Brooks and Dunn, Jon Pardi, Midland, Lee Brice, Tim McGraw and more. He is most known for his BMI Song of the Year-winning track “Amazed,” which was released by Lonestar.
Boosey and Hawkes, which is part of Concord, has added ballet score Mythologies to its catalog. Written by Thomas Bangalter of Daft Punk, the ballet set to his score has been touring France and Italy since April 2022.
Warner Chappell Music, Liz Rose Music and Jimmie Allen have come together to jointly sign Cameron Bedell to a global publishing agreement. The singer-songwriter from Wichita, Kansas recently co-penned “Down Home” by Allen.
Sentric Music has signed Mason, a Dutch producer and DJ, to an exclusive publishing administration deal. The talent has been making dance music since his breakout song “Exceeder” in 2006. Since then he has worked with Roisin Murphy, Shingai, Aqualung, Kurtis Blow, Sway, and more.
Minds on Fire, a pop and dance-focus music publishing company, has announced that it is partnering with BMG. Its catalog will now be administered by BMG and future co-publishing signings will be done jointly with the Berlin-based company as well. The first signings to this new deal are Emre Turkmen and Michael Goldsworthy, founding members of the group Years & Years.
King Pen Music and Warner Chappell have joined together to sign a global publishing agreement with Liam St. John, a blues singer-songwriter and former contestant of The Voice (Season 19).
Sting will become an Academy Fellow, the highest honor The Ivors Academy bestows, at the 2023 Ivors, which will be presented at Grosvenor House in London on May 18.
Sting is the 23rd Fellow that the Academy has inducted in its 79-year history. He follows such songwriting greats as Sir Paul McCartney, Kate Bush, Joan Armatrading and Peter Gabriel. The latter received the award last year.
“Of all the awards in the world of music, The Ivors are for me, the most prestigious,” Sting said in a statement. “Songwriting is a skilled craft and The Ivors Academy are its guild. So, I am delighted and honoured to be offered this Fellowship of the Academy, joining and acknowledging this extraordinary group of fellow songwriters, and all of those who went before us.”
Sting has won seven Ivor Novellos, including their Lifetime Achievement Award in 2002. He was inducted into the New York-based Songwriters Hall of Fame that same year.
Sting has won 17 Grammys, including two in songwriting categories – the 1983 award for song of the year for “Every Breath You Take” and the 1991 award for best rock song for “The Soul Cages.” He won a 2002 Primetime Emmy for outstanding individual performance in a variety or music program for A&E in Concert: Sting in Tuscany…All This Time. In addition, he has been nominated for the two other EGOT awards. He has amassed four Oscar nods for best original song and a 2015 Tony nod for original musical score for The Last Ship.
Speaking on behalf of The Ivors Academy, Armatrading, Sting’s labelmate at A&M Records from the late ’70s into the early ’90s, said: “Across all of Sting’s work as a solo artist and with the iconic band The Police, he is without doubt one of the UK’s foremost successful songwriters and performers and is certainly deserving of one of the most prestigious awards in the music business. My huge congratulations on being made a Fellow of The Ivors Academy, Sting.”
Sting is managed by Martin Kierszenbaum of Cherrytree Music Company.
The Ivor Novellos, which were first presented in 1956, are judged by songwriters and composers from The Ivors Academy, the U.K.’s professional association for songwriters and composers. Past winners include Adele, Stormzy, Little Simz, Cathy Dennis, Annie Lennox, Amy Winehouse, Dave and John Lennon.
This year’s nominations will be announced on Tuesday April 18. The winners will be revealed at The Ivors on Thursday May 18.
The Ivors Academy also announced that Amazon Music is the new title sponsor of The Ivors as part of a multi-year, global deal. Amazon Music will bring music creators to the forefront through exclusive content offerings, as well as live performances, an immersive red carpet and backstage interviews that will be livestreamed on the Amazon Music UK Twitch channel in 2023.
Tom Gray, chair of The Ivors Academy, said, “Globally, songwriters are justly demanding the recognition that they deserve. As we push back against the historic undervaluing of the song and songwriter, we are delighted to collaborate with Amazon Music to celebrate songwriters, explore their craft and firmly place their value and originality at the centre of music. Together, we will make sure that The Ivors is recognised around the world as the most important celebration of songwriting.”
Amazon Music will integrate this year’s Rising Star nominees into their global developing artist program, Breakthrough, which provides long-term, customized global plans for emerging artists. This support includes video and audio content, global marketing, increased visibility across Amazon Music playlists and programming and high-profile Amazon Original tracks available only on Amazon Music.
Tom Winkler, head of songwriter, publisher and society relations for Amazon Music explains, “By globally amplifying the exceptional work of The Ivors Academy, Amazon Music will continue to celebrate songwriters and empower fans to discover the craft behind the music.”
To commemorate Sting’s honor, an unheard, Amazon Original demo of “If It’s Love,” taken from the musician’s most recent studio album, 2021’s The Bridge, is being released exclusively via Amazon Music. This is the seventh installment of the newly-launched demos program, which provides Amazon Music customers with the opportunity to hear demos of artists’ songs. Previous demo releases include songs by Walker Hayes and Maren Morris.
As we reported earlier on Wednesday (Feb. 15), Tim Rice is this year’s recipient of the Johnny Mercer Award, the top honor given by the Songwriters Hall of Fame. Rice joins a long list of Mercer Award recipients which includes Burt Bacharach & Hal David, Paul Simon, Stephen Sondheim, Billy Joel, Stevie Wonder, Smokey Robinson, Dolly Parton and Neil Diamond.
Mercer died in 1976, so you can be excused if you don’t know all that much about him. Mercer was a top lyricist of the Great American Songbook era, but his creative peak extended beyond that era. He won back-to-back Oscars in 1962-63 for co-writing “Moon River” and “Days of Wine and Roses.” Henry Mancini, who composed both of those hits, saluted Mercer with a memorable line from “Moon River” when they won for “Days of Wine and Roses,” saying “and my huckleberry friend, Johnny Mercer.”
Mercer’s other most famous songs include “Hooray for Hollywood” (a perennial on the Oscars), “One for My Baby (And One More for the Road)” (a classic saloon song that is one of Frank Sinatra’s signature hits), “Summer Wind” (another Sinatra classic from 1966), “Fools Rush In” (which Rick Nelson revived in 1963), “Dream” (one of the most melancholy ballads of the World War II years), “Ac-Cent-Tchu-Ate-the-Positive” (it appeared recently in M3GAN), “I’m an Old Cowhand (From the Rio Grande)” (Lucy and Ethel sang it on a 1954 episode of I Love Lucy), “That Old Black Magic” (Louis Prima & Keely Smith’s classic version was a winner at the first Grammy Awards) and “I Wanna Be Around” (Tony Bennett’s highest-charting Hot 100 hit).
Here are more Mercer songs you probably know: “Autumn Leaves,” “Blues in the Night,” “Jeepers, Creepers!,” “Come Rain or Come Shine,” “I Remember You,” “Charade,” “Skylark” and “Too Marvelous for Words.”
Scan these 13 Fun Facts and learn more about the man for whom the Songwriters Hall of Fame named their top award.
Tim Rice will be the 2023 recipient of the Johnny Mercer Award at the 52nd annual Songwriters Hall of Fame Induction and Awards Dinner, which is slated for Thursday, June 15, at the Marriott Marquis Hotel in New York City.
Rice, who teamed with Andrew Lloyd Webber to write such classics as Jesus Christ Superstar and Evita, is the first songwriter primarily known for his work in theater to receive this award since Stephen Sondheim in 1999.
Rice is the second EGOT recipient to receive the Johnny Mercer Award – following Alan Menken. The two songwriters shared an Oscar and three Grammys for their work on Aladdin.
He’s the fifth songwriter or songwriting team from the U.K. to receive the honor, following Jule Styne (1993), Phil Collins (2010), Elton John & Bernie Taupin (2013) and Van Morrison (2015).
The Mercer Award, the SHOF’s highest honor, is reserved for a songwriter or songwriting team who has already been inducted in a prior year and whose body of work upholds the standards set by Johnny Mercer, a four-time Oscar-winner.
“I am truly honoured to be chosen to receive the Johnny Mercer Award,” Rice said in a statement. “My induction into the SHOF in 1999 was itself a highlight of my writing career and I never expected to receive any further recognition from the most distinguished gathering of songwriters in the world. So, I am bowled over (a cricketing metaphor) with gratitude. I have attended quite a few SHOF events in the past 25 years and they have always been among the most enjoyable of entertainment world extravaganzas – unpretentious, unpredictable, and spectacular. So, June 15, 2023, is a golden booking in my electronic diary.”
Inductees at this year’s Songwriters Hall of Fame Induction and Awards Dinner are Sade Adu, Glen Ballard, Snoop Dogg, Gloria Estefan, Jeff Lynne, Teddy Riley and Liz Rose. The recipient of a second honorary award, the Hal David Starlight Award, will be announced at a later date.
SHOF Chairman Nile Rodgers said, “Tim Rice is an artisan. He has crafted some of the greatest lyrics and stories in musical history with Jesus Christ Superstar, and his incredible work with Andrew Lloyd Webber being amongst my favorites.”
Rice has won an Emmy, five Grammys, three Oscars and three Tonys. He won an Oscar and three Grammys for his work on Aladdin; two Tonys, a Grammy and an Oscar for Evita and its film adaptation; a Tony and a Grammy for Aida; an Oscar for The Lion King and an Emmy for Jesus Christ Superstar: Live in Concert.
Rice has worked in music, theatre, and films since 1965. In addition to his work with Webber, Rice has worked with such other top composers as Elton John (The Lion King, Aida), Menken (Aladdin, King David, Beauty and the Beast) and Bjorn Ulvaeus and Benny Andersson (Chess). He has also written with Freddie Mercury, Burt Bacharach and Rick Wakeman, among others.
Rice’s recent musical From Here to Eternity returned to London in November 2022. A new Broadway presentation of Chess is set to open in the fall of 2023. In early 2024, a new production of Aida will make its U.K/West End début. Rice is currently writing and presenting a podcast, Get Onto My Cloud, in which he reminisces about his years in music, theater and film.
Diplo’s Mad Decent Publishing has sold its catalog to Olivier Chastan‘s music rights and brand management company Iconoclast, the company announced Tuesday (Feb. 14). Financial details were not disclosed.
Diplo launched Mad Decent with his manager and business partner Kevin Kusatsu as a record label in 2006 before branching into publishing. The deal with Iconoclast includes songs by Mad Decent Publishing songwriters Henry Agincourt Allen (professionally known as King Henry), Philip Meckseper (Jr Blender), Karen Orsted (MØ), Valentino Kahn, Clement & Maxime Picard and Dillon Francis. Songs in the catalog include Major Lazer hits like “Lean On (featuring MØ and DJ Snake),” “Cold Water (featuring Justin Bieber and MØ)” and “Know No Better (featuring Travis Scott, Camila Cabello and Quavo)” as well as Mark Ronson’s “Nothing Breaks Like A Heart (featuring Miley Cyrus).”
Previously the head of Irving Azoff‘s Iconic Artists Group, Chastan founded Iconoclast in 2021 and has been quietly acquiring assets large and small, powered by the heft of institutional backing. In February 2022, the company bought The Band musician Robbie Robertson‘s music publishing, recorded interests and name, image & likeness rights in a deal that Variety valued at worth roughly $25 million.
In a statement, Chastan described the body of work at Mad Decent Publishing as “one of the most exciting and original catalogs where Brazilian Baile Funk and Angolan Kuduro mix with EDM and pop.
“I first became aware of Mad Decent when Kevin Kusatsu and Diplo were working on the first Major Lazer album,” Chastan continued. “The sound was completely different, the songwriting utterly original and fresh-sounding, and the production uniquely creative. Our acquisition of the Mad Decent Publishing catalog illustrates our commitment to preserving and growing culturally significant art of any era including with artists that are shaping contemporary music.”
Representing Iconoclast in the deal were Scott McDowell and Peter Paterno of King, Holmes, Paterno & Soriano. Mad Decent Publishing was represented by Jordan Bromley, Eric Custer and Alex Spring of Manatt, Phelps, & Phillips.
Grammy-nominated producer, songwriter and engineer Marty MARO has signed a co-publishing agreement with Brandon Silverstein Publishing and Patriot Publishing. MARO, born Marty Rod, has written and produced with talents like Selena Gomez, DJ Snake, John Legend, Anitta and Bastille, and his work has been featured in ads, gaming and films, including Meta, Madden 23, Space Jam and others.
MARO’s signing announcement arrives just after Brandon Silverstein Publishing also inked a publishing agreement with producer and songwriter Jasper Harris — best known for songs like “First Class” by Jack Harlow, “Family Ties” by Baby Keem and Kendrick Lamar, and “I Like You” by Post Malone and Doja Cat.
Brandon Silverstein Publishing is the new monicker for S10 Publishing, a company which has signed a number of deals in conjunction with Avex USA, the American branch of Japanese music and entertainment company Avex Group. These partnered deals include Harris as well as “Peaches” writer HARV, Jamaican singer Shenseea, The Kid LAROI collaborator and Internet Money member Cxdy, “Build a Bitch” co-writer David Arkwright, “Stunnin’” producer Declan Hoy, and Travis Scott, Bad Bunny and Future writer/producer KOSA.
For MARO’s signing, the quickly building BSP has partnered with OneRepublic frontman and hitmaker Ryan Tedder’s company Patriot Publishing. Tedder says of the new signing, “Marty’s a beast with an insatiable work ethic. He is an extremely gifted producer and topliner, and I hope to have him part of the family for years to come.”
MARO adds, “I am extremely excited to be joining forces with Ryan and Brandon in this new chapter of my career! They are both two forces of nature in the business and their belief in my vision and musical ability, along with their experience and global reach feels like the perfect combination for me. Together we’ve already achieved some major accomplishments, and I believe the future of my career is in great hands.”
“I’ve been lucky enough to watch Marty work in the studio and I’ve seen how he’s able to help artists create their best work,” says Silverstein, founder and CEO of Brandon Silverstein Publishing. “I’m so thrilled to have him join the family.”