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RuPaul’s Drag Race may not be dedicated to presenting the news of the day, but the latest episode of the series served up Diane Sawyer realness with ease.
Last week’s episode (aired Friday, Mar. 3) saw the queens getting to ask the tough questions in “50/50,” the show’s spoof of classic interview shows like 20/20. Splitting off into three groups, the remaining contestants got to partake in a series of interviews with a trio of celebrity guests, before offering up their best Sasha Fierce interpretations on the Night of 1000 Beyoncés runway.
Sasha Colby once again wowed the judges with her spot-on Bey look as well as her hilarious cooking segment with flamenco icon Charo, earning her third challenge win of the season. Meanwhile, Salina EsTitties and Malaysia Babydoll Foxx found themselves on the chopping block after failing to impress in their interviews of Love Connie and Frankie Grande, respectively.
Tasked with lip-syncing to Beyoncé’s forever iconic “Single Ladies (Put A Ring On It),” Salina managed to pull out just enough moves to win her fourth lip-sync of the season, meaning Malaysia was asked to sashay away.
Billboard caught up with Malaysia following her elimination to talk about fans critiquing her runway silhouettes, making good television with some on-camera drama, and why she feels Sasha Colby’s theory about Beyoncé’s alter ego might be a “delusion.”
I want to say thank you for not being afraid to bring some drama this season — what was the experience like on set of going through the little tiffs you had with folks?
I mean … I didn’t plan on being the drama, but when you feel some type of way, it’s kinda hard to hold those emotions in. Honestly, after the first day there, you just get very comfortable, and you don’t even really care about the cameras being there — you’re just kind of being yourself. I’m a very expressive person when it comes down to it.
Just because I’m checking you or letting you know how I feel doesn’t mean I hate you or dislike you — I’m just letting you know. We can move on from it, which, in every situation on the show, I clearly moved on from it, I just needed my moment. Unless you did something extremely disrespectful, we’re good.
Right, arguing over who got to be in the fake metal group on national television is not a friendship-ending fight.
Completely. Also, I could’ve done anything in that challenge, but I’m not gonna back down from a good fight!
I have to tell you, I love that you have been trolling fans of the show right back when they comment on your silhouette. What has it been like dealing with that running commentary since joining Drag Race?
I mean, honestly, I thought there were many other things about me that would be talked about after being on the show. I never knew that wearing a dress would be the hot topic. I was shocked and appalled — but also, for me, I’m strong-minded in everything that I want to wear. So even when I work with designers, they can tell me that I should do this or that, but the final decision is mine. I treat the people out there who critique it the same exact way; there’s nothing you can say or do that will change my mind from what my vision is at the end of the day. It may be the same silhouette, but the idea and concepts are totally different. If you don’t have the imagination to go past the silhouette, then that just goes to show that you are a very close-minded person. I owe them nothing, I owe them no explanation, and I will forever troll people. I do drag for me, and that’s all that matters. If you love it, then thank you.
Also. wearing a similar silhouette each time worked great for Bianca Del Rio, why shouldn’t it work for you?
Right? We’re in a new era of Drag Race, where every little detail has to be commented on by the fans, I swear. If you let it get to you, it will bring you down to the lowest. If you love what you do, then you’ll be fine.
Let’s talk about the challenge this week — as someone who interviews people for a living, I understand the difficulty of what you were being asked to do in this episode. What was going through your head when you were on the cooking show set with Frankie Grande?
So, here’s the thing, it was forever ago, so I barely remember [laughs]. I was probably nervous! No, I was trying to focus on making sure I was doing everything right — we had cue cards, we had questions, we had all of these things — while also wanting to be as natural as possible. You don’t want to come across as a robot! All that is easier said than done. So that’s what was going through my head, just me saying, “Be natural! Be fun! Make a pizza! Ask a question!”
We get to the runway — your Night of 1000 Beyoncés look was one of my favorites! This 2018 Global Citizen look was spot-on, and it looked fabulous on you! What was it about that look that made you want to do it?
I think that I could relate to that one the most — being a queen of color, I knew it would be great to bring this look she wore in South Africa to the runway. And I knew there were a lot of looks from Beyoncé that … wouldn’t be appropriate on some of the girls, let’s say. So I was like, “Let me be the one to take this route and not take something that a typical person could do.” Plus, I like drag! I love all of the feathers and the patterns on this outfit. Also, it was a change of silhouette!
You changed your silhouette, and look what happened.
Exactly! As soon as I changed the silhouette they were like, “Nope, you’re out.” I knew I should’ve worn that damn gown.
I don’t know if you were listening in the work room, but I need to know your thoughts on Sasha Colby’s theory abut being the inspiration for the persona of Sasha Fierce.
Oh my god. Listen, I think queer people have inspired a lot of people when it comes to fashion, hair, makeup and art. We are very inspiring people. That being said, I think that was delusion [laughs]. No, no, no, I love Sasha! And maybe it is true — after all, Sasha’s old! [laughs] `
Not to bring the mood down, but I know this has been a hard week for queens around the country after everything that’s been going on in Tennessee — how have you been dealing with the news?
I … don’t indulge in the news if I can help it. I know what’s going on, but when you indulge in things like that, you’re making yourself a part of that. They [Tennessee lawmakers] are saying this is a problem, and what I love to do is not a problem. I love to spread love, and it sucks that we are being targeted as a community and as people. But we have to continue to do what we love to do, and I hope we can stand up to this and make a change where it counts.
Well said. What can we expect to see next from you, Malaysia?
Well, a lot of the same silhouette, of course. No, but listen, I don’t think I took a loss, I think I took a win. Like I said in that talent show, “I’m a queen, I’m a queen, I’m a queen/ I’m the fattest and the baddest on the scene.” This is just the beginning.
The thing about Drag Race is that it’s only a glimpse that the audience gets to see. But now that they’ve gotten the glimpse, they’re gonna want to know more. I’m excited to show folks everything that they didn’t get to see.
With queer representation on the rise in the music industry, GLAAD is ready to celebrate just how far we’ve come, with some help from Sony Music Group.
On Monday (March 6), GLAAD and Sony Music Group announced their partnership on “ICONS,” a new, three-part interview series that will explore the impact of the queer community on music. Each installment will focus on a different, modern LGBTQ performer, profiling Isaac Dunbar (March 10), Iniko (April 14) and MK xyz (May 12).
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According to a statement, each interview will hone in on the “deeply personal connection that exists between queerness and craft,” while also examining the ways in which the LGBTQ community has shaped pop culture at large, and how each artist broke through in the industry. The greater goal of the new series, both organizations say, is to “advance LGBTQ representation in music and within the industry at large.”
Tony Morrison, GLAAD’s senior director of communications, said in a statement that queer artists’ impact on the music industry is “undeniable,” which is what the series aims to explore. “It’s as important to honor the trailblazing legacies of LGBTQ icons in music, as it is equally imperative that we elevate new voices in music who have unique backgrounds and stories to tell,” he said. “‘ICONS’ establishes this path forward to increase the visibility of queer artists.”
Sony evp and chief diversity & inclusion officer Tiffany R. Warren agreed, highlighting the importance of using their “powerful platform” to uplift queer voices. “We believe that by exploring the impact that LGBTQ artists and songwriters have had on music, we can foster a deeper understanding of what it takes to break through as an LGBTQ artist,” she said. “This series is a testament to our commitment to advancing diversity, equity, and inclusion while breaking barriers in the music industry.”
The first episode of “ICONS,” featuring Isaac Dunbar, will premiere on GLAAD’s YouTube page Friday, March 10.
Tennessee lawmakers may have passed their ban on drag performances in public, but Bonnaroo is ready to stand firm with its LGBTQ fans.
In a statement released on Friday (March 3), Bonnaroo indirectly responded to Tennessee’s new law, stating that it will not let the new legislation impact the annual festival, which takes place in Manchester, Tenn. “Bonnaroo has and always will be a place for inclusivity, a safe haven for people of all walks of life and a champion of self-expression,” the statement reads. “Rest assured The Farm will remain a sanctuary for those freedoms and Bonnaroovians will see no changes in programming or celebration of self-expression at the festival.”
The news comes after Gov. Bill Lee signed Senate Bill No. 3
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into law on Thursday (March 2). It bans “adult cabaret performances” from taking place on public property or in locations where they could be viewed by minors. The bill defines such displays as any performance “that features topless dancers, go-go dancers, exotic dancers, strippers, male or female impersonators, or similar entertainers.”
The music festival is far from the only one in the industry to react to Tennessee’s drag ban. In an interview with GLAAD last week, Shania Twain said that she thought “drag shows are so fun,” adding, “I think we need this inspiration; we need drag queens to share their talent with us.”
Bonnaroo, which takes place each year at Great Stage Park (lovingly known by attendees as “The Farm”), is set to feature headliners Kendrick Lamar, Odezsa and Foo Fighters, along with a number of LGBTQ performers, including Lil Nas X, 070 Shake, Rina Sawayama and Girl in Red. Tickets for the this year’s festival, taking place from June 15 to 18, are available here.
Check out Bonnaroo’s full statement below:
March has finally arrived, meaning it’s time to break out those springtime playlists and add some new tunes from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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From Demi Lovato’s spine-chilling Scream song to Kali Uchis’ thrilling new album, check out just a few of our favorite releases from this week below.
Demi Lovato, “Still Alive”
There are a handful of modern artists uniquely suited to give us horror and thrilling pop music at the same time — Demi Lovato is one of them. “Still Alive,” the singer’s new track from the new film Scream VI, is a masterclass is balancing the scary vibes of the iconic franchise with a roaring rock sensibility, as they blast through the verses and chorus declaring that she “went to hell but I’m back and I’m breathing,” while asking you to “make me bleed while my heart is still beating.” It’s an excellent addition to Lovato’s renewed rock era, and still flexes the boundless vocal prowess that made them a star in the first place.
Kali Uchis, Red Moon in Venus
Are you ready to feel the love? If so, Kali Uchis has just the record for you. With Red Moon in Venus, the rising genre-bending star’s fourth studio album, Uchis dives head first into love’s many aspects, whether it’s letting someone you love go (“I Wish You Roses”), being treated right in a relationship (“Fantasy”), or the pain of heartbreak (“Deserve Me”). Featuring a supporting cast of stars like Summer Walker, Don Toliver and Omar Apollo, Red Moon drips with pleasure, pain and everything in between, showing just what a force of nature Uchis is.
Boygenius, “Not Strong Enough”
Indie rock supergroup Boygenius — a.k.a. Phoebe Bridgers, Julien Baker and Lucy Dacus — has always thrived when it comes to emotionally devastating songs with a healthy mix of different rock ideas. “Not Strong Enough,” then, is a prototypical track for the trio; with Bridgers and Baker taking the majority of the lead vocals, the new song follows the group as they confess to their respective partners that, no, they cannot be the shoulder to lean on in the relationship. The track perfectly fuses all three artists’ distinctive sounds, making for a catchy, thrilling indie-rock anthem.
Arlo Parks, “Impurities”
Get yourself the kind of friends who love you for all of your insecurities — in this particular case, the kind of friends Arlo Parks has. The UK indie up-and-comer’s new song “Impurities” tracks Parks’ relationship with her friends, as she celebrates their acceptance of her in her entirety. The plinking guitars add a sense of drama to an otherwise tender song of platonic love, where Parks declares “You’re the rainbow in my soap/ You noticе beauty in more forms than most.”
Shygirl feat. Tinashe, “Heaven”
Welcome to the Pearly Gates, where Shygirl and Tinashe are ready to give you a guided tour of “Heaven.” This ethereal new track from the delightful pairing of LGBTQ R&B superstars is everything it’s title promises. With vocals that naturally complement one another and hypnotic production that will send you into pure bliss, “Heaven” is a slice of paradise that you’ll want to listen to again and again.
Peach PRC, “F U Goodbye”
If you listen only to the melody of Australian pop singer Peach PRC’s new song, you’d be forgiven for thinking this is another saccharine love song. But “F U Goodbye” instead creates a delicious juxtaposition through its lyrics — while the maximalist, 2000s-pop production suggests something sugary and sweet, the lyrics bite back, with the star insulting just about everything she can about her ex. Even with a sing-song performance, lines like “I hope you choke, go broke/ Lose your money” land perfectly on this excellent kiss-off.
Carlie Hanson, “LSE to LAX”
In the unforgettable words of Ms. Taylor Alison Swift: “It’s me … hi. I’m the problem, it’s me.” That’s, in a nutshell, the realization Carlie Hanson has on “LSE to LAX,” a mournful pop song about lost love and missed connections. Putting all of her emotions into her pen, Hanson nails the loneliness expressed through lyrics like “I promise everything then take it back the same night,” or “Got this weight on my chest/ Way too heavy to catch you.” It’s yet another stunningly vulnerable single from an artist continuing to show fans why she’s worth listening to on repeat.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
As Rep. George Santos continues to face accusations of boldly lying to his constituents and working as a drag queen, one performer is having the time of her life roasting him for it.
On Monday (Feb. 27), a video was posted on TikTok showing Dragula season one contestant Meatball performing as a part of Drag Race alum Sasha Velour’s New York drag revue show Nightgowns. In the clip, a series of news videos begin to flood the backdrop of the stage about George Santos’ ongoing scandal. As the first few notes to “This Is Me” from The Greatest Showman begin to play, Meatball steps forward in head-to-toe George Santos drag.
As she performs a fierce lip sync to the song, Meatball slowly strips away her Congressman outfit, revealing a tight-fitting red dress, a long black wig and a feather boa, directly referencing a photo that has circulated online of Kitara Ravache, Santos’ alleged drag persona.
Meatball commented on the performance by reposting the TikTok to her Instagram on Tuesday (Feb. 28). “This is me. From @sashavelour @night.gowns last night was such an honor to be in the cast this month!” she wrote. “And thank you Sasha for letting me be a nightmare mess.”
It’s not the first time a drag queen has publicly mocked Santos. When the congressman complained on Twitter that late-night television impressions of him were “terrible,” former Drag Race All Stars winner Trixie Mattel responded saying, “Maybe the source material was weak.” When Santos replied trying to insult the queen’s acting chops, Mattel paraphrased a quote he gave to TMZ about his drag career, saying, “I am not an actor! I was young and I had fun at a festival!”
Check out the clip of Meatball’s performance below:
The category is … 200 episodes of RuPaul’s Drag Race eleganza!
Last week’s installation of the hit reality show (aired Friday, Feb. 24) marked the series’ 200th episode! To celebrate such a milestone, Drag Race decided to throw a good, old-fashioned ball, tasking the remaining queens to showcase three distinct looks — a racing suit, an outfit inspired by one of the past ball challenges, and a crystallized look they had to make in the work room — in the first-ever Crystal Ball.
The front-runners of the season managed to stun the judges yet again, with Sasha Colby earning her second challenge win, while Anetra and Mistress Isabelle Brooks achieved high marks. Meanwhile, the judges remained unimpressed with the looks turned by Salina EsTitties and Spice, locking the pair into a Lip Sync For Your Life to Lil Nas X’s “That’s What I Want.” Salina managed to wow with her emotional performance, meaning Spice was sent packing to reunite with her sister, Sugar.
Billboard caught up with Spice following her elimination to talk about performing as a solo act for the first time on the show, how she approached the competition as a “producer,” and why she “never really cared” about Michelle Visage’s critiques regarding her iconic runway trot.
Congrats on making it this far into the season! How are you feeling about your time on the show?
I’m loving it, and I’m cringing, and I’m crying, and I’m laughing — it’s a full rollercoaster, for sure. I’m sure it’s not as weird for me as some of the other girls, because I’m just so used to watching myself back on camera and editing videos and all of that. But, of course TV’s different because you’re not in control of all of that, so it’s more like, “Oh, what are they gonna use?” I feel like me and Sugar gave them truly so much material, that there’s so many moments that ended up getting cut that made us go, “No, that moment was amazing!” But, it’s not the Sugar & Spice Show.
With this being a massive milestone as the show’s 200th episode, what was the vibe like on set? Were there any big celebrations or anything?
Yeah, it was really fun! Before we all did the runway, they came out with this cake and we all got to take a picture. It was giving birthday bash extravaganza realness. I don’t think I even got to have a piece of the cake, but it looked cute!
Let’s rewind for a little bit and go back to the moment that Sugar got sent home — while you were competing against one another, you two clearly had plans for the rest of the season together. What was the biggest challenge for you with Sugar not being there?
It was truly just feeling bad that she wasn’t there — we’d be doing the girl group challenge, and I was like, “Oh my god, Sugar would be slaying right now.” Or we’d be doing the design challenge, and she sews, and I was like, “She would be eating these girls up right now.” It was a lot of FOMO for her end. When she went home, of course I was sad that she left, but I was mostly the angry upset fan for her; I’m her biggest fan, so I was like that mad fan on Twitter riding for their fave.
There was a lot that went down after she went home that no one needs to know — I had a little bit of a breakdown. Now, there were rumors that I shut down the set for three days, and I was like, “Babes, that’s hilarious, no one on cast has the power to do that.” But I did have a little breakdown, for sure, but we had a three-day weekend, I got refreshed, and we picked it back up.
Last episode also saw the iconic moment where Anetra spared you in the final Lalaparuza lip sync, saying she didn’t think it was fair to lip sync against you. How’d you feel when you saw that?
Oh, I was absolutely living for it. I told Anetra and I told all of the girls, “I am not offended if you want to lip sync against me — this is what y’all do, this is not my wheelhouse.” Like, all of those girls were going to beat me in a lip sync. If they didn’t, that would be very embarrassing for them — and I’m not gonna lie, I actually came kind of close to winning some of those, so that’s … that’s saying a lot. [laughs] That’s when you know. But we all have different areas of expertise, and I love and respect what the girls do.
When Anetra saved me, I was so gagged. And her saying that it was unfair to lip sync against me? I completely agree! Look at what she can do — I can’t even bend down and touch my toes! I feel like she was like, “We are giving her one more life.” Sugar said in her song “A bimbo never dies,” and she was right, I guess … well, eventually she died … wait, no, I didn’t die!!
In the last design challenge, you mentioned that Sugar was the seamstress amongst the two of you, and you had planned on designing the looks while Sugar would actually construct them. How did you imagine that strategy working?
That was 100% our plan from the beginning. We were being little producers, Ms. Sugar and Spice — we were saying, “Oh, that would be hilarious, let’s lean into it; I’ll design, you’ll make it, and it will get all of the other girls mad that we’re working as a team.” We wanted to kind of start a little drama by doing all of that, and I feel like that would have been so fun. God, there were so many moments that could have happened with Sugar being there more.
Well, in the great tradition of the ball challenge, there are occasionally some seamstress queens who like to help out with those who might be struggling — did anyone come to your aid during this challenge?
Oh yeah, for sure. Especially for that first design challenge, I was kind of doing it all by myself, but Luxx finished quick — my “barely there” skirt I had, she helped me sew those pieces together. So, if you’re reading, thank you Luxx.
When it comes to the runway, did you ever find yourself getting annoyed at Michelle’s fixation on your little trot?
Honestly? No shade to her, but I never really cared what she said about the trotting. It just went in one ear and out the other, I was like, “This is just fodder, she’s getting her soundbite for TV.” I fully planned to trot off the stage regardless of what happened. I was like, “Baby, don’t give me more material, because I am definitely going to do it now.”
If you had the chance to go back into season 15 and do it all over again, is there anything you feel like you’d want to do differently?
No, I wouldn’t change a thing — it was meant to be how it was meant to be, it was already done, it was already in the cards. Especially on something like reality TV, you’re not in control, so you just sort of have to roll with the punches. I feel like I made the best out of every situation. I was … very aware of what time it was on this episode, if that makes sense. I easily understood my role, if you will. So, I leaned into that, and had the absolute most fun with it.
As we hurdle closer to spring, there’s no better time to start freshening up your playlists with new tracks from your favorite LGBTQ artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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From Halsey’s solo rendition of a popular collab to Adam Lambert’s full cover song fantasy, check out just a few of our favorite releases from this week below.
Halsey, “Die 4 Me”
It’s been four years since Halsey made a surprise appearance on Post Malone’s “Die For Me,” delivering a scathing verse on a deep-cut off the superstar’s Hollywood Bleeding album. Today, they’re finally ready to share the full, only-Halsey version of that track, much to her fans’ delight. The new “Die 4 Me” sees Halsey still owning the anger that defined their first pass at the track, now unleashing it with expert precision to make a killer pop song. Her biting verses perfectly fit within this new context, re-establishing a 2019 track as 2023’s newest breakup anthem.
Adam Lambert, High Drama
Time and time again, Adam Lambert has proven himself as a master of the cover song. Whether it was on American Idol or the Kennedy Center, the superstar knows how to take a song and make it entirely his own, which he proves yet again on his new LP, High Drama. Covering everyone from Bonnie Tyler to Billie Eilish, Lambert revels in his glam-rock sensibilities to deliver pure entertainment at every given opportunity on this delectable album of tasty updated classics.
Reneé Rapp, “Bruises”
Following her musical breakthrough with her stellar EP Everything to Everyone, Reneé Rapp is ready for a victory lap. With the release of her deluxe version of the project, Rapp is treating fans to “Bruises,” the emotionally-devastating song that didn’t make it to the original project. With a tender guitar line accompanied by her delicately-placed vocals, “Bruises” sees Rapp trying to open up emotionally, but ultimately shutting down out of her fear to get hurt — a feeling that, even if you’ve never felt it, you’ll be able to relate to the second she starts singing.
Channel Tres, Real Cultural Shit
Hope you’re ready to dance this weekend, because Channel Tres’ stunning new EP Real Cultural Shit is here to turn the heat up at every club night. The long-awaited follow-up to the artist/producer’s self-titled 2018 EP, Real Cultural Shit follows through on the promise of it’s title delving straight into Tres’ own modern take on house music, funk, and disco. Whether he’s slowing it down for some real talk on “Sleep When Dead,” or cranking it up to 11 with dance banger “All My Friends,” Tres is here to show you a good time with this new project.
Princess Nokia, “Complicated”
Since the start of her career, Princess Nokia has never fit into one “sound.” So with her latest songs, she decided to throw the idea of labels out the window entirely. “Complicated,” her latest single, dabbles lightly in some of the R&B stylings she’s touched on before, but focuses itself much more on an early-2000s-rave-meets-modern-hyperpop sound, marking brand new territory for this beloved talent.
Yaeji, “Done (Let’s Get It)”
On it’s face “Done (Let’s Get It)” by rising dance superstar Yaeji is a fun, vibe-fueled song that seems intentionally innocuous on its surface. But take a listen to the lyrics — sung in both English and Korean — and you’ll hear an artist intentionally trying to break the continuing cylce of generational trauma and passed-down habits. Balancing tough themes with her lighthearted musical style has always been one of Yaeji’s strengths, and “Done (Let’s Get It)” is no exception to that rule.
Dreamer Isioma feat. Redveil, “Technicolor Love”
Join Dreamer Isioma, one of the most fascinating voices in the indie songwriting scene, as they take you on a fabulous trip with “Technicolor Love.” This trippy, grooving new single sees Dreamer falling head over heels for a woman, even if that love is toxic. The blissed-out production floods your body with endorphins, which are only further heightened by guest star Redveil and his thrilling rap verse.
Ryan Cassata, “If You Ever Leave Long Island”
After a career of self-publishing heartbreaking indie tracks, Ryan Cassata is ready to make a splash with his new song, “If You Ever Leave Long Island.” The singer-songwriter’s debut single on Kill Rock Stars, “If You Ever” sees Cassata taking a sonic left turn into rocked-out heartbreak. Gone are the folksy, gentle love ballads, now replaced with amped-up guitars, pop-punk drums and an excellently angsty performance from Cassata as he ushers in a brand new era.
Allison Ponthier, “Character Development”
Growing and making changes are obviously important — but not more important than the health and well-being of the women around you. That’s the very topic Allison Ponthier expertly skewers in her new song “Character Development,” a supremely catchy and incredibly scathing indictment of misogynistic writing tropes that tend to see female characters suffer so their male counterparts can grow (a.k.a. the “women in refrigerators” phenomenon). Ponthier uses her musical prowess to take on the part of the oft-hurt female character, this time throwing a middle finger in the face of writers, characters and anyone else that would see her suffer so they can learn a valuable lesson. In short; hell yeah, Allison.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Adam Lambert is certainly not making his highly anticipated new musical era a subtle one, unveiling his aptly titled fifth studio album, High Drama, via BMG on Friday (Feb. 24).
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The album is a impressive journey through Lambert’s skillset as a cover artist, as he delivers his own versions of songs such as Bonnie Tyler’s “Holding Out for a Hero,” Sia’s “Chandelier,” Billie Eilish’s “Getting Older” and many more.
“Even when I was doing American Idol, thinking of ways to bring a fresh slant on really well-known songs was always paramount in my mind. So when the idea came up for me to do a covers album, I thought, Well, why not?” he told Dig! of the inspiration behind the project.
He added, “The brief was to take a bunch of really great songs from all genres and completely remold them. For me, it’s been really challenging to twist these songs into completely different arrangements and make them sound brand new. It’s exciting, and if our new takes of these wonderful songs can surprise the artists who recorded the originals, then the record’s definitely succeeded.”
Listen to High Drama in full below.
When it comes to attacks on drag artists around the country, they don’t impress Shania Twain much.
In a new interview with GLAAD’s Anthony Allen Ramos, Twain spoke about her ongoing support for the LGBTQ community, including drag queens who “inspire” her to this day. When asked about the wave of legislation attempting to ban public drag performances around the U.S., Twain was clear with how she felt.
“Oh my god, drag shows are so fun,” she said. “I so admire the talent there, it takes a lot of courage — fashion in itself takes courage … I’m very inspired by it, and I think we need this inspiration; we need drag queens to share their talent with us.”
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Tennessee’s controversial anti-drag bill — which would prevent performances from “male and female impersonators” on public property — passed through the state’s House on Thursday (Feb. 23). It will return to the state Senate for a procedural vote before being signed into law by Gov. Bill Lee.
Elsewhere in the interview, Twain talked about her Republic label-mate Kim Petras, and what it has been like to see her thrive as of late. “Kim reminds me of a living angel,” she said. “This is a person that carries no ego and is very, very elegant in person. I mean, just beauty and kindness and sweetness and always a big hug for me and I admire all the talent.”
The “Man! I Feel Like a Woman” singer also made clear her unwavering support for the LGBTQ community, saying that despite ongoing legislative attacks against queer rights, she had hope for the future.
“When I was younger, I would say I even resented society for just making anyone feel like an outsider. I’m an all inclusive person … and we need more love in the world,” she said. “When I got into the industry, at the time there was no being a member of the LGBTQ community … [now] so many of the creatives in my teams are part of the LGBTQ community, so yeah, I feel great. It’s a sign that our society is just slowly getting there, or at least getting somewhere.”
Check out Shania Twain’s full interview with GLAAD above.
While it’s said that art imitates life, Ben Platt learned all too well recently that life also tends to imitate art.
In an Instagram Reel posted late Tuesday night (Feb. 21), Platt spoke out about a group of neo-Nazi, antisemitic protesters who appeared outside the Jacobs Theater for opening night of previews for Parade on Broadway.
After taking a moment to congratulate the cast and crew on an “amazing” opening night, Platt addressed the protests outside the show. “There were a few neo-Nazi protestors from a really disgusting group outside of the theater … saying antisemitic things about Leo Frank, who the show is about, and spreading the antisemitic rhetoric that led to this whole story in the first place,” he said.
Parade centers around the true story of Frank, a Jewish factory worker who was wrongly convicted of murder in 1913. After his sentence was later commuted, Frank was lynched by an antisemitic mob in 1915. Frank’s trial and eventual murder gave rise to the Anti-Defamation League (ADL), now one of the largest Jewish civil rights organizations in America.
Video clips posted to Twitter by The Forward editor Jake Wasserman show protestors from the National Socialist Movement (an antisemitic hate group, according to the Southern Poverty Law Center) standing outside the theater on Tuesday with banners referring to Frank as a “pedophile.” Claims like these are part of a continued effort by antisemitic hate groups to implicate Frank in the murder of Mary Phagan, despite historical consensus that he was innocent.
Platt said that the protests were “definitely very ugly and scary,” but focused instead on the importance of Frank’s story. “It was a wonderful reminder of why we’re telling this particular story, and how special and powerful art and especially theater can be,” he said. “I wanted the button on this evening, at least for me personally, to be to celebrate what a beautiful experience [the show] is and what gorgeous work all of my wonderful colleagues did tonight, not the really ugly actions of a few people who are spreading evil.”
The producers of Parade also chimed in online, saying, “If there is any remaining doubt out there about the urgency of telling this story in this moment in history, the vileness on display last night should put it to rest. We stand by the valiant Broadway cast that brings this vital story to life each night.”
Jonathan Greenblatt, CEO of ADL, called the protests an example of “vile antisemitism” that highlights “the importance of telling Leo Frank’s story” in a statement to Billboard. “The irony should not be lost on anyone that these antisemitic extremists decided to protest a play that details the true story of the lynching of an innocent Jewish man by an antisemitic mob, and used it as an opportunity to spread conspiracy theories and hate,” he wrote. “ADL locks arms in solidarity with the entire cast and wants to especially thank the producers of the play and Ben Platt for their poignant statements speaking out in the face of hate. Despite the presence of a half-dozen neo-Nazis, New York City will continue to remain no place for hate.”
See Platt’s full video below: