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It’s only been two weeks since Lil Nas X officially returned with his first single in over a year “J Christ.” But now, he’s making it clear that the drought is officially over with yet another new track. On Tuesday (Jan. 23), the rapper took to Instagram to let fans know that his next single […]
After a promotional frenzy filled with plenty of controversy, Lil Nas X is officially back like “J Christ” on the Hot 100. Lil Nas X’s latest single “J Christ” debuted at No. 69 on the chart dated Jan. 27, and the rapper is taking that particular ranking as a milestone achievement in his career. “we […]
After three episodes filled with about five thousand new twists, RuPaul’s Drag Race season 16 finally sent its first queen packing.
On Friday’s episode (Jan. 19), the now-united cast of 14 queens were tasked with throwing The Mother of All Balls on the main stage. Cycling through three looks on the runway, the contestants showed off their best Mother Goose looks (themed after nursery rhymes) and their best Significant Mother (themed after famous moms), before finally revealing their Call Me Mother/Father Eleganza, which they crafted one day prior in the work room out of nothing but menswear.
But of course, in this season of twists, Ru couldn’t just let the girls off that easily — the hostess revealed that the girls would be using the show’s newly-introduced Rate-A-Queen system one last time to determine the week’s tops and bottoms. After 14 rounds of voting from the contestants and classic judges’ critiques, Nymphia Wind was crowned the winner for her inspired look using men’s ties.
The news was not so good for Geneva Karr and Hershii LiqCour-Jeté, who wound up in the bottom for their lackluster looks. Performing in a high-energy, all-out lip sync to Ava Max’s “Maybe You’re the Problem,” both queens gave it their all, but only Geneva was permitted to stay.
Below, Billboard catches up with Hershii about performing in the ball challenge, speaking about being a queer parent on national television, and why she felt that the Rate-A-Queen system lended itself to “more shade than fairness.”
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You made it to Drag Race, queen! How are you feeling after watching your run on the show?
I don’t feel bad at all — I genuinely feel like I gave it all I could, and I did the best that I could, and I did not quit at any point. I feel like nobody wants to be the Porkchop, but the best I could do is what I gave. I’m pleased!
I wanted to say, before we get into the episode, that it was so cool to see you talking about being a parent and how that affects your view on anti-LGBTQ legislation trying to limit children’s interactions with queerness. How have you been dealing with the ongoing release of these bills?
Honestly, I’m queer, so it’s not anything new with everything that’s going on. This has been happening. I do my best to actually try to not focus on it too much, because when I dwell on that stuff, it makes me sad and I don’t want to put that on my children.
I want them to have the most normal life that they could possibly have — whatever you consider “normal” being. They remind me every day that this normal is just fine for them, too; they don’t look at me as a queer person, they don’t look at me as a drag queen, all they see is Baba. They wanna make sure they get their cereal in the morning and their hugs at night. They are my focus; when it comes to everything else, I do my part in the voting booth, and I do my part being as visible as I possibly can. I mean, even just being a parent who is also a drag queen, even just being visible is political for me.
Did your kids get to watch you on the show?
So, they’ve seen it, but I don’t think they realize that it’s actually on TV. As far as they know, that’s just me at work!
Let’s get into the work, then! This season, we were introduced to the new Rate-A-Queen system — what did you think of this twist when it was first introduced to you on the show?
Oh, I hated it! [Laughs.] I did not like it at all! I just knew that, to an extent, it was going to mess up some chances for me. I knew that people were either going to play the game and be shady, or they were going to be fair — and there was going to be a lot more shade than fairness! I feel like I could’ve potentially gone further had a few of the girls played it a little more on the fair side.
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What did you make of Plane Jane’s “best are bottoms, worst are tops” tactics she used in your premiere episode?
Girl, I saw her wheels turning in the work room! I don’t know if the other girls caught it, but the second she said, “I’m going to make sure I play fair,” I gave her a look, like, “Yeah, sure you will, girl.” She turned out being exactly the girl I knew she was. But, that’s part of the game! The fandom wants TV, they want some mess, they want somebody to come in and shake things up — Plane Jane is your girl!
If you had the opportunity to go back, do you think you would’ve done your Rate-A-Queen picks differently?
Absolutely! I went in there trying to be all integral and nice to everybody and fair — no, if I could go back, I would mess everybody’s placement up. [Laughs.]
It’s episode three, and we’re already at the ball challenge, which is easily one of the hardest challenges on the show. What was your immediate reaction when you found out the ball was happening this early in the show?
I love the ball challenge, because it’s the one challenge where you really get to show the most of yourself and your style on the runway, so I actually really like that they put it this early. My problem was with the design element — I can use a machine, but if you’re asking me to be a Q or a Sapphira or a Nymphia, I’m not that girl!
Completely, and I feel like we always have the same discourse around the ball challenges, where people are shocked that some girls can’t sew. Where do you fall on that debate — do girls need to know how to sew when they go on Drag Race?
Oh, interesting. I don’t think it’s about knowing how to sew, because being a designer is a different type of talent. Everyone can know how to sew or not; I didn’t have to ask for any help with the machines, I didn’t need any glue guns, I could put an outfit together. But I’m not a designer, I cannot see fashion in that way. My drag is heavy on the performance side. It’s about being able to design, not being able to sew — like, when I saw what Q had wrapped around her neck, my jaw dropped.
Sadly, you wound up in the bottom this week, lip synching to Ava Max’s “Maybe You’re the Problem” against Geneva Karr, and I was obsessed with the unhinged, church-lady energy you brought to this lip sync. What was your strategy going into that performance?
To be completely honest with you, I already felt like everybody had decided that I was going home. There was no need to ask Sapphira or Jane for immunity, because nobody was coming to save me. Plus, if you know me, you know that Ava Max is so far outside my wheelhouse — I love her as an artist, but that is not my wheelhouse. My thought process was, “If I’m leaving, I’m going to have the best time of my life on that stage.” So, the second the music hit, and that one camera swung in front of me, that was all I needed. I was just living my life on that stage.
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Well, before we let you go, I wanted to ask — is there any music you’ve been obsessing over lately?
Actually, yes there is! I just ran into this artist, his name is Dre Scot, and he is so good. I cannot listen to club music in my downtime, I need some relaxing, good vibe music, and Dre Scot’s voice is so relaxing, I love him. Oh, and Victoria Monét! Both of them are on constant repeat in the Hershii household.
With West End sensation Rob Madge heading to the Great White Way to perform their show My Son’s a Queer (But What Can You Do?), it makes sense that they would partner with Mother Monster herself to spread their message as far as they can. Explore Explore See latest videos, charts and news See latest […]
With the weather getting colder, warm up your ears with a few new tracks from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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See latest videos, charts and news
See latest videos, charts and news
From Aurora’s stunning new single to Green Day’s bisexual anthem, check out just a few of our favorite releases from this week below.
Aurora, “The Conflict of the Mind”
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Norwegian pop star Aurora is firmly in her empath era. With “The Conflict of the Mind,” the singer pushes every emotion she’s felt to the forefront, and embraces the feelings of those she loves dearly in a gorgeous, sharply-crafted melody. The production of her latest track retains all the dainty aspects of her past projects, while simultaneously pushing her sound forward into new sonic territory. Her voice, meanwhile, remains her strongest instrument, evoking pain and pleasure and love and heartbreak and every other emotion she’s left unspoken for this long.
Green Day, “Bobby Sox”
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Leave it to Green Day’s Billie Joe Armstrong to pen a grungy pop-punk song that doubles as a much-needed bisexual anthem. “Bobby Sox” plays as a punchy-yet-sweet love song, with the romantic lyrics asking if the song’s subject wants to be his girlfriend while sitting around and watching TV, while the chorus’ chunky guitars and pounding drums throw long-time fans back to the band’s Dookie days. But from the second verse on, Armstrong switches up the game, intermittently switching out “girlfriend” for “boyfriend,” giving everyone a new celebratory single to jam along to.
Adrianne Lenker, “Sadness as a Gift”
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Big Thief frontwoman Adrianne Lenker has always thrived at transforming complex emotions into revelatory pieces of songwriting. That trend shows no sign of ending on “Sadness as a Gift,” the singer-songwriter’s latest solo single. The spare indie-folk song pairs Lenker’s inimitable vocal with a simple guitar-and-violin combo, as she embraces the ending of a relationship. She wants it to be simpler than it is, but knows that nothing will make it easy right now; “We could see the sadness as a gift and still/ Feel too heavy to hold,” she sings.
Maggie Lindemann, “Hostage”
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For anyone who’s ever felt trapped in their own psyche, alt-pop singer Maggie Lindemann has just the song. “Hostage,” the singer’s volatile new single, follows Lindemann into the recesses of her own mind, as she explains the various ways her brain places her in a constant state of panic, even when the world around her does nothing to arouse those fears. Over a torrent of gothic synths, Lindemann begs the listener to “hold me close when my voice gets shaky, be patient with me.”
Sleater-Kinney, Little Rope
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When you live in a world where catastrophe is the new normal, how do you learn to keep going? That’s a central question posed on Sleater-Kinney’s phenomenal new project Little Rope, an LP that revels in its elusiveness at every given opportunity. Carrie Brownstein and Corin Tucker masterfully craft each song on the LP with enigmatic shifts in sound and theme, all while providing emotive new tracks for fans to dive deep into. Whether foreboding (“Hunt You Down”), fatalist (“Dress Yourself”), or frenzied (“Needlessly Wild”), Little Rope is an execellent ode to finding meaning — or the lack thereof — in pain.
Shygirl feat. Boys Noize, “Tell Me”
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Get ready to rave, because Shygirl and Boys Noize are here to heat up your next party. “Tell Me,” the latest single off of Shygirl’s forthcoming Club Shy EP, delights in it’s early-2000s Eurodance aesthetics — Boys Noize amp up every ounce of the song with out-of-this-world synths and a relentless beat. But Shygirl’s vital voice centers the track in the here-and-now, begging a lover to stay with her.
Gossip, “Real Power”
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Just when we need them, Gossip is back, baby. With their latest anthem “Real Power,” the alt-rock trio is calling on people to seize their own means of self-actualization, even in the face of controlling systems that would try and stop them. Inspired by frontwoman Beth Ditto’s hometown Portland and the city’s Black Lives Matter protests in June 2020, “Real Power” brings everything that makes Gossip great — advocacy-focused writing with infectious melodies and stratospheric vocals — into one glorious song.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Nostalgia for the ’90s can be found all throughout today’s music, but when Green Day leans into penning a ’90s-style punk track, it just hits different. On Friday (Jan. 19), the legendary rock trio shared the music video for their new song “Bobby Sox.” The single unveiled off of their just-released album Saviors, “Bobby Sox” […]
For the last few years, Lil Nas X has carefully built up his public persona as a pop provocateur, master marketer and hilarious internet troll. But in a new clip, the rapper is stripping away all the facade and letting fans get to see the person underneath. On Thursday (Jan. 18), Lil Nas X unveiled […]
In 2023, a number of rock icons decided to talk about transgender kids and why they disapproved of giving them access to best-practice healthcare to help with their transition. In 2024, Green Day frontman Billie Joe Armstrong would like to break that trend.
In a new interview with The Los Angeles Times, the 51-year-old singer called out the conservative-led moral panic surrounding trans kids having access to gender-affirming care, criticizing those who would stand in the way of progress. “I just think they’re f–king close-minded,” he told the publication. “It’s like people are afraid of their children. Why would you be afraid? Why don’t you let your kid just be the kid that they are?”
Armstrong elaborated elsewhere, saying that seeing kids get to celebrate their identities earlier in life is a net positive, especially considering that his generation didn’t have that same luxury. “Nowadays it’s more common for kids to be LGBTQ, and there’s more support,” he said. “But for us, back in the day, that was like the beginning of when people were able to openly say things like that.”
When speaking about the band’s forthcoming song “Bobby Sox” (in which he nods to his own bisexuality by singing both “Do you wanna be my boyfriend?” and “Do you wanna be my girlfriend?”), Armstrong said it felt “liberating” to be in a place where he could sing about his sexuality. “It became more of a queer singalong.”
While 2023 was a record-breaking year for anti-LGBTQ legislation in the U.S., 2024 is already on track to break that record yet again. As of press time, the ACLU is already tracking more than 200 anti-LGBTQ bills in the 2024 legislative session, with 71 of those such bills aimed focused on “healthcare restrictions.”
Green Day, meanwhile, is gearing up for the release of the 14th studio album Saviors on Friday (Jan. 19). In its interview, the band said that the new album centers more plainly on America’s current political strife ahead of the 2024 election, returning to the socially conscious themes of some of their past albums such as American Idiot and Revolution Radio.
“We purposely stayed away from politics [on 2020’s Father of All…] just because everything was such an easy target,” Armstrong said. “We didn’t want to be like this CNN band. And I think in the back of our minds, we knew that MAGA and the divisiveness was gonna be there four years later anyway.”
With awards season well underway, LGBTQ advocacy group GLAAD is ready to celebrate queer talent in the entertainment industry with the 2024 GLAAD Media Awards.
On Wednesday (Jan. 17), GLAAD announced the full list of nominees for their annual awards, which will take place in Los Angeles on Thursday, March 14, and in New York City on Saturday, May 11. Among the two major music categories at the annual ceremony, a total of 20 openly queer artists received plaudits.
In the awards’ main music category for outstanding music artist, GLAAD nominated Miley Cyrus, Janelle Monae, Boygenius, Billy Porter, Sam Smith, Troye Sivan, Brandy Clark, Kim Petras, Renee Rapp and Victoria Monet for their albums released in 2023.
Meanwhile, in the outstanding breakthrough music artist category — which celebrates new acts that earned new levels of mainstream success in 2023 — GLAAD named Chappell Roan, David Archuleta, Fancy Hagood, G Flip, Ice Spice, Iniko, Jade LeMac, The Scarlet Opera, Slayyyter and UMI as nominees.
Billboard also received two nominations at this year’s GLAAD Media Awards: one for outstanding print article for our June 2023 cover featuring Maren Morris in conversation with drag artists Sasha Colby, Symone, Eureka O’Hara and Landon Cider, and another for outstanding magazine overall coverage (digital and print).
In a statement released with the nominations, GLAAD president and CEO Sarah Kate Ellis congratulated this year’s honorees and celebrated the organization’s long history of supporting the LGBTQ community. “For 35 years, the GLAAD Media Awards has provided the global stage for LGBTQ creators, alongside industry talent and leaders to be celebrated and supported,” she said. “At a time when the LGBTQ community is under attack by false narratives and misinformation … this year’s nominees powerfully reflect the realities of LGBTQ existence today, in our communities and around the globe.”
Check out the complete list of nominations for the 2024 GLAAD Media Awards below:
Outstanding Music Artist
Billy Porter, Black Mona Lisa (Island UK/Republic Records)
boygenius, The Record (Interscope)
Brandy Clark (Brandy Clark)
Janelle Monae, The Age of Pleasure (Atlantic Records)
Kim Petras, Feed the Beast & Problematique (Amigo/Republic Records)
Miley Cyrus, Endless Summer Vacation (Columbia Records)
Renee Rapp, Snow Angel (Interscope)
Sam Smith, Gloria (Capitol Records)
Troye Sivan, Something to Give Each Other (EMI Australia/Capitol Records)
Victoria Monet, JAGUAR II (Lovett Music/RCA Records)
Outstanding Breakthrough Music Artist
Chappell Roan (Atlantic Records/Island Records)
David Archuleta (Archie Music)
Fancy Hagood (Fancy Hagood Enterprises)
G FLIP (Future Classic)
Ice Spice (10K Projects/Capitol Records)
Iniko (Columbia Records)
Jade LeMac (Artista Records)
The Scarlet Opera (Perta/Silent Records)
Slayyyter (FADER Label)
UMI (Keep Cool/RCA)
Outstanding Film – Wide Theatrical Release
All of Us Strangers (Searchlight Pictures)
American Fiction (Amazon MGM Studios)
Anyone But You (Columbia Pictures)
The Blackening (Lionsgate Films)
Bottoms (Metro-Goldwyn-Mayer)
The Color Purple (Warner Bros.)
It’s a Wonderful Knife (RLJE Films)
Knock at the Cabin (Universal Pictures)
Moving On (Roadside Attractions)
Shortcomings (Sony Pictures Classics)
Outstanding Film – Limited Theatrical Release
Aristotle and Dante Discover the Secrets of the Universe (Blue Fox Entertainment)
The Blue Caftan (Strand Releasing)
Blue Jean (Magnolia Pictures)
How to Blow Up a Pipeline (Neon)
Joyland (Oscilloscope)
L’immensità (Music Box Films)
Monica (IFC Films)
Our Son (Vertical Entertainment)
Passages (Mubi)
Summoning Sylvia (The Horror Collective)
Outstanding Film – Streaming Or TV
Cassandro (Amazon Prime Video)
Christmas on Cherry Lane (Hallmark Channel)
Friends & Family Christmas (Hallmark Channel)
Frybread Face and Me (Array Releasing)
Nuovo Olimpo (Netflix)
Nyad (Netflix)
Red, White, and Royal Blue (Amazon Prime Video)
Runs in the Family (Indigenous Film Distribution)
Rustin (Netflix)
You’re Not Supposed To Be Here (Lifetime Television)
Outstanding Documentary
Beyond the Aggressives: 25 Years Later (MTV Documentary Films)
Eldorado: Everything the Nazis Hate (Netflix)
Every Body (Focus Features)
Kokomo City (Magnolia Pictures)
Little Richard: I Am Everything (Magnolia Pictures)
Orlando, My Political Biography (Janus Films)
Rainbow Rishta (Amazon Prime Video)
Rock Hudson: All That Heaven Allowed (HBO Documentary Films)
The Stroll (HBO)
“UYRA – The Rising Forest“ POV (PBS)
Outstanding New Series
The Buccaneers (Apple TV+)
Class (Netflix)
Culprits (Hulu)
Deadloch (Amazon Prime Video)
Everything Now (Netflix)
Found (NBC)
Grease: Rise of the Pink Ladies (Paramount+)
The Last of Us (HBO)
The Other Black Girl (Hulu)
Tore (Netflix)
Outstanding Drama Series
9-1-1: Lone Star (Fox)
The Chi (Showtime)
Chucky (SyFy/USA Network)
Doctor Who (Disney+)
Good Trouble (Freeform)
Grey’s Anatomy (ABC)
Quantum Leap (NBC)
Riverdale (The CW)
Station 19 (ABC)
Yellowjackets (Showtime)
Outstanding Comedy Series
And Just Like That… (Max)
Good Omens (Amazon Prime Video)
Harlem (Amazon Prime Video)
Harley Quinn (Max)
Our Flag Means Death (Max)
Sex Education (Netflix)
Somebody Somewhere (HBO)
Ted Lasso (Apple TV+)
What We Do In The Shadows (FX)
With Love (Amazon Prime Video)
Outstanding Limited or Anthology Series
Black Cake (Hulu)
Bodies (Netflix)
The Confessions of Frannie Langton (Britbox)
The Fall of the House of Usher (Netflix)
Fellow Travelers (Showtime)
The Full Monty (FX on Hulu)
The Lost Flowers of Alice Hart (Amazon Prime Video)
Queen Charlotte: A Bridgerton Story (Netflix)
Scott Pilgrim Takes Off (Netflix)
Transatlantic (Netflix)
Outstanding Reality Program
Bargain Block (HGTV)
Family Karma (Bravo)
I Am Jazz (TLC)
Living for the Dead (Hulu)
Queer Eye (Netflix)
Real Housewives of New York City (Bravo)
Selling Sunset (Netflix)
Swiping America (Max)
TRANSworld Atlanta (Tubi)
The Ultimatum: Queer Love (Netflix)
Outstanding Reality Competition Program
The Boulet Brothers’ Dragula (Shudder/AMC+)
The Challenge: Battle for a New Champion (MTV)
Drag Me to Dinner (Hulu)
Love Trip: Paris (Freeform)
My Kind of Country (Apple TV+)
Next in Fashion (Netflix)
Project Runway (Bravo)
RuPaul’s Drag Race (MTV)
Survivor (CBS)
The Voice (NBC)
Outstanding Children’s Programming
“Any Way You Slice It” Strawberry Shortcake: Berry in the Big City (Netflix)
“Blue River Wedding” Ada Twist: Scientist (Netflix)
Bossy Bear (Nick Jr.)
Firebuds (Disney Jr.)
Monster High (Nickelodeon)
Pinecone & Pony (AppleTV+)
Princess Power (Netflix)
Ridley Jones (Netflix)
Summer Camp Island (Cartoon Network)
Work It Out Wombats! (PBS Kids)
Outstanding Kids & Family Programming or Film – Live Action
Heartstopper (Netflix)
High School Musical: The Musical: The Series (Disney+)
Jane (AppleTV+)
Power Rangers Cosmic Fury (Netflix)
XO, Kitty (Netflix)
Outstanding Kids & Family Programming or Film – Animated
Adventure Time: Fionna and Cake (Max)
Craig Of The Creek (Cartoon Network)
The Dragon Prince (Netflix)
The Ghost and Molly McGee (Disney Channel)
Hailey’s On It! (Disney Channel)
The Loud House (Nickelodeon)
Moon Girl and Devil Dinosaur (Disney Channel)
Nimona (Netflix)
The Proud Family: Louder and Prouder (Disney+)
Transformers: EarthSpark (Paramount+)
Outstanding Broadway Production
Fat Ham, by James Ijames
How to Dance in Ohio, by Jacob Yandura and Rebekah Greer Melocik
Melissa Etheridge: My Window, by Melissa Etheridge
Once Upon a One More Time, by Jon Hartmere
The Sign in Sydney Brustein’s Window, by Lorraine Hansberry
Outstanding Podcast
Finding Fire Island (Broadway Podcast Network)
Gay and Afraid with Eric Sedeño (Past Your Bedtime)
Las Culturistas (iHeart)
NPR’s Embedded (NPR)
Queen of Hearts (Wondery)
Rooted Recovery Stories (Promises Behavioral Health)
Sibling Rivalry (Studio 71)
That Conversation With Tarek Ali (Buzz Sprout)
This Queer Book Saved My Life (This Queer Book Productions, LLC)
TransLash (TransLash Media)
Outstanding Video Game
Baldur’s Gate 3 (Larian Studios)
Goodbye Volcano High (KO_OP)
Horizon Forbidden West: Burning Shores (Guerrilla Games/Sony Interactive Entertainment)
Little Goody Two Shoes (AstralShift/Square Enix)
Overwatch 2 (Blizzard Entertainment)
Stray Gods: The Roleplaying Musical (Summerfall Studios/Humble Games)
Tchia (Awaceb/Kepler Interactive)
Thirsty Suitors (Outerloop Games/Annapurna Interactive)
This Bed We Made (Lowbirth Games)
Too Hot To Handle 2 (Nanobit/Netflix Games)
Outstanding Comic Book
Adventures of Superman: Jon Kent, written by Tom Taylor (DC Comics)
Betsy Braddock: Captain Britain, written by Tini Howard (Marvel Comics)
Hawkgirl, written by Jadzia Axelrod (DC Comics)
Killer Queens 2, written by David M. Booher (Dark Horse Comics)
The Neighbors, written by Jude Ellison S. Doyle (BOOM! Studios)
New Mutants Lethal Legion, written by Charlie Jane Anders (Marvel Comics)
The Oddly Pedestrian Life of Christopher Chaos, written by Tate Brombal based on an idea by James Tynion IV (Dark Horse Comics)
Poison Ivy, written by G. Willow Wilson (DC Comics)
Star Wars: Doctor Aphra, written by Alyssa Wong (Marvel Comics)
Tim Drake: Robin, written by Meghan Fitzmartin (DC Comics)
Outstanding Original Graphic Novel/Anthology
Blackward, by Lawrence Lindell (Drawn & Quarterly)
Carmilla: The First Vampire, written by Amy Chu (Berger Books/Dark Horse Comics)
Cosmoknights (Book Two), by Hannah Templer (Top Shelf Productions)
Four-Color Heroes, by Richard Fairgray (Fanbase Press)
Heartstopper Vol. 5, by Alice Oseman (Graphix/Scholastic)
Light Carries On, by Ray Nadine (Dark Horse Books)
Northranger, written by Rey Terciero (HarperAlley)
Parallel, by Matthias Lehmann (ONI Press)
Roaming, by Jillian Tamaki, Mariko Tamaki (Drawn & Quarterly)
Us, by Sara Soler (Dark Horse Books)
Outstanding Variety or Talk Show Episode
“Certainty” Turning the Tables with Robin Roberts (Disney+)
“Chaos, Law, and Order” The Problem With Jon Stewart (Apple TV+)
“Cynthia Nixon and Kim Petras” Watch What Happens Live with Andy Cohen (Bravo)
“Dulcé Sloan & Sasha Colby Talk What It Means to Be A Happy Trans Person” The Daily Show (Comedy Central)
“Elliot Page Opens Up In New Memoir: ‘It Felt Like The Right Time’” The View (ABC)
“The Hardest Fight Is the Fight Against Status Quo” The Conversations Project (Hulu)
“I’m Not Just Gay, I’m Your Son” Karamo (syndicated)
“Jennifer Hudson Surprises HIV Activist with $10,000” The Jennifer Hudson Show (syndicated)
“Trace Lysette & Patricia Clarkson, Laverne Cox” The Kelly Clarkson Show (syndicated)
“Unapologetically Me” Tamron Hall (syndicated)
Outstanding TV Journalism Segment
“11th Hour: Transgender Athletes and What People Don’t Understand” The 11th Hour (MSNBC)
“19-Year-Old Designer CJ King Gets Second Chance to Walk the Runway” GMA3 (ABC)
“The All in Y’all” (KEYE-TV CBS Austin)
“Anti-LGBTQ+ Law in Uganda that Threatens the Death Penalty Sparks International Outcry” PBS Newshour (PBS)
“Bringing Queer Joy into the World of Hip-Hop” ABC News Live Prime (ABC News Live)
“Des Moines LGBTQ Community Hosts First-Ever ‘People’s Pride‘” (WOI-TV Local 5 Des Moines)
“Geena Rocero Talks About Her New Memoir ‘Horse Barbie’ and the Power of Living Unapologetically” CBS Mornings (CBS)
“How Eco-Drag Queen Pattie Gonia Defines What It Means to Fight for the Environment” Nightline (ABC)
“New York City Gay Bar Deaths Classified as Homicides” (NBC News Now)
“One-on-One with the President of the American Medical Association (AMA)” The CBS Evening News with Norah O’Donnell (CBS)
Outstanding TV Journalism – Long-Form
“Beyond Limits: Who I Am” CBS Sports (CBS)
“CBS Reports: A Nation in Transition” CBS News (CBS)
“Club Q One Year Later” (KKTV CBS 11 Colorado)
“Freedom to Exist” Soul of a Nation (ABC)
“It’s Ok To Ask Questions – Pidgeon Pagonis” (WMAQ-TV NBC 5 Chicago)
“Marty’s Place: Where Hope Lives” (+Life Media with KGO-TV & ABC Localish)
“Our America: Who I’m Meant to Be” (ABC Owned Television Stations)
“Proud Voices: A NY1 Special” (Spectrum News NY1)
“Serving in Secret: Love, Country and ‘Dont Ask Don’t Tell’” (MSNBC)
“VICE Special Report – Out Loud // Big Freedia Presents: Young Queer Artists To Look Out For” (Vice News)
Outstanding Live TV Journalism – Segment or Special
“Capehart on SCOTUS rulings: ‘My Possibilities are Up to Them, Not Up to Me’” The Last Word (MSNBC)
“CNN’s Anderson Cooper Speaks With Lauri Carleton’s Daughter, Ari Carleton, About Her Mother’s Legacy” Anderson Cooper 360 (CNN)
“Flipping the Script: Live Interviews on LGBTQ+ Community” Morning News NOW (NBC News Now)
“Gio Benitez Interviews Sasha Velour on Her Book and the Climate of Drag in America” Good Morning America (ABC)
“Indiana Students Put on LGBTQ-Themed Play Themselves After it’s Canceled By the School” Yasmin Vossoughian Reports (MSNBC)
“José Díaz-Balart Reports: A Texas Mother’s Fight: the Case for Gender-Affirming Care” José Díaz-Balart Reports (MSNBC)
“One-on-One with Eureka O’Hara” The Reid Out (MSNBC)
“Pride Across America” (ABC News Live)
“TikTok Sensations ‘The Old Gays’ Talk About How They Became Friends and Their New Docuseries” TODAY with Hoda & Jenna (NBC)
“Two Anti-LGBTQ Bills Advance to Louisiana House” Breakdown (WWL-TV CBS New Orleans)
Outstanding Print Article
“As Drag Bans Proliferate, Maren Morris Goes Deep With Drag’s Biggest Stars on Why the Show Must Go On” by Stephen Daw (Billboard)
“Black Queer History is American History” by Myeshia Price (TIME)
“‘But Most of All I’m Human’: These 3 Transgender Teens Prove Identity Stretches Beyond One Label” by Susan Miller (USA TODAY)
“The Dancer” by Matt Kemper (The Atlanta-Journal Constitution)
“Heroism Overpowers Hate” by John Sotomayor (Embrace Magazine)
“Kim Petras Is Breaking the Mold” by Jeff Nelson (People)
“Pop Icons Are ‘Mothers’ Now. The LGBTQ Ballroom Scene Wants Credit.” by Samantha Cherry (The Washington Post)
“Stop Bad Hair and Uglier Legislation (The New Classics)” by Karen Giberson (AC Magazine)
“Transgender Youth: ‘Forced Outing’ Bills Make Schools Unsafe” by Hannah Schoenbaum and Sean Murphy (AP)
“We Have the Tools to Stop HIV. So Why Is It Still Spreading?” by LZ Granderson (Los Angeles Times)
Outstanding Magazine Overall Coverage
The Advocate
Billboard
People
Variety
Out
Outstanding Online Journalism Article
“The AP Interview: Pope Francis Says Homosexuality Not a Crime” by Nicole Winifield (AP.com)
“Book Banners Came for This Colorado Town. They Didn’t Anticipate Resistance.” By Jeff Fuentes Gleghorn (LGBTQNation.com)
“Evidence Undermines ‘Rapid Onset Gender Dysphoria’ Claims” by Timmy Broderick (ScientificAmerican.com)
“From Drag Bans to Sports Restrictions, 75 Anti-LGBTQ Bills Have Become Law in 2023” by Jo Yurcaba (NBCNews.com)
“How the Latinx Drag Queens of Brooklyn Are Finding Freedom through Their Cultures” by Juan De Dios Sanchez Jurado (TeenVogue.com)
“Pedro Zamora, ‘Real World’ Star Who Died of AIDS, ‘Humanized the Disease for a Generation,’ Say Activists” by David Artavia (Yahoo.com)
“Pride Month Feels Different As Threats, Fear of Violence Grows” by Brooke Migdon (TheHill.com)
“Some Trans Kids Are Being Forced to Flee America for Their Safety” by Nico Lang (HuffPost.com)
“Stochastic Terrorism: Links between the GOP, Right-Wing Influencers & Neo-Nazi Violence” by Christopher Wiggins (Advocate.com)
“What Does Queer Gen Z Want on TV? Everything under the Rainbow” by Jude Cramer (INTOMore.com)
Outstanding Online Journalism – Video or Multimedia
“7 Remarkable Trans Elders Share Lessons for the Next Generation” (them.us)
“Brave Spaces” (PBS.org)
“CANS Can’t Stand” (NewYorker.com)
“Club Q: Stronger Together” (NFL.com)
“‘I’ve Always Known I Was Different’: Four Trans People Share Their Stories” (WashingtonPost.com)
“Michaela Jaé Rodriguez Calls Out the New York Times’ Anti-Trans Coverage & Advice for Trans Youth” (Variety.com)
“Moving Isa” (Insider.com)
“People Come Out to Their Parents | Truth or Drink” (Cut.com)
“Protecting Pride: Resilience after Tragedy – Club Q Survivors Fight to Project Their Community” (GoodMorningAmerica.com)
“Transnational” (Vice.com)
Outstanding Blog
Charlotte’s Web Thoughts
Erin in the Morning
Holy Bullies and Headless Monsters
LawDork
Mombian
Pittsburgh Lesbian Correspondents
The Queer Review
The Randy Report
The Reckoning
The Rot Spot
Special Recognition
The Dads (Netflix)
+Life Media
Love in Gravity
Relighting Candles (Hulu)
Renaissance: A Film by Beyoncé (AMC Theatres)
The Tennessee Holler
Yes I Am: The Ric Weiland Story
Outstanding Scripted Television Series (Spanish Language)
4 Estrellas (RTVE Play)
Las Noches de Tefía (Atresplayer)
Las Pelotaris (Vix)
Sagrada Familia (Netflix)
Sin Huellas (Amazon Prime Video)
Outstanding TV Journalism (Spanish Language)
“Adolescentes trans relatan su experiencia” Noticiero Telemundo (Telemundo)
“Celebrando el orgullo” Noticiero Telemundo (Telemundo Chicago)
“Entrevista con Jesus Ociel Baena” Noticias 24/7 (Univision)
“Fe en la comunidad LGBTQ” Despierta América (Univision)
“El mes del orgullo” Univision Contigo (Univision Dallas)
“La directora Aitch Alberto presenta: ‘Aristotle and Dante Discover the Secrets of the Universe’” Ojo Crítico (CNN Español)
“La rapera Villano Antillano habla con Jorge Ramos sobre cómo su música está rompiendo estereotipos” Al Punto (Univision)
“‘La Sala’ brinda un lugar seguro para jóvenes de la comunidad LGBTQ+ en Washington Heights” Noticias 47 (Telemundo)
“Spirit Day” Hoy Día (Telemundo)
“Sufren en silencio” Noticias 52 (Telemundo)
Outstanding Online Journalism Article (Spanish Language)
“Abogan por una política pública contra la violencia hacia la comunidad trans en Puerto Rico” por Carolina Gracia (ElVocero.com)
“La activista trans que sepulta a sus amigas olvidadas: ‘Los primeros cuerpos los velaba yo sola, solita’” por Daniel Alonso Viña (ElPais.com)
“Carlos Adyan nos invita a su boda civil con Carlos Quintanilla: ‘Todo ha pasado como yo soñaba’” por Lena Hansen (PeopleEnEspanol.com)
“El eterno desafío de ser un hombre o mujer trans en El Salvador” por María Teresa Hernández (APnews.com)
“Familias latinas con menores trans temen a nuevas leyes que limitan el acceso a tratamientos médicos: ‘Es lo que ha mantenido a mi hija viva’” por Anagilmara Vílchez y Lourdes Hurtado (Telemundo.com)
“‘Hemos huido de algo muy cruel’: las familias que buscan una vida mejor para sus hijos transgénero en otros estados de EE.UU.” por Leire Ventas (BBC.com)
“Personas mayores LGBTQIA+ ‘tienen que regresar a un clóset para poder buscar vivienda’” por David Cordero Mercado y Joaquín A. Rosado Lebrón (PeriodismoInvestigativo.com & ElNuevoDia.com)
“Quiero que todo el mundo pueda decir libremente ‘así soy yo’” por Maria Mercedes Acosta (Sentiido.com)
“Reconocimiento a medias también es estigmatizante: RAE agrega ‘no binario/a’ a su diccionario” por Alex Orue (Homosensual.com)
“Wendy Guevara, la ‘perdida’ que lo ganó todo” por Jonathan Saldaña y Mari Tere Lelo de Larrea (Quien.com)
Outstanding Online Journalism – Video or Multimedia (Spanish Language)
“Conoce a la primera diputada negra y trans de Brasil” por Natalia Barrera Francis, Joyce García, David von Blohn, Paula Daibert y Claudia Escobar (Descoloniza – AJ+ Español)
“La increíble historia de cómo ‘Mami Ruddys’ refugió a decenas de jóvenes LGBTIQ en Puerto Rico” por Marcos Billy Guzmán y Pablo Martínez Rodríguez (El Nuevo Día)
“Mi novio vive con VIH y yo no: ser una pareja serodiscordante” por Mariana Escobar Bernoske y Daniela Rojas (La Disidencia – El Espectador)
“This gay cowboy convention celebrates sexual freedom — and Mexican identity” por Jackeline Luma, Kate Linthicum y Maggie Beidelman (Los Angeles Times)
“Villano Antillano cuenta todo de la realidad Queer de su música” por Yollotl Alvarado, René Barreto, Alfredo Castellanos, Sofía Reyes, Rai Irizarry, Arjun Demeyere, Luis Ramírez, Florencia Botinelli, Iván Juárez y Sebastian Fernández (GQ México y Latinoamérica)
Reconocimiento Especial /Special Recognition (Spanish Language)
Enamorándonos (Univision)
El Sabor de Navidad (Vix)
Drag Latina (Revry / LATV)
Wendy, perdida pero famosa (Vix)
2024 is finally here, meaning there’s no better time to start filling this year’s playlists with songs from your favortie queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
From Lil Nas X’s long awaited return single to Kali Uchis’ gorgeous new album, check out just a few of our favorite releases from this week below:
Lil Nas X, “J CHRIST”
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With the amount of not-so-righteous fury Lil Nas X created for the release of his newest single, you would be forgiven for expecting a controversial, buck wild track. But what the rapper’s new song “J CHRIST” exudes instead nothing short of unbothered confidence. On this bouncing new song, Lil Nas emphasizes his return to music after a year away, proclaiming “b—h, I’m back like J Christ/ I’m finna get the gays hype.” The star employs what works for him — high-camp delivery, simple beats and lots of flexing — in service of his long-awaited comeback (complete with another stunning video).
Kali Uchis, ORQUÍDEAS
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We won’t mince words — Kali Uchis’s fourth stuido album ORQUÍDEAS is a masterpiece. Throughout this 14-track instant classic, the Colombian star weaves her own Spanish-language tale of luxurious self-actualization, ranging from raging revenge (“Te Mata”) to doe-eyed infatuation (“Tu Corazón Es Mío…”). That fact is only further assisted by Uchis’s genre-spanning vision, bouncing between heartfelt R&B and fiery reggaeton with reckless abandon throughout the LP. Perhaps the most stunning example of her flirtation with new styles comes on “Igual Que Un Ángel,” where Uchis drops the disco ball and dances the night away with the once and future king of corridos tumbados, Peso Pluma. Make no mistake, Kali Uchis is here for the long haul, and ORQUÍDEAS is just the proof of concept to confirm that fact.
Serpentwithfeet, “Safe Word”
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In times of crisis — which have become invariably more frequent in recent years — there is a safety to be found in intimacy. Serpentwithfeet takes that concept and runs with it on his lush new single “Safe Word.” The undulating song sees Serpent reassuring his lover that as long as they’re together, all will be well — a gently strumming guitar underlines his message, lulling the listener into a sense of self-security within moments. Sweet, tender and doting, “Safe Word” wastes no time fulfilling the promise of its title.
MICHELLE, “NEVER AGAIN”
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Once you start listening to Michelle’s “Never Again,” you’ll find yourself stuck in a dichotomy of opposing tones. On the one hand, the song’s delicate melody and soft rhythms will immediately put you in a place of placid comfort, like a warm hug at the end of a hard day. On the other, the lyrics will tell a very different story — one of regret and firm boundaries, where the band tells their former flame that they’re done for good. “So never again, never with you/ I wanna rewind and undo,” they sing. Putting those seemingly competing concepts together, though, makes for yet another excellent track from the rising New York sextet.
Aaron Lee Tasjan, “Horror of it All”
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Growing up queer is rarely a particularly fun experience, and Aaron Lee Tasjan is ready to reflect on the “Horror of it All” with his latest single. Taking an 80’s, glam-rock inspired look at the LGBTQ high school experience, Tasjan carefully illustrates a portrait of hormones, anxiety, fear, delusion and ultimately self-confidence. If you’re concerned about the song lacking more modern flair, don’t fret — Tasjan sprinkles in just enough hyperpop, synthwave flair to make “Horror of it All” feel like a breath of fresh air.
Bright Light Bright Light, “You Want My …”
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If you’re still in the mood for some ’80s flair, then Bright Light Bright Light is here to deliver. With his new single “You Want My …,” Welsh singer-songwriter Rod Thomas embraces a Pet Shop Boys-esque sonic sensibility — complete with sinister synths, bombastic drums and a flair for dramatic lyrics. Waving goodbye to another lover while entering the dancefloor, Thomas makes sure to throw a cheeky wink to George Michael in as well, referencing his classic single “I Want Your Sex” as the delectable chorus makes touchdown.
K.Flay, “Carsick”
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Let’s amp up the angst, shall we? K.Flay fuels up her latest release “Carsick” with a lethal dose of the stuff from the moment she opens her mouth. Vivid imagery and drilling production create a perpetual state of unease throughout the opening lines, before exploding into a fiery chorus kissing-off a toxic ex. Sure, the metaphor of a brutal car crash for a failed relationship may have been done before, but rarely to this visceral an effect — something K.Flay has always excelled at.
Sarah Barrios, “Teenage Rebellion”
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To every person who once exclaimed to a parent that they just don’t understand, this song is for you. Singer-songwriter Sarah Barrios infuses her thrilling new anthem “Teenage Rebellion” — which also serves as the official theme song for Fantasy High: Junior Year, the latest season of the extremely popular Dungeons & Dragons actual play show Dimension 20 — with every ounce of insurgency a good pop-rock track can muster. Guitars rage and voices chant as Barrios recounts the frustration of those final years of youth, while reminding herself that things will ultimately be alright. After all, “it’s our time, it’s our year!”
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below: