Pop
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We’re officially two months away from the arrival of Lana Del Rey‘s ninth studio album, Did You Know That There’s A Tunnel Under Ocean Blvd, and on Friday (Jan. 13), the singer unveiled the official track listing for the much-anticipated release in a post on her private Instagram page.
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The 16-track set out on March 10 includes the previously released title track, as well as a number of collaborations. Del Rey is teaming up with Father John Misty on “Let the Light In,” Tommy Genesis on “Peppers” and Bleachers on “Margaret,” seemingly a sweet reference to frontman Jack Antonoff‘s fiancée Margaret Qualley. Both Jon Batiste and Judah Smith have their own respective interludes on the forthcoming album.
Antonoff, who previously worked with Del Rey on 2021’s Chemtrails Over the Country Club, is also listed on the cover as a producer, as are Mike Hermosa, Drew Erickson and Zach Dawes, who worked on Blue Bannisters, also released in 2021. The new record is available now for pre-order on the New York native’s website, as are vinyls with several alternate covers.
The Grammy-nominated artist hasn’t released a full album since Blue Bannisters last year, but she did drop an ethereal single titled “Watercolor Eyes” in January for Euphoria‘s soundtrack. She also worked with Father John Misty on the EP Buddy’s Rendezvous this year, and was featured on Taylor Swift’s Midnights track “Snow On the Beach,” which became Del Rey’s second Billboard Hot 100 top 10 hit.
As a soloist and part of the superstar boy band BIGBANG, Taeyang has been a pioneer in K-pop’s international expansion. His collection of collaborations has been a critical part of his barrier-breaking longevity, as well as his ongoing artistic development for around two decades in the industry.
Even before Taeyang made his official debut on the K-pop scene with his boy band in 2006, the young star sang and rapped on records with his labelmates under YG Entertainment, which helped him find his voice as an artist. Once BIGBANG secured their place as certified chart-toppers, all the members began experimenting with solo albums. Since his first EP in 2008, Taeyang honored his love of soulful music that spotlighted vocals and showmanship akin to his idol Michael Jackson, even leading to his 2014 album Rise becoming the highest-charting solo album by a K-pop artist at the time on the Billboard 200.
Fast-forward to 2023: Taeyang is unleashing a new collaboration to return to music and reintroduce himself to the world. Teaming up with Jimin of BTS, “Vibe” marks the superstar’s long-awaited return to the music industry after he took time off to marry longtime partner Min Hyorin in 2018, handle his mandatory military in 2019, and welcome his first child in 2021. Last year marked the return of BIGBANG with their poignant and moving comeback single “Still Life” (one of the best K-pop releases of 2022, according to Billboard), and set the groundwork for Taeyang to reach for new musical goals in his career this year.
From working with his bandmates on special songs to tracks that span genres with a range of guests, revisit the best of Taeyang’s collaborations to date.
Madonna is planning a massive 40th anniversary tour later this year with her longtime concert promotion partner and producer Live Nation and music manager Guy Oseary, sources tell Billboard.
The 64-year-old pop icon will perform music from her entire catalogue, dating back to her 1983 self-titled debut album through her most recent studio album, 2019’s Madame X. The world tour will be Madonna’s first ever career retrospective, featuring a compilation of her biggest hits across four decades of music and will reportedly include a multi-night run at the O2 in London.
“It’s going to be the biggest tour she’s ever done,” one executive familiar with her plans tells Billboard. The tour will include both stadium and arena dates, the source says, and include over-the-top production that delivers both “Material Girl” kitsch and occasionally outrageous sex appeal with plenty of show-stopping moments made for social media.
Billboard has also learned that Oseary will continue to serve on Madonna’s management team, despite stepping down from his role at mega-management collective Maverick in 2020 and splitting with longtime clients U2 in 2022.
The tour buzz comes just months after the “Hey You” singer released her career-spanning compilation album Finally Enough Love: 50 Number Ones, spanning her entire dance club career, featuring remixes by top producers including 20 rare recordings officially released for the first time. In 2021, Madonna signed a deal with Warner Music Group for an “extensive, multi-year series of catalog releases that will revisit the groundbreaking music that made her an international icon.”
Madonna last toured in 2019 and early 2020 on her Madame X tour, a theater run that was struggled through production delays and Madonna’s recurring hip and knee injuries. While the Madame X tour earned strong critical reviews in the press, its habitually late start time often angered ticket holders and prompted two class actions lawsuits from fans.
When it comes to choosing her nightly set list for this new tour, Madonna will have no shortage of songs to choose from with 57 titles charting on the Billboard Hot 100, 38 top 10 hits and 12 No. 1s, including 1990’s “Vogue,” and 2000’s “Music,” released a decade apart and each spending 24 weeks on the Hot 100. Madonna’s “Borderline” from 1984 spent 30 weeks on the Hot 100. She followed that impressive feat a decade later with the ballad “Take a Bow,” which held the No. 1 spot on the Hot 100 for seven weeks.
Madonna’s 2008-2009 Sticky and Sweet Tour is the highest grossing tour by a female artist ever, according to Billboard Boxscore, netting $407 million. Her most recent Madame X theater run grossed $36.4 million with 124,655 ticket sold.
Reps for Madonna could not be reached for comment at time of publishing.
When Miley Cyrus announced that she would be kicking off 2023 with the release of “Flowers,” a new single to precede her forthcoming album Endless Summer Vacation, the news was exciting on two levels: a new Cyrus single was coming, but perhaps more importantly, a new Cyrus lead single was coming.
After all, Cyrus has spent the majority of her recording career deploying lead singles as hints to upcoming shifts in her sound and style, with clear demarcations between album eras and the tweaks in public persona that the pop superstar adopts for each. From her Disney days — when songs like “See You Again” and “7 Things” pointed toward the commercial aspirations of the teen star — to the devil-may-care flare-ups of her Can’t Be Tamed and Bangerz periods, the first five years of Cyrus’ career featured sharp pivots in sound and attitude, often to denote how “adult” how projects at the time should be considered.
As Cyrus continued to evolve, full-length explorations of psychedelica, country-pop and retro-rock were given coming attractions befitting their sounds. Now, “Flowers” nods toward where Cyrus, currently one of popular music’s most fascinating shape-shifters, is headed next.
So which lead singles illustrate Cyrus’ pop power most effectively, especially now that there’s a new one to consider? All eight of Cyrus’ lead singles have their charms — truly, not a flat-out dud in the bunch — but some of her songs excel as both previews of their host albums and standalone gems in her catalog. And while it’s still early days for “Flowers,” we tried our best to consider its place among Cyrus’ lead singles to date, and humbly rank the new track among the seven that have stood tall for years. (One note before we begin: 2015’s Miley Cyrus & Her Dead Petz did not have an official radio single as an independent release, but it does have a song that’s considered its lead single, so that’s the one we ranked.)
Here are Miley Cyrus’ lead singles, ranked.
Miley Cyrus dropped her new single “Flowers” on Thursday night, and all signs seem to point to the anthem taking inspiration from her relationship with ex-husband Liam Hemsworth.
Of course, the A-listers’ 2019 divorce — which was finalized the following January — is emotional territory that the pop star has mined previously, from the heartache of 2019 one-off “Slide Away” to Plastic Hearts lead single “Midnight Sky.”
But with distance and hindsight, the lead single from Cyrus’ upcoming Endless Summer Vacation offers a new and poignant take on her nearly 10-year romance with the actor, whom she first met on the set of the 2010 big-screen adaptation of Nicholas Sparks’ The Last Song.
Below, Billboard dives into all the clues and lyrical Easter eggs that tell Cyrus’ side of her breakup with Hemsworth.
Look for more clues about Cyrus’ relationship with Hemsworth in the “Flowers” music video below.
New music is blooming this week, and among the artists with offerings are Miley Cyrus, who is growing some self-love, and Shakira, who is taking jabs at an ex.
After two weeks of teasing, the former Disney Channel darling presented fans with “Flowers,” a midtempo disco-inspired tracked that sees Cyrus not so much reinventing herself, but falling into a natural progression of her multifaceted sound throughout the years. The song, which preaches of self-fulfillment after a breakup, serves as the first look at upcoming album Endless Summer Vacation, which is scheduled to arrive on March 10.
Shakira also returned with new music, hopping on volume 53 of Bizarrap’s Music Sessions, and using the opportunity to aim several shots at ex-partner soccer star Gerard Piqué. While the track features several scathing one liners — “This is for you to be mortified, to chew and swallow, swallow and chew,” she declares — Shakira shows that she continues to evolve with the times, and that her pen is mightier than the sword.
Following the hype of “Unholy,” Sam Smith delivered “Gimme,” another sultry track that sees them further embracing their sexuality and laying their desires on the line. Koffee and Jessie Reyez provide assists on the track, injecting it with a laid-back, dancehall-infused vibe.
Moneybagg Yo x Glorilla, PartyNextDoor and Margot Price round out this new music Friday. Of all the new music released this week, what are you putting on repeat? Vote in our poll below.
The New Orleans Jazz & Heritage Festival unfurled its 2023 lineup on Friday (Jan. 13) with Lizzo, Ed Sheeran and Dead & Company among the headliners.
Other big names at the top of the event’s roster include Mumford & Sons, The Lumineers, Santana, Jon Batiste, Jill Scott, Robert Plant & Allison Krauss, Kane Brown, H.E.R., Steve Miller Band and more.
The Louisiana-based fest will take place across two weekends from April 28 to May 7 at the Fair Grounds Race Course. Tickets packages come in either a three-day option for $240 on weekend one or a four-day option for $290 on weekend two, with additional early bird and VIP ticketing available while supplies last. Prospective attendees can buy tickets on the New Orleans Jazz & Heritage Festival’s official website.
The seven-day festival will also feature the Congo Square African Marketplace, where concertgoers will find an array of original goods and crafting techniques presented by artisans ranging from the local to the international, as well as the Contemporary Crafts tents in Heritage Square and the Louisiana Marketplace highlighting the state’s vibrant culture.
Sheeran will take the stage in New Orleans in between dates on the upcoming North American leg of his Mathematics Tour, which sold more concert tickets in 2022 than any other act. At the end of May, Lizzo will also headline BottleRock Napa Valley alongside Post Malone and Lil Nas X.
Meanwhile, Dead & Co. will kick off their final tour just weeks after playing Jazz Fest with John Mayer and company starting the nationwide trek at Los Angeles’ Kia Forum on May 19 and 20.
Check out the full lineup for the New Orleans Jazz & Heritage Festival 2023 below.
Suga had quite the night when he attended the Los Angeles Lakers game at Crytpo.com Arena on Thursday (Jan. 12).
Not only did the BTS rapper get a courtside seat to watch the Lakers face off against the Dallas Mavericks, he was also gifted a custom Lakers jersey from the team with his name inscribed above the number three. “Jump up to the top, LeBron,” the official NBA Instagram account captioned a snap of the K-pop idol holding his jersey, quoting the line Jung Kook croons in the first verse of the band’s No. 1 hit “Dynamite.”
Ahead of the game, which the Lakers ultimately lost 119 to 115 in overtime, Suga also posed on the court for a photo with Mavericks point guard Luka Dončić. For the occasion, the boy band member wore an oversized black blazer, matching wide-leg trousers and silver hoops in his ears, with his long hair slicked back.
Naturally, ARMY couldn’t get enough of Suga’s night out at the game, with several commenting on the photo posted by the NBA. “Thanks yoongi for creating basketball,” one fan wrote. Another chimed in, “He would be a better player than all of em starters lmaoo.”
In other BTS-related news, Suga’s bandmate Jimin just dropped “Vibe,” his new collaboration with BIGBANG’s Taeyang. Prior to its Friday (Jan. 13) release, the track had already topped Billboard‘s Hot Trending Songs chart — which is powered by Twitter — thanks to the chatter and anticipation surrounding its premiere.
Check out Suga’s photo op with Dončić as well as his brand-new Lakers jersey below.
Luka Doncic #77 of the Dallas Mavericks poses with Suga of BTS before the game between the Los Angeles Lakers and Dallas Mavericks at Crypto.com Arena on January 12, 2023 in Los Angeles, California.
Kevork Djansezian/GI
Funk legend Bootsy Collins will take the stage on Sunday (Jan. 15) night to cheer on the Cincinnati Bengals for a halftime performance during his hometown team’s battle against the Baltimore Ravens in the first round of the NFL playoffs.
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Marking the funketeer’s first public live performance since 2019, the halftime set will feature the debut of his new track, “The Ickey Shuffle.” The thumping song is a tribute to legendary Bengals running back Ickey Woods — a beloved late 1980s-early 1990s fan favorite best known for his iconic end zone dance of the same name — and it showcases Collins’ song, Ouiwey Collins, on vocals and is accompanied by a high-energy video starring Woods, the Ben-Gals cheerleaders and some digital tigers.
Collins will unveil the song at halftime of the game that begins on NBC at 8:15 p.m. ET, with members of nearby Dayton, Ohio’s The Ohio Players (“Fire,” “Love Rollercoaster”) joining in on the jam; the performance was originally slated to take place during the ill-fated Jan. 2 game between the Bengals and Buffalo Bills, during which Bills player Damar Hamlin collapsed on the field after suffering cardiac arrest.
“We was ready to funk it out with the Bengals Who-Dey Baby and something just wasn’t right, everything just went chaotic,” Collins said of the scotched performance in a statement. “I immediately started watching the monitor in my dressing room and seen that beautiful young man on the ground. Patti my wife immediately looked at me and I said ‘Patti, God is trying to tell us that we all need to be On The One right now’ and she agreed. Bless that young man.” Collins will also play his Bengals pump-up anthem “Fear Da Tiger” during halftime.
Bengals fans are invited to create their own version of the Shuffle, with partial proceeds from the track going to the Jovante Woods Foundation in honor of Ickey and Chandra Woods’ 16-year-old song, Jovante, who died in 2010 from complications of an asthma attack.
Before Woods takes it to the stage, the game will open with a performance of the National Anthem by a member of the Stranger Things family. The Bengals announced that Aidan Fisher, the guitar body double for Joseph Quinn’s Metallica-shredding character Eddie Munson, will shred the Anthem to kick off the wild card game that marks the third battle between the Ravens and Bengals this season and the follow-up to last week’s Cincinnati victory.
Watch the “Ickey Shuffle” video below.
SZA has quadrupled down on the success of her hit “Kill Bill.” On Friday (Jan. 13), the singer dropped a four-track “Kill Bill” bundle featuring the original song, as well as a sped-up version, instrumental and vocal takes. The track from the singer’s Billboard 200 No. 1 album SOS leapt to No. 1 on the Billboard Global 200 chart this week, marking her first chart-topper on the list.
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“Kill Bill” raced to No. 1 from No. 11, surpassing its prior No. 5 high set upon its debut three weeks earlier. The song marks the first No. 1 for the St. Louis-born, New Jersey-raised singer-songwriter, among three top 10s.
The quad-song release came just days after SZA dropped the blood-drenched video for the fictitious murder-confession song directed by Christian Breslauer. The cinematic clip pays homage to Quentin Tarantino’s early aughts revenge film of the same name, and features a cameo from Vivica A. Fox, who played the kick-ass character Vernita Green opposite Uma Thurman’s sword-wielding Bride. The high-octane mini action movie blends anime, fantasy and buckets of blood.
“I love Vivica A. Fox’s character. I love Lucy Liu’s character. I even love Bill because he’s super complex,” SZA told EW of the original 2003-2004 films. “I feel like he doesn’t understand why he did what he did. He’s void of emotion, but he loved The Bride so much that he couldn’t stand her to be with anyone else. That was really complex and cool to me. It’s a love story. I just watched it again for inspiration for the music video that we’re gonna shoot for ‘Kill Bill.’”
Listen to the alternate versions below.
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