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Pop

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The Weeknd and Anitta‘s collaboration “São Paulo” has taken the top spot in this week’s new music poll, showcasing a variety of genres. In a poll published on Friday (Nov. 1) by Billboard, music fans voted the superstar collab as their favorite new release, with “São Paulo” garnering nearly 66% of the votes. This impressive […]

Chappell Roan debuted a new country song during her musical guest debut on Saturday Night Live.
The 26-year-old pop star launched the musical portion of the John Mulaney-hosted episode on Nov. 2 with a vibrant and elaborate performance of her popular song “Pink Pony Club,” from her 2023 debut album, The Rise and Fall of a Midwest Princess. The Studio 8H stage was decorated with a throne-like chair and a backdrop of digital galloping ponies, while the singer dazzled in a striking red wig with white streaks, heavy makeup, and a glittery white gown.

In her second dramatic performance, Roan premiered a country-infused song titled “The Giver,” where she confidently asserts her ability to “get the job done” and satisfy a female partner better than any man. During a spoken word segment of the fiddle-driven track, she remarked, “All you country boys think you know how to treat a woman right. Well, only a woman knows how to treat a woman right. She gets the job done.”

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Later in the song, Roan sings, “You ain’t gotta tell me/ It’s just in my nature/ So take it like a taker/ ’cause baby I’m a giver.”

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Saturday’s show marked Roan’s SNL debut. In late October, the singer appeared to tease her next music era in an Instagram post in which she shared some selfies and hinted at the follow-up to her debut breakthrough LP.

“Album kinda popped off imo but it is time to welcome a hot new bombshell into the villa,” she captioned the pics, in a reference to the Love Island catchphrase welcoming new contestants that led fans to speculate that she’s working on her sophomore project.

A potential album will follow the release of Roan’s debut, The Rise and Fall of a Midwest Princess. After a series of headline-making performances — including at Coachella and Gov Ball 2024 — the 14-track project earned a peak of No. 2 on the Billboard 200.

Watch Roan’s SNL performance of “Pink Pony Club” below (“The Giver” was not available at press time). For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.

Justin Bieber and Hailey Bieber are celebrating their first Halloween with son Jack Blues.
On Friday (Nov. 1), the 30-year-old pop superstar shared the first photo with all three members of the Bieber family. The adorable gallery on Instagram finds Justin and his wife, Hailey, 27, portraying Ron and Kim Possible from the Disney show Kim Possible, with son Jack Blues dressed as Ron’s pet naked mole rat Rufus.

In the adorable picture, Justin is seen holding his two-month-old son, who’s dressed in a pink onside, while Hailey dons a red wig and places her hand on the baby. The couple’s matching costumes included black T-shirts and cargo pants with a utility belt.

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In August, the couple welcomed their first child, Jack Blues Bieber, sharing the news in an Instagram post in which Hailey held her son’s tiny foot. The arrival came more than three months after Hailey shared the news on Instagram, confirming that she was then a little more than six months pregnant. Hailey then took fans along for her pregnancy, including opening up for a W magazine cover story. 

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“I probably could have hid it until the end, but I didn’t enjoy the stress of not being able to enjoy my pregnancy outwardly,” she explained of announcing her pregnancy at the six-month mark. “I felt like I was hiding this big secret, and it didn’t feel good. I wanted the freedom to go out and live my life.”

She also admitted she was savoring the time with Bieber, 30, whom she married in 2018, before they expanded from a duo to a trio. “In the beginning [of pregnancy], it was super emotional for me,” she told W. “Like, ‘I love this human so much. How can I possibly bring someone else into this?’ I’m trying to soak in these days of it being Justin and me, just the two of us.”

While Justin continues to enjoy fatherhood, indie singer-songwriter Mk.gee recently revealed that he’s been in the studio with Bieber working on the singer’s first new album since 2021’s Justice album.

The “Baby” singer has been mostly off the musical radar since cancelling the 2023-2024 world tour in support of Justice after getting diagnosed with Ramsay Hunt syndrome, which resulted in “full paralysis” on one side of his face.

When Taylor Swift first announced The Eras Tour on Nov. 1, 2022, she might not have guessed that, exactly two years later, she would still be on the career-spanning trek. Also, with just 27 dates announced on that first day, it might surprise her to learn that when the tour wraps in December, she’ll be […]

The Billboard Family Hits of the Week compiles what’s new and worth your family’s time in music, movies, TV, books, games and more. Forget the mind-numbing scrolling and searching “what to watch for family movie night” … again. The best in family entertainment each week is all in one place, in this handy guide. Isn’t it satisfying to […]

Ryan Reynolds is his pal Taylor Swift’s biggest fan! The Deadpool actor took to Instagram on Thursday (Oct. 31) to share a series of photos and videos from one of Swift’s shows at New Orleans’ Caesars Superdome, which he attended with his wife Blake Lively and Rufus Wainwright. “When I’m 95 yrs old and my […]

As one of 2024’s most promising K-pop rookies, BABYMONSTER is closing out a stellar year with the girl group’s long-awaited full-length album DRIP that’s packed with globally appealing pop hits. The LP further positions the septet as a force in K-pop’s expanding international influence, blending genres and languages to create a universal pop experience.

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Led by the two singles “CLICK CLAK” and “DRIP,” the tracks make BABYMONSTER’s intentions of world domination clear with the multilayered linguistic and genre approach: “CLICK CLAK” is an English rap cut, where even the group’s powerhouse vocalists prove they can spit, while “DRIP” is a powerhouse K-pop jam incorporating dance music, hip-hop, EDM and powerhouse pop. G-Dragon (who also recently made his comeback to the K-pop scene) co-producing the latter and adding another level of sophistication and excitement, marking a significant co-sign from one of K-pop’s most iconic figures.

Both singles were accompanied by music videos that dropped this week with “CLIK CLACK” boasting more than 24 million views since its release on Wednesday (Oct. 30), while “DRIP” currently has a whopping 14 million views since its premiere less than 24 hours ago. Watch below:

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Another prominent K-pop figure, Mino of WINNER, also contributed to the album, co-writing the throwback hip-hop/pop hybrid “Really Like You.” At the same time, BABYMONSTER also showcased their own creativity as members Asa and Ruka wrote on several tracks, including the special duo song “Woke Up in Tokyo,” which weaves Japanese lyrics into the mix.

Deeper into DRIP, listeners will also be treated to the acoustic cut “Love, Maybe” and the 2000s-tinged “BILLIONAIRE” (both sung entirely in English), and a standout in the emotional dance anthem “Love in My Heart.”

With the physical release of DRIP in the U.S. coinciding with the album’s global drop, BABYMONSTER has a strong chance of making a splash on the Billboard 200 chart later this month — a feat few K-pop rookies can achieve on first try. But until the charts feel BAEMON’s impact, fans can enjoy streaming DRIP, and check out the “CLIK CLAK” video below:

November is here, and with 2024 coming to a close soon, music stars are hardly slowing down with their new releases. The Weeknd and Anitta finally delivered their “São Paulo” collaboration from his upcoming album Hurry Up Tomorrow. The two debuted “São Paulo” in the titular city’s Estádio MorumBIS on Sept. 7 during a special one-night-only show that was livestreamed. “We knew it was […]

Incredibly, it’s been twenty years since JC Chasez released his debut solo album, Schizophrenic — his first and only solo foray following his time in *NSYNC. But after all that time — during which Chasez has explored various creative outlets, from judging America’s Best Dance Crew to, more recently, reuniting on two songs with his former bandmates — Chasez is back with an unexpected release.

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Playing With Fire is the concept album for a musical based on Mary Shelley’s Frankenstein, which Chasez co-wrote with longtime collaborator Jimmy Harry — and the singer stopped by Billboard News to discuss the project and how it pushed him creatively.

“We knew we wanted to write a musical, we just didn’t know what about,” says Chasez of the seeds of the project. “[Jimmy and I] come from pop music — we write different styles of pop music, but essentially our strengths are in pop music. [But] we’re more mature, we have more ideas than just the typical pop song, and this gave us the opportunity to express those ideas — to do something that’s bigger than three minutes and is a bit more focused but allows us to dream in different ways.”

Chasez is a deep theater fan who admits, “I could go to a show every night if I was lucky enough,” and he says Jesus Christ Superstar was their biggest inspiration for Playing With Fire. “They started with a concept album, and that’s kind of what inspired us to release it as an album first. If someone as smart and talented as Andrew Lloyd Webber thinks [it’s a good idea] is to release the music for a show first, why don’t we give it a shot?”

He also opens up about reuniting with *NSYNC for both “Better Place” (from Trolls Band Together) and “Paradise” from Justin Timberlake’s Everything I Thought I Was. “We’re all great friends, and we’re always talking,” says Chasez. “The conversation has been a little more open — right now I’m focusing on Playing with Fire, Justin’s on tour, Joey’s about to do & Juliet [on Broadway], but we’re always talking and anything’s possible in the future. It’s always gotta be for the right reasons.”

And speaking of potential reunions, he speaks about celebrating the 25th anniversary of fellow former Mouseketeer Christina Aguilera’s debut album with her — and the potential for them to do a duet someday: “If it was the right thing and organic, I’d be happy to sing with her anytime,” he says with enthusiasm.

Watch the full interview — including the story behind “Better Place,” how *NSYNC’s performance with Timberlake earlier this year in Los Angeles came together, and how Playing With Fire pushed Chasez vocally — above.

A new documentary series chronicling the rise and fall of Ace of Base, one of the biggest Swedish pop band exports of all time, following in the tradition of fellow Billboard Hot 100 chart-toppers ABBA and Roxette, is coming this winter.

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Featuring unseen home movie footage and new interviews with members of the band, their business team, music executives, artists and cultural critics, Ace of Base: All That She Wants debuts in full Dec. 5 on Viaplay, a streaming service that hosts Nordic and European TV series and films.

The Swedish quartet — Ulf Ekberg and the siblings Jonas, Jenny and Malin Berggren — first saw success in America with “All That She Wants,” a No. 2 Hot 100 hit and Pop Airplay No. 1, but follow-up single “The Sign” rocketed them to the top of the Hot 100. It was a ubiquitous, era-defining, reggae-flavored dance-pop smash in the mid ‘90s, and remains the longest-leading No. 1 ever on the Pop Airplay chart (it dominated for 14 weeks in 1994).

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Ace of Base scored seven top 40 Hot 100 hits throughout the decade, including “Don’t Turn Around” (another Pop Airplay topper) from their U.S. debut album, The Sign, a repackaging of their European debut Happy Nation that topped the Billboard 200 when released by Arista. Naturally, Arista founder and industry legend Clive Davis is one of the interviewees in this docu-series, which also features sit-downs with Wyclef Jean, Nigerian-Swedish singer Dr. Alban (“It’s My Life”), the group’s manager, lawyer, A&R, bodyguard and one of their backup dancers to provide the full picture of their “warts-and-all” story. Ace of Base: All That She Wants also includes an interview with Billboard executive digital director Joe Lynch, i.e., the person writing this article.

In addition to their own hits, Ace of Base helped crack open the door for Swedish artists such as Robyn and The Cardigans to make inroads in the States — not to mention pop producers Denniz Pop and Max Martin, who would permanently shift the direction of commercial pop in America via their work with Britney Spears, Backstreet Boys and *NSYNC.

You can check out the trailer below and the full three-part documentary on Dec. 5.