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Three years ago, Dua Lipa gifted us with one of the strongest dance-pop albums of the past decade at the precise moment we were all stuck inside. Future Nostalgia, the U.K. pop star’s sophomore album, arrived in March 2020 just as the COVID-19 pandemic shut down the world it was entering, offering sleek escapism during […]

Dua Lipa is ushering in a new era. After weeks of cryptic teasing, the three-time Grammy winner has finally unleashed her highly anticipated new single, “Houdini.” On Nov. 1, Lipa announced the song’s title and release date in the caption of a post displaying the cover art. The announcement arrived after weeks of blink-and-you’ll-miss-it teasers […]

Kelly Clarkson knows all too well how sweet Taylor Swift is.
The superstar revealed to E! News that the “Anti-Hero” superstar sends her gifts after album releases. “You know what’s so funny? She just sent me flowers,” The Kelly Clarkson Show host shared. “She’s so nice. She did. She was like, ‘Every time I release something’—’cause she just did 1989. I got that really cute cardigan, too.”

Clarkson also maintained that Swift would have come up with the idea of her re-recordings on her own, despite the American Idol alum taking to Twitter back in 2019 amid Swift’s battle over masters with Scooter Braun to make the suggestion. “@taylorswift13 just a thought, U should go in & re-record all the songs that U don’t own the masters on exactly how U did them but put brand new art & some kind of incentive so fans will no longer buy the old versions,” she wrote at the time.

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“I love how kind she is though,” Kelly told E! News. “She’s a very smart businesswoman. So, she would have thought of that. But it just sucks when you see artists that you admire and you respect really wanting something and it’s special to them. You know if they’re going to find a loophole, you find a loophole. And she did it and literally is, like, the best-selling artist I feel like of all-time now.”

She added of the Swifties, “It’s so cool to see a fanbase really get behind her in that too because it’s important. She’s known for being such an incredible songwriter and the soundtrack to a lot of people’s lives and that’s her life. So, you should have the option of owning that.”

Following the release of 1989 (Taylor’s Version) last month, Swift earned the biggest sales week of her career, earning 1.653 million equivalent album units in its debut week, scoring her 13th No. 1 on the Billboard 200; that’s the biggest equivalent album units total for an album since Adele’s 25 in 2015, and also marks Swift’s largest sales week (1.359 million) to date.

Meanwhile, “Is It Over Now? (Taylor’s Version),” one of five “From the Vault” tracks from the album, debuts at No. 1 on this week’s Hot 100 chart, giving Swift her 11th career chart-topper.

Jung Kook is fresh off the release of his highly anticipated solo album, Golden, and the BTS superstar sat down with Apple Music’s Zane Lowe to open up about pursuing a solo career and the future of BTS. Explore See latest videos, charts and news See latest videos, charts and news “I think there certainly […]

While there’s no shortage of fans celebrating their musical favorites digitally, tangible tributes – from friendship bracelets to Etsy creations – seem to be making a comeback lately. With that in mind, a Midwestern biostatistics teacher has found a particularly novel way to honor her musical icons while going against the digital grain.

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But be warned: This fan art is a bit seedy.

Since 2021, Marta Shore, a biostatistics lecturer at the University of Minnesota, has spent her free time painstakingly recreating classic album artwork using everything from quinoa to chia seeds to flax to barley to wild rice. It’s called crop art, and at the 2023 Minnesota State Fair, Shore displayed three plant-based recreations of 1983 pop classics: Madonna’s self-titled debut album, Donna Summer’s She Works Hard for the Money and Cyndi Lauper’s She’s So Unusual.

“1983 was the year I really started listening to music outside of what my parents would listen to,” Shore says. “I still have a lot of these [albums] on vinyl.”

Crop art has become more than just a hobby for the university lecturer – it’s helped her connect with her students, too. When classes went virtual during the pandemic, Shore noticed that her students perked up when she made an offhand comment about her unusual hobby. “They just loved seeing me make and share something about my life besides statistics,” she says. Weekly updates about her Megan Rapinoe crop art helped them to “feel more connected to me and each other” during lockdown, she opines.

Soon, Shore invited her students – people studying to be epidemiologists, pharmacists, health policy wonks and more – to vote on what she should create next. The winner was RuPaul’s Drag Race winner Bianca Del Rio uttering her catchphrase “Not today, Satan,” which she then rendered in all organic plant material. “Sixty percent of my students wanted that one,” Shore, ever the statistician, recalls. “And [after that] they were even more invested.”

The benefits went beyond getting students to pay more attention. Several of them reached out to Shore to share that she inspired them to dust off their own creative outlets, helping their mental health in the process.

Cyndi Lauper

That’s certainly a benefit the statistician can relate to. While Shore says formal meditation doesn’t work for her, she can disconnect while doing crop art, which requires “just enough attention that my mind doesn’t wander, and just enough physical activity that I don’t get antsy.”

Sometimes she puts on headphones and listens to the album whose art she’s recreating; other times, she puts on a “comfort show,” like Parks and Recreation or The Other Two, and zones out while affixing bits of oat, quinoa and corn to a spray-painted board.

It began in 2015 when her daughter, then a kindergartener, was invited over to a friend’s house to try out the agriculture-centric folk art. Shore struck up a friendship with the girl’s mother, Jill, and learned the ropes herself. Eventually, she submitted a piece for inclusion in the Minnesota State Fair, the second-largest state fair in America, which features an annual crop art wall in the Agriculture Horticulture Building.

“My first piece was not great, but it got up on the wall, which made me feel really good,” she says. “I’d never really made anything artistic before. I mean, I’m a little math nerd.”

Buoyed by the success, Shore kept gluing seeds to boards, growing as an artist and learning about textures and perspective (she says her older daughter, who took a summer course at Pratt Institute in Brooklyn, helped her figure out how to render the shadows on the cover of Lauper’s debut). “I print out the image from the album and trace around the edges,” Shore, who now teaches a crop art course on the side, explains of her go-to starting point. “White chia and white quinoa are really good for white; wild rice, canola and poppy are really good for black.”

“There’s a fair amount of trial and error as well,” she says. “I was originally going to make Madonna’s hair out of white quinoa, which I did and hated. Then I was like, ‘Oh, corn silk looks like bleached hair. Maybe I’ll try that instead.’”

She estimates that “for each piece, I do rip up 20 to 30 percent of it,” with her crop art pieces typically requiring 40 to 50 hours of work spread out over the year. “Donna Summer took me by far the longest because for the yellow background, that seed actually comes in about six different colors. So I picked out all the yellow.” She laughs. “My husband had thoughts. ‘Do you really need to go to this extreme?’”

But for her, the meditative activity isn’t an extreme at all. “I just love Donna Summer so much that there was joy in doing it. It felt like a labor of love.”

Donna Summer

After each Minnesota State Fair, some of the crop art pieces find a permanent home in her office (including her 2021 recreation of Marvin Gaye’s What’s Going On album, which won fourth place at the fair in 2021), while others are given away or repurposed for future projects.

Shore is already prepping for the 2024 Minnesota State Fair, working on a recreation of Dolly Parton’s 1974 album Jolene — which she calls “one of the most important albums ever released” — while soliciting her students to vote on which Dolly quotes will accompany the album art. (Given that LP’s yellow-heavy background, let’s hope she finds a seed that doesn’t require hours upon hours of sorting). And considering that next year marks the 40th anniversary of an album famously associated with the Minneapolis venue First Avenue, it’s a given that the Minnesota university educator will be tackling Prince’s Purple Rain.

“It’s a busy album cover, for sure,” she says, clearly excited by the challenge. “I’m going to try using dried flowers on the sides. There’s a lot of smoke rising [in the cover photo]. I’m already thinking about how I’m going to do that. With seeds? With some sort of plant material over a background? I haven’t figure it all out yet.

“[With crop art] you get to do your meditation and produce this cool thing that you can show people,” she continues. “You have to do it because you really love it. So when I do it, I try to choose things I really love.”

Marvin Gaye

Madonna

Lil Mabu and Chrisean Rock’s “Mr. Take Ya B-tch” leads the TikTok Billboard Top 50 for a second straight week, while holiday music infuses the Nov. 11-dated survey, both for Halloween and Christmas.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Oct. 30-Nov. 5. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Mr. Take Ya B-tch” reigns for a second frame, coming in its third week on the chart. It debuted at No. 33 on the Oct. 28 tally and has risen in popularity since, not just on TikTok but also on on-demand music streaming services; the track bows at No. 96 on the Billboard Hot 100 thanks to 7.8 million official U.S. streams Oct. 27-Nov. 2, a boost of 9%, according to Luminate.

The remainder of the TikTok Billboard Top 50’s top five consists of songs either at or near the chart’s summit in recent weeks – or in the case of Playboi Carti’s “Sky,” a return at No. 2 thanks to its usual beginning-of-the-month spike due to its “Wake up/ It’s the first of the month” lyric and subsequent TikTok uploads.

But largely, the most recent list is all about the holidays. Crystal Knives and Lex Allen’s rendition of “Spooky, Scary Skeletons” paces the Halloween-themed group at No. 6, blasting up from No. 17. It’s followed by other spooky entries in Mark Mothersbaugh’s “Halloweentown Theme” (the theme music to the Disney Channel original movie Halloweentown) at No. 2 and The Party Cats’ cover of The Nightmare Before Christmas’ “This Is Halloween” at No. 31. An additional tangentially related appearance is at No. 17 via The Newton Brothers’ “Five Nights at Freddy’s,” the theme to the new horror film of the same name that premiered Oct. 27 in theaters and on Peacock.

Usages of the songs on TikTok are mostly what you’d expect: uploads showing off costumes, trick-or-treating and generally getting into the Halloween spirit.

Halloween isn’t the only holiday represented, though. Mariah Carey’s “All I Want for Christmas Is You” debuts at No. 11, while Wham!’s “Last Christmas” also makes its first appearance at No. 42.

The arrival of both songs heralds the start of the holiday season in the U.S. for many – including Carey herself – following the end of October. In fact, some of the top-performing videos for “All I Want for Christmas Is You” so far this year feature users looking back on Carey’s “It’s Time” videos past and present that ring in Christmastime.

One more big mover to call out this week: Ice Spice’s “Deli,” which re-enters at No. 7. The track appeared at No. 6 on the inaugural TikTok Billboard Top 50 (Sept. 16), but after five weeks on the chart, had since fallen off. The reason for its return? A viral remix of the tune mashing it up with Diddy’s “It’s All About the Benjamins.”

See the full TikTok Billboard Top 50 here, including debuts from Drake, Fuerza Regida and Marshmello, Taylor Swift and more. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Frank Ocean‘s resting pulse for most of his career has been elusiveness. The singer who has never followed any of the traditional music industry rules releases music, or not, on his own, often erratic schedule, typically with no advance notice and with little commentary.

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Which is why it was no surprise that his latest musical missive arrived with no fanfare in his Instagram Story on Wednesday (Nov. 8) in the form of a minute-long, unnamed moody track. In audio captured here, Ocean can be heard crooning in his hazy manner over a droning keyboard, with the lyrics coming through only in brief, intelligible bits as the words often slide together in a blur.

“Way more laid back than I did when I was my younger [unintelligible]/ … assumptions but they were educated guesses/ that’s why I … trying to see all your sides/ but your heart’s been tangled in barbed wires/ If you hand it to me, I can’t handle it,” he sings. “You got boundaries, but they’re just obstacles you’re putting in between us/ Pick and choose but we both got options.”

The rest of the lyrics that appear to be about love confusion are hard to decipher, but fans were typically psyched to get anything new from Ocean, who has not issued any new music since he surprise-dropped two singles, “Dear April” and “Cayendo” in 2020, which was followed by a never-released untitled nine-minute song on the Christmas special on his Apple Music 1 Blonded Radio show in December 2021. Ocean has not released a proper album since 2016’s Blonde.

At press time no additional information was available about the song or whether it will be officially released.

Ocean once again receded from public view after his confusion, glitchy appearance at the Coachella Festival in April, which was his first public show since 2017. During the headlining set that began an hour late, Ocean didn’t perform any new songs (but did play radically reworked versions of his familiar tracks), was sometimes hard to spot on the cavernous stage and then was was cut off due to curfew, which ended the set whose livestream on the festival’s official YouTube broadcast was scrapped at the last minute.

It later emerged that Ocean reportedly performed with a serious ankle injury and that his planned elaborate stage set-up — which was to feature a giant ice rink and professional hockey players and olympic skaters doing choreography during the show — was scrapped at the 11th hour after weeks of rehearsals; Ocean later dropped out of a planned second weekend headlining slot due to the injury, costing the festival millions of dollars.

In classic Ocean fashion, he peeked back out in June with the announcement of his 48-page Mutations photo book, which a release said would be printed on “tissue-weight paper.”

Taylor Swift now boasts eight No. 1s on Billboard’s Streaming Songs chart thanks to “Is It Over Now? (Taylor’s Version) [From the Vault],” which debuts atop the Nov. 11-dated ranking.

In the tracking week of Oct. 27-Nov. 2 (the song’s first week of release), “Is It Over Now?” earned 32 million official U.S. streams, according to Luminate.

With eight rulers, Swift further distances herself from Justin Bieber, who has the third-most No. 1s in the chart’s 10-year history, and nears Drake, who leads all acts with 20.

Most No. 1s, Streaming Songs20, Drake8, Taylor Swift6, Justin Bieber5, Travis Scott4, Ariana Grande4, Cardi B4, Lil Baby4, Miley Cyrus

Notably, the last four weeks have featured songs by either Drake or Swift at No. 1, each time a new leader (and with Drake and Swift replacing themselves at No. 1 on two occasions). The streak began when Drake’s “First Person Shooter,” featuring J. Cole, debuted atop the Oct. 21 tally, followed by a rise to No. 1 by Drake’s “IDGAF,” featuring Yeat, Oct. 28. Swift’s “Cruel Summer” then spent its first week at No. 1 Nov. 4, with “Is It Over Now?” the latest ruler.

Swift first reigned on Streaming Songs with “Shake It Off,” a two-week leader in November 2014. “Is It Over Now?” becomes her second re-record to lead, following “All Too Well (Taylor’s Version)” in November 2021.

The entire Streaming Songs list’s top nine is made up of songs from Swift’s 1989 (Taylor’s Version), with “Is It Over Now?” followed by “Now That We Don’t Talk (Taylor’s Version) [From the Vault]” at No. 2 with 28.2 million streams. With nine new top 10s, Swift pads her standing as the act with the second-most top 10s in chart history, with 48. Drake leads with 96.

Most Top 10s, Streaming Songs96, Drake48, Taylor Swift34, Lil Baby30, The Weeknd28, 21 Savage28, Travis Scott25, Future24, J. Cole24, Kanye West

Swift first hit the top 10 with “I Knew You Were Trouble.,” which peaked at No. 7 in March 2013.

The top non-Swift song on Streaming Songs is Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, at No. 10 with 21.3 million streams, down 8%.

As previously reported, “Is It Over Now?” reigns on the multi-metric Billboard Hot 100, while 1989 (Taylor’s Version) crowns the Billboard 200.

Taylor Swift’s Eras Tour is set to head down to South America this month, and Travis Kelce is staying coy about rumors that he’ll be joining the pop superstar on her trek. Explore Explore See latest videos, charts and news See latest videos, charts and news On the newest episode of New Heights with Jason and […]

Surely you didn’t think that *NSYNC‘s plans for a splashy reunion amounted to a low-key MTV VMAs walk-on and a Trolls soundtrack single? As many fans have speculated, the late 1990s boy band superstars had much bigger plans in store for their first new music since going on hiatus in 2002.
Even Taylor Swift wondered “are you guys doing something?” when the group — comprised of Justin Timberlake, JC Chasez, Lance Bass, Chris Kirkpatrick and Joey Fatone — took the stage at this year’s MTV awards show in September to present her with the best pop trophy. What followed was the bouncy Trolls Band Together soundtrack hit “Better Place,” but then… nothing else.

In an interview with EW, Bass confirmed that the band had much bigger plans in place that were scuttled by the ongoing Hollywood strike; since then, the writers have reached a deal with the studios, but the actors strike has continued with no resolution in sight.

“I wish I had some answers for you but as everyone knows, the strike continues and it really threw a wrench in all of this,” Bass told EW, explaining that the strike rules that prohibit union members from promoting new projects during the strike limited their ability to do the rounds in support of the song. “We finally released a song after 23 years and we can’t even mention the song and we can’t talk about the movie it’s in. It was going to be such a special moment for all of us, and unfortunately that got sidetracked.”

But Bass — a member of both the Writers and Screen Actors guilds — provided some hope that the group could give fans their long hoped-for proper get back. “We have to get it right this time, and unfortunately, *NSYNC had to go down in flames for that one,” he said of the seemingly strike-scuttled bigger plans. “But we had so much fun, I don’t see this as our last thing. Because of this strike, I feel like we owe it to the fans again to rectify this and do something else. But until the strike ends, we can’t really even figure out what is next, if there’s anything next. Hopefully we’ll have a plan in place once this lifts and we’re able to get back to work.”

Despite dashed hopes that the VMAs appearance would also include a performance of the Trolls song and kick-off some kind of reunion victory lap, Bass said appearing alongside his bandmates was still “beautiful” and “overwhelming.”

“Even just doing the VMAs, I did not expect that many people to really care, but it was great to see,” he said of the freak-out in the room and on socials about the hush-hush reunion. “Especially since we’re not even able to mention the song, the fact that it is on the radio and people are streaming it like no other is very special and shows how much love that our fans have and [the love] we have for our fans. We can’t thank them enough.”

Despite the more modest roll-out, “Better Place” brought the group back onto the Billboard Hot 100 singles chart last month for the first time since 2002. “Better” kicked off its chart run by coming in at No. 25 during its first week on the Hot 100, which marked its chart peak. Timberlake has released five hit studio albums and scored a string of chart-topping hits since the band’s hiatus, while the rest of *NSYNC have posted modest, if any, music successes in the two decades since their pause.

And while *NSYNC developed a well-deserved reputation for their splashy, high-concept music videos during their heyday, another casualty of the strike rules found them unable to produce a visual for “Better Place” beyond a lyric video.

Bass said he’d totally be up for a “massive” world tour, which would mark the quintet’s first road run since their final live lap, the March/April 2002 outing in support of the band’s 2001 Celebrity album. “It would be super fun,” Bass said. “But if we did a tour, I’d want it to be with my boys first. We love to put on a show, that was our favorite, favorite thing. We spent every dime that we made on our tours — which, hindsight, I probably would’ve changed a little bit — so I think it would be fun to remind everyone what we do in our shows.”

When, and if, they could pull that off, Bass said he’d also be up for teaming up with some other iconic boy bands from the era, the properly reunited Backstreet Boys and 98 Degrees, for some kind of package tour. “I think there’s a lot of room for us to tour with lots of fun groups from back then.”

Watch the “Better Place” lyric video below.

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