State Champ Radio Pop
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Ed Sheeran can’t get enough of The Darkness. The British glam rockers hosted a surprise pop-in from the “Eyes Closed” singer on Saturday (Dec. 9) during their set at London’s Roundhouse, where Sheeran played an unannounced six-song warm-up set, which, (according to setlist.fm) featuring Sheeran playing such hits as “Shivers,” “Thinking Out Loud,” “Bad Habits” […]
It’s probably safe to say that the NPR Tiny Desk series hasn’t seen this much pop joy and pain mixed with so many four-letter words before. Olivia Rodrigo stopped by public radio’s most famous cubicle recently and after ripping through “Love is Embarrassing” from the her sophomore album, GUTS, Rodrigo recalled that her first visit […]
Tired of carrying around a big bag? Looking for something impractical to add to your Christmas list? SNL cast members Marcello Hernández and Ego Nwodim, host Adam Driver, and musical guest Olivia Rodrigo have got just the product for you: the Tiny Ass Bag. Explore Explore See latest videos, charts and news See latest videos, […]
“All they keep asking me is if I’m gonna be your bride” might accurately describe Taylor Swift‘s night after Tony Romo accidentally referred to the superstar as Travis Kelce’s “wife” Sunday (Dec. 10).
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Romo’s slip-up came when Kelce caught an amazing pass during the second quarter of Sunday night’s Kansas City Chiefs vs. Buffalo Bills game at Arrowhead Stadium.
“As you see Kelce’s wife, Taylor Swift, in the audience…” said Romo, who was commenting on the play. With a nervous chuckle, he quickly corrected himself: “I’m sorry, girlfriend.”
On Sunday, Swift, wearing a vintage Chiefs sweatshirt, stood in a suite beside her beau’s mom as they watched the game together.
The pop star, who was just named TIME‘s Person of the Year, confirmed to the public that she’s in a relationship with Kelce in her cover story interview published this week, in which she referred to herself and Kelce being a “couple.”
“We actually had a significant amount of time that no one knew, which I’m grateful for, because we got to get to know each other. By the time I went to that first game, we were a couple,” said Swift, talking about her first appearance at a Chiefs game in September. “I think some people think that they saw our first date at that game? We would never be psychotic enough to hard launch a first date.”
“Tony Romo” trended on X (formerly Twitter) right after he referred to Swift as Kelce’s “wife.”
“They need to play lavender haze at half time,” read a text screenshot from one fan to another. On the Midnights track, Swift sings about people asking her when she’s getting married, and only seeing her “as a one night, or a wife.”
Other Swifties shared funny GIFs, or joked about how news headline writers and Swift’s publicist would react.
See the televised moment captured below, followed by some fan reactions.
Olivia Rodrigo returned to Saturday Night Live on Dec. 9 to deliver a pair of unforgettable performances from her chart-topping album Guts. During the Adam Driver-driver hosted episode, the 20-year-old singer opened her musical guest appearance with a stripped-down piano version of her hit song “Vampire,” which spent two weeks atop the Billboard Hot 100 […]
A surprise “Oh Santa!” reunion happened in New York City Saturday night (Dec. 9). Mariah Carey, bringing her Merry Christmas One & All! Tour to town, was joined by Ariana Grande and Jennifer Hudson at Madison Square Garden, where the pop trio debuted a festive live collab of “Oh Santa!” on the stage. Carey’s version […]
Olivia Rodrigo, Saturday night’s SNL musical guest, stopped by The Tonight Show Starring Jimmy Fallon for an interview and a round of the “Singing Whisper Challenge” while she was at 30 Rock. Explore See latest videos, charts and news See latest videos, charts and news The game goes something like this: one player has a […]
Jung Kook is reflecting on failed love in the somber music video for his ballad “Hate You.”
The minimalistic new clip, which dropped on Saturday (Dec. 9), opens with black-and-white shots of the BTS superstar sitting by himself on a bed and overlooking a brightly lit cityscape while solemnly singing about the scars of a past relationship. The video later shifts to color and features an animated snippet of two lovers running through a snowy forest.
“Audiences are taken on a transformative journey alongside the artist as the video unfolds, shifting from a melancholic black and white ambiance to a burst of colors with the vibrant hues breathing life into the visuals,” Big Hit and HYBE wrote in a press release about the video.
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“Hate You,” co-written with Shawn Mendes, appears on the K-pop singer’s first solo album, Golden. The set debuted at No. 2 on the Billboard 200 albums chart in November.
“‘Hate You’ is a pop ballad track that evokes a deep surge of emotions with a simple blend of lofi piano and Jung Kook’s vocals,” the news release continues. “It portrays the heartbreaking moment of forcing oneself to hate one’s innocent beloved as the love one feels is too much to bear.”
The vulnerable “Hate You” videos follows Golden remixes of “3D” (with Justin Timberlake) and “Standing Next to You” (with Usher).
The fresh releases arrive as Jung Kook prepares to enlist in the South Korean military. In late November, he took to Weverse to share a sweet message with ARMY.
“In December, I will start a new journey I’m leaving you for a while to serve in the military,” he wrote. “As I share this news, I feel heavy on one hand, and on the other hand, I’m reminded of precious memories with ARMY, so my heart warms up. Every moment I’ve spent with you has been the brightest time of my life. ARMY’s laughter, support, and love led me to this point. Thank you so much for supporting my dream and walking with me silently.”
South Korean requires an 18-month military service stint for all able-bodied men by the time they turn 28. BTS announced a pause in their group work in October 2022 to allow all the singers to enlist. The group is expected to reconvene in 2025 when all have completed their duty to country.
Watch Jung Kook’s “Hate You” video below.
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For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all next week. First, a salute to the artist who made the most impressive comeback this year: pop icon Miley Cyrus, who found herself back atop the top 40 world for the first time in a decade.
Ahead of her Miley’s New Year’s Eve Party to ring in 2023, Miley Cyrus said in an interview that her new year’s resolution was to “listen” more. Well, does it count if more people than ever listened to her this year?
Cyrus hit the ground sprinting in 2023, using her second NBC NYE special – during which she co-hosted with godmother Dolly Parton and duetted on an inspired mash-up of “Wrecking Ball” and “I Will Always Love You” – to announce a brand-new song called “Flowers,” along with the tagline “New Year, New Miley, New Single.” She seized on the sleepy January news cycle and sent fans into overdrive, as the Smilers eagerly pieced together clues to decode the instantly buzzy song’s meaning. The lyric teasers pointed to a post-breakup epiphany (“I can love me better than you can”) and the release date was Jan. 13 – which just so happens to be the birthday of Cyrus’ ex-husband Liam Hemsworth.
But this song was so much more than just an Easter egg hunt around Cyrus’ high-profile love life — and, in the end, the song ended up arriving a few hours early, so the much-ballyhooed release date wasn’t even her ex’s b-day after all. While Cyrus has consistently released music over the years, this felt like her first truly must-listen moment of the decade — and indeed, it was about to be the biggest hit of her already-impressive career.
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“Flowers” – which Cyrus co-wrote with Gregory Aldae Hein and Michael Pollack, and was produced by Harry Styles’ sunshiny secret weapons Kid Harpoon and Tyler Johnson – was immediately embraced by a cross-generational cast of characters when it arrived alongside a glossy music video (which boasts nearly 650 million views on YouTube). There was Gloria Gaynor — she of the ultimate life-after-heartbreak anthem “I Will Survive,” a frequent point of comparison for “Flowers” — who told Cyrus via social media: “Your new song carries the torch of empowerment and encourages everyone to find strength in themselves to persevere and thrive. Well done Miley!” Then there was Diane Keaton, who posted a video dancing with her dog through tall grass and wrote to Cyrus: “YOUR INCREDIBLE SONG GAVE ME A REASON TO DANCE IN MY OWN BACKYARD!”
Once the full song was released, fans continued their full-time investigation into all its Liam lyrical clues, like when Cyrus sings in the first verse “built a home and watched it burn,” seemingly in reference to the 2018 Malibu fire that claimed the then-married couple’s home. But the analysis also shifted to a new focus: the song’s clear link to Bruno Mars’ 2012 hit “When I Was Your Man.” (Bruno: “I should have bought you flowers.” Miley: “I can buy myself flowers.” Bruno: “Take you to every party ’cause all you wanted to do was dance.” Miley: “I can take myself dancing.”) In fact, it appears that “Flowers” is an answer to all the overly sentimental heartbreak songs that came before it – as Gaynor noted, instead of carrying a torch for her ex, Cyrus is carrying “the torch of empowerment.”
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And boy, did that message resonate. On Jan. 24, “Flowers” debuted atop the Billboard Hot 100 – only Cyrus’ second No. 1 on the chart, following the three-week reign of “Wrecking Ball” 10 years earlier – and also launched as the biggest song in the world, reigning on the Billboard Global 200 and Billboard Global Excl. U.S. charts too. On Jan. 19, it became the most-streamed song in a single week in Spotify history – only to rewrite the streamer’s record with an even bigger week 2. A sampling of other “Flowers” feats: It spent eight weeks at No. 1 on the Hot 100; it has the longest No. 1 run for a female artist ever on Billboard’s Adult Contemporary (34 weeks) and Adult Pop Airplay (17 weeks) charts; it’s the quickest song to hit 1 billion streams in Spotify history; and it was named the fourth-best song of 2023 by the Billboard staff.
The way “Flowers” loomed so large throughout the year threatened to overshadow the rest of Cyrus’ 2023, during which she released her eighth studio album Endless Summer Vacation in March to a No. 3 debut (and her biggest sales week since the Billboard 200 switched from a purely album sales-based chart to one using equivalent album units in 2014). The album – which arrived with a music video for second single “River” (helping it reach the Hot 100’s top 40) followed the next month by “Jaded” (top 10 on Adult Pop Airplay) — landed in the top 20 on Billboard’s best albums of 2023 staff list, with awards editor Paul Grein calling it “one of the year’s finest pop comebacks.”
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And the Vacation wasn’t over yet: Cyrus had another top 10 debut on the Hot 100 (and a new Diane Keaton co-sign) with “Used to Be Young,” a wistful, raspy ballad that arrived as part of the deluxe digital edition of the album in August. In a nostalgic nod to Cyrus’ early days, “Young” just so happened to arrive the same week as Selena Gomez’s “Single Soon.” The Disney Channel alumnae played up the timing, as Wizards of Waverly Place star Gomez shared a clip of her own throwback Hannah Montana cameo with the caption: “@mileycyrus and I both have a SINGLE SOON and we are releasing on the same day. We have been friends since we USED TO BE YOUNG. Excited for August 25th!” More than three months later, “Used to Be Young” is still hanging around the Hot 100 top 40, and just topped the Adult Pop Airplay chart for the first time.
But what truly stood out this year is the Recording Academy finally paying attention to Cyrus’ work. When the 2024 Grammy nominations were announced Nov. 10, Cyrus came away with six nods – triple the two she’d previously received over her more than 15-year career – including the Big Four categories of song and record of the year for “Flowers” and album of the year for Vacation. “It’s fun to be nominated & exciting to win but having my music be LOVED around the world is the real trophy,” Cyrus said in reaction to the nom news on social media.
Despite starting the year with a television special, Cyrus was overall a little absent on the promotional front, and from the sounds of her May cover interview with British Vogue, she’s not sure she wants to tour again. “Like singing for hundreds of thousands of people isn’t really the thing that I love,” she said. “There’s no connection. There’s no safety. It’s also not natural. It’s so isolating because if you’re in front of 100,000 people, then you are alone.” She waited until Nov. 21 to finally perform “Flowers” in front of an audience for the very first time, but the invite-only crowd at LA’s Chateau Marmont probably didn’t even approach 100, let alone 100,000. A week later, as a thank you to fans, she shared a black-and-white video of the jazzy performance, backed by just a piano and sprinkled with cheeky ad libs (“I didn’t want to leave you … but I had to!/ I didn’t want to fight … but we did!”).
In that new year’s resolution video at the top of the year, Cyrus was also asked by Today show host Hoda Kotb how she’s different now as a 30-year-old (Cyrus just turned 31 on Nov. 23) versus her younger days. “It’s somehow that I’m completely different and somehow I’m exactly the same,” she answered. That can really be said about her comeback success with “Flowers” too: The song is both the most grown-up and fully realized song we’ve ever heard from the Hannah Montana child star-turned-adult pop powerhouse, while still embodying the carefree, no-effs-given attitude that has made her such a firebrand throughout her career.
The last time she topped the Hot 100, she came in like a wrecking ball. This time, she comes bearing flowers. But she’s still just being Miley.
For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all next week. Before that, a tribute to the artist who crashed the mainstream for the first time in the biggest way this year: Mexico’s rapidly growing superstar Peso Pluma, one of the year’s preeminent global hitmakers.
During his first-ever interview with Billboard back in March, when he was that month’s Latin Artist on the Rise, Peso Pluma expressed determination to not only be a No. 1 artist, but also to globalize música mexicana, taking the decades-old genre to new international heights. “I’m up for the challenge,” the then-23-year-old emerging artist said.
Today, he’s done exactly that. Peso Pluma, undeniably the current face of regional Mexican music, has played a significant role in leading the genre’s seismic growth in the United States and beyond with his corridos, punctuated by his raspy vocals and a more modern sound, powered by guitars and brass instruments. This year alone, he’s placed over 20 songs on the Billboard Hot 100 – highlighted by his blockbuster collab with Eslabon Armado “Ella Baila Sola,” and his album Génesis, which made history when it debuted and peaked at No. 3 on the Billboard 200, the highest ranking for a Mexican music album on the tally.
Since that March interview – when Peso was making waves with “Por Las Noches,” “AMG” with Natanael Cano and Gabito Ballesteros and “PRC” with Cano, all hitting the top 10 on the Hot Latin Songs chart – Peso only doubled down on his global mission and, in a matter of months, had gone from hometown hero to global phenomenon.
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Born Hassan Emilio Kabande Laija in Jalisco, Mexico, Peso Pluma (which translates to “featherweight” in English) came on the U.S. radar with his first hit “El Belicón,” in collaboration with Raúl Vega, which entered the Hot Latin Songs chart in April 2022. Then, he was also performing shows in Mexico to a crowd of approximately 500 people.
That would quickly change for him with 2023. After signing a record deal with Prajin Records in 2022, founded by Mexican American executive George Prajin (also Peso’s manager), Peso was collaborating with artists outside of his genre, which was key in his plan for globalization. He recorded with Colombian hitmaker Ovy on the Drums (“El Hechizo”), Argentine rapper Nicki Nicole (“Por Las Noches Remix”) and Mexican reggaetón artist Yng Lvcas (“La Bebe Remix”), the latter of which peaked at No. 11 on the Hot 100 in April.
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But there was one team-up that marked a before and after in Peso’s year, and maybe for all of 21st century música mexicana: “Ella Baila Sola” with Eslabon Armado. Perhaps this year’s biggest Latin song, “Baila” could’ve been just another viral hit on TikTok, but while it did garner over 5 million creator videos, the dance-ready sierreño song also crossed over to streaming and radio — making history by peaking at No. 4 on the Hot 100, the highest ranking for a regional Mexican song on the tally. It also became the first Mexican music song to dominate the Billboard Global 200 chart (which it did for six weeks), and spent a total of 19 weeks atop the Hot Latin Songs chart. To date, it has 617.3 million on-demand official streams in the United States.
By now, all eyes were on Peso, who was turning anything he touched to gold. He only kept the momentum going when he joined Becky G during her Coachella set in Apri, where the pair performed their duet “Chanel.” Just a week later, they’d do it all over again at the Latin American Music Awards. Shortly after, Peso was New York-bound for a historic television appearance: At the end of April, hebecame the first regional Mexican artist to perform on The Tonight Show Starring Jimmy Fallon, where he sang “Ella Baila Sola.”
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It seemed that fans and industry alike couldn’t get enough of Peso, with his signature corridos and quirky mullet-like haircut. He was now being sought after by hitmakers such as Eladio Carrión, El Alfa and producer extraordinaire Bizarrap, with whom he teamed up with for “Bzrp Music Sessions, Vol. 55.” Following the release of the track, Peso became the first artist to ever lead both the Billboard Global 200 and Billboard Global Excl. U.S. lists simultaneously with different songs, “Ella Baila Sola” and “Vol. 55,” cementing him as one of the premier Spanish-language hitmakers of the moment.
By June, Peso – who was on the road with his first-ever U.S. tour, dubbed La Doble P – was at the summit of música mexicana, which was having a record year. According to Luminate, regional Mexican music consumption in the United States up 42.1% year to date through May 25 – on track with Mexican music’s exponential and global growth over the past five years.
Armed with a hefty stack of hits, Peso could’ve kept on releasing singles throughout 2023, since it was a formula that had worked for him. But he didn’t take the easy way out. On June 29, he unleashed Génesis, his third album, though the new level of anticipation for it made it feel like his debut. The 14-track set only scored more records and more hits for Peso debuting at No. 3 on the Billboard 200 albums chart — the highest rank ever for a música mexicana album on the chart – and placing a historic 25 simultaneous titles on the Hot Latin Songs chart (dated July 8), breaking Bad Bunny’s record of 24.
Peso Pluma’s popularity had broken language and genre barriers, penetrating the American pop mainstream like only a select number of Spanish-language acts have been able to. ASAP Rocky has confirmed a collab with Peso is on the way, Post Malone wore a Peso Pluma t-shirt during one of his shows in Mexico and boxing legend Mike Tyson is a self-declared Peso fan. As a sign of the times, Peso became the first Mexican artist to ever perform on the MTV Video Music Awards in September – performing corridos in a space where regional Mexican music had never previously entered. He was also this year’s Billboard Latin Music Awards big winner, taking home eight awards, and the 24-year-old artist is up for best música mexicana album at the Grammys for Génesis in February.
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After wrapping his first U.S. trek performing 54 shows across the country, Peso returned to his hometown of Guadalajara in November, where he kicked off the Latin American leg of his La Doble P Tour, playing for a crowd of 25,000, a far cry from his days performing for 500 fans. Stateside and back home, Peso was a force to be reckoned with — even after banners signed by a cartel appeared in Tijuana demanding he cancel his show in that city (which he did), he went on to perform massive sold-out shows in key Mexican markets such as Monterrey and Mexico City.
After this breakthrough year, with streaming and touring numbers to back him up and a strong catalog of collabs inside and outside his genre, Peso’s set himself up for international domination — which he already got a taste of late last month when he performed back-to-back sold-out arena shows in Spain, Chile and Argentina. Ending the year as Spotify’s fifth most-streamed artist globally, right after Drake, Peso’s massive year and unlikely success is a momentous win for Mexican music and its artists, proving that this “regional” style of music can indeed be global.
