Pop

Billboard’s Greatest Pop Stars of 2023: No. 5 — Morgan Wallen

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all this week. At No. 6, we remember the year in Morgan Wallen — who put up mind-boggling stats all year, but was still surprisingly invisible at times.

Few artists, if any, were as set up to put numbers on the board in 2023 as country superstar Morgan Wallen

It had been two years since the release of his massive-in-all-ways Dangerous: The Double Album and the backlash following his use of the N-word in a video captured on TMZ, making 2021 both the best and worst year of his career. He had spent the rest of that year mostly laying low as Dangerous continued to produce – it would ultimately break the Billboard 200 record for most weeks in the top 10 – and then took 2022 to reintroduce himself to fans. He set out on the Dangerous Tour that February, then began to release a slow trickle of music, leading to Billboard Hot 100 top 10 hits like the trap-influenced “You Proof” and mama-I’m-crazy ballad “Thought You Should Know,” which proved how hungry most of the public still was for new Wallen material.  

Billboard’s Greatest Pop Stars of 2023:
Introduction & Honorable Mentions | Rookie of the Year: Peso Pluma | Comeback of the Year: Miley Cyrus | No. 10: Drake | No. 9: Doja Cat | No. 8: Bad Bunny | No. 7: Olivia Rodrigo | No. 6: Karol G

By early 2023, that slow trickle would turn into a broken dam. In late January, Wallen announced the March release of One Thing at a Time, to be a whopping 36 tracks long – Dangerous ran a scant 30 – and to be promoted on his One Night at a Time World Tour, kicking off that April, which would take Wallen to stadiums for the first time. Even before its release, the album was all but a pre-certified blockbuster, with the tracklist including the already-minted hits “Proof,” “Thought” and the pop-rocking title track, the latter one of three new songs he’d released along with his tour announcement in late 2022.

Morgan Wallen

Matt Paskert

Morgan Wallen

Matt Paskert

But one song he released while divulging the One Thing details would end up dwarfing them all, as well as anything on Dangerous. “Last Night” was part of another three-pack (along with the Allmans-interpolating “Everything I Love” and the cleverly Bible-wary “I Wrote the Book”) released by Wallen, this time to hype the One Thing announcement. The liquor-soaked, maybe-breakup anthem took off immediately following its mid-week release, reaching the top spot five weeks after its debut – not only a career first for Wallen, but a first for any solo male country star since Eddie Rabbit back in 1981.

The final push that got “Last Night” to No. 1 came with the March release of the full One Thing album, which unsurprisingly bowed with the biggest first-week total of the year to that point: 501,000 units, nearly doubling the 265,000 posted by Dangerous in its opening frame. One Thing would also chart all 36 of its tracks on the Hot 100 in its debut week, as Wallen blew past the previously Drake-held record of 27 for the most songs notched by an artist on the chart in a single week. If Wallen’s superstardom had escaped anyone’s notice to that point, it was finally unignorable.



And it would stay that way for months. Both “Last Night” and One Thing would continue their rule on the Hot 100 and Billboard 200, respectively – occasionally getting knocked off by a big debut or surging hit, but seemingly always returning to their perch. All in all, both song and album would reign for 16 weeks total, giving Wallen the longest reign on each chart yet this decade – and the longest ever for any unaccompanied solo artist on the Hot 100.

In the process, Wallen also laid claim to territory that had largely eluded him to that point: top 40 radio. While he had been laying siege to country radio for a half-decade already, he’d yet to score much success on the pop airwaves. But “Last Night” was simply too huge to be overlooked, and it reached No. 5 on Billboard’s Pop Airplay chart – an extremely rare level of top 40 success for a country song without a major non-country guest or obviously crossover-aimed production. And of course, his dominance at country radio practically went without saying: four songs from One Thing (“Proof,” “Thought,” “Night” and “Thinkin’ Bout Me”) topped the Country Airplay chart in 2023, and a fifth (“Everything”) is currently lurking around the top five. 



Meanwhile, all 2023, Wallen was leading the charge for a country takeover on the Billboard charts, with the genre particularly beginning to catch up to pop and hip-hop in its streaming presence. Though “Last Night” was the first country Hot 100 by a solo male in over four decades, it opened the floodgates for three more immediately after it – from Jason Aldean, Oliver Anthony Music and Zach Bryan (with Kacey Musgraves), all with songs that were massive streaming successes. In our December cover story on Wallen, Billboard’s Melinda Newman called him “the tip of the spear for the genre’s new generation,” and pointed out that while country grew by grew by 24% in on-demand audio and video streaming from 2022 to 2023, Wallen’s numbers alone accounted for 31% of that growth. 

So if he had the No. 1 album of the year, the No. 1 song of the year, and was the biggest driving force behind arguably the most consequential trend in the (English-language) music industry this year – by the way, he also finished No. 4 on Billboard Boxscore’s Year-End Top Tours ranking, highest of any artist who released an album in 2023 – how is Morgan Wallen only our No. 5 Greatest Pop Star this year? 

Well, there’s no arguing that there were four artists with more impressive portfolios of commercial achievements and statistics this year. But were there four greater pop stars? We think so, mostly because as huge as Morgan Wallen’s music was this year, the man himself was a much-less-conspicuous presence. He had no major award show or late night appearances, released no official music videos, had no particularly viral moments (besides a fan brawl outside his show that he wasn’t involved with), barely posted on TikTok – the app once integral to his early success – and until Billboard’s cover story, made no major media appearances. Millions of people caught Wallen on the One Night at a Time tour, but if you weren’t one of them, you could’ve very easily gone the entire year without seeing the man in action. 

It’s an unsurprising and arguably wise strategy for an artist whose biggest career moments in the spotlight have mostly been embarrassing ones – from his 2020 arrest for public intoxication and disorderly conduct to his violation of SNL’s COVID-19 policy and subsequent removal from the show later that year, to, of course, his filmed racial slur usage in 2021. And while a large portion of the public appears to have moved on from these incidents, Wallen’s continual underperformance at major award shows – shut out at this year’s CMAs, and with no nominations at the 2024 Grammys (“Last Night” is up for best country song, but he’s not nominated since he didn’t write on it) – suggests there may remain (understandable) hard feelings from some folks in the industry. It makes sense that Wallen would continue to tread lightly re-inserting himself into the mainstream’s center. 

Meanwhile, his chart fortunes have clearly not suffered for his lack of national visibility or award wins – regardless of Wallen’s presence in the headlines or lack thereof, his commercial momentum has only ever trended upwards since his 2018 breakthrough. This year, he even proved he could cross over to the pop world without really playing the pop game. So as long as he can top the charts and sell out his tours while letting his music do the talking for him, there’s not necessarily a lot compelling Wallen to do more. 

Fair enough. But true pop stardom – from Madonna and Michael Jackson to BTS and Bad Bunny – has always been about more than just the numbers. It’s about impact, about presence, about being the whole package. It’s about putting yourself out there, in just about every way possible, and sometimes risking it all in the process. Wallen can and most likely will continue to top nearly every official Billboard chart while laying low, relatively speaking, but it’ll take him being a little more willing to step into the spotlight at his brightest to get to the top of these rankings.

Jimmy Fallon & Meghan Trainor Dance Through a Winter Wonderland in Festive ‘Wrap Me Up’ Music Video: First Look

Jimmy Fallon and Meghan Trainor are unwrapping a brand-new music video for their festive Christmas duet “Wrap Me Up,” and Billboard is sharing an exclusive first look at the holly jolly clip.

In the video, Fallon and Trainor are dressed in their best red-and-green outfits, as the Tonight Show host asks the pop star what she got him for Christmas. “Is it a tie?/ An ugly sweater?/ Matching pajamas?/ So something better?” he sings, to which Trainor replies that she’s the gift by singing, “No, baby, you’re looking at it/ Come on, wrap me up/ In your arms this Christmas.”

The full music video will air on Wednesday night (Dec. 13) during The Tonight Show Starring Jimmy Fallon on NBC at 11:35 p.m. ET.

“Wrap Me Up,” which was released in November, has already made its way to the Billboard charts, hitting the top 10 of Billboard‘s Adult Contemporary chart this week, as well as No. 2 on the Holiday Digital Song Sales chart and No. 5 on the Digital Song Sales chart.

“I’ve always wanted to do something with Meghan Trainor,” Fallon said of the song on his show when it was announced. “She’s an amazing performer and songwriter. Let me tell you something: She can sing. This song is a bop. This song is a banger. This song eats. This song slaps.”

Fallon and Trainor are gearing up for some more festive fun when they join Password‘s holiday special this month. The game show, hosted by Keke Palmer and starring Fallon, will feature Trainor and Extended Family actor Jon Cryer as they pair up with contestants to compete against Fallon and his teammate in a festive version of the word game. Catch the episode on Monday (Dec. 18) at 10 p.m. ET on NBC.

Watch the “Wrap Me Up” first look exclusively via Billboard below.


https://youtube.com/watch?v=b0GeTraEac0&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Olivia Rodrigo Says She’s ‘Grown Out of Some’ of Her Older Songs

You could say that Olivia Rodrigo‘s love for her older material has soured a little.

In an interview with the Los Angeles Times published Wednesday (Dec. 13), the 20-year-old musician admitted that she’s not too fond of a few of the tracks on her 2021 debut album Sour. “Some of them I don’t really love so much anymore,” she told the publication in the midst of preparations for her 2024 Guts Tour.

Rodrigo didn’t divulge which tracks specifically she’s not a fan of — “People get so sad because it’ll be their favorite song” — but she did clarify that rehearsing her old music in recent weeks has helped her realize that she’s simply “grown out of some of them.”

Unlike the Grammy winner, however, millions of people are still fully loving Sour. The LP is still charting on the Billboard 200, coming in at No. 49 on the most recent ranking, more than two years after its release. In total, it’s spent 133 weeks on the chart so far and has spawned two No. 1 hits on the Billboard Hot 100.

One of those No. 1s is still a hit in Rodrigo’s books. She confirmed that she still very much loves “Drivers License,” recalling, “I remember putting the song out, still super-heartbroken, and people would come up to me and say, ‘Wow, this takes me back to my first heartbreak.’ Now, I listen to it and I totally get it. It actually does transport me back to when I thought I was never gonna love anyone else.”

The “Vampire” singer also responded to a recent revelation from friend and fellow pop star Billie Eilish, who told the L.A. Times last month that the seven-time Grammy winner’s song “Goldwing” was partly inspired by Rodrigo. “I was just thinking about her when I was writing it,” Eilish told the publication at the time. “She was coming up, and she was younger than me, and nobody had ever been younger than me.”

“Olivia was getting big, and she was just, like, this little dainty child,” added the “Bad Guy” singer, noting she feels a “protectiveness” for the former Disney star. “I felt so nervous. I was worried about her.”

In the L.A. Times article, Rodrigo commented, “I thought that was so sweet.” “Billie is such a kind, wonderful girl, and I feel very lucky that it’s not about competition — that we’re just looking out for each other,” she continued. “I love that song.”

Beyoncé Close to Billionaire Status After Massive ‘Renaissance’ Tour Haul

Thanks to the massive haul from her Renaissance world tour, Beyoncé is on the cusp of becoming a billionaire. According to a new estimate from Forbes magazine (paywalled), the singer’s net worth has ballooned by nearly $300 million this year to $800 million.

Back in June, Queen Bey, 42, came in at No. 48 on the financial magazine’s annual ranking of the richest self-made women in America with a then-estimated worth of $540 million. The boost in the singer’s bottom line was attributed to Beyoncé’s 2023 earnings, specifically the estimated $100 million (post-tax) she pulled in from the Renaissance tour.

Forbes estimated that the rest of the financial windfall was a result of the magazine’s adjustment of their previous estimate of her music catalog and art collection; Forbes estimated that the singer’s catalog is now worth around $300 million. The remainder of her net worth comes from a combination of the personal assets Bey shares with husband Jay-Z and business holdings in her Parkwood Entertainment company.

Forbes said that the couple’s real estate portfolio is worth an estimated $320 million, including a $200 million Malibu, CA mansion they bought in June, which is believed to be the most-expensive home in California history.

Citing Billboard figures, Forbes reported that the major bump to Beyoncé’s net worth came from the tour, which ran from May to October and hit 39 cities in 17 countries, with $579 million in revenue, making it one of the highest-ever grossing tours. Another stream that contributed was the recently released Renaissance: A Film By Beyoncé, which she wrote, directed and produced. Like Taylor Swift, Bey struck a direct deal with AMC Theaters that worked around studio participation and allowed for a direct split of revenue; final box office figures are not yet available, but the movie grossed more than $27 million worldwide in its opening frame.

Swift, who attended the London premiere of the Renaissance film, also had a banner year, with Forbes estimating in October that Taylor had passed into billionairedom thanks to her $190 million net (post-taxes) from her massive Eras Tour. In her TIME Person of the Year cover story, Swift paid tribute to Beyoncé’s acumen and inspiration, telling the magazine that she is, “a great disrupter of music-industry norms… She taught every artist how to flip the table and challenge archaic business practices.”

Billboard’s Greatest Pop Stars of 2023: No. 6 — Karol G

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all this week. At No. 6, we remember the year in Karol G — who reached new heights as a recording and touring artist and confirmed herself as one of the biggest stars on the planet.

Karol G’s progress towards global domination was on display at her two-day “Mañana Será Bonito” Festival, held in December at Estadio Atanasio Girardot in her native Medellín, Colombia — where she performed for a sold-out crowd of more than 40,000 fans each day. Far beyond just giving the ultimate fan experience to those in attendance — including a carnival, live music and special guests such as Romeo Santos, Feid, Young Miko and DJ Tiesto — the festival was the admirable result of a music career that began in 2006 and has now achieved global recognition in 2023.  

Billboard’s Greatest Pop Stars of 2023:
Introduction & Honorable Mentions | Rookie of the Year: Peso Pluma | Comeback of the Year: Miley Cyrus | No. 10: Drake | No. 9: Doja Cat | No. 8: Bad Bunny | No. 7: Olivia Rodrigo

“My home is the place where the dream began, the desire, the motivation, where we took the first step […] Who said that no one is a prophet in their own land when Colombia has given me everything?” she expressed on Instagram prior to her Dec. 1st and 2nd shows. “It brings tears to my eyes to know that my year ends at home, in the city where I was born, and which believed in me before any other place.”  

As the MSB Festival indicated, 2023 has been nothing but life-changing and historic for Karol.  Fresh off her 2022 successes — such as the Becky G-assisted “MAMIII” and “Provenza,” both which hit No. 1 on the Hot Latin Songs chart, and her $trip Love U.S. arena tour, which grossed $72.2 million and sold 424,000 tickets — the Colombian hitmaker was ready to conquer the new year, setting even bigger goals.  

Karol G

Courtesy Photo

Karol G

Lea Colombo

Her first release of 2023 was “X Si Volvemos,” a sultry reggaeón collaboration with Romeo Santos , which arrived on Feb. 2 and marked the third preview of her fourth studio album (following her 2022 one-offs “Cairo” and “Gatubela” with Maldy). On Feb. 24, she officially unleashed the entire set, entitled Mañana Será Bonito (Tomorrow will be Beautiful), with 14 other tracks that showcased her musical evolution and versatility. The artist born Carolina Giraldo Navarro did not shy away from experimenting with bossa nova (“Carolina”), banda (“Gucci Los Paños”), dembow (“Ojos Ferrari”) and even punk rock (“Tus Gafitas”), but it was the set’s lyrical content that resonated most with fans — one that showcased a happier, healthier, and healed Karol for 2023.  

The album’s reception was so massive that it made history as the first Spanish-language album by a female artist to reach No. 1 on the Billboard 200. Moreover, the set’s focus single “TQG” with Shakira—a dramatic urban pop song where the two artists successfully blossomed after their respective public celebrity breakups — debuted at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, while also crowning six other Billboard listings and becoming Karol’s first top 10 hit on the Billboard Hot 100



In celebration of her historic production, the 32-year-old singer took over Puerto Rico’s Hiram Bithorn Stadium for three back-to-back concerts in March. It was then — due to fans chanting all her new material just days after its release — that the idea of embarking on her first-ever stadium tour was born. 

But before hitting the road again in the summer, Karol made important career moves. In April, she made her Saturday Night Live debut, where she performed songs from her new album and was part of a sketch alongside Cuban-born actress (and that episode’s host) Ana de Armas. In June, she signed an ambitious deal with Interscope Records that included her owning all her masters and releasing music under her own imprint, Bichota Records. And in July, she dropped “Watiti” with Panamanian artist Aldo Ranks, a playful reggaetón single with EDM influences that marked the second single from the Barbie motion picture soundtrack. Not only did forming part of the biggest movie of the summer further prove her tremendous star power but it was also the only Spanish-language track on the star-studded set, which also included songs by Dua Lipa, Sam Smith, Bilie Eilish and more huge names.  

And because one album was not enough for her prolific 2023, Karol surprised fans with Mañana Será Bonito (Bichota Season) — a brand new set with nine tracks, including her norteño hit “Mi Ex Tenía Razón” and the Peso Pluma-assisted “QLONA” — that not only earned her another top five entry on the Billboard 200, but officially kicked off her U.S. stadium tour.  



The 15-date stint, which included a pair of sold-out shows at the New York-area MetLife Stadium in September, gathered fans of all ages, dressed in pink wigs and their best summer fits as they chanted along to all of Karol’s biggest hits. The trek grossed $138.4 million and sold 759K tickets across 15 shows in the U.S. between Aug. 11 and Sept. 28, landing Karol at No. 1 on the Billboard Year-End Latin Tours chart and later winning her top Latin touring artist, in addition to top Latin female artist, at the 2023 Billboard Music Awards in November.  

Then, after being one of the very few Latin acts to dominate a massive stadium tour, Karol was ready to sweep awards season. In September, she made her MTV Video Music Awards debut, where she not only performed a sultry medley of “Oki Doki” and “Ta OK,” but also nabbed the best collaboration award for “TQG.” In October, she won five Billboard Latin Music Awards, in addition to the Spirit of Hope Award for her philanthropic work supporting women through her Con Cora Foundation. And in November, she nabbed three Latin Grammys, including the coveted album of the year trophy for Mañana Será Bonito. She also became the first woman to take home the urban album of the year award.  

“How cool is it for a woman to win this?” she said during her acceptance speech. “This album changed my life, and it’s incredible that it’s changed the life of so many people.”  



Meanwhile, amid touring life and collecting well-deserved accolades, Karol’s light shined on social media. Often times she’d send voice messages on her Telegram group, she’d do an Instagram Live to show what a day off looks like for her back home, and on TikTok, she’d share adorable videos of her baby niece or jump on viral trends. It all further demonstrated why, beyond connecting and falling in love with her persona and charm, fans practically consider her family.  

Next year, the Colombiana is ready to take her Mañana Será Bonito Tour to Latin America, where she will visit countries such as Mexico, Costa Rica, Chile, Brazil, and Argentina, and her acting lessons will also come into play when she makes her Netflix debut on the drama series Griselda, starring Sofia Vergara, in January. Though Karol has ascended to global superstardom in 2023, it’s safe to say that Bichota Season should stretch well into 2024. 

Beyoncé Celebrates 10th Anniversary of Surprise Self-Titled Visual Album: Watch the Video Montage

It’s been 10 years since Beyoncé dropped her self-titled visual album, and even the notoriously quiet Queen Bey had to acknowledge the momentous occasion. When the clock struck midnight on Dec. 13, Beyoncé took to her official Instagram page to share a brief video montage commemorating her critically acclaimed, career-shifting fifth studio album.

“I still get scared with every album release,” Beyoncé says in the background of the reel. “I’m constantly searching for the deeper purpose of my art.” The “Cuff It” singer’s reel is a compilation of behind-the-scenes footage previously seen in her five-part Self-Titled documentary, performance clips, pieces of the album’s 17 music videos, media clips and vintage fan reactions on that fateful night of Dec. 13, 2013.

With the release of Beyoncé, Queen Bey unleashed a 14-track visual album in the middle of the tracking week with absolutely no pre-release announcement or promotion. The album proved to be a commercial smash, debuting at No. 1 on the Billboard 200 with just three days of sales. At the time, Beyoncé was the fastest selling album in iTunes history.

The record — which spawned the Billboard Hot 100 No. 2 hit “Drunk in Love” (with Jay-Z), as well as “7/11” (No. 13), “Partition” (No. 23), “Flawless” (No. 41) and “XO” (No. 45) — also won three Grammys and landed on several year-end and decade-end album lists. The record-breaking LP found Beyoncé at her most experimental and political at the time, proudly wearing the “feminist” label on the MTV VMAs stage and heavily incorporating trap into her R&B base for the first time.

Most of the reel’s narration is taken from the first episode of the album’s accompanying Self-Titled documentary, but Beyoncé did record a new message. At the very end of the clip, she sweetly says, “Happy tenth anniversary.”

Now, 10 years after her iconic visual album, fans await the elusive visuals for Queen Bey’s Renaissance album — which is currently blasting in movie theaters around the world thanks to her box office-topping Renaissance: A Film by Beyoncé concert documentary film.

Celebrate 10 years of Queen Bey’s industry-revolutionizing self-titled album by watching Beyoncé’s commemoration reel below:

Taylor Swift Declares ‘No One’s Prouder to Be a Millennial’ on Her 34th Birthday

Taylor Swift has no shame about acting her age. On the singer’s 34th birthday, she marked the occasion with a tongue-in-cheek post on Instagram announcing the release of her new Eras Tour film’s extended cut and jokingly defending her “millennial” posting habits. 

In her Wednesday (Dec. 13) post, Swift shared a video of her performing the Speak Now fan favorite “Long Live” on her iconic blue koi fish guitar during a stop on her blockbuster Eras trek this year. “I had the time of my life fighting dragons with youuuu,” the pop star captioned her post, referencing her own “Long Live” lyrics. “Celebrate 34 with me by watching The Eras Tour (Extended Version) including ‘Long Live’ ? ‘The Archer’ ? and ‘Wildest Dreams’ ? at home!” 

“PS troll me all you want about my excessive and literal millennial emoji use,” she added. “But A) no one’s prouder to be a millennial and B) it’s my bday and today I am exempt! ?” 

The 12-time Grammy winner’s movie became available for rent and purchase on streaming services Wednesday in honor of her birthday. Shot over the course of three performances at SoFi Stadium in Inglewood, Calif., Taylor Swift: The Eras Tour opened in theaters in October and raked in more than $92.8 million, becoming the top-grossing concert film in history after just one weekend. 

Swift’s proud declaration of her millennial status also comes shortly after fans poked fun at her for certain phrases she used while being interviewed for TIME, the cover of which she graced earlier this month as the publication’s 2023 Person of the Year. In one example, the “Anti-Hero” artist was quoted as saying Chiefs tight end Travis Kelce, now her boyfriend, initiated their relationship by putting her “on blast on his podcast, which I thought was metal as hell.” 

“Taylor saying Travis talking about her on the podcast is ‘metal as hell’ IS SO MILLENNIAL OF HER,” tweeted one Swiftie after the interview went live. 

“’metal as hell’ you will never beat the hardcore millennial allegations taylor swift,” wrote another

Other Swifties fondly chided the musician for comparing her Taylor’s Version re-release projects to “collecting horcruxes” and “Infinity Stones.” “Saying that she is collecting re recordings like horcruxes is so millennial of her I’m here for it,” tweeted one fan

See Swift’s birthday post below: 

Amy Winehouse Biopic, ‘Back to Black,’ Announces Spring 2024 Release Date

The Amy Winehouse biopic Back to Black will hit theaters on May 10, 2024. Focus Features announced on Tuesday (Dec. 12) that the movie directed by Sam Taylor-Johnson (Nowhere Boy) with a script from Matt Greenhalgh (Film Stars Don’t Die in Liverpool) will offer a “never-before-seen glimpse into Amy Winehouse’s early rise to fame and the release of her groundbreaking studio album, Back to Black. Told from Amy’s perspective, the film is an unapologetic look at the woman behind the phenomenon and the relationship that inspired one of the most legendary albums of all time.”

The movie stars Industry‘s Marisa Abela as Winehouse, along with Jack O’Connell (Ferrari), Eddie Marsan (Fair Play) and Lesley Manville (Mrs. Harris Goes to Paris). Focus noted that the movie was made with the full support of the Universal Music Group, Sony Music Publishing and the Amy Winehouse Estate.

Winehouse rocketed to fame with her 2006 sophomore album, Back to Black, which won five Grammy Awards, including record and song of the year, as well as best new artist, best pop vocal album and best female pop vocal album. That album included the Hot 100 hits “Rehab” and “You Know I’m No Good.” Winehouse, who battled drug and alcohol addiction, died in 2011 at age 27 from alcohol poisoning.

StudioCanal previously announced the international release dates for the film, which include April 12 (UK, Poland), April 18 (Germany, Netherlands), April 24 (France) and April 25 (New Zealand).

A book featuring Winehouse’s handwritten lyrics, photos and personal journals, Amy Winehouse: In Her Words, was released in August, in time for what would have been the singer’s 40th birthday.

Cher, Brandy, Sabrina Carpenter & More Make Our Christmas List With Fresh Holiday Hits

We all know and love the Christmas classics, but you might need to find some extra room on your decorated mantel for some new holiday hits this year.

On the latest episode of the Billboard Pop Shop Podcast (listen below), Katie & Keith are chatting about five brand-new Christmas songs for 2023: Cher‘s “DJ Play a Christmas Song,” Jason & Travis Kelce’s “Fairytale of Philadelphia,” Jimmy Fallon & Meghan Trainor‘s “Wrap Me Up,” Sabrina Carpenter‘s “Santa Doesn’t Know You Like I Do,” and Brandy‘s “Christmas Party for Two.” All these songs or their parent albums are already making moves on Billboard‘s charts — including Cher hitting No. 1 on the Holiday Digital Song Sales, Adult Contemporary and Dance/Electronic Digital Song Sales charts with “DJ” and Top Holiday Albums with Christmas. (The football-playing Kelce brothers have a chart-topper too: “Fairytale of Philadelphia” — their update of the Pogues’ “Fairytale of New York” from the charity album A Philly Special Christmas Special — hit No. 1 on Rock Digital Song Sales.)

Listen to the new episode below:

Also on the show, we’ve got chart news on K-pop boy band ATEEZ scoring their first No. 1 album on the Billboard 200 and Brenda Lee’s “Rockin’ Around the Christmas Tree” decorating the No. 1 spot on the Billboard Hot 100 for a second week. Plus, could Nicki Minaj get her first No. 1 on the Billboard 200 in more than a decade with her new album Pink Friday 2?

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Dove Cameron Talks Exploring Her ‘Personhood’ on Debut Album ‘Alchemical: Volume 1’ 

Dove Cameron is fresh off the release of her debut album, Alchemical: Volume 1, and the 27-year-old star sat down with Billboard‘s Rania Aniftos to discuss the inspiration behind the two-part project.

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“I felt like I was writing the two halves in such different headspaces. The first half was really about the ending of something, and an entire year of my life, and the processing of that. There was a very stark sonic page turn when it came to the next musical phase that I stepped into,” she explains, noting that the upcoming part two is a lot more fun and “sexy.”

However, Cameron also reveals that it was important for her to get vulnerable in her first release, including songs like “Sand,” one of the project’s standout tracks. “I always said that I never wanted to release any sad music or ballads, because I was really avoidant for a long time, like, ‘Everything’s happy! Everything’s so amazing!’ But I was not happy,” she says. “I decided if I was going to be a person, right? Your personhood and your life has to come before everything. If I was ever going to become the person I was going to be — and music is so important to me — I had to integrate what has happened so far and I have to write for me first and foremost.”

Watch Billboard‘s full interview with Dove Cameron above, in which she also talks about the unexpected success of “Boyfriend” and her days on the Disney Channel.