Pop Shop Podcast – New Every Tuesday

*NSYNC Reunion Is ‘Paradise’ for Hopeful Fans — But Will It Lead to Anything Else?

*NSYNC fans got what they’d been begging for last week, when the blockbuster boy band reunited at Justin Timberlake‘s one-night-only show at The Wiltern in Los Angeles to play snippets of four of their hits and perform their new song “Paradise” for the very first time. So now that we’ve seen the quintet back together — following their 2002 hiatus and their last performance at the 2013 MTV VMAs — what’s next?

On the Billboard Pop Shop Podcast, Katie & Keith are talking all about the pleasant surprise of the reunion and what it could possibly lead to, from the band getting back together on Timberlake’s upcoming tour, to more new music, to their own stadium trek. (We can dream!) Plus, Katie was inside The Wiltern when it all went down, and she takes you inside the intimate venue for the history-making concert.

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Listen below:

Also on the show, we’ve got chart news on how Ariana Grande debuts at No. 1 on both the Billboard 200 albums chart with Eternal Sunshine and on the Billboard Hot 100 songs chart with “We Can’t Be Friends (Wait for Your Love).” Plus, a dozen songs from the album are on the Hot 100, including the set’s lone track to feature another performer — who just so happens to be Grande’s 98-year-old grandmother, Marjorie “Nonna” Grande.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Madonna’s Tour Is a Cause for Celebration: Inside Her Final Night at LA’s Forum With Cardi B & More

On the new Billboard Pop Shop Podcast, Katie & Keith ventured to the final date of Madonna‘s five-night stint at the Kia Forum in Inglewood, Calif., for her Celebration Tour.

It was Keith’s second time seeing the show, after attending opening night in London, and Katie’s first — and it was our second Pop Shop field trip to a Madonna show after venturing to her Madame X Tour in November 2019.

What we encountered was a truly 360-degree experience, as we sat between the main stage and the beginning of the catwalk and looked in every conceivable direction to take in the magnificent production surrounding us. And you can hear all about our experience — which includes cameos from Katy Perry, Cardi B, Rosie O’Donnell and more — by listening to this week’s episode below.

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Also on the show, we’re recapping the music moments at Sunday’s Oscars, from Billie Eilish and Finneas taking home a second best original song prize, for Barbie‘s “What Was I Made For?,” to their soundtrack mate Ryan Gosling stealing the show with his dazzling “I’m Just Ken” performance. Plus, we’ve got chart news on how Ye and Ty Dolla $ign’s “Carnival”, featuring Rich the Kid and Playboi Carti, parties its way to No. 1 on the Billboard Hot 100, and how the latest songs from Miley Cyrus and Pharrell, Cardi B and Twenty One Pilots debut on the tally. Plus, over on the Billboard 200 albums chart, Morgan Wallen’s One Thing at a Time breaks the record for the most weeks at No. 1 ever atop the list by a country album.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Miley Cyrus & Pharrell’s Revived Collab Is Just What the ‘Doctor’ Ordered

Miley Cyrus and Pharrell reportedly worked on their newly released song “Doctor (Work It Out)” circa her 2013 Bangerz era — and now, more than a decade later, they’ve gifted fans with the upbeat single and a feel-good video to match.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about where the song might live — on a new Pharrell album? Or a new Miley project? Or is it just a one-off treat? And why was it scrapped from Bangerz in the first place?

Listen to our full conversation below:

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Also on the show, we’re discussing Rihanna’s private, pre-wedding performance in India – which marked her first full concert since her Anti World Tour back in 2016. Could she be rehearsing for something bigger? Plus, we’ve got chart news on how the Korean pop girl group TWICE lands its first No. 1 album on the Billboard 200, and with fellow K-pop girl group LE SSERAFIM debuting in the top 10 as well, they team up for a big week for all-female groups in the top 10.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

One Queen to Another: Why Dolly Parton’s Co-Sign of Beyoncé’s Country Era Matters

Dolly has spoken!

Last week, Dolly Parton posted a message to social media congratulating Beyoncé for her first Hot Country Songs chart-topper with “Texas Hold ‘Em,” writing, “I’m a big fan of Beyoncé and very excited that she’s done a country album. So congratulations on your Billboard Hot Country number one single. Can’t wait to hear the full album! Love, Dolly.”

Parton is affectionately known as the Queen of Country, but she’s no stranger to crossing genre lines herself, from her pop music in the 1970s and ’80s to her most recent album Rockstar, which she made in response to her 2022 induction into the Rock & Roll Hall of Fame; the project topped Billboard’s Top Rock Albums and Top Country Albums charts.

On the new Billboard Pop Shop Podcast (listen below), we’re talking about why Parton’s endorsement of Beyoncé’s country era is so significant — and so fitting.

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Also on the show, we’ve got chart news on how “Texas Hold ‘Em” lassos the No. 1 spot on the Billboard Hot 100 songs chart, marking Beyoncé’s ninth chart-topper. Plus, Doja Cat scores her eighth No. 1 on the Pop Airplay chart as “Agora Hills” hits the top of the list, while Taylor Swift surpasses a Billboard 200 record long held by The Beatles.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Why Ariana Grande & Mariah Carey’s ‘Yes, And?’ Remix Is a Full-Circle Moment for the Diva Duo

With her dreamy pop songs and sky-high whistle tones, Ariana Grande has drawn comparisons to Mariah Carey since her music debut back in 2013. Of course, in the decade-plus since, Grande has made a massive, marquee name for herself — so it’s a bit of a full-circle moment that the two chart-topping divas have joined forces on the just-released remix of Grande’s “Yes, And?” single.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about why the remix makes so much sense, from the two artists’ longtime admiration for one another to the songs early-’90s-referencing production making sense for Carey’s early-’90s origin.

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Listen to the podcast below:

Also on the show, we’ve got chart news on how Beyoncé, Kanye West and Ty Dolla $ign shake up the charts in a big way, courtesy of their latest releases, and how Usher nabs his highest-charting album on the Billboard 200 in over a decade with his new album Coming Home. Plus, we’re also talking about Dua Lipa’s new “Training Season” single and video, two weeks after she live-debuted the song as part of a Grammys medley.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

New Beyoncé! First ‘Wicked’ Trailer! Usher’s Halftime! Super Bowl 2024 Delivers Epic Music Moments

When Usher was announced as the headliner back in September, we all knew the 2024 Super Bowl halftime show was going to be epic. What we couldn’t have possibly predicted is all the other epic music moments to go down on Sunday.

From Beyoncé starring in a Verizon Super Bowl commercial and then surprise-dropping two new songs from her seemingly country-themed “Act II” album coming in March to Ariana Grande and Cynthia Erivo starring in the first trailer for part 1 of the Wicked movie musical out in December, Usher wasn’t the only musician to take advantage of the NFL game’s record ratings.

On the new Billboard Pop Shop Podcast, we talk all about Sunday’s biggest music moments — including Katie being inside the game to shadow Kaskade as the first-ever Super Bowl DJ. Listen below:

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Also on the show, we’ve got chart news on how the late Toby Keith hits No. 1 on the Billboard 200 with 35 Biggest Hits, how 44 albums on the chart gain in the wake of exposure on the Grammy Awards, and how the Grammys send a number of songs racing up the Billboard Hot 100 chart — and back onto the chart, including Tracy Chapman’s “Fast Car.”

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Will Usher Bring Out Super Bowl Guests? What’s On the Setlist? Our Burning Halftime Questions

With nine Billboard Hot 100 No. 1 hits from 18 top 10s, Usher has no shortage of material to pick from when choosing the setlist for Sunday’s Super Bowl halftime show. He’ll have his work cut out for him in trimming things down to a mere 13-minute set.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking all about the songs we need to hear from Usher on Sunday and what guests he might bring along for the ride. Will he skip “OMG” because he already played it during the Black Eyed Peas’ 2011 halftime show? Are Lil Jon and Ludacris guaranteed to pop up for “Yeah!” and/or “Lovers and Friends”?

Listen below for our full discussion:

Also on the show, we’re chatting about all the winners and performers at this past Sunday’s 2024 Grammy Awards, where Taylor Swift won album of the year and announced her next new album, The Tortured Poets Department. We’ll talk about everything we know so far.

Plus, we have chart news on how Megan Thee Stallion’s “Hiss” debuts at No. 1 on the Hot 100, Benson Boone’s “Beautiful Things” goes top 10, and a bevy of songs debut in the top 40 from Ice Spice, Morgan Wallen, Nicki Minaj, Justin Timberlake and Tom MacDonald & Ben Shapiro. Plus, Wallen ties Garth Brooks for a longevity record at No. 1 on the Billboard 200 albums chart, while the Grateful Dead break the record for the most top 40-charting albums with the arrival of its latest release.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Mark Ronson on ‘Barbie’ Grammy Nods, His Next Project & Why He Would ‘Love to Make More Music’ With Ryan Gosling

Mark Ronson has five nominations heading into Sunday’s Grammy Awards, all stemming from his work on the soundtrack and score for the Barbie film, including a Big Four nod for song of the year for co-writing Dua Lipa’s “Dance the Night.” The wildest Grammy category he’s competing in has to be best song written for visual media, where four of the five nominees are all from Barbie.

It speaks to just how Greta Gerwig’s film dominated pop culture this past year. And on the new Grammy preview episode of the Billboard Pop Shop Podcast, we inform Ronson that it’s actually the first time a single project has landed four songs in that category since its inception in 1988.

“I think my mom Googled that the day nominations came out. She was very proud,” Ronson tells the Pop Shop with a laugh (listen to his full interview below). “I didn’t know that, and the other thing is that the Grammy category is for film and TV, you know? And there’s so many great songs from TV shows, like I think of all the Only Murders in the Building songs and everything else — there was some real moments for songs. So yeah, it’s crazy that Barbie took up so many.”

The lone non-Barbie song in the category is Rihanna’s Black Panther: Wakanda Forever ballad “Lift Me Up.” “Rihanna can do anything she wants, so we can’t take anything for granted,” Ronson notes of their formidable competition on Sunday night.

Below, find highlights from our chat with Ronson, who’s also up for best original song at the Oscars on March 10 for “I’m Just Ken” with co-writer Andrew Wyatt — a prize Ronson won alongside Lady Gaga in 2019 for “Shallow” from A Star Is Born — and is already a seven-time Grammy winner, starting with his 2008 wins for producing Amy Winehouse’s landmark album Back to Black.

On being recognized at the Oscars again:

“Obviously in our field of music, we’d have to say the Grammys is the highest honor. What’s so crazy is that there’s this award [the Oscar] that’s sort of the most prestigious award in the world that gives out one award for music, so it’s so crazy. I don’t believe that it means that your song is better than somebody else’s song or any of that stuff, but of course it is amazing. We worked so hard on this film and for a long time and also on the score and everything because we loved it, not because we were like, ‘OK, we better get an Oscar nomination!’ But it is nice to be recognized for the work, for sure.”

On the Oscar rules allowing just two songs from a single film in the song category, so “I’m Just Ken” and Billie Eilish and Finneas’ “What Was I Made For” made the cut, but Dua Lipa’s “Dance the Night” and others were left out:

“I don’t know how they even pick what the two are, but it is [bittersweet] because Dua’s song is still the biggest song from the soundtrack and Dua was really the first artist of anywhere near her stature that committed to the film. So it was almost like once we knew that we had a Dua song that was going to be in this big thing, it really set the bar for what the whole soundtrack could be. Dua … being like, ‘I’m down with this’ and writing this incredible song was what got us all excited, like, ‘Wow, this really could be something where this feels like this superstar level of musicians and singers and pop stars on it.’ So Dua definitely deserves all the credit for that, and you know it would have been lovely to have her as well. So it’s, you know, it is a shame.”

How Nicki Minaj and Ice Spice’s “Barbie World” accomplished the goal of including both Nicki and Aqua’s “Barbie Girl” on the soundtrack:

“We knew that with Nicki and her fans being called the Barbz and everything, as soon as I had been brought in for the soundtrack, I was like, ‘There’s no way in hell that we can have this soundtrack without a Nicki song on it.’ And then the fact that Ice [Spice] just became, like, her meteoric rise the entire time that we were even just working on the soundtrack from when we first got her involved, so yeah, it’s everywhere. … The two thoughts are like, ‘There’s no world in which we can’t have Nicki and that we can’t have some version of Aqua,’ you know? So we were always thinking, is it a cover? Is it an interesting flip? And then the Nicki and Ice [song] just came through with Riot[USA]’s beat and just handled the whole thing for us.”

On making the Christmas version of “I’m Just Ken” and whether he might make more music with Ryan Gosling:

“We definitely had a lot of fun, especially making the Christmas version that we did, because we had made that record and then I, the first one, I recorded a vocal with him. And then I probably hadn’t spoken to him for about a year till the movie was wrapping up. And I was like, ‘Hey, we finished the version actually, Slash is playing on it, I just want to make sure you’re happy with it before we mix it’. And he really loved it. And then we started to talk over the past couple of months, and we’re just talking about different kinds of music and things that he loved and [British singer/songwriter] Scott Walker and this stuff, and I was like, ‘Well, we should do a version of “Ken” that just does something a little different, like a different arrangement.’ Because, you know, there was a lot of talk like the ’80s power ballad and this, and I mean, it has all those things, but I think some of my pride as a songwriter, I wanted to prove that it wasn’t just that. So Ryan … he’s got amazing taste and great ideas, and he’s an extremely funny and talented musician and singer. So we made this version and then we started to hang, and definitely, I would love to make more music. You know, I think it would be great. And we’ve talked about it a little bit.”

On his first time at the Grammys:

“I was a seat filler [as a teenager] because I wanted to write about it. I wrote and reviewed concerts for my high school paper. My mom would only let me go to shows … if I could convince her it was something to do with school, so I got this job writing for the paper who definitely didn’t need a music reviewer. [Laughs] But I convinced them, and it was this paper called City News that was for high school kids, a bunch of different schools. So I got into the Grammys by being a seat filler. And I remember you’re sitting all over the place. At one point I was in front of Vanilla Ice. The other moment I was sitting next to that singer Alannah Myles who won that year for ‘Black Velvet.’ And then I went with my friend Rhymefest, a rapper who co-wrote [Kanye West’s] ‘Jesus Walks.’ I went with him as his plus-one in like 2003 or whenever that was, and then next time I went was for Amy.”

On his whirlwind first Grammys as a nominee in 2008 — and his Zoolander moment in the crowd:

“I remember it really well. I took my mom and I remember when they read my name for producer of the year, it was such a blur that it was like a movie. My friend Rich, my best friend, was nudging me and going, ‘They said your name! Go!’ I went up, and it was just so surreal. … Me and my mom were behind Tony Bennett at the main ceremony, and I think I was actually a little bit hungover because I was enjoying myself that weekend, my first time at the rodeo. And they came up to me before they announced record of the year, the cameras, they want to make sure, like, ‘Are you Mark Ronson?’ Just in case you win, they’ve got the camera on you. And so when they said, you know, ‘And the Grammy for record of the year goes to… “Rehab” for Mark Ronson and Amy Winehouse!’ And so I got up to walk towards the stage, because I figured like, ‘So that’s why the guy’s filming me.’ And as I start to walk up the first few steps, this giant screen starts to get lowered and it’s Amy live from Camden to accept the award. And I suddenly realized like, ‘Oh my God, I’m gonna look like such an idiot just standing there next to this screen.’ So I try to like subtly as possible reverse-step down the stairs in front of everybody in the Staples Center, and I kind of fell backwards and I just sat like at the feet of Amber Rose and Kanye for like 10 minutes while Amy spoke, and I just said, ‘Sorry, guys, I’ll be out of your hair in a minute.’ But it was, like, a very Zoolander moment.”

On writing a book about DJing at hip-hop clubs in the ’90s and how it’s inspiring his follow-up album to 2019’s Late Night Feelings:

“I’ve been writing a book about DJing, specifically about DJing in hip-hop clubs in the ’90s in New York City. And it’s a little bit about that time. It’s a mini-memoir, but it’s also about the art of DJing. And maybe some of that art is a little bit bygone now, because you don’t walk into places and see turntables and mixers everywhere. So it’s a bit about all those things, and just about a really great time, because it was this moment where Jay-Z and Biggie and Puff started to come out in downtown New York. And that suddenly changed the whole thing of where people wanted to be and where people wanted to hang out. And because I was their DJ, I had a front-row seat to it all in some ways. So I’m writing that book, and then I’m sure that the book will influence this record a little bit. I’m sure it’ll a little bit remind me of that era. But yeah, that’s where I’m at with it.”

Also on the podcast, we’ve got chart news on how Green Day scores its 12th top 10 charting album on the Billboard 200 with Saviors, nearly 30 years to the week after the band made their Billboard chart debut in 1994. Plus, how Benson Boone’s “Beautiful Things” makes a beautiful start on the Billboard Hot 100 songs chart and how Justin Timberlake, Jennifer Lopez and Sophie Ellis-Bextor all debut on the Pop Airplay chart with their latest hits. And since it’s our special Grammy Awards preview episode, we’re also reviewing the nominees in the six general field categories and highlighting who our very own awards editor, Paul Grein, along with his crack team of advisers on staff at Billboard, thinks will win in each of the categories.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Ariana Grande & Lil Nas X Kick Off the Year in Pop With a Pair of Buzzy Bops

The year in pop has officially kicked into high gear.

On Friday, pop fans got a pair of new songs and videos from two Billboard Hot 100 chart-toppers: Ariana Grande and Lil Nas X. Grande released the ’90s-pop-inspired “Yes, And?” alongside a music video that paid tribute to Paula Abdul’s “Cold Hearted,” while Nas dropped the melodic rap song “J CHRIST” alongside an expectedly controversial video loaded with Christian imagery and celebrity look-alikes.

On the new Billboard Pop Shop Podcast, Katie & Keith are chatting about the pair of high-profile bops and whether either has a chance to debut atop next week’s Hot 100.

Also on the show, we’ve got chart news on how Teddy Swims gets his first top 10 on the Hot 100 as “Lose Control” jumps 12-8 while Jack Harlow’s “Lovin’ on Me” nets a third week atop the chart. Plus: Morgan Wallen’s One Thing at a Time returns to No. 1 on the Billboard 200 albums chart for a 17th nonconsecutive week, and its first week at No. 1 in three months.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

How High Can Sophie Ellis-Bextor’s ‘Murder on the Dancefloor’ Shimmy Up the Hot 100 After ‘Saltburn’ Bump?

Just how high can Sophie Ellis-Bextor dance up the Billboard Hot 100 with her resurgent, Saltburn-powered hit “Murder on the Dancefloor,” 20 years after the song’s initial release?

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about the buzzy early-aughts song, which this week debuts at No. 98 on the Hot 100 and rebounds to No. 8 on the Official U.K. Singles Chart (on which it peaked at No. 2 back in 2001). The “Murder” renaissance is all thanks to a scene in the Emerald Fennell-directed film in which star Barry Keoghan dances naked to the nu-disco track around the title English estate.

Listen to the new Pop Shop Podcast below for our discussion:

Also on the show, we’re recapping the music wins at Sunday’s 2024 Golden Globes, and we’re also talking about new Ariana Grande music coming this Friday. Plus, we’ve got chart news on how the holidays are fully gone from the Billboard 200 albums chart and the Hot 100 songs chart, as things get back to normal post-Christmas. And with that, two familiar faces return to the top slot on each list: Taylor Swift on the Billboard 200 and Jack Harlow on the Hot 100. Plus, Tate McRae’s “Greedy,” Tyla’s “Water” and Doja Cat’s “Agora Hills” all hit new highs in the top 10.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)