OSCARS
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Cynthia Erivo is defying gravity with her Oscars nomination.
The Academy unveiled its 2025 nominees on Thursday (Jan. 23), with Erivo snagging a nod in the best actress in a leading role category for her portrayal of Elphaba in Jon M. Chu’s Wicked. To celebrate, the star took to Instagram to share a series of photos from the film, along with a heartfelt caption expressing her gratitude for the honor. “Moments like this don’t come along very often, and when they do, it is sacrilege to let them pass by without a moment of gratitude. I am grateful, grateful to @theacademy, grateful to be a part of something that makes people feel seen, grateful to be a cog in the wheel of a piece that makes us believe in magic, grateful to have experienced a dream come true, and deeply deeply grateful for this unbelievable recognition,” she wrote.
Erivo continued, “I often get asked what I would say to my younger self. Well today there’s nothing to be said. She is smiling, beaming, glowing from ear to ear. That speaks volumes.”
She went on to congratulate her co-star Ariana Grande, who received her first-ever nomination for best supporting actress for her portrayal of Glinda. “To my sister, @arianagrande, what a joy it is to be here with you watching as you ascend and amaze and become the actress you were meant to be. Congratulations first time nominee, I’m so so proud of you!! There is no one in the world I would have wanted to do this with more than you.”
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Erivo also thanked Chu, who she deemed, “our fearless leader whose kindness provided us with the room to play,” adding, “you are deserving of all good things and I’m lucky to call you my brother.”
See her full post here. The actress was previously nominated for best actress in 2020 for her role in Harriet, as well as best original song for the film’s “Stand Up.”
Erivo is up against Emilia Pérez‘s Karla Sofía Gascón, Anora‘s Mikey Madison, The Substance‘s Demi Moore and I’m Still Here‘s Fernanda Torres. Earning 10 nods total this year, Wicked ties with The Brutalist for second-most nominated project at the 2025 Oscars. Only Emilia Pérez has more, scoring 13 total.
Boq is proud of his Glinda. Shortly after 2025 Oscar nominations were announced Thursday (Jan. 23) — revealing that Ariana Grande is in the running for best supporting actress for her Wicked performance — Ethan Slater shared a sweet photo on Instagram celebrating his superstar girlfriend’s success.
Allowing the picture to speak for itself, the Broadway actor simply uploaded a captionless snap of the “Yes, And?” singer standing by a window in what appears to be a hotel room, holding a bundle of pink balloons. Slater also tagged Grande — who reshared the post on her Story — and the Academy as well as the film.
The Spongebob Squarepants: The Musical star’s post comes shortly after the R.E.M. Beauty founder shared her own post reacting to the Oscar news, gushing that she “cannot stop crying” over receiving her first-ever nod. “i’m humbled and deeply honored to be in such brilliant company and sharing this with tiny ari who sat and studied Judy Garland singing Somewhere Over the Rainbow just before the big, beautiful bubble entered,” the pop star wrote. “i’m so proud of you, tiny.”
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Slater and the two-time Grammy winner have been dating since 2023 after meeting on the set of Wicked. Grande was previously married to luxury realtor Dalton Gomez for three years; the pair finalized their divorce in March last year. Slater was previously married to therapist Lilly Jay, with whom he shares a young son; they settled their divorce in September.
Grande and Slater have largely kept their relationship private, but both have previously spoken about the backlash they faced when their relationship first came to light. In a September cover story interview with Vanity Fair, Grande said that “the most disappointing part was to see so many people believe the worst version” of events.
“No one on this Earth tries harder or spreads themselves thinner to be there for the people that he loves and cares about,” Grande added at the time. “There is no one on this Earth with a better heart, and that is something that no bulls–t tabloid can rewrite in real life.”
In October, Slater reflected to GQ, “It’s really hard to see people who don’t know anything about what’s happening commenting on it and speculating, and then getting things wrong about the people you love … I’m just really, really proud of Ari and the work she’s done.”
In addition to Grande’s best supporting actress nod, Wicked received nine other nominations ahead of the 2025 Oscars, tying it with The Brutalist for second-most nominated. Emilia Pérez takes the lead this year with 13 nods total.
The Victorious alum’s co-leading lady Cynthia Erivo is also nominated, earning a best actress recognition, while Wicked is up for best picture, best original score and more.
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The 97th Oscars nominations list was unveiled on Thursday (Jan. 23) and naturally, film fans online have plenty to say. With the Oscars trending on the X platform, the reactions from moviegoers and observers are all over the place.
The 97th Annual Academy Awards, better known as the Oscars, will take place next month with Conan O’Brien hosting, replacing Jimmy Kimmel from a year prior.
Top of the ticket, the Best Picture nominees are Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, and Wicked.
One of the more impassioned replies on X seemed to be aimed at Emilia Pérez notching 13 nominations, the most by a non-English-language movie in Oscars history. Wicked earned 10 nominations total, with the film’s leads Cynthia Erivo and Ariana Grande both nominated in their roles. The Substance, starring Demi Moore, also earned five nominations.
Some snubs were mentioned by a few with Denzel Washington’s role in Gladiator II seemingly overlooked, along with Nicole Kidman in Babygirl and Angelina Jolie in Maria among others. Fan favorite actor Colman Domingo earned an Actor in a Leading Role for his role in Sing Sing, going against Timothée Chalamet, Adrien Brody, Ralph Fiennes, and Sebastian Stan.
In the Actress in a Leading Role category, the aforementioned Cynthia Erivo was nominated for her role in Wicked. Karla Sofía Gascón, Mikey Madison, Demi Moore, and Fernanda Torres round out the nominees there.
To see the full listing of the 97th Oscars (Academy Awards) nominees, please click here.
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Photo: Getty
Ariana Grande couldn’t be happier to be an Oscar-nominated actress.
Following the Academy’s unveiling of its 2025 nominees Thursday (Jan. 23) — revealing that the pop star is up for best supporting actress for her portrayal of Glinda in Jon M. Chu’s Wicked, marking her first-ever nod — Grande shared an emotional reaction to the news on Instagram. Posting a photo of herself as a child, dressed up as Dorothy Gale from The Wizard of Oz, the “Yes, And?” singer began by writing, “picking my head up in between sobs to say thank you so much to @theacademy for this unfathomable recognition.”
“i cannot stop crying, to no one’s surprise,” she continued. “i’m humbled and deeply honored to be in such brilliant company and sharing this with tiny ari who sat and studied Judy Garland singing Somewhere Over the Rainbow just before the big, beautiful bubble entered. i’m so proud of you, tiny.”
The Grammy winner also thanked Chu for “taking this chance on me and for being the most unbelievably brilliant leader,” as well as shouted out her co-leading lady Cynthia Erivo, who scored a nomination for best actress. “i am so proud of my Elphie, my sister,” Grande wrote of the Pinocchio star. “your brilliance is never ending and you deserve every flower (tulip) in every garden. i love you unconditionally, always.”
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“i don’t quite have all my words yet, i’m still trying to breathe,” added the “We Can’t Be Friends” musician. “but thank you. oh my goodness, thank you.”
Earning 10 nods total this year, Wicked ties with The Brutalist for second-most nominated project at the 2025 Oscars. Only Emilia Pérez has more, scoring 13 total.
Grande shares the best supporting actress category with A Complete Unknown‘s Monica Barbaro, The Brutalist‘s Felicity Jones, Conclave‘s Isabela Rossellini and Emilia Pérez‘s Zoe Saldaña. Erivo is running against Emilia Pérez‘s Karla Sofía Gascón, Anora‘s Mikey Madison, The Substance‘s Demi Moore and I’m Still Here‘s Fernanda Torres for best actress.
See Grande’s post below.
Challengers received no Oscar nominations this year, but one snub in particular has baffled fans: the best original score category, which showed no love to the project starring Zendaya, Mike Faist and Josh O’Connor.
After the Academy unveiled its list of nominees Thursday (Jan. 23) — revealing that the Luca Guadagnino-directed film had been completely shut out from all the categories, including music honors — fans flooded social media to protest. Omitting Trent Reznor and Atticus Ross’ critically acclaimed Challengers album – which the Academy shortlisted in December — the best original score category sees only Daniel Blumberg’s The Brutalist, Volker Bertelmann’s Conclave, Clément Ducol and Camille’s Emilia Pérez, John Powell and Stephen Schwartz’s Wicked and Kris Bowers’ The Wild Robot soundtracks in the running.
The Nine Inch Nails founder and his co-composer also missed out on a best original song recognition for “Compress/Repress,” with only tracks from Emilia Pérez, The Six Triple Eight, Sing Sing and Elton John: Never Too Late making the list.
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Though diehard fans of the film weren’t exactly pleased with any of the snubs, the best original score exclusion hit them the hardest — so much so, the phrase “best original score” as well as the movie’s title were trending on X immediately after nominations went live thanks to an influx of Challengers posts. “No best original score Oscar nomination for CHALLENGERS’ Trent Reznor and Atticus Ross is ridiculous,” one person wrote, while another fan posted, “challengers has the best original score of all time idgaf what the academy says.”
One person thought that “recency bias” must be the reason for the original score exclusion — Challengers premiered in April last year, several months before any of the category’s nominees were released — while another person proclaimed, “challengers original score snub cancel the oscars.”
Reznor and Ross’ snub comes despite the duo winning best original score at the 2025 Golden Globes earlier this month, beating out Conclave, The Brutalist, The Wild Robot, Emilia Pérez and Dune: Part Two. The duo previously won Oscars in 2010 for their soundtrack work on The Social Network and in 2020 for Soul, the latter which was shared with Jon Batiste.
See how fans are reacting to Challengers‘ best original score snub below.
challengers has the best original score of all time idgaf what the academy says— syd ✿ (@sowhatfaist) January 23, 2025
challengers original score snub cancel the oscars— zoë rose bryant (@zoerosebryant) January 23, 2025
Sorry there’s been a mistake, challengers you guys won best score. This is not a joke they read the wrong thing. Challengers. Best score.— kam (@kamrynsfilm) January 23, 2025
No CHALLENGERS in original score… I feared days like this would come— Kyle Buchanan (@kylebuchanan) January 23, 2025
No CHALLENGERS for original score, for shame.— Sean Fennessey (@SeanFennessey) January 23, 2025
how on earth did challengers not get nominated for best original score— beatriz¹⁶ ☆ (@margotsprestige) January 23, 2025
Diane Warren received her 16th Oscar nomination for best original song on Thursday (Jan. 23) — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight.
Moreover, this is the eighth year in a row Warren has been nominated, which enables her to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954 to 1961.
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Clément Ducol and Camille have two of the five songs that are nominated for best original song — “El Mal” and “Mi Camino,” both from Emilia Pérez. (They cowrote “El Mal” with the film’s director, Jacques Audiard.) This marks the first time that a songwriter or team of songwriters has had two nominated songs in the same year since 2017, when Justin Hurwitz and the team of Pasek & Paul had two nominated songs from La La Land, “City of Stars” (which won the award) and “Audition (The Fools Who Dream).”
Audiard, nominated for directing and original song for Emilia Pérez, becomes only the third person to be nominated in both the directing and original song categories, and the first to do so for the same film. Leo McCarey and Spike Jonze received their nominations in separate years.
This is the fifth year in a row that one or more non-English language songs has been nominated in the original song category. The streak started with “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se) and continued with “Dos Oruguitas” from Encanto, “Naatu Naatu” from RRR and “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon.
Elton John received his fifth Oscar nomination for co-writing “Never Too Late” Elton John: Never Too Late. It’s the second nod for his collaborator Bernie Taupin; and the first for fellow collaborators Brandi Carlile and Andrew Watt. “Never Too Late” is the first song written by four songwriters to be nominated for best original song since “Lift Me Up” from Black Panther: Wakanda Forever two years ago, which was cowritten by Tems, Rihanna, Ryan Coogler and Ludwig Goransson.
Best Original Song Nominees
“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren
“Like a Bird: from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada
“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol
“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
The Motion Picture Academy released a shortlist of 15 contenders for best original song on Dec. 17. One song, “Forbidden Road” from Better Man (Paramount Pictures) was removed from the shortlist two days later because of similarities to a 1973 film song, “I Got a Name” from The Great American Hero.
Among the notable songwriters who were shortlisted but not nominated: Lin-Manuel Miranda, Pharrell Williams, and Trent Reznor and Atticus Ross.
Miranda was shortlisted for writing “Tell Me It’s You” from Mufasa: The Lion King. Miranda has been just an Oscar away from an EGOT since 2014, when he won his first Primetime Emmy. He has been Oscar-nominated twice for writing “How Far I’ll Go” from Moana and “Dos Oruguitas” from Encanto.
Shortlisted But Not Nominated for Best Original Song
“Beyond” from Moana 2 (Walt Disney Pictures) — Abigail Barlow, Emily Bear
“Compress/Repress” from Challengers (Amazon MGM) — Trent Reznor, Atticus Ross, Luca Guadagnino
“Harper and Will Go West” from Will & Harper (Netflix) — Sean Douglas, Kristen Wiig, Josh Greenbaum
“Kiss the Sky” from The Wild Robot (DreamWorks Animation) — Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“Out of Oklahoma” from Twisters (Universal Pictures) — Lainey Wilson, Luke Dick, Shane McAnally
“Piece by Piece” from Piece by Piece (Focus Features) — Pharrell Williams
“Sick in the Head” from Kneecap (Sony Pictures Classics) — Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T
“Tell Me It’s You” from Mufasa: The Lion King (Walt Disney Pictures) – Lin-Manuel Miranda
“Winter Coat” from Blitz (Apple Original Films) — Nicholas Britell, Steve McQueen, Taura Stinson
Best Original Score
Volker Bertelmann, who won two years ago for All Quiet on the Western Front, is nominated for Conclave.
Kris Bowers received his first scoring nomination for The Wild Robot. He has been nominated twice in documentary categories, for A Concerto Is a Conversation and The Last Repair Shop (both collabs with Ben Proudfoot).
Clément Ducol and Camille were nominated for Emilia Pérez. They are the third married couple to be nominated in a scoring category. Composer Fred Karlin and lyricist Tylwyth Kymry were nominated in 1971 for best original song score for The Baby Maker. Lyricists Alan and Marilyn Bergman were nominated for best original song score and its adaptation or adaptation score in 1984 for Yentl, on which they teamed with Michel Legrand.
John Powell and Stephen Schwartz were nominated for Wicked. The film has become the top-grossing film ever adapted from a Broadway musical.
Best Original Score Nominees
The Brutalist (A24), Daniel Blumberg
Conclave (Focus Features), Volker Bertelmann
Emilia Pérez (Netflix), Clément Ducol and Camille
Wicked (Universal Pictures) John Powell and Stephen Schwartz
The Wild Robot (DreamWorks Animation), Kris Bowers
Trent Reznor and Atticus Ross, two-time winners in the category (for The Social Network and Soul, a collab with Jon Batiste), were passed over for Challengers.
This was not Hans Zimmer’s year at the Oscars. First, his score for Dune: Part Two was ruled ineligible due to exceeding the Academy’s limit on pre-existing music. Academy rules state: “In cases such as sequels and franchises from any media, the score must not use more than 20% of pre-existing themes and music borrowed from previous scores in the franchise.” Zimmer’s score for Dune: Part Two incorporates substantial elements from his Oscar-winning score for 2021’s Dune. Zimmer was in on the score shortlist for his work on Steve McQueen’s Blitz, but that score failed to land a nomination.
Andrea Datzman was also passed over for Inside Out 2. With this release, Datzman became the first woman to score a Pixar feature film.
Shortlisted But Not Nominated for Best Original Score
Alien: Romulus (20th Century Studios) – Benjamin Wallfisch
Babygirl (A24) – Critobal Tapia de Veer
Beetlejuice Beetlejuice (Warner Bros. Pictures) – Danny Elfman
Blink Twice (Amazon MGM Studios) – Chanda Dancy
Blitz (Apple Original Films) — Hans Zimmer
Challengers (Amazon MGM) — Trent Reznor and Atticus Ross
The Fire Inside (Amazon MGM) — Tamar-kali
Gladiator II (Paramount Pictures) — Harry Gregson-Williams
Horizon: An American Saga Chapter 1 (New Line Cinema) – John Debney
Inside Out 2 (Pixar) — Andrea Datzman
Nosferatu (Focus Features) – Robin Carolan
The Room Next Door (Sony Pictures Classics) — Alberto Iglesias
Sing Sing (A24) — Bryce Dessner
The Six Triple Eight (Netflix) – Aaron Zigman
Young Woman and the Sea (Walt Disney Pictures) — Amelia Warner
Emilia Pérez received 13 nominations for the 97th annual Academy Awards, more than any other film this year and more than any other non-English language film in Oscar history. The latter record was previously held by Crouching Tiger, Hidden Dragon (2000) and Roma (2018) with 10 nods each.
Runners-up to Emilia Pérez for most nominations this year were The Brutalist and Wicked, with 10 nods each; A Complete Unknown and Conclave with eight nods each; Anora with six; and Dune: Part Two and The Substance with five nods each.
Two musicals (Wicked andEmilia Pérez) were among the 10 films nominated for best picture. This marks the first time two musicals have been nominated for best picture in the same year since 1968, when Oliver! and Funny Girl were two of the five nominated films that year. The Bob Dylan biopic A Complete Unknown was also nominated for best picture. The nominations were announced on Thursday (Jan. 23).
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Three actors from A Complete Unknown – Timothée Chalamet (who plays Dylan), Edward Norton (Pete Seeger) and Monica Barbaro (Joan Baez) – are nominated for acting honors, the first time in Oscar history that three actors from a music biopic have been nominated.
Four actors received Oscar nominations for performances in musicals – Karla Sofía Gascón and Zoe Saldaña for Emilia Pérez, and Cynthia Erivo and Ariana Grande for Wicked.
Three acting nominations are for non-English language performances: Gascón and Saldaña in Emilia Pérez, and Fernanda Torres in I’m Still Here. In eight of the last 10 years, at least one non-English language performance has been nominated.
For the sixth consecutive year, at least one film nominated for best picture has been directed by a woman. Coralie Fargeat’s nomination for The Substance is the 10th directing nomination for a woman.
Diane Warren was nominated for best original song for the 16th time — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight. Moreover, this is the eighth year in a row she has been nominated, which enables Warren to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954-61.
Here’s a complete list of nominees for the 2025 Academy Awards.
Best Picture
Anora, Alex Coco, Samantha Quan and Sean Baker, Producers
The Brutalist, Nominees to be determined
A Complete Unknown, Fred Berger, James Mangold and Alex Heineman, Producers
Conclave, Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
Dune: Part Two, Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
Emilia Pérez, Nominees to be determined
I’m Still Here, Nominees to be determined
Nickel Boys, Nominees to be determined
The Substance, Nominees to be determined
Wicked, Marc Platt, Producer
Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here
Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice
Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez
Directing
Anora, Sean Baker
The Brutalist, Brady Corbet
A Complete Unknown, James Mangold
Emilia Pérez, Jacques Audiard
The Substance, Coralie Fargeat
Writing (Adapted Screenplay)
A Complete Unknown, Screenplay by James Mangold and Jay Cocks
Conclave, Screenplay by Peter Straughan
Emilia Pérez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes
Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield
Writing (Original Screenplay)
Anora, Written by Sean Baker
The Brutalist, Written by Brady Corbet, Mona Fastvold
A Real Pain, Written by Jesse Eisenberg
September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David
The Substance, Written by Coralie Fargeat
Music (Original Score)
The Brutalist, Daniel Blumberg
Conclave, Volker Bertelmann
Emilia Pérez, Clément Ducol and Camille
Wicked, John Powell and Stephen Schwartz
The Wild Robot, Kris Bowers
Music (Original Song)
“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren
“Like a Bird” from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada:
“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol
“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
Animated Feature Film
Flow, Nominees to be determined
Inside Out 2, Kelsey Mann and Mark Nielsen
Memoir of a Snail, Adam Elliot and Liz Kearney
Wallace & Gromit: Vengeance Most Fowl, Nominees to be determined
The Wild Robot, Chris Sanders and Jeff Hermann
Animated Short Film
Beautiful Men, Nicolas Keppens and Brecht Van Elslande
In the Shadow of the Cypress, Shirin Sohani and Hossein Molayemi
Magic Candies, Daisuke Nishio and Takashi Washio
Wander to Wonder, Nina Gantz and Stienette Bosklopper
Yuck!, Loïc Espuche and Juliette Marquet
Cinematography
The Brutalist, Lol Crawley
Dune: Part Two, Greig Fraser
Emilia Pérez, Paul Guilhaume
Maria, Ed Lachman
Nosferatu, Jarin Blaschke
Costume Design
A Complete Unknown, Arianne Phillips
Conclave, Lisy Christl
Gladiator II, Janty Yates and Dave Crossman
Nosferatu, Linda Muir
Wicked, Paul Tazewell
Documentary Feature Film
Black Box Diaries, Shiori Ito, Eric Nyari and Hanna Aqvilin
No Other Land, Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
Porcelain War, Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
Soundtrack to a Coup d’Etat, Johan Grimonprez, Daan Milius and Rémi Grellety
Sugarcane, Nominees to be determined
Documentary Short Film
Death by Numbers, Kim A. Snyder and Janique L. Robillard
I Am Ready, Warden, Smriti Mundhra and Maya Gnyp
Incident, Bill Morrison and Jamie Kalven
Instruments of a Beating Heart, Ema Ryan Yamazaki and Eric Nyari
The Only Girl in the Orchestra, Molly O’Brien and Lisa Remington
Film Editing
Anora, Sean Baker
The Brutalist, David Jancso
Conclave, Nick Emerson
Emilia Pérez, Juliette Welfling
Wicked, Myron Kerstein
International Feature Film
Brazil, I’m Still Here
Denmark, The Girl with the Needle
France, Emilia Pérez
Germany, The Seed of the Sacred Fig
Latvia, Flow
Makeup and Hairstyling
A Different Man, Mike Marino, David Presto and Crystal Jurado
Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton
The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
Wicked, Frances Hannon, Laura Blount and Sarah Nuth
Production Design
The Brutalist, Production Design: Judy Becker; Set Decoration: Patricia Cuccia
Conclave, Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter
Dune: Part Two, Production Design: Patrice Vermette; Set Decoration: Shane Vieau
Nosferatu, Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová
Wicked, Production Design: Nathan Crowley; Set Decoration: Lee Sandales
Live Action Short Film
A Lien, Sam Cutler-Kreutz and David Cutler-Kreutz
Anuja, Adam J. Graves and Suchitra Mattai
I’m Not a Robot, Victoria Warmerdam and Trent
The Last Ranger, Cindy Lee and Darwin Shaw
The Man Who Could Not Remain Silent, Nebojša Slijepčević and Danijel Pek
Sound
A Complete Unknown, Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill
Emilia Pérez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
The Wild Robot, Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts
Visual Effects
Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs
Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould
If you were expecting to see live performances of the five best original song nominees on the 97th annual Academy Awards on March 2, be prepared for something different this year.
Bill Kramer, CEO of the Academy of Motion Picture Arts & Sciences, and Janet Yang, Academy president, sent a letter to Academy members on Wednesday (Jan. 22) in which they said, “This year the Best Original Song category presentation will move away from live performances and will be focused on the songwriters. We will celebrate their artistry through personal reflections from the teams who bring these songs to life. All of this, and more, will uncover the stories and inspiration behind this year’s nominees.”
This is reminiscent of something the Grammy Awards did in 1981, when they had the songwriters of the song of the year nominees perform and discuss the nominated songs. As David Wild wrote in the 2007 book And the Grammy Goes To… The Official Story of Music’s Most Coveted Award, “One innovative moment came at the end of the show. Many years before shows like MTV’s Unplugged or VH1’s Storytellers, this Grammy show presented a group of songwriters nominated for song of the year – including Amanda McBroom (‘The Rose’), Christopher Cross (‘Sailing’), Fred Ebb and John Kander (‘New York, New York’), Dean Pitchford and Michael Gore (‘Fame’) and Lionel Richie (‘Lady’) – to both explain and perform stripped-down versions of the songs. It was a vivid reminder of the power of the songwriter.”
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In their letter to academy members, Kramer and Yang also wrote “We are thrilled to bring back our ‘Fab 5’ moments, where individual film artists recognize nominees.” This refers to a technique first used on the 2009 Oscar telecast and revived last year, in which five previous winners in each of the four acting categories take turns lauding this year’s nominees.
(In a press conference days before the 2024 Oscars telecast, Raj Kapoor, executive producer and showrunner of the 2024 and 2025 Oscars, said he loved those introductions on the 2009 show and revived the idea. “It was this lovely storytelling,” he said. “And, again, it came down to connection. It was past winners speaking to present nominees, and just that lovely connection and that human interaction.”)
Kramer and Yang also said that the show will pay tribute to Los Angeles, which has experienced devastating wildfires in recent weeks. “We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry.”
Here’s the letter from Kramer and Yang in full:
Dear Academy members,
Our deepest thanks to all of you for your compassion and support over the last few weeks. Our thoughts remain with those who were impacted by the recent Los Angeles-area wildfires. If you would like to join the Academy in supporting the ongoing relief efforts, please click here for a list of aid resources.
After continued consultation with ABC, our board, and other key stakeholders in the Los Angeles and film communities, planning continues for the 97th Oscars ceremony on Sunday, March 2. This year’s Oscars will celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.
As a reminder, our 97th Oscars Nominations will be announced tomorrow, January 23, at 5:30am PT via global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms (TikTok, Instagram, YouTube, Facebook), ABC’s Good Morning America, and ABC News Live, Disney+ and Hulu. American Sign Language (ASL) services will be available on YouTube.
As a precursor to tomorrow’s announcement, we wanted to share a little bit about this year’s show. Hosted by the incredible Conan O’Brien, our 97th Oscars will be a celebration of connection and collaboration – honoring the unifying spirit and creative synergy of moviemaking. We will highlight the transformative power of the teamwork that brings cinematic visions to life.
As part of this, we are thrilled to bring back our “Fab 5” moments, where individual film artists recognize nominees. Also, this year the Best Original Song category presentation will move away from live performances and will be focused on the songwriters. We will celebrate their artistry through personal reflections from the teams who bring these songs to life. All of this, and more, will uncover the stories and inspiration behind this year’s nominees.
And we will honor Los Angeles as the city of dreams, showcasing its beauty and resilience, as well as its role as a beacon for filmmakers and creative visionaries for over a century. We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry.
There is so much more in store, including powerful musical moments that connect film’s rich history to its bold and inspiring future. We hope you will tune in tomorrow morning to watch the Nominations Announcement, and we greatly appreciate your ongoing commitment to the Academy and our film community. We are stronger together.
Bill Kramer and Janet Yang
After being delayed twice by the wildfires that have ravaged Los Angeles, the 2025 Oscar nominations in all 23 categories will be announced bright and early on Thursday, Jan. 23. How early is early? The announcement is set for 5:30 a.m. PT / 8:30 a.m. ET.
The nominations will be livestreamed from the Motion Picture Academy’s Samuel Goldwyn Theater in Beverly Hills, Calif. on Academy’s website digital platforms (TikTok, Instagram, YouTube, Facebook). You can also catch the nominations on national broadcast news programs, including ABC’s Good Morning America, and streaming on ABC News Live, Disney+ and Hulu.
Music is expected to play a big role in this year’s nominations. Two musicals (Wicked and Emilia Pérez) and the Bob Dylan biopic A Complete Unknown are top contenders for best picture nominations.
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Three actors from A Complete Unknown – Timothée Chalamet (who plays Dylan), Edward Norton (Pete Seeger) and Monica Barbaro (Joan Baez) – have a good shot at acting nods.
Six actors are strong contenders for Oscar nominations for performances in musicals – Karla Sofía Gascón, Zoe Saldaña and Selena Gomez for Emilia Pérez; and Cynthia Erivo, Ariana Grande and Jonathan Bailey for Wicked. In addition, four actors could be nominated for their performances in music biopics – the three aforementioned actors from A Complete Unknown and Angelina Jolie for Maria, a biopic about Maria Callas.
The 97th Oscars, with first-time host Conan O’Brien, will air live on ABC and broadcast outlets worldwide on Sunday, March 2 at 7 p.m. ET/4 p.m. PT. In addition, the show will stream live on Hulu for the first time. The official live red carpet show airs at 6:30 p.m. ET/3:30 p.m. PT.
The show will be held at its usual home, Dolby Theatre at Ovation Hollywood. The show’s executive producers are Raj Kapoor and Katy Mullan.
Here’s what to expect on Thursday. The Academy cautions that these categories are not listed in order of presentation and are subject to change.
5:30 a.m. PT
Actor in a Supporting Role
Actress in a Supporting Role
Animated Short Film
Costume Design
Live Action Short Film
Makeup and Hairstyling
Music (Original Score)
Writing (Adapted Screenplay)
Writing (Original Screenplay)
5:41 a.m. PT
Actor in a Leading Role
Actress in a Leading Role
Animated Feature Film
Cinematography
Directing
Documentary Feature Film
Documentary Short Film
Film Editing
International Feature Film
Music (Original Song)
Best Picture
Production Design
Sound
Visual Effects
The Academy of Motion Picture Arts & Sciences has announced updates to its 2025 Oscars key dates and schedule of events due to the impact of the Los Angeles-area fires. The Oscar telecast is still set for March 2, but the nominations announcement is being delayed for the second time to Jan. 23 — and will now be held virtually. The Oscars nominees luncheon, always an A-list event, will not be held this year.
“We are all devastated by the impact of the fires and the profound losses experienced by so many in our community,” Academy CEO Bill Kramer and Academy president Janet Yang said in a joint statement. “The Academy has always been a unifying force within the film industry, and we are committed to standing together in the face of hardship.
“Due to the still-active fires in the Los Angeles area, we feel it is necessary to extend our voting period and move the date of our nominations announcement to allow additional time for our members.
“Additionally, as we want to be sensitive to the infrastructure and lodging needs of the region in these next few weeks, it is imperative that we make some changes to our schedule of events, which we believe will have the support of our industry.
“Our members always share how important it is for us to come together as a community, and we are determined to use this opportunity to celebrate our resilient and compassionate industry. We also look forward to honoring our frontline workers who have aided with the fires, recognizing those impacted, and encouraging people to join the Academy in supporting the relief efforts.
“We will get through this together and bring a sense of healing to our global film community.”
Updates are outlined as follows:
The nominations voting period is extended through Friday, Jan. 17, at 5 p.m. PT. The voting window was originally set to close on Sunday, Jan. 12. That was pushed back to Tuesday, Jan. 14, before being pushed back again today.
The nominations announcement is rescheduled for Thursday, Jan. 23, at 5:30 a.m. PT. The live announcement will be a virtual event without in-person media coverage. The nominations were originally set to be announced on Friday, Jan. 17, which was pushed back to Sunday, Jan. 19, before being pushed back again today.
The Oscars nominees luncheon, scheduled for Monday, Feb. 10, will not be held this year.
The Scientific and Technical Awards, scheduled for Tuesday, Feb. 18, will be rescheduled to a later date yet to be determined.
The Academy stresses that all dates are subject to change.
The 97th Oscars, hosted by Conan O’Brien for the first time, will still be held on Sunday, March 2, at the Dolby Theatre at Ovation Hollywood and will be televised live at 7 p.m. ET/4 p.m. PT on ABC, streamed live on Hulu and air live in more than 200 territories worldwide.