OSCARS
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Diane Warren has famously gone 0-13 at the Academy Awards in the best original song category, but on Saturday Nov. 19, she finally won an Oscar, albeit an honorary one, at the 13th Governors Awards put on the Academy of Motion Picture Arts & Sciences. The event, which also honored directors Peter Weir and Euzhan Palcy and film and TV star Michael J. Fox, was held at the Fairmont Century Plaza in Los Angeles.
“I’ve waited 34 years to say this: ‘I’d like to thank the Academy’,” Warren said in her acceptance speech. She also joked, “Mom, I finally found a man.” Gazing at the Oscar statue, she added, “I know you wanted him to be a nice Jewish boy, but it’s really hard to tell.”
Cher presented Warren with the award and stayed close during Warren’s acceptance speech. Warren expressed her appreciation, but in a humorous way: “Cher doesn’t go east of the 405 for anybody.” (Warren wrote Cher’s biggest and best hit of the 1980s, “If I Could Turn Back Time,” as well as her showcase song in the 2010 film Burlesque, “You Haven’t Seen the Last of Me.”)
Warren has been called the Susan Lucci of the Oscars because she has lost so many times. But on Saturday, Warren framed it differently. “13 times my songs have been chosen. That’s a pretty big f—ing win.”
Warren, 66, is one of only nine songwriters in Oscar history to amass 13 or more nominations for best original song. And she is the first person primarily known as a songwriter to receive an honorary Oscar. Previous honorary Oscars have been awarded to three famed film composers — Alex North, Lalo Schifrin and Ennio Morricone. These awards date back to 1950.
Warren remembered seeing Born Free, with John Barry’s Oscar-winning song and score, in 1966 (when she was 10). “It wrecked me,” she said. “It showed me the beauty of music in the movies.”
Warren’s speech was preceded by a tribute film (produced by Bess Kargman) that included insightful comments from Toni Braxton, Celine Dion, Lady Gaga, Clive Davis, Quincy Jones and more.
Many praised Warren’s fierce work ethnic. David Foster, who produced Dion’s recording of “Because You Loved Me,” said “Work is all she knows. Work is all she cares about. She writes this stuff by herself in this miserable room of hers.” The visual was of a cluttered room that was indeed less grand than you might expect for such a successful songwriter.
In the film, Cher noted with amusement that Warren always tells her, for every song she writes, “This is the best song I have ever written.”
Jennifer Hudson marveled, “I’ve never met or seen anyone that passionate about what they do.”
Jones simply said “She’s a mother f—er. My kind of girl.”
Warren has a ways to go to become the female with the most Oscar nominations. Legendary fashion designer Edith Head amassed 35. But you wouldn’t want to bet against the tireless Warren.
Woody Harrelson presented the Jean Hersholt Humanitarian Award to Fox, who was diagnosed with Parkinson’s disease at age 29. In 2000, Fox launched the Michael J. Fox Foundation for Parkinson’s Research, which is the leading Parkinson’s organization in the world. Fox, 61, thanked, among others, Bruce Springsteen for his 1984 song “No Surrender,” which, Fox said, has been “a personal anthem” for him.
Jeff Bridges presented an honorary award to Weir, the director of such films as The Year of Living Dangerously, Witness, Dead Poets Society, The Truman Show and Master and Commander: The Far Side of the World. Like Warren, Weir has been a perennial Oscar bridesmaid. He has gone 0-6 at the awards, despite four nominations for directing, one for writing and one for best picture. Weir is 78 and retired.
Viola Davis presented an honorary award to Palcy, who was hailed as the first Black woman to direct a major Hollywood film. Palcy, 64, directed Sugar Cane Alley and A Dry White Season. (Mindy Kaling, who opened the show with some witty remarks, said of A Dry White Season: “Until recently that’s what I called awards season.”)
The four honorees reflect the Academy’s stepped-up global outlook. Weir was born in Australia; Palcy in the French West Indies, Fox in Canada and Warren in the U.S.
The honorary award is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”
The Jean Hersholt Humanitarian Award is given “to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry.”
Jennifer Fox produced the event for the fourth year. Rob Paine was supervising producer. The show was directed by Jonathan X and written by Jon Macks. Rickey Minor served as music director.
Since the Academy Awards handed out their first statuettes for best original song in 1935, almost two-thirds of the winners have been writing duos, including such legendary twosomes as Richard Rodgers and Oscar Hammerstein, Burt Bacharach and Hal David, and Alan Menken and Howard Ashman.
Now, 87 years after composer Con Conrad and Herb Magidson won the inaugural trophies for penning “The Continental” from the 1934 film The Gay Divorcee, some observers say the Oscars need to update their rules to better reflect how songs are now created.
Current academy rules favor fewer songwriters at a time when the number of writers per song is increasing. So far this year, the average number of songwriters credited on a Billboard Hot 100 No. 1 is 6.4, compared with 4.77 over a decade ago in 2009.
Yet the academy considers any combination of more than two writers for a best original song contender an exception. According to the rules, if there are three or four songwriters, “a third statuette may be awarded when there are essentially equal writers of a song. The Music Branch Executive Committee has the right, in what it alone determines to be a very rare and extraordinary circumstance, to award a fourth statuette.”
If there are five or more credited songwriters, only one statuette is awarded to the collective, and the rules state “each songwriter must agree to the single ‘group statuette’ option by signing and returning a Group Award form prior to the submission deadline.” (Though a handful of other categories limit the number of eligible nominees, only best original song and best original score have the group statuette option.)
To deny all eligible songwriters their own statuette, regardless of the number, is “antiquated thinking,” says a senior A&R executive at a major label who has worked on Oscar-nominated songs. “The creation of art evolves over time. And as an organization that represents art — whether it’s visual media art or recorded art — you have to adapt and evolve.”
The academy (which declined to respond to the anonymous opinions in this piece) is clinging to a tradition “going back decades, that the way a song got written was essentially by two people, a composer and lyricist,” says the head of music at a movie studio. “They’re out of touch.”
Only two best original song winners have had four songwriters (“Arthur’s Theme” in 1982 and “Shallow” in 2019), and no Oscar has gone to five or more songwriters. Only once have more than five writers been nominated, when all seven members of Counting Crows earned a nod for “Accidentally in Love” from Shrek 2 in 2004. The next year, the limitation on the number of statuettes was introduced.
As a result, when there are more than four songwriters, it’s often up to them to make a hard decision. In January 2019, “All the Stars,” from Black Panther, received a best original song nod, but only four of the five songwriters — Kendrick Lamar, SZA, Sounwave and Anthony Tiffith — were credited. Fifth collaborator Alexander Shuckburgh (aka Al Shux) was not listed, even though a month earlier, when “All the Stars” received a Grammy nod for song of the year, his name was. (Shux did not respond for a request for comment.)
“Because of the constraints of the rules, we’ve had to have really uncomfortable conversations with songwriters to say, ‘Hey, you guys, go away and figure this out,’ ” says the movie studio executive, adding that in some cases, the writers have come back with participating songwriters left off to cull their total to four. “It’s hurtful and unfair.”
At least two tracks that could potentially make the shortlist of 15 songs to be announced Dec. 21 have five or more songwriters. “Lift Your Wings” from Netflix’s My Father’s Dragon has five credited songwriters. It was entered as a group submission so all writers would be recognized. The title track to My Mind & Me, Apple Original Films’ documentary about Selena Gomez, has six songwriters.
The group submission form requests a detailed explanation of the creative process, and songwriters may be deemed ineligible at the Music Branch committee’s discretion.
“I understand from the perspective of the academy that they want to keep it special and not be perceived as handing [awards] out like a participation prize,” says another label executive, “but some of the best songs of the past 20 years have been written by an army of collaborators, [and] we’ve seen an evolution of thought in terms of how those songs are regarded.”
The head of music at another movie studio sees the issue as more nuanced and, while not necessarily agreeing with the limitations on the hardware handed out, appreciates the seriousness of the academy’s deliberations when there are several songwriters.
“Each song can be a unique situation, and you have to be able to consider that,” the executive says. “You do have to look at who has done the majority of the work. It’s really important that you have music that was determinately created from scratch for that project. You have to put guardrails somewhere.”
This story will appear in the Nov. 19, 2022, issue of Billboard.
The 94th annual Academy Awards telecast in March got off to a strong start, with Beyoncé singing her best original song contender, “Be Alive,” from King Richard on the tennis courts where Venus and Serena Williams practiced as children. Depending on how the 2023 Oscar nominations shake out, the producers of next year’s telecast just might be able to book an opening number with comparable star power.
When the Academy of Motion Picture Arts and Sciences reveals its shortlists of 15 contenders for best original song and best original score (as well as 10 other categories) on Dec. 21, Rihanna is a strong contender for “Lift Me Up,” which she co-wrote for Black Panther: Wakanda Forever. So are Doja Cat for “Vegas” (Elvis), Taylor Swift for “Carolina” (Where the Crawdads Sing) and Lady Gaga for “Hold My Hand” — the last of which could be in contention along with fellow Top Gun: Maverick song “I Ain’t Worried” by OneRepublic. If Gaga’s power ballad and OneRepublic’s joy bomb both make the shortlist, it will mark the first time that two songs from the same film have done so since 2019, when two tracks from the reboot of The Lion King made the cut.
Nominations-round voting is open Jan. 12-17, 2023. Nominations will be announced Jan. 24. Final-round voting is open March 2-7. The awards will air March 12 on ABC. Expect the shortlists for best original song and best original score to look something like this.
“Lift Me Up”Ryan Coogler, Ludwig Göransson, Rihanna, TemsBlack Panther: Wakanda Forever, Marvel
“All the Stars” from the original Black Panther was nominated in this category four years ago. Coogler directed and co-wrote both Black Panther and this sequel. The four co-writers could hardly be more international: Coogler was born in the United States, Göransson in Sweden, Rihanna in Barbados and Tems in Nigeria.
“Vegas”Rogét Chahayed, Doja Cat, David SprecherElvis, Warner Bros.
The academy’s music committee will determine whether this song, which borrows heavily from the 1950s classic “Hound Dog” is eligible. (Jerry Leiber and Mike Stoller, who wrote the Elvis Presley hit, would not be.) Incredibly, no song from a movie Presley starred in was ever nominated for best original song.
“This Is a Life”David Byrne, Ryan Lott, MitskiEverything Everywhere All at Once, A24
Byrne won an Oscar 35 years ago for best original score for The Last Emperor. Lott is a member of the trio Son Lux, which performs this song, with backing by Byrne and Mitski. This would be the first Oscar nod for both Lott and Mitski.
“Turn Up the Sunshine”Jack Antonoff, Patrik Berger, Sam Dew, Kevin ParkerMinions: The Rise of Gru, Illumination/Universal Pictures
This would be the first Oscar nomination for all four songwriters. The Antonoff-produced soundtrack consists mostly of contemporary artists covering ’60s and ’70s songs. It also includes new tunes such as this one, recorded by Diana Ross and featuring the Parker-led Tame Impala.
“Naatu Naatu”M. M. KeeravaniRRR, Variance Films
This Indian Telugu-language song would be the first foreign-language track to win this category since “Jai Ho,” the festive Hindi song from Slumdog Millionaire that took the prize 14 years ago. The scene in which it appears was filmed at the Ukraine Presidential Palace in Kyiv a few months before the Russian invasion.
“My Mind & Me”Amy Allen, Jonathan Bellion, Selena Gomez, Jordan K. Johnson, Stefan Johnson, Michael PollackSelena Gomez: My Mind & Me, Apple Original Films
This documentary was directed by Alek Keshishian, who also directed Madonna: Truth or Dare, as well as such music videos as Gomez’s “Hands to Myself.” The film follows Gomez on a six-year journey that has included both health challenges and professional successes, among them her first Emmy and Grammy nods.
“Do a Little Good”Benj Pasek, Justin PaulSpirited, Apple Original Films
Pasek and Paul have been nominated three times in this category, with two songs from La La Land and one from The Greatest Showman. They have no shortage of contenders this year — this song and “Good Afternoon” from Spirited, as well as two others from Lyle, Lyle Crocodile.
“Applause”Diane WarrenTell It Like a Woman, Samuel Goldwyn Films
With this song, Warren vies for her 14th nomination in this category. She would be the first songwriter or songwriting team to be nominated six years running since Marilyn and Alan Bergman’s 1968-73 streak. Warren will receive a Governors Award from the academy on Nov. 19.
“Stand Up”Dernst “D’Mile” Emile II, Jazmine SullivanTill, Orion/United Artists Releasing
D’Mile won in this category two years ago with “Fight for You” from Judas and the Black Messiah. If he triumphs again, he would become the first Black songwriter to win this award twice. Sullivan won her first two Grammys in April, for best R&B album and best R&B performance.
“Hold My Hand”BloodPop (Michael Tucker), Lady GagaTop Gun: Maverick, Paramount Pictures
This would be Gaga’s third nod in this category following “Til It Happens to You” from The Hunting Ground (2015) and “Shallow” from A Star Is Born (2018), which took the award. “Take My Breath Away” from the original Top Gun won the 1986 award in this category.
“I Ain’t Worried”Ryan Tedder, Brent Kutzle, Tyler Spry, John ErikssonTop Gun: Maverick, Paramount Pictures
The Oscars’ music committee will determine whether this is eligible. “I Ain’t Worried” borrows elements from “Young Folks” by Peter Bjorn and John. The writers of that 2006 song (Björn Yttling and Peter Morén) would not be eligible.
“Nobody Like U”Billie Eilish, Finneas O’ConnellTurning Red, Pixar
The siblings are the reigning champs in this category for the title song from No Time To Die. “Nobody Like U” is performed in the animated Turning Red by the fictional boy band 4*Town, which O’Connell helped voice. The film was written, directed and produced entirely by women.
“Dust & Ash”J. RalphThe Voice of Dust and Ash, Matilda Productions
This would be Ralph’s fourth nod in this category following “Before My Time” from Chasing Ice (2012), “Manta Ray” from Racing Extinction (2015) and “The Empty Chair” from Jim: The James Foley Story (2016). Ralph and Norah Jones sing this song on the soundtrack to the documentary.
“Carolina”Taylor SwiftWhere the Crawdads Sing, Sony Pictures
This Appalachian folk-style ballad could result in Swift’s first Oscar nomination. She has received three Golden Globe nods (for “Safe & Sound” from The Hunger Games, “Sweeter Than Fiction” from One Chance and “Beautiful Ghosts” from Cats).
“New Body Rhumba”Pat Mahoney, James Murphy, Nancy WhangWhite Noise, Netflix
LCD Soundsystem recorded this song for the soundtrack of the Noah Baumbach film. Mahoney, Murphy and Whang all belong to the Brooklyn-based band, which won the best dance recording Grammy five years ago for “Tonite.” The film stars Adam Driver, Greta Gerwig and Don Cheadle.
Babylon (Paramount Pictures)Justin Hurwitz
Babylon is the fifth film directed by Oscar winner Damien Chazelle. Hurwitz has scored all five, including most famously La La Land, for which he won in this category six years ago. Babylon’s cast includes Brad Pitt, Margot Robbie and Jean Smart.
The Banshees of Inisherin (Searchlight Pictures)Carter Burwell
This would be Burwell’s third nomination in this category following Carol (2015) and Three Billboards Outside Ebbing, Missouri (2017). The Banshees of Inisherin is a black comedy-drama written and directed by Martin McDonagh, who also did the honors on Three Billboards. It stars Colin Farrell and Brendan Gleeson.
The Batman (Warner Bros.)Michael Giacchino
This would be Giacchino’s third nomination in this category following Ratatouille (2007) and Up (2009, for which he won). The Batman, a reboot of the Batman film franchise, stars Robert Pattinson as Bruce Wayne/Batman alongside Zoë Kravitz.
Black Panther: Wakanda Forever (Marvel)Ludwig Göransson
Göransson won this honor four years ago for the original Black Panther. Should he do so for this sequel, he’ll become the second composer to win for two installments of the same franchise. Howard Shore did the same for two films in the Lord of the Rings franchise.
Empire of Light (Searchlight Pictures)Trent Reznor, Atticus Ross
Reznor and Ross are two-time category winners for The Social Network (2010) and Soul (2020, which they won in tandem with Jon Batiste). Should they win again, they’ll become the first composer or composing team to win three scoring Oscars in this century.
Everything Everywhere All at Once (A24)Son Lux
The band, consisting of Rafiq Bhatia, Ian Chang and Ryan Lott, composed the music for the science fiction/action film that was written and directed by Daniel Kwan and Daniel Scheinert. They produced it with siblings Anthony and Joseph Russo.
The Fabelmans (Universal Pictures)John Williams
This would be Williams’ record-extending 48th nomination in a scoring category. Moreover, it would give him scoring nods in seven consecutive decades. If he wins, Williams, 90, would surpass James Ivory as the oldest Oscar honoree — Ivory was 89 when he won best adapted screenplay for Call Me by Your Name.
Guillermo del Toro’s Pinocchio (Netflix)Alexandre Desplat
Desplat won for The Grand Budapest Hotel (2014) and The Shape of Water (2017). Should he win again, he’ll tie the late Maurice Jarre as the Frenchman with the most scoring Oscars. Jarre won for Lawrence of Arabia, Doctor Zhivago and A Passage to India.
Clockwise: Michelle Yeoh in Everything Everywhere All at Once, Pattinson and Kravitz (left) in The Batman, Pinocchio (voiced by Gregory Mann) and Geppetto (voiced by David Bradley) in Pinocchio and Letitia Wright in Black Panther: Wakanda Forever.
Illustration by Elena Scotti
A Man Named Otto (Sony Pictures)Thomas Newman
Newman is vying for his 15th nomination in a scoring category. He’s tied with the late Alex North for the most nods in this category without a competitive win. If Newman is nominated again and loses, he’ll hold the record outright.
The Son (Sony Pictures Classics)Hans Zimmer
Zimmer is the reigning category champ, having won in March for Dune. Should he win for The Son, he’ll become the first composer to take home back-to-back scoring awards since Gustavo Santaolalla, who won with Brokeback Mountain (2005) and Babel (2006). Hugh Jackman and Laura Dern star.
Strange World (Walt Disney Animation)Henry Jackman
This film marked Jackman’s third collaboration with director Don Hall, following Winnie the Pooh and Big Hero 6, and his fifth feature-length score for Walt Disney Animation. The film features the voices of Jake Gyllenhaal, Dennis Quaid, Gabrielle Union and Lucy Liu.
TÁR (Focus Features)Hildur Guðnadóttir
This would be the second scoring nod for Hildur, who won three years ago for Joker. The Icelandic composer would become just the third woman to receive multiple nominations in this category following the late Angela Morley (who had two nods) and Rachel Portman (who has had three).
White Noise (Netflix)Danny Elfman
This would be Elfman’s fifth nomination in a scoring category following Good Will Hunting and Men in Black (both in 1997), Big Fish (2003) and Milk (2008). White Noise is a black comedy written and directed by Noah Baumbach, adapted from the 1985 novel of the same name by Don DeLillo.
The Woman King (Sony Pictures)Terence Blanchard
This would be Blanchard’s third nomination in this category, which would tie Quincy Jones for the most scoring nods ever by a Black composer. Jones was nominated for In Cold Blood, The Wiz and The Color Purple — he has yet to win.
Women Talking (MGM/United Artists Releasing)Hildur Guðnadóttir
Hildur is vying to become the sixth composer to have two films on the shortlist in this category since 2018, when the academy began making its shortlists public. She would follow Alan Silvestri (2018), Nicholas Britell (2018), Trent Reznor and Atticus Ross (2020), Hans Zimmer (2021) and Jonny Greenwood (2021).
This story will appear in the Nov. 19, 2022, issue of Billboard.
Jimmy Kimmel will return to host the 2023 Oscars on Sunday, March 12, 2023. This will be the funnyman’s third time as host, which will put him in a tie with Billy Crystal and Steve Martin for hosting the most Oscar ceremonies in this century. Kimmel hosted back-to-back broadcasts in 2017 and 2018.
“We’re super thrilled to have Jimmy score his hat trick on this global stage,” executive producers and showrunners Glenn Weiss and Ricky Kirshner said in a statement. “We know he will be funny and ready for anything!”
Kimmel was characteristically irreverent in his remarks. “Being invited to host the Oscars for a third time is either a great honor or a trap,” he said in a statement. “Either way, I am grateful to the Academy for asking me so quickly after everyone good said no,” said Kimmel.
Kimmel serves as host and executive producer of ABC’s Jimmy Kimmel Live!, which bowed on Jan. 26, 2003. He recently signed a three-year contract extension, making him one of the longest running talk show hosts in American television history.
Kimmel has also hosted the Primetime Emmy Awards the last three times ABC has broadcast the show – in 2012, 2016 and 2020. (The Emmys rotate among the three legacy networks and Fox.)
Bob Hope remains the top Oscar host of all time, with 19 appearances as host or co-host. The legendary comedian is followed by Crystal (nine times), Johnny Carson (five) and Whoopi Goldberg and Jack Lemmon (four each).
Molly McNearney will also serve as an executive producer of the Oscars, alongside Weiss and Kirshner.
The 95th Oscars will be held on Sunday, March 12, 2023, at the Dolby Theatre at Ovation Hollywood. The show will be televised live on ABC and in more than 200 territories worldwide.