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Influential Chicago musician DJ Funk, credited with coining the term “ghetto house,” has died at 54. The news was announced by friend and collaborator DJ Slugo, who revealed Funk’s passing in a video posted to Instagram on Wednesday (March 5). The news came just a few days after the the DJ’s family started a GoFundMe to help cover funeral costs after they said the artist born Charles Chambers was nearing the end of a long battle with stage 4 cancer. At press time Billboard had not independently confirmed Funk’s death.
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Funk made his name as the pioneer of the ghetto house (aka “booty house”) sound that bubbled up in his native Chicago in the early late 1980s and early 1990s, mixing spare drum machine beats with lascivious, sped up vocals on beloved tracks including “Work Dat Body,” “Run” and “Pump It.”
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Born in Chicago on March 5, 1971, Funk made his name in the early ’90s on a number of influential EPs for the Dancemania label (which he took ownership of in 2005), including the Street Traxx series, as well as House the Groove, Pumpin’ Tracks and The Original Video Clash. His fame among hardcore house heads reached its apex in 1999 with the release of his first Booty House Anthems album, which was followed by sequels in 2006 and 2013, as well as high-energy DJ sets at clubs and raves across the Midwest, where he would play his pitched-up, sex-themed songs at a rapid-fire pace, never lingering on any track for too long.
Though he never scored a traditional chart hit, Funk was gained global recognition in 2013 for his remix of French electronic duo Justice’s song “Let There Be Light” on which he demanded “I wanna see that ass bouncing” over one of his signature hyper-speed beats and a minimal, hypnotic bass line.
He was also given a prominent shout-out by Daft Punk on their 1997 Homework album track “Teachers,” where he came in as the second mention on the song behind fellow influential Chicago house legend Paul Johnson, and well ahead of some more well-known names such as George Clinton, Lil Louis, Kenny Dope, Dr. Dre, Jeff Mills and Joey Beltram.
Funk released dozens of singles, remixes and mix CDs over his nearly 30-year career and performed alongside such legends as Bad Boy Bill and Felix Da Housecat at the Out Cold indoor music festival in Aurora, IL in February 2024.
In an interview with the Guardian in 2015, Funk revealed how he’d like to be remembered when he was gone. “I really don’t want a funeral,” he said. “I’d like to have a party so people remember all the good times and aren’t sad. Then at the afterparty there’ll be a lot of booty shaking with all my music played.”
Check out some of Funk’s songs and tributes from fellow DJs below.
Heartbroken to hear about the passing of my friend DJ Funk. One of the best producers and DJs out of Chicago, his energy and iconic vocals could light up any dance floor. My thoughts and condolences go out to his family during this difficult time. There is a GoFundMe to help with… pic.twitter.com/WDQLx8o11b— DJ Bad Boy Bill (@djbadboybill) March 5, 2025
Juanita Stephens, a barrier-breaking music industry veteran who helmed media and artist relations departments at major labels such as Warner Bros., MCA and Polygram, died March 1 in Atlanta after a lengthy battle with cancer.
Stephens’ industry background also includes a tenure with Bad Boy Worldwide. After that, the well-respected executive launched her own media and publicity firm, JS Media Relations, with bases in New York and Atlanta. Under that banner, she helped oversee the solo career of Grammy-winning artist Bobby Brown.
“Juanita Stephens was a true trailblazer — one of the first Black female executives to shatter barriers in the music industry,” veteran entertainment attorney and longtime friend Rev. Dr. Denise J. Brown tells Billboard.
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Founder of the faith-based entertainment content incubator Oikeo Ministries, Brown (no relation to the singer) also remembers Stephens as “a consummate professional and relentless perfectionist. She never accepted ‘no’ as an answer, fiercely championing every artist and project she believed in. Her impact was profound, her presence commanding and her legacy unshakable. The industry has lost a pioneer, and she will be deeply missed.”
Stephens was born in New York’s Spanish Harlem, moving with her family to Queens as a young child. Her initial entry into the music business occurred in 1987 when she joined MCA Records as assistant to the vp of publicity, longtime friend Katie Valk. With no prior record company experience, Stephens learned the ropes by helping to organize national and international campaigns for a roster of pop, heavy metal and country artists that included superstars such as Elton John, Dolly Parton and The Kinks.
Later tapped as director of publicity by the heads of MCA’s Black music division, Jheryl Busby and Louil Silas, Stephens oversaw campaigns for Bobby Womack, Patti LaBelle, New Edition, Jody Watley and The Jets, among others. From there, Stephens became the first Black female vp of publicity and artist development appointed at MCA, working with Bobby Brown along with a multi-genre roster that included hip-hop, alternative, jazz, gospel and reggae acts.
In a comment sent to Billboard, Bobby Brown notes, “Juanita was a beautiful and gifted sister. We had decades of memories, and I could always count on her wisdom and kindness. I love you, Juanita. You will be deeply missed.”
After MCA, Stephens segued to similar senior executive-level posts with Polygram in 1992, Warner Bros. Records (now Warner Records) in 1995 and then Bad Boy Worldwide in 1998. She exited the in-house label publicity circuit to establish JS Media Relations in 2000; its clients included Charlie Wilson and Tito Jackson.
Through JS Media Relations, Stephens handled publicity for tours featuring LaBelle and Stephanie Mills in addition to Brown and Wilson. Among the various media events with which JS Media Relations collaborated were the BET Awards, American Music Awards, Trumpet Awards, VH1 Music Awards and the Otis Redding 70th Birthday Tribute.
Joey Molland, the guitarist and last surviving member of the rock band Badfinger, has died. He was 77.
Molland passed away on Saturday (March 1) while surrounded by his longtime partner, Mary, his two sons and other family members, according to a post on Badfinger’s Facebook page. While a cause of death was not specified, Molland had faced ongoing health challenges in recent years, including a recent battle with pneumonia.
“Thank you, Joey…for keeping the band’s music alive for so long and for being a friend to us all,” the Facebook post read.
Badfinger, originally known as the Iveys, was one of the first bands signed by The Beatles‘ Apple Records. Molland joined the group in 1969, after the recording of their debut album, Maybe Tomorrow, which featured the Paul McCartney-written hit “Come and Get It.” The song reached No. 7 on the Billboard Hot 100 chart in 1970.
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Molland’s first album with Badfinger was No Dice (1970), co-produced by Beatles road manager Mal Evans. The set featured two of the band’s most iconic tracks: “No Matter What” and “Without You.” The latter became a hit after being covered by Harry Nilsson and Mariah Carey.
Badfinger’s main lineup of Molland (guitarist), Pete Ham (singer/guitarist), Tom Evans (bassist) and Mike Gibbins (drummer) recorded five albums together through 1974, producing hit singles like “Day After Day” and “Baby Blue,” both co-produced by George Harrison. “Baby Blue” was notably featured in the closing scene of the final episode of Breaking Bad in 2013.
After the death of Ham, who died by suicide in 1975, Molland and Evans (minus Gibbins) reunited to revive Badfinger, with the guitarist taking on a larger role in songwriting and vocals for the albums Airwaves (1979) and Say No More (1981).
Outside of his work with Badfinger, Molland contributed to Harrison’s All Things Must Pass and The Concert for Bangladesh albums, and played guitar on John Lennon’s 1971 classic “Jealous Guy” and Imagine‘s “I Don’t Wanna Be a Soldier.”
Throughout his career, Molland recorded music both as a solo artist and as a member of the band Natural Gas. In the early 1980s, he formed his own version of Badfinger, known as Joey Molland’s Badfinger, and continued to tour with the act until the summer of 2024.
Molland was the last surviving member of Badfinger’s core lineup, following the deaths of Ham, Evans (who also died by suicide in 1983) and Gibbins, who passed away from natural causes in 2005.
Angie Stone died in a car crash on Saturday (March 1), a representative for the R&B and soul singer, who was also a founding member of the trio The Sequence, confirmed to Billboard. With a career in music that spanned the late ’70s through her sudden passing, Stone topped both the Top R&B/Hip-Hop Albums and Adult R&B Airplay charts and was nominated for three Grammy Awards.
“Unfortunately, at around 4 a.m. while heading back to Atlanta from Alabama, the Sprinter flipped over and was subsequently hit by a big rig. Thankfully, all survived except for Angie,” Walter Millsap, president of Conjuction Entertainment, said in a statement obtained by Billboard Saturday afternoon.
Stone was on the lineup of the Mardi Gras Association’s Grand Marshal’s Ball in Mobile, Alabama, on Friday (Feb. 28).
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“My mommy is gone,” performer Ladi Diamond, Angie’s daughter with Rodney Stone, wrote in a Facebook post on Saturday. Stone is also survived by her son with singer D’Angelo, Michael D’Angelo Archer II, who goes by stage name Swayvo Twain.
Born Angela Laverne Brown on Dec. 18, 1961, in Columbia, South Carolina, Stone’s career in music began with female rap trio The Sequence, known for their single “Funk You Up” that reached No. 15 on the Billboard Hot R&B/Hip-Hop Songs chart in 1980.
Five of Stone’s albums as a solo singer reached the top 10 on the Top R&B/Hip-Hop Albums chart. She saw her set The Art of Love & War rise to No. 1 in 2007, while Dream made it to No. 3 (2015), Mahogany Soul and Stone Love both reached No. 4 (in 2001 and 2004, respectively), and Black Diamond charted at No. 9 (2000).
Stone had six top 10 hits on the Adult R&B Airplay chart, including two No. 1s, “No More Rain (In This Cloud)” (1999) and “Baby” (2007). The four other top 10s were “Wish I Didn’t Miss You” (No. 2, 2002), “Brotha” (No. 3, 2002), “More Than a Woman” (No. 4, 2002) and “Sometimes” (No. 7, 2008).
“No More Rain (In this Cloud)” also reached the top 10 on the Hot R&B/Hip-Hop Songs chart, on which it peaked at No. 9 in 2000.
Though Stone never won a Grammy Award, she was a three-time nominee. She received nods for best R&B performance by a duo or group with vocals for “More Than a Woman” with Joe in 2003, best female R&B vocal performance for “U-Haul” in 2004, and best R&B performance by a duo or group with vocals for “Baby” with Betty Wright in 2008.
Stone was the founder of national nonprofit Angel Stripes, with the goal of facilitating artistry and neighborliness in communities.
Memorial service details will be announced by Stone’s family members, who at this time request privacy.
David Johansen, frontman of the pioneering punk group New York Dolls and solo “Hot Hot Hot” hitmaker as his alter ego Buster Poindexter, has died. He was 75. “David Johansen died at home in NYC on Friday afternoon holding hands with his wife, Mara Hennessey, and daughter Leah, surrounded my music, flowers and love,” his […]
Jesus Guerrero, a beloved celebrity hairstylist who has worked with a slew of high-profile clients including Kylie Jenner, Jennifer Lopez, ROSÉ, Rosalía, Katy Perry, Camila Cabello, Charli xcx and many more, died over the weekend at age 34.
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While no cause of death has been revealed, his family noted on a GoFundMe page that he died “very suddenly and unexpectedly.” The fundraiser has earned more than $96,000 for the costs of bringing his body home to Houston, Texas, as well as funeral costs — though Guerrero’s younger sister later revealed that Jenner has offered to cover the funeral. “Donations raised through this fundraiser will go toward the costs associated with securing his belongings home. As well as other unexpected expenses to settle his assets,” the GoFundMe now reads.
Following the devastating news, a number of stars took to social media to mourn the loss of a friend and fellow creative. “The sweetest angel when I needed one the most,” ROSÉ wrote on her Instagram Stories. “I love you so much.. and i miss you already. Rest in power. You will always be remembered for your incredible work.”
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Lopez, who was with Guerrero just a few days prior to his death in Dubai, also shared a touching tribute alongside a black-and-white photo of the artist. “It’s no surprise your mother gave you the name Jesus. You were gentle and kind and loving, quiet and unassuming, but so powerful, and your presence was felt the minute you walked into any room,” she wrote. “You never demanded the spotlight. You never needed to make a sound to be recognized, your heart and your talent did that as effortlessly as you artistry did. I’ve been having trouble putting the words together the last few days.”
She continued, “The truth is I’m still in shock that such a beautiful young life has come to an end. It seems senseless and unfair. I know your family is brokenhearted as am I and everyone else who knew you. Your spirit moved on to the next phase beyond this life but I know wherever you are there is beauty and light. And the beauty and light you left here will live on forever. Rest in peace, sweet angel…”
See her post here.
Jenner wrote a similarly heartfelt post about Guerrero on her page, along with several photos of the duo smiling and working together. “Jesus was more than my friend – he was a light in my life, a source of laughter, comfort, love, and unwavering support. I don’t know how I would have made it through the last almost decade without him by my side. He had a way of making even the heaviest days feel lighter,” she wrote.
“Thank you, Jesus, for always being there for me, for lifting me up, for being my friend,” Jenner added. “The pain of losing you is just unbearable and i don’t know how to move forward without you but I know great grief is born only of great love. and I loved you so much. You were the best person, with a talent that was unmatched. a true artist. You inspired so many, and you always will.”
See her post here.
Robert John, a singer-songwriter whose inimitable voice lent itself to a number of Billboard Hot 100 hits including “Sad Eyes” and an enduring version of “The Lion Sleeps Tonight,” died on Monday (Feb. 24). He was 79 years old.
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The star’s son, Michael Pedrick, confirmed the news of his death to Rolling Stone. While no cause of death was given, John was still recovering from a stroke he suffered a few years prior to his passing.
Born Bobby Pedrick, Jr., in Brooklyn, New York, first made waves in the pop world at just 12 years old with the single, “White Bucks and Saddle Shoes.” The song peaked at No. 74 on the Hot 100 in 1958, marking his first of many hits on the chart. In 1965, he changed his name and by 1971, he notched a major hit, a cover of The Tokens’ 1961 classic, “The Lion Sleeps Tonight.” John’s version, one of the most popular renditions of the track to this day, made its way to No. 3 on the Hot 100 and No. 6 on the Adult Contemporary songs chart.
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Throughout the 1960s and 1970s, John was a mainstay on the Billboard charts, hitting No. 49 with 1968’s “If You Don’t Want My Love,” No. 71 with 1970’s “When the Party Is Over,” and No. 99 with 1972’s “Hushabye.”
In 1979, after John worked as a staff writer for Motown for a few years, he topped the Billboard Hot 100 songs chart with his seminal hit, “Sad Eyes,” which also hit the top 10 on the Adult Contemporary chart. At the 22nd annual Grammy Awards, “Sad Eyes” was nominated for best pop vocal performance, male.
“Sad Eyes” was also featured on John’s third, self-titled album, which peaked at No. 68 on the Billboard 200 albums chart. His career continued throughout the 1980s, with the release of his last album, Back on the Street in 1980. Overall, John earned a collective 10 Hot 100 tracks and five Adult Contemporary hits.
John is survived by his four sons and several grandsons, his ex-wife Diane and his partner Susan.
Chris Jasper — the award-winning Isley Brothers songwriter, producer and keyboardist — has died. He was 73 years old.
The Rock & Roll Hall of Famer’s family broke the news with a notice on Facebook posted Monday (Feb. 24), one day after Jasper’s death. “He will be deeply missed and his legacy will live on as an inspiration for generations,” it reads.
The message also noted that Jasper had been battling cancer following a diagnosis in December.
Born Dec. 30, 1951, and educated at the Juilliard School of Music, the Cincinnati native helped transform the Isley Brothers from vocal trio to full-fledged band when he joined the original lineup — comprised of brothers O’Kelly Jr., Rudolph and Ronald Isley — in 1973 alongside Ernie and Marvin Isley. During his decade with the group, they scored numerous entries on the Billboard Hot 100, including top 10 hits “That Lady (Part 1)” and “Fight the Power Part 1,” both of which Jasper helped write.
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The Isley Brothers also charted a dozen albums on the Billboard 200 during Jasper’s tenure, including 1975’s No. 1 LP The Heat Is On. 1973’s 3+3, 1976’s Harvest for the World, 1977’s Go for Your Guns, 1978’s Showdown and 1980’s Go All the Way also all reached the top 10.
After the group disbanded in 1984, the pianist formed Isley-Jasper-Isley with Ernie and Marvin, and recorded hits such as 1985’s “Caravan of Love.” He would later go on to pursue a solo music career, becoming known for tracks such as “Superbad” and “The First Time.” He released his final album, It Started With a Kiss, in 2023.
Jasper’s contributions to R&B and popular music were recognized with numerous major accolades over the years, including with his induction into the Rock & Roll Hall of Fame along with the rest of his Isley Brothers bandmates in 1992. In 2014, the Grammys honored the group with a Lifetime Achievement Award, eight years after which the Songwriters Hall of Fame inducted the members into its 2022 class.
The icon is survived by his wife, New York attorney and author Margie Jasper, as well as his three sons Michael, Nicholas and Christopher.
Roberta Flack, the beloved, Grammy-winning 1970s R&B singer best known for such hits as “The First Time Ever I Saw Your Face” and “Killing Me Softly” died on Monday (Feb. 24) at 88. At press time a statement from Flack’s spokesperson revealed that she died peacefully, with no official cause of death available.
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“We are heartbroken that the glorious Roberta Flack passed away this morning, February 24, 2025,” read the statement. “She died peacefully surrounded by her family. Roberta broke boundaries and records. She was also a proud educator.”
A classically trained pianist from an early age, Flack received a music scholarship at 15 to attend Howard University and was soon discovered singing at Washington, D.C. nightclub Mr. Henry’s by jazz great Les McCann, which led to her signing with Atlantic Records. She scored her first break in 1971 when Clint Eastwood used her version of the moon-y ballad “The First Time Ever I Saw Your Face” in his directorial debut, Play Misty For Me.
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A master of the “quiet storm” style, Flack’s effortless, soothing vocals soon became a staple of R&B and pop radio, leading to a two-decade run of chart hits.
Flack was born Roberta Cleopatra Flack in Black Mountain, N.C. on Feb. 10, 1937 and raised in Arlington, Va. where her mother, Irene, played organ at the Lomax African Methodist Episcopal Church. She learned to play piano on a funky junkyard instrument her father — a jazz pianist himself — found and restored for her, on which she practiced Handel’s Messiah and Bach’s Christmas Oratorio, as well as Mozart’s Requiem.
After getting her public debut playing piano as an adolescent in the Lomax church, Flack studied piano at Howard, then moved on to a music educator program after being told that the racial barriers at that time for a Black classical concert pianist were too high for her to achieve her dream. Following her father’s death in 1959, Flack returned to North Carolina and took a job teaching music at a public school, later moving back to D.C., where she taught at several middle and high schools for a decade.
Flack released her debut LP, First Take, in 1969 which included her first No. 1 on the Billboard Hot 100, “The First Time Ever I Saw Your Face,” which also helped the album reach No. 1 on the Billboard 200 chart; the song would win the Grammy for record of the year in 1972. She hit No. 1 again in 1973 with “Killing Me Softly,” from the album of the same name, with the song winning the 1974 Grammy for record of the year. It was later famously covered by the Fugees in 1996 on their second album, The Score.
Flack’s unprecedented back-to-back Grammy wins for record of the year feat wasn’t achieved again until U2 scored the same two-fer with “Beautiful Day” (2001) and “Walk On” (2002). Flack regularly recorded with fellow soul great Donny Hathaway, scoring duet hits on the Hot 100 with the singer on a covers of “You’ve Got a Friend” (1971, No. 29) and “You’ve Lost That Lovin’ Feelin’” (1971, No. 71), as well as “Where Is the Love” (1972, No. 5), “The Closer I Get To You” (1978, No. 2) and “You Are My Heaven” (1980, No. 47), among others.
She scored a total of 18 Hot 100 hits, and landed four albums in the top three on the Billboard 200 album charts, as well as more than two dozen charting hits on the Hot R&B/Hip-Hop Songs chart.
Flack’s chart prominence began to fade by the mid-1980s, but she kept recording, releasing her most recent album in 2012 with the Beatles cover album Let It Be Roberta. Over the course of her career, Flack was nominated for 14 Grammys and won three.
Check out some of Flack’s most beloved hits below.
Bill Fay, the British cult folk singer-songwriter, has passed away at the age of 81.
On Saturday (Feb. 23), Fay’s label Dead Oceans confirmed his death in a statement on Instagram, noting that the musician “peacefully” passed away that morning in London. A cause of death was not specified, but Fay had been diagnosed with Parkinson’s Disease.
“Bill was a gentle man and a gentleman, wise beyond our times,” Dead Oceans wrote in a statement. “He was a private person with the biggest of hearts, who wrote immensely moving, meaningful songs that will continue to find people for years to come.”
Born in North London in 1943, Fay studied electronics at a university in Wales, where he began honing his songwriting skills on piano and harmonium. His early recordings caught the attention of former Van Morrison drummer Terry Noon, who helped him sign to the Decca Records subsidiary Dream.
Fay released two albums with the label: his self-titled debut in 1970 and Time of the Last Persecution in 1971. The latter album was a commercial failure, and he was dropped by the label. Fay would not release any new music for decades afterward.
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“I didn’t leave the music business — the music business left me,” Fay told The Guardian in February 2024. “It wasn’t difficult, because I still had the music … and you find the songs. And then you find another. That’s good enough for me.”
After leaving the music industry, Fay worked as a groundskeeper, fruit picker and factory worker, among other jobs, all while continuing to make music. In 1998, a small British label reissued his first two albums, leading to renewed interest in his work. Producer Jim O’Rourke soon discovered Fay’s music and played it for Jeff Tweedy during the recording sessions for Wilco’s 2002 album, Yankee Hotel Foxtrot. Tweedy was so taken with Fay’s music that he incorporated a cover of “Be Not So Fearful” into Wilco’s live shows, even convincing Fay to join the band on stage in 2007 and 2010.
“There’s a simplicity and an elegance to it,” Tweedy told The Guardian last year. “You immediately recognize this is something uncut by ambition and fashion; it’s just somebody humbly adding their voice to contribute some beauty in, and maybe make peace with, the world.”
O’Rourke also introduced Fay’s music to Current 93’s David Tibet, who helped release the 2005 compilation Tomorrow, Tomorrow & Tomorrow, which featured recordings from 1978 to 1981.
In the years that followed, producer Joshua Henry discovered a copy of Time of the Last Persecution in his father’s record collection and eventually reached out to Fay. This connection led to Fay signing with Dead Oceans, where he released three new albums: Life Is People (2012), Who Is the Sender? (2015), and Countless Branches (2020).
Dead Oceans stated that Fay had been working on new music just a month before his death.
“Only a month before his passing, Bill was busy working on a new album,” the label wrote. “Our hope is to find a way to finish and release it, but for now, we remember Bill’s legacy as the “man in the corner of the room at the piano”, who quietly wrote heartfelt songs that touched and connected with people around the world.”
See Dead Ocean’s announcement of Fay’s passing on Instagram here.