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You can add ska-punk legends Fishbone to the increasingly lengthy list of musicians who are not fans of Donald Trump. The veteran band released a pointed broadside against convicted felon Trump on Thursday (Oct. 31), just days before the Nov. 5 presidential election.
“Proud to have this new song out… it was actually written back in 2017, but never got on tape until now. Sad part is that it’s only gotten worse,” the band wrote on Instagram about the bubbling verbal takedown “Racist Piece of S–t” (also tagged as “RxPxOxS” to seemingly beat censors.)
“Here’s the thing, this song pulled no punches… if you are a fan of this band from the start, you know we have never been shy of speaking our truth,” they wrote on Instagram of the track whose lyric video features a cascade of news headlines about the deadly January 6 assault on the U.S. Capitol by Trump supporters.
And, indeed, the lyrics to the two-tone takedown are precise and concise. “I see you coming down the street/ With tiki torches and hate speech/ You’re not a proud boy/ You’re just a F$@k Boy/ Drinking the kool aid Of a mad orange king,” singer Angelo Moore spits in reference to the white supremacist rally Charlottesville in 2017 in which neo-Nazis spewed antisemitic and racist hates speech at an event where Trump said there were “very fine people on both sides.”
The song continues with lyrics aimed at one of the celebrity supporters of the former reality star, before getting to the pointed chorus. “Another Kid Rock/ With all the hate talk/ Murder Sickness global crisis coup d’état vanilla isis/ Ohhhh.. you’re just a racist piece of s–t,” Moore sings, adding, “The Power zombies said/ Let’s put this lie to bed/ Here’s an ignorant pillow for your empty racist head.”
“As artists, this is our platform, be it music, art or words. If you don’t agree, that’s fine,” Fishbone said in their statement. “Just don’t come in here telling us to shut up and dribble, you are talking to the wrong brothers. We speak our reality and if you are still “undecided” well, maybe this song and perspective will open you up with a straight up call out of what is at stake.”
The Los Angeles group has long made standing up to racism and fascism part of their brand, mixing uptempo party jams with conscious lyrics on their beloved 1988 second album, Truth and Soul, including on the punk blitz “Subliminal Fascism” and funk rocking “Ghetto Soundwave.”
In an email interview with Rolling Stone, founding keyboard/trombone player Christopher Dowd said he knew he had to write a song about Trump a decade ago when Trump announced his first run for the White House. “The timing of this release couldn’t be more perfect,” Dowd told the magazine. “With Election Day five days away, maybe hearing this song, if you are ‘undecided,’ will trigger your subconscious to think about who could win and what that would look like to the country and the world. One person in a leadership position can automatically make you guilty by association. So will you want to be associated and represented by a person with non-apologetic racist tendencies or a person that doesn’t?”
The post ended with an urgent plea to vote on Tuesday (Nov. 5)in the election that pollsters continue to say is a near dead-heat between Vice President Kamala Harris and twice impeached Trump.
Listen to “Racist Piece of S–t” below.
The infamous 2016 surveillance video showing Sean “Diddy” Combs assaulting his former girlfriend wasn’t illegally leaked to the media by prosecutors, government attorneys argue in a new filing that accuses the rapper’s lawyers of trying to “suppress a damning piece of evidence.”
In a motion filed late Wednesday, federal prosecutors responded to leaking accusations made by Combs’ lawyers earlier this month. They say it was impossible that they had leaked the video of Combs striking Cassie Venture to CNN because they didn’t even have it at the time it was published in May.
The government says Diddy’s attorneys know that, but that they’re using the leak accusations as a way to prevent jurors from seeing Combs “brutally physically assaulting a victim” — a crucial piece of evidence.
“Without any factual basis, the leak motion seeks to suppress highly probative evidence … by claiming that it was grand jury material leaked by government agents,” prosecutors write. “But, as the defendant is fully aware, the video was not in the Government’s possession at the time of CNN’s publication and the Government has never, at any point, obtained the video through grand jury process.”
Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But last month, he was indicted by federal prosecutors on charges of racketeering and sex trafficking over what the government says was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” If convicted on all the charges, he faces potential life prison sentence.
Wednesday’s new filing came three weeks after Combs’ attorneys demanded an investigation into the alleged leaks, claiming they had “led to damaging, highly prejudicial pre-trial publicity that can only taint the jury pool and deprive Mr. Combs of his right to a fair trial.”
Diddy’s attorneys pointed specifically to the Cassie video, which showed Combs striking his then-girlfriend in the hallway of a Los Angeles hotel in 2016 and made headlines when CNN released it in May.
“The videotape was leaked to CNN for one reason alone: to mortally wound the reputation and the prospect of Sean Combs successfully defending himself against these allegations,” Agnifilo wrote. “Rather than using the videotape as trial evidence, alongside other evidence that gives it context and meaning, the agents misused it in the most prejudicial and damaging way possible.”
Wednesday’s filing from prosecutors also addressed Diddy’s recent demand that the government reveal the names of his alleged sexual abuse victims. In a motion earlier this month, his lawyers arguing he cannot fairly defend himself without knowing their identities.
In the response, the government argued that such disclosures “poses serious risks” to the safety of the victims, citing Diddy’s “significant history of violence and obstruction” that resulted in him being denied release on bail last month.
“Due to the defendant’s history, the Government has serious concerns about victim safety and the possibly of witness tampering if a list of victim names were provided to the defendant,” prosecutors wrote.
A week after Beyoncé appeared at a rally for Kamala Harris’ presidential campaign in the singer’s hometown of Houston, the Democratic candidate’s rival Donald Trump still seemed focused on the 32-time Grammy winner’s full-throated endorsement of the sitting Vice President.
Taking the stage in an orange and yellow safety vest on Wednesday (Oct. 30) in Green Bay, WI, the twice impeached former President told the crowd, “four nights ago they got Beyoncé… uhhhh Beyoncé,” as he paused while audience appeared to boo the singer who has sold more than 350 million records as a solo act and with Destiny’s Child. “They got Beyoncé,” he sighed a second time. “We don’t need Beyoncé, we don’t need anybody… all you got is me, and I don’t have a guitar.”
The Harris campaign reposted the Beyoncé-bashing moment, which came on the same day that convicted felon Trump rolled out a bizarre attack on Pres. Joe Biden that found the former reality TV star climbing into a Trump-branded garbage truck and riding around in circles on an airport tarmac while wearing the vest. The stunt appeared to be the Trump campaign’s attempt to capitalize on a gaffe by Pres. Biden, who caused a stir on Tuesday night when he seemed to compare Trump’s supporters to garbage while commenting on a racist joke made at Trump’s Madison Square Garden rally earlier this week in which the comedian compared Puerto Rico to a “floating island of garbage.”
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The White House quickly tried to do damage control by clarifying that Biden was referring to the sexist, racist attacks launched by a series of speakers at Trump’s MSG rally on Sunday, not Trump’s supporters; the event also included an off-color joke by the same comedian that Kansas City Chiefs star Travis Kelce could be the “next O.J. Simpson,” a remark that disgusted Swifties. “The only garbage I see floating out there is his supporters,” Biden said in a video of his controversial remarks. “His, his demonization of Latinos is unconscionable, and it’s un-American. It’s totally contrary to everything we’ve done, everything we’ve been.”
The offensive comments at the Trump rally quickly resulted in a number of Puerto Rican born superstars endorsing Harris, including Bad Bunny, Ricky Martin and Jennifer Lopez — whose parents were born on the island nation — as well as reggaetón legend Don Omar, who endorsed Harris on Tuesday. In addition, Nicky Jam rescinded his previous Trump endorsement on Wednesday and lined up behind Harris.
The Beyoncé mention at the rally where Trump once again vowed to the the “protector of women” — even, as he added, “whether the women like it or not” — was coupled with Trump bragging that “we don’t need Beyoncé.” Though the Harris campaign never said that the R&B legend would sing at the Houston event, Trump told the Green Bay crowd, “They said, ladies and gentlemen, they said Beyoncé’s coming to sing and she came but she didn’t sing. And then Kamala came on as Beyoncé was leaving without singing even one song and they booed the hell out of both of them”; there is no evidence supporting his claim that the 30,000-plus Harris supporters booed Beyoncé’s appearance.
“I’m not here as a celebrity,” Bey told the Houstonaudience in her introduction of Harris. “I’m not here as a politician. I’m here as a mother. A mother who cares, deeply, about the world my children and all of our children live in. A world where we have the freedom to control our bodies. A world where we’re not divided. Our past, our present, our future merge to meet us here.”
Trump frequently denigrates A-listers who either don’t support him or who line up behind his rivals, and he continues to seem peeved at the many music stars who’ve endorsed Harris, an increasingly long roster that includes Bruce Springsteen, Ariana Grande, Billie Eilish and Finneas, Barbra Streisand, Cardi B, Charli XCX, Cher, Eminem, Katy Perry, Megan Thee Stallion, Olivia Rodrigo and many more. Early on in Harris’ 11th-hour bid, Beyoncé gave her permission to use the 2016 track “Freedom” as the campaign’s theme song; the singer’s camp then sent a cease-and-desist to the Trump campaign in August after it used the song in a social media video that was later deleted from campaign spokesperson Steven Cheung’s X account.
And, after Taylor Swift endorsed Harris last month following what experts deemed the VP’s decisive win in the single debate Trump agreed to, the 78-year-old former President posted an all-caps response reading, “I HATE TAYLOR SWIFT.”
See Trump’s crowd boo Beyoncé below.
A woman who has accused Sean “Diddy” Combs of rape cannot proceed with her lawsuit under a “Jane Doe” pseudonym, a Manhattan federal judge says – a ruling that could potentially impact the many other cases filed against him by anonymous accusers.
In a decision Wednesday, Judge Mary Kay Vyskocil ruled that the privacy rights of Combs’ alleged victim did not trump the right of all defendants “to defend themselves” in open court against such “heinous” allegations.
“Plaintiff’s interest in avoiding public scrutiny, or even embarrassment, does not outweigh the interests of both Combs and the public in the customary and constitutionally-embedded presumption of openness in judicial proceedings,” the judge wrote.
“Plaintiff has chosen to bring this lawsuit, leveling serious charges against Combs and, as such, she has put her credibility in issue,” the judge added. “Combs is, therefore, entitled to investigate her background and challenge her allegations and her credibility.”
The ruling came in one of at least 15 lawsuits brought against Combs in recent weeks by Texas attorney Tony Buzbee, all of which have been filed under “Doe” pseudonyms. Though Vyskocil’s ruling is not binding on other judges, it could influence how they handle the issue in Buzbee’s other cases, as well as numerous other lawsuits that have been filed anonymously against Combs.
Buzbee did not immediately return a request for comment on Thursday morning.
Combs has faced a flood of abuse accusations over the past year, starting with civil lawsuits and followed by a bombshell federal indictment last month in which prosecutors allege he ran a sprawling criminal operation for years aimed at satisfying his need for “sexual gratification.” If convicted on the charges, which include sex trafficking and racketeering, he faces a potential sentence of life in prison.
In the current case – filed last week by one of the 120 alleged victims that Buzbee claims to represent – the accuser alleges that Comb raped her and threatened her life in 2004 when she was 19 years old.
The case was filed under the Jane Doe pseudonym without prior approval from the judge — a common tactic in such lawsuits but one that Vyskocil ruled Wednesday was technically a violation of federal litigation rules.
In her decision, the judge said anonymous lawsuits are supposed to be the exception rather than the rule – both because American court cases are supposed to be open to the public, and because accused defendants have a right to know who is accusing them of wrongdoing.
Buzbee had argued that abuse accusers can face backlash after filing such cases, and that other accusers might be scared away from speaking out if forced to reveal their identities. Though Vyskocil acknowledged the “toll” that such public scrutiny can take, she repeatedly pointed to the “fundamental unfairness” of allowing only one side to remain anonymous.
“Plaintiff, who is an adult, has now decided to file a lawsuit in which she accuses a famous person of engaging in heinous conduct approximately twenty years ago and, further, accuses a number of businesses of complicity in that alleged conduct,” the judge wrote. “Defendants have a right to defend themselves, including by investigating Plaintiff, and the people have a right to know who is using their courts.”
It’s “TGIF” indeed for Vice President Kamala Harris‘ rally and concert set for this Friday (Nov. 1). The Harris-Walz campaign announced on Thursday (Oct. 31) that rappers Cardi B and GloRilla will be on hand to support the Democratic ticket during the When We Vote We Win event in Milwaukee, Wisc. The Grammy-winning rapper is […]

Radiohead singer Thom Yorke left the stage at his solo show in Melbourne, Australia on Wednesday night (Oct. 30) after a heckler yelled at him about the war between Israel and Hamas. According to fan footage of the incident at the Sidney Meyer Music Bowl, after the man yelled comments about the “Israeli genocide of Gaza” and made references to the deaths of children during the now year-long war between Israel and militant group Hamas, Yorke stopped the show and challenged the person to say it to his face on stage.
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“Come up here and say that. Right here, come on,” said a peeved sounding Yorke as he stood on stage holding his acoustic guitar while some fans booed the heckler, with one telling the person to “shut the f–k up.”
“Hop up on the f–king stage and say what you wanna say,” Yorke continued. “Don’t stand there like a coward, come here and say it. You want to p–s on everybody’s night?”
After the person then reportedly responded with another comment about the war in Gaza, Yorke seemingly had had enough and said, “OK, you do it, see you later then” and walked off stage. According to The Guardian, the singer returned a few minutes later to play the final song of his set, Radiohead’s “Karma Police.”
Yorke is on his Everything tour, on which he’s playing solo material as well as songs from Radiohead and spin-off group The Smile.
Back in 2017, Yorke defended Radiohead’s decision to perform in Tel Aviv, Israel against critics who have called for a boycott of performances in the country over the Israeli government’s treatment of Palestinians; Yorke has also criticized the BDS (Boycott, Divestment and Sanctions) movement, saying that BDS prevents necessary dialogue and cultural interactions that could create a positive impact.
In June, Radiohead guitarist Jonny Greenwood posted a lengthy note in response to renewed criticism of his long-running collaboration with Israeli musician Dudu Tassa after the pair played a show in Israel in May in the midst of the war sparked by the Oct. 7, 2023 massacre of more than 1,200 Israeli women, children and civilians during a raid by Hamas fighters who also took more than 250 hostages.
In the ensuring war, Israeli forces have reportedly killed more than 42,000 Palestinians according to Palestinian authorities, while also laying waste to much of the infrastructure in Gaza in a war that has now widened to include airstrikes in Iran and Lebanon.

When Gracie Abrams took the stage at a Kamala Harris rally at Alliant Energy Center in Madison, Wisconsin, on Wednesday night (Oct. 30), the 25-year-old singer/songwriter urged young voters to support the Harris/Walz campaign so there’s still a democracy left to “fix it when it is our turn.”
“I know everybody who has been onstage tonight and will be onstage tonight wouldn’t be anywhere else for anyone else except … for the next president of the United States: the amazing, compassionate and brilliant Kamala Harris,” Abrams said. “For many of us here onstage and in this crowd tonight, this is either the first or second time that we’ve had the privilege of voting in a presidential election. As we know, we’ve inherited a world that is struggling and it’s easy to feel disconnected and disillusioned. Between the advent of social media in our childhoods and COVID and relentlessly targeted disinformation, we’ve been through some things. It’s easy to be discouraged, but we know better. We know that unless we vote and keep our democracy intact, there is nothing we will be able to do to fix it when it is our turn.”
Abrams wrapped her speech by declaring of Harris: “She is the right leader at a very tricky time and we could not be luckier.”
.@gracieabrams: It’s easy to be discouraged, but we know better. We know that unless we vote for Kamala Harris and keep our democracy intact, there is nothing we will be able to do to fix it when it is our turn💙 pic.twitter.com/9YH77IhX1D— Kamala HQ (@KamalaHQ) October 31, 2024
In addition to her speech, Abrams and her band — who are currently opening up for Taylor Swift’s Eras Tour on its final North American leg — also performed “I Love You, I’m Sorry” (which just peaked in the top 20 of the Billboard Hot 100 this month) and “Free Now”; both are from her most recent album, The Secret of Us, which debuted at No. 1 on the Top Album Sales chart over the summer.
Mumford & Sons also performed at the rally, playing “Little Lion Man,” “Awake My Soul” and “I Will Wait” — their highest-charting hit, peaking at No. 12 on the Hot 100 in 2013. In 2021, the group’s guitarist-banjo player Winston Marshall left the band after a controversial social media post calling right-wing provocateur Andy Ngo a “brave man” for his book Unmasked: Inside Antifa’s Radical Plan to Destroy Democracy.
Remi Wolf hit the stage too, performing “Cinderella” and saying in a speech that America should feel like “a place where we feel safe, accepted and free. That is why I’m here today to support our future president, Kamala Harris, in her efforts to create this safe space for us again. She understands that the right to make decisions about our own bodies is fundamental. She’s committed to tackling big issues like climate change and, like me, she’s a girl from the Bay Area who loves to laugh and have fun.”
Also at the music-heavy rally, Aaron Dessner and Matt Berninger from The National dedicated their song “I Need a Girl” to Harris.
Two more of Young Thug’s co-defendants are taking plea deals in the long-running Atlanta racketeering case against the rapper’s alleged YSL gang, leaving Thug facing trial with just two other defendants.
A week after improper testimony from a state’s witness threw the trial into chaos and sparked talk of a mistrial, prosecutors and defense attorneys continued to show a willingness Wednesday (Oct. 30) to strike deals rather than risk starting the massive trial over from scratch.
At the hearing, Marquavius “Qua” Huey pleaded guilty to racketeering conspiracy, robbery and several other counts, with prosecutors agreeing to drop a slew of others. Under the deal, Huey received a sentence of 25 years, but with just nine to be served in prison — a sharp decrease from the life sentences he was facing if convicted on all the charges.
Another defendant, Rodalius “Lil Rod” Ryan, pled guilty to a single racketeering conspiracy charge and was sentenced to 10 years, which was commuted to time served since he is already serving a life sentence for a 2019 murder.
The two new pleas came a day after Quamarvious Nichols agreed to plead guilty to a single racketeering charge in exchange for prosecutors dropping all other charges against him, including murder and illegal firearms possession. Under the deal, Nichols was sentenced to 20 years, but will only serve seven in prison and the rest on probation.
The flurry of deals follows an incident last week in which a government witness accidentally revealed sensitive information to the jury, prompting defense attorneys to demand a mistrial. Judge Paige Reese Whitaker, who chided prosecutors for “sloppiness” and has repeatedly criticized their handling of the case, said she would consider such a ruling.
Since then, testimony has been halted as prosecutors and defense attorneys have negotiated plea deals behind closed doors. Both sides seem willing to consider compromise rather than a costly redo of the trial, which has stretched across 10 months of jury selection and 11 months of testimony to become the longest-ever in state history.
Whether Thug himself, a Grammy-winning superstar who prosecutors claim was the leader of the gang, will also reach such a deal remains to be seen. The trial is scheduled to resume on Thursday morning (Oct. 31).
Thug was indicted in May 2022 along with dozens of others over allegations that his “YSL” group was not really a record label called “Young Stoner Life” but rather a violent Atlanta gang called “Young Slime Life.” The case, built around Georgia’s Racketeer Influenced and Corrupt Organizations (RICO) law, claims the group committed murders, carjackings, armed robberies, drug dealing and other crimes over the course of a decade.
The pleas struck Tuesday (Oct. 29) and Wednesday mean that Thug (Jeffery Williams) is now facing the remainder of the trial with just two other defendants, Deamonte “Yak Gotti” Kendrick and Shannon Stillwell. Kendrick and Stillwell stand accused of carrying out the 2015 murder of rival gang leader Donovan Thomas, a crime that figures prominently in the prosecution’s case.
Stevie Nicks has been using her platform to encourage political activism in her fans, but she explained that she wasn’t always an active voter.
In a new interview with MSNBC, the 76-year-old “Edge of Seventeen” icon opened up about not voting util six years ago. “I never voted until I was 70, but I regret that. I’ve told everybody that onstage for the last two years,” she said. “I regret that and I don’t have very many regrets. There’s so many reasons. You can say, ‘Oh, I didn’t have time. I was this and that.’ In the long run, you didn’t have an hour? You didn’t have an hour of your time that you could have gone and voted.”
She also discussed the inspiration behind her recently released track, “The Lighthouse,” a song inspired by the fight for abortion access following the overturning of Roe v. Wade in 2022. “We have to find a way to bring back Roe vs. Wade,” she explained, noting that musicians should speak out more about causes in their music. “In the end of the 50s and 60s and into the 70s, everyone was writing protest songs. Bob Dylan, Joan Baez, Joni Mitchell, Stephen Stills — it was lots and lots and lots. I would say to all my musical poets that write songs to write some songs about what’s happening like I did.”
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Nicks added, “Whoever wins, the lighthouse needs to keep shining its light and keep those ships from crashing into the rocks. That’s my idea of the lighthouse being a protector, protecting all those boats and ships that are coming in.”
Watch the full interview here.
In September, the Fleetwood Mac singer followed in Taylor Swift’s footsteps to endorse Kamala Harris for the presidential election. “As my friend @taylorswift so eloquently stated, now is the time to research and choose the candidate that speaks to you and your beliefs,” Nicks wrote on Instagram, sharing a photo of herself with her tiny canine.
“Only 54 days left until the election,” she continued. “Make sure you are registered to vote! Your vote in this election may be one of the most important things you ever do.”
Nicky Jam is no longer supporting Donald Trump for president, the reggaetón hitmaker announced on Wednesday (Oct. 30) in a video he uploaded to his Instagram page. The message comes a month after the Massachusetts-born singer-songwriter had endorsed the Republican candidate and even spoke at one of his rallies in Las Vegas back in September. […]