State Champ Radio Notorious B.I.G.
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Music by The Notorious B.I.G. and Slick Rick are among those on this year’s selections list for the National Recording Registry.
On Tuesday (April 16), the National Recording Registry announced its list of inductees for 2024, and music from The Notorious B.I.G. and Slick Rick are included. The registry, which the Library of Congress administers, picked the late rapper’s debut album Ready to Die from 1994 to be among the list of 25 inductees for the year along with the Slick Rick and Doug E. Fresh classic 1985 hit “La-Di-Da-Di”.
“The Library of Congress is proud to preserve the sounds of American history and our diverse culture through the National Recording Registry,” said Librarian of Congress Carla Hayden in her statement announcing the news. “We have selected audio treasures worthy of preservation with our partners this year, including a wide range of music from the past 100 years, as well as comedy. We were thrilled to receive a record number of public nominations and we welcome the public’s input on what we should preserve next.” This year’s list now brings the total number of recordings in the registry to 650.
The inclusion of Ready to Die speaks to the significance of The Notorious B.I.G.’s impact not only on Hip-Hop but on American music culture overall, with its gritty and powerful lyricism backed by timeless production capturing life in the eyes of the Bedford Stuyvesant, Brooklyn native. “La-Di-Da-Di”, which was first released as a B-side where Slick Rick was billed as MC Ricky D, is one of Hip-Hop’s most influential songs – according to the Library of Congress, it has been referenced in over 1,000 other songs and recordings.
Other songs and albums that were on this year’s list include Bobby McFerrin’s “Don’t Worry, Be Happy”, Bill Withers’ “Aint No Sunshine”, and Blondie’s Parallel Lines album along with Green Day’s Dookie album and ABBA’s Arrival album. The Library of Congress said it had received 2,889 nominations from the general public for this year’s list, which is a record for the institution. Nominations for the 2025 list can be submitted by October 1 through their website.
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It seems there is more to learn about 2Pac and Notorious B.I.G.’s story. Busta Rhymes reveals that a popular Biggie Smalls verse was actually going at Pac.
As spotted on Vibe, the Rap legend recently paid a visit to the All The Smoke podcast. While the “Touch It” MC discussed a variety of topics, ranging from his storied career to current events, it was a story he told about a studio session with B.I.G. that has since gone viral. Back in the mid-’90s Busta Rhymes was aiming to secure Biggie, Method Man and Nas as features on one song. While the track didn’t come together like how he originally intended, it birthed a very memorable performance by the King of New York.
“So there’s a song in the middle of the Biggie and 2Pac beef and he [Biggie] recorded the verse in my studio session. At the time I thought it would be brilliant to have these three MC’s on a J Dilla beat. I think B.I.G. just got into the car accident with [Lil’] Cease and his leg was messed up and the elevator wasn’t working,” Busta explained. “I got to Soundtracks [on] the third day. Elevators fine,” Busta continues. “Big and [Lil’] Cease come. They pull up. Meth and Nas came two days in a row now. No Biggie. So, they was not coming on the third day.”
The former Leaders of the New School member would go on to detail seeing B.I.G.’s creative process for the first time ever. “One hour, two hours; he just smoking. He ain’t writing nothing. About three hours in I’m like ‘My ni**a you ain’t going to do this verse my ni**a?’ That ni**a said, ‘I’m ready Buss.’”
Busta Rhymes would go on to recite the verse and emphasize the lines directed at 2Pac via his cadence and pitch. “Diamonds on my neck, chrome drop-top / Chillin’ on the scene, smoking pounds of green / Oooh-wee, you see, the ugliest / Money-hungriest, Brooklyn Loch Ness / Nine millimeter cock test, wan fi’ test? / And the winner is, not that thinner kid / Bandanas, tattoos, my fists never bruise / Land still cruise.”
At the time, Bus was good friends with 2Pac thus he told B.I.G. he would not be releasing the song. Years later, the verse would reappear on the posthumous Notorious B.I.G. album Born Again on “Dangerous MC’s.” You can hear the original verse below.
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The memory of the Notorious B.I.G. still looms large in the borough of Brooklyn so whenever a mural pops up paying homage to the OG King of New York, Brooklynites hold the art in high regard.
Unfortunately the owners of a newly open cannabis dispensary in Bushwick, Brooklyn weren’t too aware of what a mural of baby Biggie meant to the neighborhood, so when they were forced to paint over the decorated wall to comply with city regulations, the outcry was loud and swift. According to ABC7, the CEO of Emerald Dispensary, Christina de Giovanni, part of the deal to get a license to sell marijuana in the gentrified neighborhood was to cover up the three-year-old Biggie mural. And while she didn’t want to take such actions, she felt she had to in order to comply with city regulations.
Per ABC7:
“This was not on our radar, and we tried, we did not want to cover this up at all,” said Christina de Giovanni, CEO of Emerald Dispensary. “We love this mural from the minute we moved into this building, and we had artwork done on the front of the building and along the side, we all agreed we’re not touching this big mural. We love this. This stays.”
Initially, it didn’t quite work out that way. The iconic childhood mural of Biggie, that went up three years ago in Bushwick where the Emerald Dispensary is now open for business, was covered up with black removable graffiti before it opened its doors last week.
“We were following the regulations,” Giovanni said. “We had a state inspection a couple weeks ago, and so prior to that, we had been speaking to a compliance officer and we were aware of the regulations in regards to exterior artwork. And so, we covered it up because we thought that we were in compliance. We thought that that is what needed to happen to be in compliance.”
Naturally the neighborhood residents who’ve grown found of the artwork that artist Huetek blessed the neighborhood with years ago took issue with the move. Things got so heated that the owner was allegedly hit with death threats over the decision to black out the Biggie mural. Thankfully no one was actually physically harmed and after hearing the public outcry from the neighborhood residents, the OCM decided the mural could stay as they saw how much it meant to the good people of Bushwick, Brooklyn.
A decision that Emerald Dispensary co-owner, Roman Roman says left him elated.
“I’m just happy that we were able to get this, you know, over with,” he told ABC7.
We’re just happy the memory of Biggie continues to live in the most thorough of boroughs.
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The music world lost a giant before 2023 came to a close with the passing of soulful Jazz great Les McCann.
The Hollywood Reporter shared the sad news that Les McCann passed away at 88 in the Los Angeles area. McCann’s music is no stranger to the Hip-Hop community, as some of his songs were used as samples of the late Notorious B.I.G., legendary producer/rapper Dr. Dre, Mobb Deep, and more.
Per The Hollywood Reporter:
The musician, who released more than 60 albums over the course of his career, had been admitted to a hospital from the nursing care facility he’d lived in for the past four years and was diagnosed with pneumonia, his manager Alan Abrahams told The Hollywood Reporter.
In a prolific career, he was arguably best known for his 1969 Montreaux Jazz Festival performance of the protest song “Compared to What.”
Hip-Hop Songs That Sampled McCann’s Work
For those who don’t fancy the credits for their favorite albums, McCann’s song “Go On and Cry” was sampled in the original version of “The Next Episode,” which was supposed to be featured on Snoop Dogg’s classic album Doggystyle before it landed on Dr. Dre’s 2001.
Biggie’s “Ten Crack Commandments” off his double-disc Life After Death is heavily sampled from McCann’s “Vallarta.”
Mobb Deep went into the McCann duffy when they used his song “Benjamin” to craft their track “Right Back At You” off their a1995 album The Infamous.
Other artists who sampled McCann include stoner hip-hop pioneer Massive Attack, Cypress Hill, Slick Rick, A Tribe Called Quest, De La Soul, and Naughty By Nature.
McCann was born in 1935 in Lexington, Kentucky, and was a self-taught pianist before picking up the sousaphone in high school and serving in the U.S. Navy at 17.
In a 2017 interview with the Oxford American, McCann said he wanted to “go to the Navy School of Music,” only to learn they did not have the sousaphone to play.
He would go on to win a talent contest in the Navy that landed him an appearance on the Ed Sullivan Show. After being discharged, he formed a band in Los Angeles, landing his first contract with Pacific Jazz in 1960 after Miles Davis heard him play in a nightclub.
McCann also signed with Atlantic Records after Roberta Flack discovered him.
After suffering a stroke in the 90s while on stage in Germany, he used a wheelchair, but that didn’t keep him from performing.
McCann’s life is the true definition of a life well lived.
May he rest in paradise.
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Photo: Paul Natkin / Getty
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Any kind of memorabilia that was personally signed by the likes of Tupac Shakur or The Notorious B.I.G. is as scarce as they come. So you can bet that when something like that hits the auction block, it’s going to fetch a pretty penny from somebody with deep pockets.
Source: Moments In Time / Moments In Time
According to TMZ, such items have just become available to whoever got a quarter mil to spare as Momentsintime.com have posted the finger print cards that both Tupac and Biggie had to fill out and sign when they were taken into police custody back in the day. With the asking price at a staggering $225,000 per card, you can bet that whoever ends up purchasing either one of these joints (or both) probably has money to burn.
Our money’s on Jay-Z buying Big’s finger print card while Jada Pinkett Smith will end up copping Tupac’s joint and displaying it somewhere that Will Smith has to walk past every single day. Just sayin’.
TMZ reports:
Check it out … Tupac’s fingerprint docs — which list him under his real name, Lesane Parish Crooks — stem from his 1995 arrest … for which he served 9 months of his 1.5-year sentence after being found guilty of sexually assaulting a female fan named Ayanna Jackson.
Meanwhile, Biggie also makes history with his arrest fingerprint docs … the first-ever piece you can snag of him signing off by his real name, Christopher Wallace.
With the ’95 arrest season in full swing, Biggie was also booked then for a robbery and aggravated assault charge in Pennsylvania … but the robbery charges were later dismissed.
You have to wonder how someone was able to get access to these joints. Either way, someone’s about to get paid big time.
Who do you think might end up dropping a half a million on these joints? Would you cop if you had it like that? Let us know in the comments section below.
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One of the most important influences on The Notorious B.I.G. has transitioned. Junior M.A.F.I.A. member Chico Del Vec has passed away.
As spotted on HipHppDX the Brooklyn, New York native is no longer with us. On Monday, August 14 Rap legend Special Ed shared the unfortunate news with on his official X account, formerly Twitter. “Just got a call. Rest In Peace Chico Del Vec. Junior Mafia.” AllHipHop.com followed up with the “I Got It Made” rapper he added that he was not privy to the cause of death only commenting that “I don’t have much details other than they found him in his room.”
Naturally the bad news quickly spread over the internet prompting his friends and peers to declare their condolences. Lil Cease in particular shared a touching post with footage of the group performing. “Rest In Peace To Our OG Of Junior Mafia , Official Day 1 Member Of The Group, Legend Of Fulton & St James.. The One That Got B.I.G. Off The Stoop & On Fulton St.. My Brother Chic Delvec @chicodelvec9371 I Love You & Ima Miss You Big Time Bro..” he wrote.
Produce Easy Mo Bee who produced several of Bad Boy Entertainment’s biggest singles (“Flava In Ya Ear”, “Warning”) also wrote a heartfelt post in tribute of Chico Del Vec. “Let me say something. This life can be so short. So cherish the good ones while they’re still here because any day could be their last” he wrote. “Always be good to yourself and appreciate the small things. The vanities and all the money in the world won’t keep you happy. It is the love of God, family and kindred spirits like Chico that will put a smile on your face and make this life worth living.”
Rest in power Chico Del Vec.
Photo:
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Though many people know that The Notorious B.I.G. had relationships with Faith Evans and Lil Kim, only hardcore Hip-Hop heads remember that Charli Baltimore too was one of Biggie’s ride-or-die’s just prior to his untimely death.
Unfortunately for her, Biggie wasn’t too faithful to her either. In a recent interview, Charli Baltimore revealed that she learned of Biggie’s cheating ways the old school way, actual physical photographs. In a recent interview for The Art of The Dialogue, Charli went into the story that Lil Cease touched on during an interview with Angie Martinez about an altercation she had with Biggie at a hotel and explained it stemmed from her discovering explicit pictures of Biggie having sexual relations with a woman that wasn’t her, Kim or Faith.
“It was pictures of him laying on his back with his big stomach, and it was a girl sucking his d*ck… I’m looking at the pictures like, ‘Are you f*cking kidding me?’” Naturally, when she confronted Biggie about the pictures he went into Shaggy mode and simply said “That’s not me!” Damnit, Big! The stomach gave you away!
What ensued was a fight so wild that eventually police had to be called and they were kicked out the hotel. But not before Biggie destroyed her wardrobe and Charli threw his jewelry off the balcony and into the hotel swimming pool. Had social media been a thing in the ’90s y’all know someone would’ve got that on livestream or something.
Though she can laugh about it now, at the time it wasn’t something that you could chuckle at as hell hath no fury like a woman scorned. Just ask whoever ended up with Biggie’s jewelry in the pool.
Check out the segment below, and let us know your thoughts on the altercation in the comments section below.
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There’s a must-watch visual podcast uncovering new ground in the storytelling of The Notorious B.I.G.’s life as he recorded his final album 25 years ago. In Iconic Records: Life After Death, radio legend and executive producer Angie Martinez interviews 25 subjects to transport viewers in a moment of time as a legendary double-sided album was birthed in the midst of his rising fame while navigating a hostile rap beef with the West Coast in the mid-1990s.
While his life has undoubtedly been examined across various media vertices since his violent passing, this 8-episode effort deserves your undivided attention. There’s no overproduction or distractive acting. It involves two chairs, a coffee table, and a camera crew capturing vulnerable conversations between the rapper’s closest friends and colleagues and a radio Hall of Famer. Notables gracing the opposing chair include Rick Ross, Fat Joe, DJ Clark Kent, Lil’ Cease, 112, Pusha T, and more.
The conversations examine the pillars that made Biggie, born Christopher Wallace, an icon as he broke ground in fashion, lyricism, rap politics, recording style, and demeanor. At the time, he was freshly crowned “King of New York” early in his career, becoming a trailblazer in these areas at a heightened level with his unconventional attractiveness during his ascension to fame.
For starters, he was a visual anomaly with a towering stature, big waist, and dark skin, complimented by his smooth charm and lisping charisma– a unique recipe to make the Brooklyn rapper the perfect muse for fashion stylists and photographers who knew he was destined for greatness.
Renowned photographer Barron Claiborne explained how he snapped the legendary red background photographs of Biggie in a crown. The images grew so popular it forced him to repetitively sue bossy Bad Boy Entertainment honcho Sean “Diddy” Combs (f/k/a Puff Daddy) for using the images without his approval. Photographer Michael Levine also discusses the challenges faced to bring us the Life After Death album art taken at the Cypress Hill cemetery.
In episode 4, Klepto, friend and member of the rap group Junior M.A.F.I.A., gives a first-hand account of how he first came across Tupac Shakur witnessing his brotherhood with Biggie during a wild night out on the town. He was also there the day of the Quad Recording Studios shooting, providing the gruesome details of what he saw when he reached the bloody lobby just as the cops intercepted them coming out of the elevator. This incident marked the beginning of the infamous coastal feud between the two rappers, eventually leading to Biggie’s fatal demise a few years later. By episode 5, DJ Clark Kent unapologetically declares Pac’s ominous account of the shooting a blatant lie promoted to avoid telling the truth about what really happened to him that night.
Some of the most famed tracks off Life After Death wouldn’t have happened without sheer networking and dash of humbled begging.“Ten Crack Commandments” producer DJ Premier tells of how the song almost didn’t make it on the album. In this story, Premo highlights that Biggie’s stardom transitioning from gritty New York rapper to Versace wearing superstar (or “ashy to classy” as many here have donned it) caused a bit of friction with his underground artist Jeru the Damja, the original owner of the track. Angie Martinez and her radio show is intertwined in the story, which aided a begging Puffy to eventually procure the instrumental.
In a similar scenario told in episode 6, Fat Joe– a refreshing edition to the series details how intertwined he was in the New York rap scene– recounts the time he brokered the relationship between Biggie and Realitivity Records label mates Bone Thugs-N-Harmony for the track “Notorious Thugs.” The Bronx rapper colorfully embellished a portion of the story of the group’s unwillingness to work with B.I.G. due to their allegience with Pac and the West Coast, which was challenged and denied by Layzie Bone and the group’s manager Steve Lobel. Eventually, Biggie and Bone Thugs united in a historic studio session filled with weed, Hennessy, and positive vibes. Layzie Bone reveals that Biggie didn’t end up recording his part that night, and heard the final version of the song for the first time after the double album was released weeks after his death.
In a later episode, Lil’ Cease continues the story of how seriously Biggie wanted to master the Bone Thugs’ flow and the lengths he took to perfect it before hitting the booth. It’s now one of the most famous songs to date. In all three stories with Pac, Jeru, and Bone Thugs, a common theme about the “Juicy” rapper and his legacy remained consistent: he prioritized his love of music before rap politics.
The series briefly transitions into a therapy session when Lil’ Cease tells of his relationship with his big brother Biggie. Through the trust of his long-standing relationship Martinez, the Junior M.A.F.I.A. member describes the death as a “trauma” he continues to struggle with today. At 44 years old, he introspectively harps on how young he (17) and Biggie (24) were as they both navigated the deep waters of fame and violence.
Nasheem Myrick, a former Bad Boy producer from the legendary Hitmen who worked on “Who Shot Ya,” “What’s Beef?,” and “Somebody’s Gotta Die,” reveals a heartbreaking story of his beef with Biggie over an unknown love interest they both shared at the time. In this untold story, he eventually achieves closure on the last day the rapper was last in New York before flying out to Los Angeles in 1997.
Interestingly, both Lil’ Cease and Klepto separately came to terms with the potential of their own successes had Biggie never passed away. Junior M.A.F.I.A was set to be the next priority for the superstar rapper following the release of Life After Death, but the group never had their chance. Cease also describes how his solo career would have launched under the vision Biggie had for him to be introduced to the world. However, Puff certainly didn’t have an interest in the group after the assassination, especially since their lyrics were mainly penned by Biggie himself. With all considered, the group disbanded leaving fans with classic hits “Players Anthem” and “Get Money” that are still enjoyed today. Meeting the same fate was The Commission comprising of JAY-Z, Lance “Un” Rivera, Diddy, Charli Baltimore, and Lil’ Cease.
Rick Ross and Pusha T also make an appearance on the show. Both Ross, who respectfully mimicked Biggie’s image, and Pusha, a lyricist who faithfully flows about slinging crack, pay homage to how integral Biggie’s music made in their own approach to their discographies.
Noticeably absent from the interview panel were Life After Death featured artists Diddy, The LOX, Lil’ Kim, Ma$e, and Jay Z. It also would have been nice to see Stevie J, another Hitmen producer who had a heavy hand in the making of this album, join the series. It’s unclear if the reality star’s estranged marriage to Biggie’s widow, Faith Evans, had anything to do with that.
Overall, Iconic Records’s first season is, by and large, a great watch thanks in part to the remarkable journalistic executions between host Angie Martinez and director-writer Bonsu Thompson. Without their contribution to this project, it would have been hard to achieve the same high-quality storytelling in someone elses’s hands.
New episodes air weekly across multiple platforms for viewers and listeners alike for free. Binge watch the first 6 episodes on WMX Hip-Hop channel (Ch. 1137) on The Roku Channel or YouTube. Listeners can also access them in a podcast format across all major audio podcast platforms.
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On this episode of BackStory with Colby Colb, legendary radio host Colby ‘Colb’ Tyner chronicles the thriving Hip-Hop renaissance of the ‘90s—a time when Nas, the Wu-Tang Clan, Mary J. Blige, A Tribe Called Quest and Busta Rhymes, to name a few, were emerging on the scene representing East Coast Hip-Hop.’
This was the perfect environment for a young Christopher Wallace to break out on the scene. The young Biggie Smalls studied the Hip-Hop greats, growing up on Word Up! Magazine and listening to Rap Attack on the radio. His mother, Voletta Wallace, tells Colb that young Christopher excelled in English class. “So I wasn’t shocked that he was such a great writer,” she says.
Raised in the Clinton Hill neighborhood of Brooklyn, New York, bordering Bedford-Stuyvesant, young Christopher would pass the time between drug deals by performing verses on the street. In the video below, you can feel the undeniable presence that he had at just 17 years old, rapping on Fulton Street in Brooklyn.
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In 1991, Christopher was arrested and jailed for cocaine in North Carolina. While behind bars, he focused on writing and dropped his first demo tape upon his release. Biggie Smalls was born.
DJ Mister Cee is credited with discovering the young rapper, after being introduced through his first DJ, DJ 50 Grand. Biggie soon caught the eye of a young Sean ‘Puff Daddy’ Combs, who was doing A&R for Uptown Records at the time. The two met up, and the rest is history.
Puff was the mastermind behind Biggie’s rise to fame. He was strategic in where he placed Biggie in features alongside artists like Super Cat, Mary J. Blige, and Craig Mack. Colb goes in-depth here, documenting in detail the progression of singles and collaborations that further propelled Biggie to stardom.
Biggie’s momentum continued to build upon the success of his song Party and Bullshit off the Who’s The Man? soundtrack in the spring of 1993. In this next video, Puff and Biggie perform at the OutKast picnic in Atlanta in 1994, just months prior to the release of Biggie’s iconic debut album Ready to Die.
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Colb plays a clip from his first interview with Biggie in July of 1994, two months leading up to the release of Ready to Die. By this point, Biggie had changed his stage name to The Notorious B.I.G. due to a lawsuit filed against him by actor Calvin Lockhart, whose character in the 1975 film Let’s Do It Again inspired the rapper to adopt the name Biggie Smalls.
Two months after the release of Ready to Die, Biggie tells Colb in a second interview that the album was a chance to showcase another side to his artistry, a darker side, following the release of the mainstream hit Juicy, which told his life story and introduced The Notorious B.I.G. to the world.
Colb delves into the series of unfortunate events that caused the friction between Biggie and Tupac, and led to their untimely deaths. Tupac was making his mark on the West Coast Hip-Hop scene at the time. The two rappers were successful and thriving, yet the tension between them grew, fueling the rivalry between East Coast and West Coast Hip-Hop.
The iconic MCs were fatally shot within six months of each other, following one of the greatest years of Hip-Hop (1996), as Colb tells it. Their deaths sent shockwaves throughout the music world, but their impact on Hip-Hop lives on.
Listen to BackStory with Colby Colb: The Notorious B.I.G. for exclusive clips of Colb’s past interviews with Biggie Smalls, his mother Voletta Wallace, DJ Mister Cee and Craig Mack.
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March 9 marks the 26th anniversary of the tragic passing of the late-great, Notorious B.I.G. And though some of today’s Hip-Hoppers aren’t familiar with just how large the OG King of New York was in the Hip-Hop culture, we are, and because of that we continue to honor his memory to this day.
To celebrate the genius of Christopher Wallace aka The Notorious B.I.G. aka Biggie Smalls aka Big Poppa aka Frank White, we’ve compiled a list of nine of Biggie’s best guest verses that you may or may not remember. Though Big wasn’t around long enough to hop on many of his rap peers’ songs, the few times that he did, he stole the show and basically made the song his own. For that we thank him.
From outshining Shaquille O’Neal on “Can’t Stop The Reign” to burning down the booth with The Lox on their “Funkmaster Flex freestyle,” Biggie constantly reminded everyone that during Hip-Hop’s golden era, he was the king of the hill. And to many he still is.
Check out nine of Biggie’s best guest verses below, and let us know if any other guest verses should’ve made the list in the comments section below.
Junior Mafia – “Get Money”
“… You knew about me, the fake ID’s / Cases in Virginia, bodies in DC…”
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Junior Mafia – “Players Anthem”
“I’ve been robbin’ ni**as since Run and them was singin’ ‘Here We Go’ / snatchin’ ropes at the Roxie / homeboy, you didn’t know my flow?”
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Shaquille O’Neal ft. The Notorious B.I.G. – “Can’t Stop The Reign”
“How can players stand there and say I sound like them? Hello / Push wigs back and 6 coups that’s yellow / Plus clips that expand from hand to elbows / Spray up your Days Inn, any telly you in.”
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