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Written By D.L. Chandler , Senior Editor Posted 7 mins ago @dlchandler123 D.L. Chandler is a veteran of the Washington D.C. metro writing scene, working as a journalist, reporter, and culture critic. Initially freelancing at iOne Digital in 2010, he officially joined the iOne team in 2017 where he currently works as a Senior Editor […]

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The NYPD found itself in poor public light once again after an incident between an officer and a Black teenager was caught on video and went wide. The scuffle caught the attention of New York Mayor Eric Adams, who spoke out about the actions of the officer that was later suspended as an investigation was launched.
According to a report from NBC 4 New York, the unnamed NYPD officer was near Port Richmond High School and I.S. 5 and en route to detain a 14-year-old girl when the teen’s younger sister reportedly swung at the officer, prompting him to hit her back. The older sister also reportedly reached for the officer’s handcuffs and struck him as well.

More from NBC 4 New York:

The 14-year-old was arrested and the younger sister given a juvenile report for the alleged assault. Their mother is calling for a full investigation of what went down.
“They’re supposed to be protected by the police officers and I didn’t expect them to get hurt,” said Taneesha Robinson, who added that her daughter is doing better and “basically has a headache now.” Robinson said it’s not up to her if the officer should face further discipline.
As for the officer, who has been on the job for 14 years, he has been suspended, according to the NYPD, with an internal investigation underway into what led up to the encounter.
The NYPD said via its official Twitter account that the officers who were on the scene are under investigation by the Internal Affairs Bureau.

Mayor Adams addressed the incident during a press conference on Wednesday (Jan. 4) and said that bodycam footage will be reviewed by all the proper authorities.

Photo: Anadolu Agency / Getty

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Source: MediaNews Group/Long Beach Press-Telegram via Getty Images / Getty
As Republicans continue to hold up the congressional duties of our elected officials due to their reluctance to vote in Kevin McCarthy as the Speaker of the House, newly elected member of U.S. Congress Robert Garcia already knows how he plans on being sworn in once things get back to normal, and it’s a pretty interesting way of going about his inauguration.

Earlier this week the California congressman took to Twitter to reveal that when it comes time to get sworn into the 118th United States Congress, Robert Garcia will be using three items that mean the world to him including a photo of his parents whom he lost to the COVID pandemic, his certificate of citizenship, and an original copy of Superman #1 from the Library of Congress.

While the picture and certificate of citizenship makes sense, it’s interesting that he chose the priceless comic book as an item to use as he prepares to work for the people of the United States. Still, the first Latino and first openly gay mayor to ever be elected to be Mayor of Long Beach, California told Buzzfeed that the reason he chose the comic book is because he “learned to read and write English reading comics as a kid,” and ultimately “Never stopped reading.” Neither have we.
As for why he chose the Man of Steel over other superheroes, Garcia said, “I’ve read almost all genres, but Superman is always the character that stood out and spoke to me the most.”
He must’ve been heartbroken like the rest of us when he found out that Henry Cavill wasn’t going to be returning as Superman in James Gunn’s reboot of Warner Bros. DCEU.
Unfortunately for Garcia, he won’t be taking that Superman oath anytime soon as far-right MAGA Republicans and Conservative Republicans continue to bicker over who’ll be the next Speaker of the House and begin swearing in the next members of congress. But when that time does come, y’all know Robert Garcia will be flying high like his favorite superhero.

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Vic Mensa is not new to using his platform to help the less fortunate and does so once again for natives of his father’s homeland. The Chicago rapper is heading a major effort to bring drinking water to his ancestral village in Ghana by way of his nonprofit.
Vic Mensa, 29, shared in a statement from a story published by Billboard that his nonprofit, Let Them Drink Water, will bring clean drinking water to his family’s village and other surrounding areas.

“We’re building 3 Boreholes in different communities in Ghana to provide clean drinking water; the first being the Asokore Zongo in Koforidua where my family lives, which is already built. The other locations are a nearby community called Efiduase and then our ancestral village in the Volta Region Amedzope,” Mensa offered in that statement. “Most people in communities like this in Ghana experience constant water borne diseases.”
Mensa is gearing up to perform at the Black Star Line Festival, which takes place in Accra, Ghana on Jan. 6 and features fellow Chicago stars Chance The Rapper and Jeremih, along with T-Pain, Erykah Badu, M.anifiest, and more. Proceeds from the festival will go towards building the boreholes, which cost $15,000 each to build.
Salute to Vic Mensa for his efforts to bring clean water to Ghana, and best wishes to him and the rest of the performers.

Photo: Jamie McCarthy / Getty

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Quentin Miller has opened up more about his time assisting Drake and the OVO camp with songwriting duties over the past year, doing so again in a new interview. In the chat, the Atlanta native revealed that his publishing deal made it so that he never received any checks for his work on Drake’s If You’re Reading This It’s Too Late project.
Quentin Miller sat down with VladTV to discuss the issue at hand and it appears to be just a portion of a more extended conversation. In one clip, Miller explains how OG Maco was the person who informed Meek Mill that Miller was the alleged ghostwriter in Drake’s camp, making for a number of uncomfortable situations for Miller going forward.

Beyond that, Miller shared that a lopsided publishing deal with Tricky Stewart didn’t work out in his favor and dropped the bombshell that he never received one bit of compensation for his work during his time with Drake.
“I had to feed my family off getting paid under the table in that situation,” Miller said. “Tricky wouldn’t let me go and it took me…I didn’t get out that deal until 2019, 2020 [and] I signed in 2011. I had to let go of a lot of sh*t just to get out.”
Last year, Miller sat down with the New Rory and Mal podcast sharing similar sentiments of his time in the music industry but maintained that he’s not at war with DJ Drama, Drake, OG Maco, and any of the aforementioned.
Check out Quentin Miller in the clip below.
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Photo: Theo Wargo / Getty

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Dionne Warwick is currently best known as a hilarious public figure on Twitter but before that, she dominated the charts dating back to the 1950s and just before the turn of the century. In a new documentary, fans learn that the “Walk On By” star checked Snoop Dogg and his Death Row crew for their language back in the 1990s.
As reported by CNN, a new documentary, Dionne Warwick: Don’t Make Me Over, features clips from some of the many stars and celebrities who’ve encountered the legendary Ms. Warwick along her musical journey, her influential vocal style, and other tidbits. Snoop Dogg appears in the documentary and shared a tale of how Warwick gathered him, Death Row Records president Suge Knight, and others at her home for an early morning discussion.

“We were kind of like scared and shook up,” Snoop Dogg said. “We’re powerful right now, but she’s been powerful forever. Thirty-some years in the game, in the big home with a lot of money and success.”
Snoop says Warwick wasn’t trying to get them to change their creative energy but did warn against the use of derogatory language against women and decrying violence. It was, as expected, a superstar trying to impart wisdom to rising stars in their own right.
“She was checking me at a time when I thought we couldn’t be checked,” Snoop shared. “We were the most gangsta as you could be but that day at Dionne Warwick’s house, I believe we got out-gangstered that day.”
Dionne Warwick: Don’t Make Me Over was developed by CNN and premiered on Jan. 1 via the network.
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Photo: Getty

Written By D.L. Chandler , Senior Editor Posted 10 mins ago @dlchandler123 D.L. Chandler is a veteran of the Washington D.C. metro writing scene, working as a journalist, reporter, and culture critic. Initially freelancing at iOne Digital in 2010, he officially joined the iOne team in 2017 where he currently works as a Senior Editor […]

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Romeo Miller and his father, Percy “Master P” Miller engaged in an unfortunate back and forth on social media that shocked fans of the pair, especially those who thought their bond was inseparable. After some time and plenty of fence-mending, Master P and Romeo are back on speaking terms as a father and son should be.
The feud between Romeo Miller, 33, and Master P, 52, began with Miller accusing his father of prioritizing the mental health struggles of others over his late sister, Tytyana Miller, in the wake of the passing of Steven “tWitch” Boss. The online spat involved the elder Miller posting a video about his son, while the younger Miller accused his father of being addicted to social media.

Over the weekend, the Millers patched it up with Romeo sharing a photo alongside his father with a moving caption that he dedicated to his late lister.
From Instagram:
I’m willing to fall on my sword for mines! It was never about parent vs child, or this false narrative or that, it was about doing whatever had to be done for the growth of my family. Today, December 31st, me and my father @masterp had very hard conversations; ironically outside in the rain, but in order for any generation to grow, that communication has to be had and reciprocated on both sides. The good, the bad, and the ugly. No matter the journey ahead, our family can truly begin to heal and I believe many others will use our story as an example to learn from.
Master P also posted the same photo to his page writing, “As a parent, I’m growing, taking self-accountability and educating my family and the next generation. Love takes growth and forgiveness.”

Salute to Romeo Miller and Percy “Master P” Miller.

Photo: Getty

Written By D.L. Chandler , Senior Editor Posted 3 mins ago @dlchandler123 D.L. Chandler is a veteran of the Washington D.C. metro writing scene, working as a journalist, reporter, and culture critic. Initially freelancing at iOne Digital in 2010, he officially joined the iOne team in 2017 where he currently works as a Senior Editor […]

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Source: miracsaglam / Getty
The end of the year is here and once more, we take on the task of attempting to list out our favorite Hip-Hop albums of 2022. Just as we do with our CRT FRSH playlist, our year-end wrap-up covers the entirety of Hip-Hop as we don’t believe in segmenting the music that represents the culture.

The list of Hip-Hop albums listed out below is not ranked. Instead, we put the projects in alphabetical order. As a note to readers, we didn’t hear everything that was released this year but what we liked, we kept in the rotation. To be very clear, any project that had less than 10 songs did not get included. If so, artists like Planet Asia, J Scienide, Backwood Sweetie (please do the knowledge), R.A.P. Ferreira, and a handful of others would very well be included.

For those we’ve omitted, it’s not a slight to you or your art. Trust us when we say we’re always looking out for new music to feature.
Check out the list below.
3 the God Way (Kaimbr, Let The Dirt Say Amen, Sean Born) – Mount Olympus

The Washington, D.C. Metropolitan area has some of the strongest collectives of rappers, producers, and DJs in the world. The potent trio of Kaimbr, Let The Dirt Say Amen, and Sean Born, all amazing soloists, put together a body of work that should lead to more fantastic art from this gathering of the minds together and apart. The “DMV” is in good hands.
Ab-Soul – Herbert

I’m going to break the fourth wall here because I have to say that Ab-Soul’s “Do Better” helped me through an explosive mental health breakdown. I’ve always contended that Soulo was the best lyricist among the Black Hippy quartet, and Herbert proves much of that in droves. This is an album for the word nerds, lyric fans, and folks who lean into hearing a rapper challenge themselves with both vulnerable bars along with top-tier rapping.

Action Bronson – Cocodrillo Turbo

Action Bronson approaches music by using his outsized personality that seems coupled with a knowing wink to the listener that he’s just having a whole lot of fun barring out over dusty loops. Cocodrillo Turbo is a huge improvement from the entertaining Only For Dolphins. Bronsolini is still finding new ways to spit his fly Queens scriptures to the masses.
Benny The Butcher – Tana Talk 4

Benny The Butcher found himself focusing on the duties of a mogul as he continues to position his Black Soprano Family outfit correctly as a boss should. Tana Talk 4, in our opinion, is what many come to expect from the Buffalo, N.Y. star. Hard bars, plenty of dope production from the likes of Alchemist and Daringer, and features that make sense. Even more interesting is the fact that the album feels like The Butcher could’ve gone harder but seemingly held back.
billy woods – Aethiopes

The music of billy woods isn’t for everyone. For starters, there’s no real concern with sitting verses neatly in pockets. The dense poetics have several layers of meaning that no mortal will catch in one listen. That said, Aethiopes, produced fully by Preservation, sees woods toned down ever so slightly and even lets the listener in on who the mysterious rapper truly is. However, don’t mistake that for a dumbing down. This is still high-level intellectual rhyming.

Black Star – No Fear Of Time

Black Star, the duo of Yasiin Bey and Talib Kweli, occupy a revered space in the world of underground Hip-Hop. After nearly 25 years after releasing their debut album, Black Star handed over the production keys to Madlib for a rousing listen showcasing the Brooklyn veterans at their best. While the album omitted the excellent “Fix Up” single, it still feels like a complete body of work and a hopeful sign of more to come.
Black Thought & Dangermouse – Cheat Codes

Black Thought has nothing left to prove regarding his formidable ability and it’s about time listeners take notice of his songwriting ability as well. Dangermouse provides the Philadephia lyricist plenty of open space for him to flex those noteworthy skills and impart wisdom in doses along the way.
Boldy James & Nicholas Craven – Fair Exchange No Robbery

Boldy James was productive in 2022 and any of his releases could be in place of this entry. That said, hearing the Detroit rapper alongside the capable sonics of Nicholas Craven was the perfect match. Mafia, what else?

Conway The Machine – God Don’t Make Mistakes

Without an ounce of hyperbole, Conway The Machine is one of the best rappers to ever live but so much of his greatness hides behind the stark street tales inspired by his upbringing in Buffalo, N.Y. The Machine relaxes his bravado for just a brief moment or two on his major label debut album, proving there is more to Conway than the tough talk and dope boy bars.
The Cool Kids – Before Sh*t Got Weird/Baby Oil Staircase/Chillout

We abhor the term “blog rap” but we understand why people use it. For the sake of simplicity, The Cool Kids are two of the pioneers of the blog rap scene and paved the way for a number of artists. But while their contemporaries are coasting on safe beats and barely pushing themselves, Sir Michael Rocks and Chuck Inglish updated their already hard-to-imitate formula.
Defcee & Boathouse – For All Debts Public and Private

Chicago is a hotbed of talent in relation to Hip-Hop and Defcee carries on that tradition with pride. Across the scope of the album, produced by the capable hands of Boathouse, Defcee’s confidence and crystal clear diction are infectious and inspiring.

Denzel Curry – Melt My Eyez See Your Future

Denzel Curry is largely known for his high-energy rapping performances but Melt My Eyez See Your Future finds the Florida MC toned down considerably, revealing how deft Curry’s penmanship truly is. There’s still some bombast in the delivery but it’s toned down for clarity’s sake and the listener is better for it.
Drake & 21 Savage – Her Loss

Aside from “that line” (and you know the one we’re talking about), Her Loss is pretty much a 21 Savage showcase. Drake always finds new ways to talk his sh*t and the album isn’t always flawless but the production and the combination of the pair are hard to resist.
Earl Sweatshirt – SICK!

Earl Sweatshirt doesn’t seem concerned with accolades or notoriety, which makes his music feel urgent at all times. It always appears that the artist born Thebe Kgositsile is still figuring out himself and invites his fans on a meandering journey that ultimately leads to saving one’s self. While we do learn a bit more about the lyricist, what really occurs is that this is a man who realizes the power of his voice is too important to mute.

EarthGang – Ghetto Gods

EarthGang, the duo of Olu and WowGr8, is woefully overlooked by certain segments of the listening public. We almost guarantee that if people new to the group took Ghetto Gods for a spin, they’d become instant fans. The sophomore slump is not a thing to worry about when the artists are this dialed in.
Freddie Gibbs – Soul Sold Separately

Freddie Gibbs has released so much critically-acclaimed heat that it’s hard to believe Soul Sold Separately is his major label debut album. To those fearful that the leap to the majors would dilute Kane’s world outlook, the album is very much Gangsta Gibbs at his best. Even when he locks in with familiar cohorts The Alchemist and Madlib, the Gary, Ind. native still finds lanes.
Fly Anakin – Frank

Richmond, Va. isn’t known as a Hip-Hop epicenter despite boasting homegrown talents such as Skillz and Nickelus F among others. Fly Anakin, one of the founding members of the Mutant Academy, delivers his first true solo debut album to pleasing results. And despite the big names of Madlib and Evidence on the boards, the rapper born Frank Walton is why you’ll be tuning in.

JID – The Forever Story

JID or J.I.D. However you spell it, the Georgia rapper’s third album, a proper follow-up to his studio album debut The Never Story, is an invite to the mind of the Dreamville standout. JID can RAP rap but it’s not just alien-level bar work as he’s adept at telling stories, high-minded concepts, and a gift for melody. It is perhaps the finest album to be released this year.
Ka – Languish Arts/Woeful Studies

Ka is arguably Hip-Hop’s greatest lyricist, and we say this as his rhymes are just as much a part of the song as the mournful loops he raps over. With an emphasis on imagery and philosophy hardened by the realities of growing up in Brownsville, Brooklyn, N.Y., the pair of albums is best taken as a whole as they mirror each other’s melancholy along with the hope for more simmering right under the surface.
Kendrick Lamar – Mr. Morale & The Big Steppers

Kendrick Lamar built his fame under the guidance of Top Dawg and cemented himself as one of the faces of the TDE empire. Now that the Compton wordsmith is on his own, his latest album captures the struggles and angst of wrestling with the concerns of the mind and self. It isn’t always a comfortable listen but it might go down as K-Dot’s best work as time goes on.
Little Simz – No Thank You

Little Simz released No Thank You on Dec. 12 and it immediately gripped us. Just like the preceding album, Sometimes I Might Be Introvert, Simz shines over the production from Inflo, who some might know as the band leader of the R&B collective, Sault. Trust us when we say that Little Simz and her soulful delivery will grab your ears and won’t easily let go.
LORD JAH-MONTE OGBON & SadhuGold

LORD JAH-MONTE OGBON shows and proves that Charlotte, N.C. has something to say. Spending time between the Queen City and Bucktown, U.S.A., the well-traveled rapper, and his hyperkinetic flows sound most at home over Sadhugold’s atmospheric backdrop, but that isn’t to say other joints JAH-MONTE dropped this year don’t compare. There wasn’t a weak release from him this year.
Lupe Fiasco – Drill Music In Zion

Lupe Fiasco is a rhyme scholar, literally, this after taking on a teaching gig at MIT this year. Beyond his time in the academy, the Chicago rapper locked in with past producer Soundtrakk for Drill Music In Zion, which he recorded in 72 hours but, as one can expect with Fiasco, it doesn’t sound like it.
Marlowe – Marlowe 3

Marlowe, the duo of rapper Solemn Brigham and producer L’Orange, are on their third collaborative project. What you can always expect from a Marlowe album is clean, ear-catching production and one of Hip-Hop’s most captivating voices in Brigham.
MAVI – Laughing so Hard, it Hurts

Charlotte is back on the list again by way of the young wizard MAVI and continuing to display his gift of words that we discovered on his proper debut, Let The Sun Talk. Some people lump MAVI with Earl Sweatshirt and MIKE and while slightly accurate, he shares more of himself than ever before. Sometimes, MAVI’s voice gets lost in the mix and it feels like an intentional engineering choice to make one lean in and take in what he’s saying.
Meyhem Lauren & Daringer – Black Vladimir

Meyhem Lauren is perhaps best known to most due to his alliance with Action Bronson but it only covers one segment of his career. Linking up with Griselda producer Daringer, the gruff Queens MC sounds at home and delivers the rap performance of a lifetime.
MIKE – Beware Of The Monkey

MIKE won’t be for everyone and it’s a shame because the young MC and producer managed to pack in an entire universe of emotion into a 16-bar verse. On this outing, it would be fair to call the album upbeat but it simplifies what the album is. MIKE is still concerned with honoring his mother’s life and pushing himself to greatness. Frankly, he’s already there.
Midaz the Beast – 84/87

Orlando, Fla. might not be the first city one thinks about when it comes to Hip-Hop but Midaz the Beast gives himself a grand opportunity to change that reality. Across two releases, 84 and 87, Beast proved why his rap moniker was chosen. A strong salute goes toward Delle Digga for the production.
Namir Blade – Metropolis

Namir Blade is a rarity, as the task of committing to a concept album is a difficult one. While Metropolis has weighty themes that won’t immediately grab everyone, the journey of discovery is sonically pleasing.
Nas – King’s Disease III

Nas is officially a veteran voice in Hip-Hop and several rappers look to him as a living inspiration. In the third installment of the acclaimed King’s Disease series with Hit-Boy, Nasir Jones put on a clinic in the booth and sounded just as vibrant as some of the younger rappers that revere him.
Open Mike Eagle – Component System with the Auto-Reverse

Open Mike Eagle’s albums pack many of his grand ideas into neatly served portions. And sometimes, a peek into the mind of the Chicago native feels invasive but he’s actually inviting us to the party. His latest album is full of OME’s usual laserlike focus as a writer but never forcing the issue. There’s so much to love here.
Pusha T – It’s Almost Dry

The undisputed champion of Coke Rap is Pusha T but for some reason, the bars don’t feel literal. In fact, and maybe this was always the case, Pusha’s lyrics feel like one extended metaphor delivered with the one-two punch of Ye and Pharell’s production.
Quelle Chris – DeathFame

It might be unfair to try and define Quelle Chris and his kaleidoscopic artistry. Every album release unveils another chamber of the fascinating, brilliant mind of Quelle and DeathFame might be the most interesting level yet.
Roc Marciano & Alchemist – The Elephant Man’s Bones

Our review here should explain everything.
Rome Streetz – Kiss The Ring

Queens has produced a bevy of great rappers and it’s a fine time to include Rome Streetz among that number. Now a member of the sprawling Griselda collective, Rome’s raps are sharp as ever and the intensity never relents for a second.
Saba – Few Good Things

Saba’s CARE FOR ME album would be a magnum opus for most artists. Somehow, the Chicago rapper dug even deeper into his reflective bag with his latest album and his writing has never been as gripping as it is now.
Sleep Sinai & Ohbliv – Shadow Self

Nebraska might not pique the interest of many Hip-Hop fans seeking the next one to watch within the genre. But for those who know how to dig and sift through the noise, Sleep Sinai is a worthy investment of time. Coupled with the production of Ohbliv, this might be Sleep Sinai’s top project yet.
Smino – Luv 4 Rent

Smino is hard to categorize. Is he a singer? Is he a rapper? He’s all of those things and then some. There aren’t many albums that contain this much soul and swagger in the same breath. St. Louis, stand up.
Vince Staples – Ramona Park Broke My Heart

Vince Staples has yet to drop a clunker of an album and his latest release extends the streak. On this outing, the Long Beach native wrestles yet again with the reality of his upbringing but never scolding from a lofty perch.

Westside Gunn – 10

Westside Gunn is finally closing the chapter on the HHW series and does so by bringing out the best in Busta Rhymes, Raekwon, Ghostface Killah, Black Star, and more. But the true star of the affair is WSG. The knock on the Buffalo boss is that he isn’t a great rapper but those claims should be put to rest. Westside Gunn is compelling as a rapper and it’s time the world accepts it.

Photo: Getty