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Kelsea Ballerini wants to leave the past in the past. The country superstar briefly stopped her show while performing her Rolling Up the Welcome Mat track “Penthouse” on tour at Hard Rock Live in Hollywood, Fla., on Sunday (Feb. 23), after she heard fans shouting profanities about her ex-husband, Morgan Evans. In “Penthouse,” written about her […]

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Partially named after her alt-country album The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, Neko Case has had an extraordinary, yet quiet, life in music as a solo artist and a member of the indie rock band The New Pornographers. Her new memoir is out now in stores.

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On sale for $27 (reg. $30) on Amazon, The Harder I Fight the More I Love You: A Memoir is about singer/songwriter Case’s journey going from poverty in Virginia to becoming a Grammy-nominated recording artist.

And if you’re an Amazon Prime member, you can order now and The Harder I Fight the More I Love You will be delivered to your home in less than two days, once it’s released, thanks to Prime Delivery.

Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Prime Video, Prime Gaming and Amazon Photos; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day and Black Friday — and much more. Learn more about Amazon Prime and its benefits here.

The memoir is also available at BookShop.org for $27. 90 (reg. $30), while a signed copy of The Harder I Fight the More I Love You is available at Barnes & Noble on sale for $30.

Grand Central Publishing

‘The Harder I Fight the More I Love You: A Memoir’

By Neko Case

$27.00

$30

10% off

$27.90

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During her career, Neko Case was nominated for two Grammy Awards for best contemporary folk for the album Middle Cyclone in 2010 and for best alternative album for The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You in 2014.

In the meantime, The Harder I Fight the More I Love You: A Memoir by Neko Case is available for $27 (reg. $30) right now at Amazon.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

As a vocalist, Chappell Roan‘s got some serious pipes — but as a plumber, she knows how to fix ’em, too. The singer-songwriter just unveiled the second version of her upcoming song “The Giver,” posing as a plunger- and wrench-wielding specialist for a new 7-inch vinyl now available on her website. On Tuesday (Feb. 25), […]

Young Thug is locked in to perform his first live show since coming home from prison last Halloween. However, his fans in the States might be a bit disappointed because the show is overseas. Thugger will headline the third day of Belgian music festival Les Ardentes on July 5. Earlier Tuesday (Feb. 25), organizers posted […]

Rihanna hasn’t released a new album since 2016’s Anti, and just as fans might have been giving up hope that we would ever get a new project, the superstar is pulling back the curtain in a new interview. Explore Explore See latest videos, charts and news See latest videos, charts and news On the latest […]

Metallica hit the stage for the first time on March 14, 1982, at Radio City in Anaheim, Calif. — with the original lineup of James Hetfield, Lars Ulrich, future Megadeth founder Dave Mustaine on guitar and Ron McGovney on bass, playing covers of Diamond Head and Sweet Savage songs, as well as their own “Hit the Lights” and “Jump in the Fire.”

More than four decades later, the San Francisco Bay Area-based thrash metal troupe is still at it — arguably bigger and better than ever. “Playing shows was always the thing,” Hetfield said some years ago. “We wanted to make records, yeah — but when we first got together we just wanted to play, man, just get on stage and play.”

Mission accomplished, it’s safe to say. Metallica has toured the world many times to this point — and thanks to a 2013 performance in Antarctica, it is in fact the only band that’s played on all seven continents. It’s been a constant touring presence, too; 2001, when the group was searching for a new bass player, is the only year Metallica didn’t play any shows, and it’s mixed full-scale, multi-year world tours with lighter-but-still-significant concert runs.

Over the decades, the band has performed more than 1,600 times, moving from dive bars to stadiums and headlining at events such as Woodstock ’94, Monsters of Rock, Lollapalooza, OzzFest and more. As other members entered the lineup — guitarist Kirk Hammett (1983-present) and bassists Cliff Burton (1982-86), Jason Newsted (1986-2001) and, since 2001, Robert Trujillio — Metallica polished its performing craft to the point where it could even play shows alongside the San Francisco Symphony. Its stage productions have also become legendary; Metallica is the band that introduced the idea of the Snakepit, an in-stage fan area, and it’s made use of all manner of pyrotechnics and other visual effects, but never eclipsing what really brings fans to the shows — pulverizing, complex, epic music that makes heads bang, eardrums bleed and venue walls rattle.

“I don’t know if we could ever lose our edge because our music is a quality of our persons, our being,” Hammett explains. “It’s just very natural for us to sound the way we do. It flows like water. There’s never any shortage of really aggressive, edgy, energetic music from us, because that’s part of who we are as people. It’s not an affectation; it’s who we really are.”

Here’s our ranking of the group’s many long and sometimes strange road trips.

Summer Sanitarium Tour (2000)

Robert John, a singer-songwriter whose inimitable voice lent itself to a number of Billboard Hot 100 hits including “Sad Eyes” and an enduring version of “The Lion Sleeps Tonight,” died on Monday (Feb. 24). He was 79 years old.

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The star’s son, Michael Pedrick, confirmed the news of his death to Rolling Stone. While no cause of death was given, John was still recovering from a stroke he suffered a few years prior to his passing.

Born Bobby Pedrick, Jr., in Brooklyn, New York, first made waves in the pop world at just 12 years old with the single, “White Bucks and Saddle Shoes.” The song peaked at No. 74 on the Hot 100 in 1958, marking his first of many hits on the chart. In 1965, he changed his name and by 1971, he notched a major hit, a cover of The Tokens’ 1961 classic, “The Lion Sleeps Tonight.” John’s version, one of the most popular renditions of the track to this day, made its way to No. 3 on the Hot 100 and No. 6 on the Adult Contemporary songs chart.

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Throughout the 1960s and 1970s, John was a mainstay on the Billboard charts, hitting No. 49 with 1968’s “If You Don’t Want My Love,” No. 71 with 1970’s “When the Party Is Over,” and No. 99 with 1972’s “Hushabye.”

In 1979, after John worked as a staff writer for Motown for a few years, he topped the Billboard Hot 100 songs chart with his seminal hit, “Sad Eyes,” which also hit the top 10 on the Adult Contemporary chart. At the 22nd annual Grammy Awards, “Sad Eyes” was nominated for best pop vocal performance, male.

“Sad Eyes” was also featured on John’s third, self-titled album, which peaked at No. 68 on the Billboard 200 albums chart. His career continued throughout the 1980s, with the release of his last album, Back on the Street in 1980. Overall, John earned a collective 10 Hot 100 tracks and five Adult Contemporary hits.

John is survived by his four sons and several grandsons, his ex-wife Diane and his partner Susan. 

Shaboozey orders up a 35th frame atop Billboard’s multi-metric Hot Country Songs chart with his crossover smash, “A Bar Song (Tipsy).”
As it holds atop the tally dated March 1, the track breaks out of a tie with Sam Hunt’s “Body Like a Back Road,” which led for 34 frames in 2017, to become the sole longest-leading title by a single act since Hot Country Songs became the genre’s singular songs ranking in 1958. Overall, only Bebe Rexha and Florida Georgia Line’s duet “Meant to Be” has led longer: for 50 weeks, beginning in December 2017.

“A Bar Song” totaled 59.8 million in all-format airplay audience, 16.2 million official U.S. streams and 4,000 sold Feb. 14-20, according to Luminate.

The track, co-written by the Virginian (born Collins Obinna Chibueze), first hit the Hot Country Songs summit last May. It also logged a record-tying 19 weeks at No. 1 on the all-genre Billboard Hot 100 and a record-shattering 27 weeks atop the all-format Radio Songs chart.

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“A Bar Song (Tipsy),” on American Dogwood/EMPIRE, with country radio promotion by Magnolia Music, additionally ruled Country Airplay for seven weeks beginning last August, the longest reign for an artist’s initial entry on the chart. Plus, it became the first song to crossover to the top five, or even top 10, on Country Airplay, Pop Airplay, Adult Pop Airplay and Rhythmic Airplay.

Meanwhile, when “A Bar Song” initially reached the Hot Country Songs apex, it dethroned Beyoncé’s “Texas Hold ‘Em,” marking the first time that two Black artists have led the list back-to-back.

Here’s a look at the 10 longest-leading No. 1s on Hot Country Songs (since 1958):

50 weeks, “Meant to Be,” Bebe Rexha & Florida Georgia Line, starting December 201735 weeks, “A Bar Song (Tipsy),” Shaboozey, May 202434 weeks, “Body Like a Back Road,” Sam Hunt, February 201727 weeks, “I Hope,” Gabby Barrett, July 202025 weeks, “Last Night,” Morgan Wallen, February 202324 weeks, “Fancy Like,” Walker Hayes, July 202124 weeks, “Cruise,” Florida Georgia Line, December 201221 weeks, “10,000 Hours,” Dan + Shay & Justin Bieber, October 201920 weeks, “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, September 202319 weeks, “You Proof,” Morgan Wallen, May 202219 weeks, “The Bones,” Maren Morris, March 202019 weeks, “Walk On By,” Leroy Van Dyke, September 1961

While many musicians acknowledge separating their on and offstage persona, KINO breaks his life into three parts and tries to live their truths through his own honest expression.
There’s Kang Hyung-gu, his birth name that represents his most authentic self that friends know. Under his stage name KINO, he’s a member of chart-topping K-pop boy band PENTAGON with Cube Entertainment, and also a soloist under his independently launched NAKED label. Despite the 27-year-old saying he has difficulty sharing himself at all times, the person who asked strangers to rate his single at Coachella last year is the same friendly, determined face walking into a New York City studio before the kickoff of his first U.S. solo tour. KINO quickly shares which photos he likes best, sets up his phone to record b-roll and behind-the-scenes content, and has his outfit and an assembly of accessories selected to reflect the colors and mood of his current musical era.

Released at the top of 2025, KINO’s latest single “Skyfall” is a stirring, string and piano-led ballad with a soaring chorus reminiscent of the stand-still moment of JVKE’s breakout Billboard Hot 100 hit “Golden Hour.” Accompanied by a black-and-white shot of him singing in concert as the cover art, “Skyfall,” and November’s gritty guitar cut “Everglow,” show a noticeably less produced version of the star compared to the electro-pop, viral-ready bop “Broke My Heart” featuring TikTok Billboard Top 50 chart-topper Lay Bankz. But it’s all part of showcasing the person he is right now and the styles and sounds accompanying it. KINO says it’s all leading to a project that “will be the most honest album in my life.”

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KINO’s I Think I Think Too Much Tour is an insight into his mind, naming the trek — which hit eight cities in 12 days for its U.S. leg — off what literally keeps him up at night. Alongside the personalized name, KINO says he was confident that audiences needed to experience his new music live. “The theme of this concert is emotion,” he tells Billboard. “When I want to express my emotions to the audience, I have to be in front of them, so it’s very important to meet them in person.”

KINO’s choice to close the concert with the unreleased, racing rock-pop anthem “Back in Time,” complete with a call-and-response bridge perfect to singalong to on the radio or at music festivals, feels like his intuition at work. This final impression KINO makes during this intimate concert feels like the first steps in sending him down a path to procure a global pop hit of his very own — one he’ll be able to say was a true expression of himself.

You named this tour I Think I Think Too Much and your album If This Is Love, I Want a Refund. These aren’t typical titles. Are these all things you’ve personally thought about?

That’s right; that’s the biggest direction of this company, too. Because as a solo artist, I could not help but not to share my story. It’s very important to me that I’m showing myself and showing my mind within. So, I was looking for the thoughts I’m thinking about the most recently and found that “I think I think too much” is the one. After I launched this company and debuted as a solo artist, I’m always thinking things over and over till the night, so I Think I Think Too Much is connected from a conversation I had.

The reason why I wanted to bring this concert to another country and more cities was because I think my music is very good to listen to, but I believe my music is not complete with only listening. My music is complete when people listen and watch the performance together. The theme of this concert is emotion and when I want to express my emotions to the audience, I have to be in front of them, so it’s very important to meet them in person.

You released “Everglow” and “Skyfall” with softer and more emotional tones than If This Is Love, I Want a Refund. What are you sharing now?

“Skyfall” is a breakup song that captures the regret of love taken for granted. And it’s perfect for this season, so, if listeners can relate to this story, that would be amazing. And “Skyfall” was also inspired by the 007 [James Bond] film. “Skyfall” was a place where loving memories and regrets linger, so when the idea came up, I thought it would be the perfect word to describe the sound. So, Billboard, I hope you like it. Please invite me to another interview when I’m on the Billboard charts.

But I don’t want to show KINO the celebrity. I want to show the human Kang Hyung-gu. I think that I cannot be defined by one person: I have a lot of emotions and personality in my mind. But I’m just like a human like everyone: I fail, I regret, I fear, I cry, I smile. All those emotions and all those personality aspects make me and completes me, right? That’s why I don’t want to define myself as a one-genre artist. I have many music genres and emotions for the different music in me. I’m changing every moment, every single day! And I’m going to change in the future too.

Are these singles leading to a new album?

We’re planning a lot of things for this year, but the most important thing is, of course, the album. I’m writing the songs, and as I told you, I am still figuring out who I am. I think this will be the most honest album in my life. It’s very hard to be brave, but I’m challenging myself to be an artist who can explore and reach the next future. It will be totally different [in terms of] the genres and styles of music. I have some tracks I want to spoil, but nothing is set at this moment. I’m working with a lot of different artists at this moment — maybe some who fans might know, some from totally different scenes — but one spoiler is “electronic sound.”

KINO

Lauren Nakao Winn

Why was it important for you to launch NAKED? You could have easily stayed where you were for longer.

One of them is to differentiate from my work in the band and as a solo artist. And then I have another reason, which is to challenge myself. I love to challenge myself and I believe that will bring me to another kind of better future. If I don’t challenge myself or stay in a comfortable job, I feel like I’m dead. It’s hard to explain, but if I stay in my comfort zone, I feel like I won’t be able to change or grow. But I also didn’t start this just to take the risk itself, right? I feel like by taking these risks, something will come out of it in return. I don’t know what it might be, but that’s also the reason why I’m doing it.

I went through your music before the tour and found “POSE” from 2022. That was the first time I remember seeing you solo. I’m curious what you think of that song today?

I have two different purposes as a member of PENTAGON and as a solo artist. At that time, I was only a member of PENTAGON, so I wanted to be successful because that’s your goal as a member of a team. But after I launched this company and debuted officially as a solo, I want to talk about personal and individual things through my solo music. So, it’s totally different. At that time, I was making “POSE” just for the success.

What are your goals or successes today? What do you want to manifest to happen in 2025?

Honestly, um, I want to be on the Billboard charts. For real, it’s not like I’m not joking. While trying to be myself, that’s also my biggest goal because I’m making music with my 100 percent honest feelings. I feel like I lost myself for a long time, so I’m looking for the real me and figuring out who I am. So, after I’ve found that and made some music with the honest KINO, I want to be on the Billboard charts with that music. That’s my goal.

 When had you felt like you had lost yourself?

It was after the I Think I Think Too Much show in Seoul in September. Around that moment, I was wondering, “What do I have to show for myself to the world?” And then I realized that I’ve never shown myself 100 percent. Of course, I’ve shared some stories, but I don’t think I talked about myself fully. After I realized that, I wanted to be honest. It’s very hard to be brave to show myself, including the parts I didn’t want to show.

KINO

Lauren Nakao Winn

You said it’s also important to keep your purpose with the group intact. Can you share more about including PENTAGON in your mind?

I think I exist because of them. Because I have a team and members of a team behind me, I can still exist for 20, 25 [years] as KINO. Of course, it’s very important to me to be my own artist, but as I mentioned, I have a lot of purposes. PENTAGON is very important in my life. They kept me alive and that’s how I keep going mindfully. It’s about loyalty and friendship, but actually, for me, it’s more like a “family-ship.” They’re always next to me, the biggest supporters, and I can lean on them. We always meet up, talk on the phone, and, of course, have a group chat, even if we’re just sending a meme or GIFs.

Beyond your band mates, I really like your How I Met KINO series on YouTube and seeing new sides and these unexpected friendships. Where did the idea come from?

Before we launched the show, I wondered, “What KINO have I not shown to my fans yet?” All the people around me tell me, “You’re very Kang Hyung-gu when you’re with your friends, the real you.” So, I’ve never noticed that, but after, I realized, “Oh, it’s perfect to show my moments of friendship to the audience.” And I feel like all my fans really love the moments when I’m with my friends. I’m so sick of the camera turning on and needing to sit up and be perfect. I became more comfortable in front of the camera and that was an amazing change.

Photography and Creative Direction by Lauren Nakao Winn

Assisted by Jovita Tedja

KINO

Lauren Nakao Winn

With the 97th Oscars coming up on Sunday March 2, we’re looking back at past Oscar ceremonies, and specifically, who presented the Oscar for best original song each year.
The late, great song and dance man Gene Kelly did the honors four times, more than anyone else in Oscar history. That’s fitting: Kelly starred in Singin’ in the Rain, which topped the American Film Institute’s 2006 list of AFI’s Greatest Movie Musicals. Kelly presented best original song in 1951, in 1975 (in tandem with Shirley MacLaine), in 1980 (with Olivia Newton-John, with whom he starred in the soon-to-be-released, ill-fated musical Xanadu) and in 1986 (with his Singin’ in the Rain costars Debbie Reynolds and Donald O’Connor).

Six people are tied as runner-up, having presented best original song three times: They are Burt Bacharach, Angie Dickinson, Gregory Hines, Jennifer Lopez, Queen Latifah and John Travolta. J.Lo presented three times within four years (1999-2002), a record for most presenter assignments in the shortest time. (Not coincidentally, J.Lo landed three of her four No. 1 hits on the Billboard Hot 100 in those years.)

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Bacharach and Dickinson, Hollywood’s golden couple of the era, teamed to present the award in 1971 and 1976. Bacharach teamed with Ann-Margret to present the award in 1974. Dickinson teamed with Luciano Pavarotti to present it in 1981.

Six people who won Oscars for best original song also served as presenters in the category (obviously not in the same year they won). They are Irving Berlin, Jerome Kern, Barbra Streisand, Bacharach, and the team of Common and John Legend. The latter team presented in 2016, the year after their win for “Glory” from Selma. Prince, who presented in 2005, never won for best original song, but he did win for his song score to Purple Rain.

The reunion of the Singin’ in the Rain cast wasn’t the only cast reunion that Oscar show producers arranged in connection with this category. In 2013, 10 years after Chicago became the first musical in more than four decades to win best picture, that film’s stars, Renee Zellweger, Richard Gere, Queen Latifah and Catharine Zeta-Jones, presented best original song.

In 1988, seven years after they teamed in the box-office hit Arthur, Dudley Moore and Liza Minnelli co-presented the award (which had gone, in 1982, to “Arthur’s Theme”). In 1993, a decade after their collaboration on the Broadway cast album Lena Horne: A Lady and Her Music, Quincy Jones and Lena Horne co-presented the award. In 1996, a few years after they co-starred in the Tina Turner biopic What’s Love Got to Do With It, Angela Bassett and Laurence Fishburne co-presented the award.

In some cases, Oscar producers had people co-present to plug an upcoming movie in which they were to co-star. Emily Blunt and Lin-Manuel Miranda co-presented in 2018, months before the release of Mary Poppins Returns. Cynthia Erivo and Ariana Grande co-presented in 2024, months ahead of their teaming in Wicked.

In 2015, Idina Menzel and John Travolta teamed to present the award – one year after Travolta inexplicably mangled Menzel’s name on the Oscar stage while attempting to introduce her performance of “Let It Go” from Frozen. (He called her Adele Dazeem.) In this presentation teaming, Menzel jokingly introduced him as Glom Gazingo – and they gracefully put it to rest.

Some presenter pairings held symbolic meaning. In 1989, singer/dancer/actor Gregory Hines co-presented with Sammy Davis Jr., the top song and dance man of a previous generation. Davis began to develop symptoms of cancer five months after this appearance. He died of complications from throat cancer in May 1990.

In 1944, Dinah Shore became the first woman to present in this category. In 1984, the biracial Jennifer Beals, star of the previous year’s smash Flashdance, became the first person of color to present in this category. The youngest presenter was Miley Cyrus, who was just 17 in 2010 when she co-presented with Amanda Seyfried.

Bacharach and Dickinson weren’t the only married couple to present in the category. Steve Allen and Jayne Meadows presented in 1961, followed by Sonny & Cher in 1973. One parent and child separately presented in this category: In 1997, Goldie Hawn co-presented with her The First Wives Club co-stars Bette Midler and Diane Keaton. In 2023, Hawn’s daughter, Kate Hudson, co-presented with Janelle Monáe.

Pavarotti was the second classical star to present in the category. The first was conductor Leopold Stokowski in 1937.

Here is the presenter of the Oscar for best original song from the first year it was presented, 1935, to the present. The years shown are the year of the ceremony. Brief identifications are shown in the early years to help our younger readers. After that, you’re on your own.

1935: Irvin S. Cobb (author)

1936: Frank Capra (director)

1937: Leopold Stokowski (conductor)

1938: Irving Berlin (songwriter)

1939: Jerome Kern (songwriter)

1940: Gene Buck (president of ASCAP)

1941: B.G. DeSylva (songwriter, film producer, co-founder of Capitol Records)

1942: B.G DeSylva

1943: Irving Berlin

1944: Dinah Shore (singer)

1945: Bob Hope (comedian)

1947: Van Johnson (actor)

1948: Dinah Shore

1949: Kathryn Grayson (actress)

1950: Cole Porter (songwriter)

1951: Gene Kelly (actor)

1952: Donald O’Connor (actor)

1953: Walt Disney (film producer and entertainment mogul)

1954: Arthur Freed (lyricist and film producer)

1955: Bing Crosby (singer)

1956: Maurice Chevalier (singer)

1957: Carroll Baker (actress)

1958: Maurice Chevalier

1959: Sophia Loren & Dean Martin

1960: Doris Day

1961: Steve Allen & Jayne Meadows

1962: Debbie Reynolds

1963: Frank Sinatra

1964: Shirley Jones

1965: Fred Astaire

1966: Natalie Wood

1967: Dean Martin

1968: Barbra Streisand

1969: Frank Sinatra

1970: Candice Bergen

1971: Burt Bacharach & Angie Dickinson

1972: Joel Grey

1973: Sonny & Cher

1974: Burt Bacharach & Ann-Margret

1975: Gene Kelly & Shirley MacLaine

1976: Burt Bacharach & Angie Dickinson

1977: Neil Diamond

1978: Fred Astaire

1979: Ruby Keeler & Kris Kristofferson

1980: Gene Kelly & Olivia Newton-John

1981: Angie Dickinson & Luciano Pavarotti

1982: Bette Midler

1983: Olivia Newton-John

1984: Jennifer Beals, Matthew Broderick

1985: Gregory Hines

1986: Gene Kelly, Donald O’Connor & Debbie Reynolds

1987: Bernadette Peters

1988: Liza Minnelli & Dudley Moore

1989: Sammy Davis Jr. & Gregory Hines

1990: Paula Abdul & Dudley Moore

1991: Gregory Hines & Ann-Margret

1992: Shirley MacLaine & Liza Minnelli

1993: Lena Horne & Quincy Jones

1994: Whitney Houston

1995: Sylvester Stallone

1996: Angela Bassett & Laurence Fishburne

1997: Goldie Hawn, Diane Keaton & Bette Midler

1998: Madonna

1999: Jennifer Lopez

2000: Cher

2001: Jennifer Lopez

2002: Jennifer Lopez

2003: Barbra Streisand

2004: Jack Black & Will Ferrell

2005: Prince

2006: Queen Latifah

2007: John Travolta & Queen Latifah

2008: John Travolta

2009: Zac Efron & Alicia Keys

2010: Miley Cyrus & Amanda Seyfried

2011: Jennifer Hudson

2012: Will Ferrell & Zach Galifianakis

2013: Richard Gere, Queen Latifah, Renée Zellweger & Catherine Zeta-Jones

2014: Jessica Beal & Jamie Foxx

2015: Idina Menzel & John Travolta

2016: Common & John Legend

2017: Scarlett Johansson

2018: Emily Blunt & Lin-Manuel Miranda

2019: Gal Gadot, Brie Larson & Sigourney Weaver

2021: Zendaya

2022: Jake Gyllenhaal & Zoë Kravitz

2023: Kate Hudson & Janelle Monáe

2024: Cynthia Erivo & Ariana Grande