News

Cristela Alonzo Announces ‘Midlife Mixtape’ Tour for 2026: Full Details

Trending on Billboard

Fresh off the heels of her third one-hour Netflix special, Upper Classy, actress and comedian Cristela Alonzo will embark on her multi-city Midlife Mixtape Tour beginning next January.

The North American tour showcase kicks off Thursday, Jan. 15 at Quezada’s Comedy Club in Santa Ana Pueblo, New Mexico, with additional stops in Chicago; San Diego; Houston; Scottsdale, Arizona; Spokane, Washington; and San Antonio, Texas before wrapping up in Las Vegas at the Westgate Resort on May 2.

Tickets will go on sale starting Friday at 10 a.m. local time. More information can be found at CristelaAlonzo.com

The tour will also land at the Moontower Comedy Festival in Austin, Texas, on April 9 and 10. Tickets for the festival, which are already on sale, can be found here.

A first-generation Mexican-American, Alonzo grew up in poverty in San Juan, Texas, learned English from watching TV, and in 2014 adapted her story into the ABC comedy Cristela, becoming the first Latina to create, produce and star in her own network sitcom.

Her latest Netflix special Upper Classy, which debuted in late September, recently landed in the streamer’s top 10 most-viewed programs, following her acclaimed hours Middle Classy and Lower Classy.

In October, Billboard contributor Joe Levy wrote of Upper Classy, “To say that Alonzo is in the tradition of observational comics who mine their life experience for comedy is to underestimate both her mastery of that tradition, as well as its impact on her.” 

Alonzo also voices Cruz Ramirez in Pixar’s Cars 3 and appears in the Hulu series This Fool. In 2019, she published Music to My Years: A Mixtape Memoir of Growing Up and Standing Up.

Cristela Alonzo: Upper Classy. Cristela Alonzo at the Majestic Theatre in Dallas, Texas.

Cristela Alonzo: Upper Classy. Cristela Alonzo at the Majestic Theatre in Dallas, Texas.

Lauren Smith/Netflix

Drake Gets ‘Max Offer’ to Perform at Rolling Loud ‘Every Year,’ Festival’s Co-Founder Says

Trending on Billboard

Rolling Loud co-founder Tariq Cherif says they’ve made the “max offer” to Drake to perform at the festival, but no dice.

In a livestream with Adin Ross and DJ Akademiks over the weekend, Cherif spoke about Rolling Loud headliners and took a minute to address why Drizzy hasn’t performed at the popular hip-hop festival.

“Yo, facts,” Cherif said at the 1:54 mark of the livestream, when the chat broached the subject of Drizzy headlining Rolling Loud. “I send an offer to Drake every year. … We send him our max offer, millions of dollars.”

Elsewhere, Cherif also said the artist formerly known as Kanye West is always welcome at Rolling Loud. “That’s my guy,” Cherif said. “I love Ye. Don’t let anybody tell you different. I love Ye, always. Whenever he wants to come, he’s welcome.”

Ye was infamously set to headline the Miami edition of the festival back in 2022, but pulled out at the last minute. He then returned in 2024 with Ty Dolla $ign, though the pair only played songs from their album Vultures 1.

The international hip-hop festival – which already has editions in California, Florida and Thailand – will debut its first festival in Mumbai, India, this weekend. Headliners include Central Cee, Wiz Khalifa, Karan Aujla and Don Toliver.

“We never imagined Rolling Loud would take us all the way to India — it’s incredible,” Rolling Loud co-founders and co-CEOs Matt Zingler and Tariq Cherif said in a joint statement. “The hip-hop scene in India has been booming, and bringing the festival to Mumbai felt like the right decision. We’re excited to create a space where Indian fans can celebrate the artists they love, while also introducing international acts to a new audience. For us, it’s always been about building community through hip-hop — and we can’t wait to experience how India shows up.”

Get weekly rundowns straight to your inbox


Sign Up

Will Northleaf Sell Its Spirit Music Catalog Containing Pete Townshend, T. Rex & More Assets?

Trending on Billboard

Spirit Music’s first catalog, which contains Pete Townshend’s publishing, T. Rex’s publishing catalog and masters, and Ingrid Michaelson’s music assets, might be coming up for sale, sources tell Billboard.

The catalog is currently owned by Northleaf Capital, which acquired it at some point since October 2021, when it provided $500 million in funding to Lyric Capital Group in a deal that was termed a “strategic alliance at the time. Lyric Capital was formed by Jon Singer and Ross Cameron, when they were still executives at Spirit Music, to buy Spirit Music and its catalog from original owner Pegasus Capital in 2018. Spirit Music is now the operational music company of Lyric Capital, and continues to serve as administrator for that catalog. 

Related

According to some sources, Northleaf received an unsolicited bid and, as a fiduciary for the institutional investors who invest in the fund that owns the Spirit catalog, it had to present that offer to the catalog’s shareholders to see if it should explore a sale. It sounds like the shareholders decided to see what the catalog could get on the open market — specifically, whether it could fetch a higher price than the unsolicited bid — because sources say Northleaf has hired Brian Richards and his financial firm Artisan to approach potential suitors to see if they would be willing to make a bid. Sources suggest that Northleaf is seeking $500 million or more.

The catalog coming up for sale was initially assembled by Spirit Music founder Mark Fried, who founded the company in 1995 and left it in 2014. Back then, the catalog included songs by James William Guercio, Graham Nash, and Marilyn and Alan Bergman. The catalog was supplemented by David Renzer, who served as Spirit Music Group CEO from 2014 to 2018 and, during his tenure, acquired the Cal IV Entertainment company and song portfolio, which may be the reason sources say the Spirit Music catalog up for sale has a strong country music presence. Although it’s unclear if the Cal IV catalog is part of the sale, when Spirit acquired it in 2014, its catalog included numerous country hit records, including Faith Hill’s “Breathe,” Keith Urban’s “Stupid Boy,” Tim McGraw’s “Watch The Wind Blow By” and Jason Aldean’s “Big Green Tractor.”

Related

When Billboard reported on Lyric Capital buying and recapitalizing Spirit Music in 2019, the catalog contained songs from such artists and songwriters as Billy Squier, Charles Mingus, Doc Pomus, Henry Mancini, Lou Christie, Louden Wainwright III, Marshall Tucker Band, Phil Coulter, Boz Scaggs, T Bone Burnett, Frank Rogers, Gregg Wattenberg, David Paich, Tim Hardin, and Richie Cordell, Jonny Coffer, Zach Crowell and James Bay. Again, it’s unclear if these songwriters and their music are included in the catalog up for sale. But at the time Lyric acquired Spirit Music, Billboard reported that the catalog was generating about $21 million in gross profit, or, in music publishing parlance, net publisher’s share, and that the deal supposedly carried a $280 million valuation, which at the time implied a 13.33 times multiple. 

When Lyric Capital came into the picture, sources suggested that it eventually became a significant majority owner of the first Spirit catalog, owning upwards of 95% or even more of the catalog, although sources suggest Lyric might still own a tiny sliver of it, in addition to retaining its role as the administrator following the Northleaf deal. Lyric Capital subsequently offloaded the backroom administrative functions to Downtown Music Publishing in 2024, although Lyric’s Spirit Music operation remains the official administrator and marketing force for the catalog’s music.

Related

Currently, sources suggest that the catalog is generating about $30 million gross profit, split between about 85% in net publisher’s share and about 15% in net label share from either owned recorded masters or recorded master royalties. If $500 million or more becomes the asking price for the catalog, at that amount of gross profit, that would imply Northleaf is seeking at least a 16.7 times multiple. However, just because Northleaf appears to be exploring a sale, that doesn’t mean it will sell. It will come down to what price the catalog can command from suitors and if the high bidder’s offer presents enough profit for the seller.

Beyond the first Spirit music catalog, Lyric Capital and its Spirit Music publishing arm remain active music investors, acquiring and managing music catalogs. In 2023, Lyric Capital raised $800 million to pursue further acquisitions. Recently, the Nashville arm of Spirit Music acquired select songs from singer-songwriter Hardy’s music publishing catalog while also signing the artist to a go-forward exclusive writing agreement with the firm.

Northleaf, Artisan and Spirit Music didn’t respond to requests for comment.


Billboard VIP Pass

CORTIS Call Billboard Chart Success ‘Surreal’ & Say ‘It’s Just the Beginning’

Trending on Billboard

Being part of HYBE’s conglomerate naturally puts artists in a position of visibility from day one. The company’s financial and structural size is undeniable, but in K-pop, where competition is fierce, money doesn’t buy talent or guarantee a lasting impact. With only two months in their career, CORTIS is attracting attention on its own merit.

With a sharp stage presence and charisma that breaks the rigid molds of the industry, the quintet formed by James, Juhoon, Keonho, Martin and Seonghyeon secured a prominent position among the year’s rookies with a lot of personality. Aged between 16 and 20, the young men form the first group launched by BIGHIT MUSIC in six years – after TXT in 2019 and BTS in 2013 – with the motto of being a creative team and self-producing.

The group’s first EP, Color Outside the Lines, was released on Sept. 8 and debuted at No. 15 on the Billboard 200 – the weekly ranking of the most popular albums in the United States. The project has been on the World Albums chart for 10 weeks. “It still seems surreal to think that we’re actually on the charts. We hadn’t even noticed. One day, our manager told us, ‘You’re on the Billboard chart!’ I was like… ‘Wait, really?’ And when I checked, we were at No. 15,” Martin tells Billboard Brasil in a video call for the new digital cover story. “It’s a matter of gratitude to our fans and listeners. I’m very grateful for all of this, and we want to continue growing and be remembered for a long time.”

For James, entering the charts has a positive impact on the group. “It represents a great milestone. And it’s just the beginning. We can only improve from here on out, and we’re working hard, as always, to make even better music.”

The success of their first EP raises expectations for CORTIS’ next steps. And they themselves acknowledge this. Martin describes the pressure as a responsibility that guides what they will do next. Seonghyeon admits that the pressure exists (“Without a doubt!” he says).

“The goal of the first project was to express our emotions, and that resonated with many people. Over these months, we’ve changed. With the second album, we’re thinking: ‘What do we have to say now?’ What story will we tell the fans, and how will we remain as authentic as possible? That’s the goal,” says James.

Even though they’ve only recently debuted, they already have thousands of fans in Brazil. On social media, they went viral for their passion for açaí and for reading the Brazilian nickname of their fandom, “Cortinas” (curtains in Portuguese), during a recent livestream. When asked about their interactions with the Brazilian audience, the question generates a slight commotion, and they speak at the same time.

“It’s incredible [to receive messages from Brazil],” says Keonho. “I can’t wait to visit Brazil,” says Juhoon. “We are big fans of Brazilian culture, especially the festivals [like Carnival]. We want to go to Brazil to do a show,” adds Martin. “We know you guys are fun,” adds James. “We know about açaí, we need to try it [in Brazil],” completes Seonghyeon.

The contrast between who CORTIS was before their debut and who they are today is discussed during the chat. For Martin, the biggest change is emotional. “It’s difficult because we’ve changed a lot since last year,” says the rapper. “When we were working on the album, nobody knew us. Now, we have fans and when we go out, people recognize us at the convenience store and everywhere. I’m enjoying the moment and very happy to see the reactions to my music.” For Keonho, the main difference is part of maturing. His biggest change? “My voice [laughs], the range of my voice.”

They seem to handle the group’s rapid rise well. James explains that, as cliché as it may sound, what keeps them grounded is remembering why they started. “I think we’ll never forget that. Although we have many different things happening along the way, ultimately, the reason we do this work is that we love music, and we love expressing ourselves in our unique way.”

Daily rituals like riding bikes, strolling in a park, listening to music, and playing basketball help the members deal with personal doubts and growing up in the public eye. They often talk about “embracing their awkward sides,” laughing at their own embarrassment to evolve, and using creativity as a way to discover who they are. “Over time, I’m starting to understand who I am. Now I know what I really love to do, what my musical taste is, what my taste is. This is making my personality more vivid and distinct,” says Juhoon.

“I think that accepting yourself in every way is also an important point, even your weird sides,” James says. “There’s a saying that goes ‘to be cringe is to be free’. It’s a great phrase. If you want to improve at something, you need to feel uncomfortable. You need to be ashamed of yourself to gain confidence. And I think that’s the mentality we bring to the music.”

“We’re still teenagers, and we’re growing up,” Martin adds. “Finding our style in music or visuals is like finding ourselves, investigating ourselves.”

CORTIS

CORTIS

Courtesy Billboard Brasil

Puzzle Pieces

Their individual stories reinforce the discourse of self-worth. Keonho uses the competitive mind-set from swimming to evolve as an artist, always focusing on surpassing himself. Seonghyeon moved to Seoul at a young age to be a trainee, and the process never intimidated him – it only motivated him more. Juhoon, on the other hand, sees his diverse background in sports, studies and fashion as a foundation that helped him better understand his abilities.

The quintet’s leader Martin is Korean-Canadian and spent six years working toward their debut in September. In addition to producing CORTIS’ music, he composed singles for other HYBE groups – such as “Magnetic” (ILLIT), “Deja Vu” (TXT), “Pierrot” (LE SSERAFIM) and “Outside” (ENHYPEN).

“To be honest, when I start to lose confidence or doubt myself, I try to focus on small things. I play basketball, ride my bike, do something fun, go for a walk, and listen to music,” says Martin. “It’s a goal I want to have. To remember that [music] is something I really want to do for the rest of my life, that I really love, and that I do it for fun. That’s why I chose this path. I never doubted myself, I never wanted to be anything else. So, trusting myself and finding small hobbies helps me distance myself from those insecure thoughts.”

James is Thai-Chinese. He was born in Hong Kong but grew up in Taiwan. He was a trainee for about five years before debuting with CORTIS. Besides choreographing and composing for his group, he was a backup dancer for Jung Kook (BTS) and also wrote for other groups like ILLIT and TXT.

“In general, my tastes and preferences are quite broad… To be honest, even food. Growing up in different countries, going back and forth between them, always encouraged me to try new things. It opened me up to new experiences and I think that really helped me discover new music, movies, and see things I had never seen before,” says James. “Was it difficult moving around so much?” I ask the singer. “No, but it’s difficult when part of the family speaks one language and the other half speaks another… You’re in the middle and become the link that speaks all the languages ​​and has to adapt every second.”

Juhoon was born in South Korea. A sports prodigy, he excelled in basketball and soccer. He was a child model and learned English at an international school. As a trainee preparing to debut with CORTIS, he underwent got classes and training for less than two years.

“Every moment influenced me in some way, and all these experiences made me who I am,” says the singer. “Playing sports taught me to be competitive, and at school I learned to communicate. Fortunately, I had the opportunity to explore various things and always focused on how much I enjoyed each one. I tried to discover what interested me, and that’s how I got into music.”

South Korean Seonghyeon was recruited on his birthday in 2018 while strolling through an amusement park. He is credited as a composer on all tracks of CORTIS’ EP: “What You Want,” “GO!”, “Joyride,” “Fashion” and “Lullaby.”

“When I moved to Seoul to be a trainee, it wasn’t very difficult. I really enjoyed the process, and my mother encouraged me by telling me to try,” recalls Seonghyeon. “The more I trained, the more interested I became. I want to be someone cool. Someone who is laid-back inside and out, and good at what they do, with confidence. I’m still figuring out what ‘cool’ means, but I hope to keep learning as I grow.”

Keonho spent three years as a trainee. The South Korean singer was a swimmer and participated in championships in the country before deciding to pursue a career in music. He also composed tracks for CORTIS’ first release.

“I learned that the real competition isn’t with others, but with yourself. And I think I always want to maintain that mindset and keep striving,” says Keonho, who smiles a lot. “I thought about it a lot because I wanted to be a swimmer and be part of the group. But my parents advised me: ‘It’s good to try new things, so why don’t you give it a try?’ I followed their advice and fulfilled my dream of becoming an artist. I’m really enjoying it.”

CORTIS’ members share the stage and also the dorm. They live together in Seoul and receive support from a dedicated team. The backstage routine also becomes content on their YouTube channel. “We grew closer naturally while preparing for our debut and also composing music. We live together 24/7,” says Seonghyeon. “Is it difficult living together?” I ask. “Yes, sometimes, but it’s fun. We usually resolve things by talking. For example, when it comes to washing dishes, we have a rule that each person washes their own after using them. This keeps things simple and fair.”

The advice they received from other artists also helps shape the group’s work. James keeps the phrase “one step at a time” as a mantra, a phrase he got from Teezo Touchdown’s autograph on a pair of sneakers.

“That’s my phone’s background. It always reminds me not to rush, and that sometimes you really don’t know what to do and end up rushing everything. You need to go slowly, one step at a time, and focus on what’s coming next,” says James.

“The most important thing for me is the passion and intensity I have on stage. I want every performance to have the same passion and intensity as the first time. It’s on stage where I feel most free. I want to remember that in the future, even if some days I’m not feeling well.”

Martin cites his meeting with the BTS members: remaining humble, caring for the team, keeping the passion alive even in the face of difficulties.

“They said, ‘Always be grateful and humble.’ And they also told us to take good care of the people around us, especially the team and those we will be working with for a long time. ‘Take good care of them, treat them with kindness, and keep the passion and energy alive. Even if big challenges arise, just keep persevering and enjoy the process.’ That’s what they said, and that’s how we’re living, day after day,” says Martin. CORTIS hasn’t gone on tour yet, but the “cortinas” in Brazil are already waiting for them with plenty of açaí.

This article was written by Isabela Pacilio for Billboard Brasil

Charli xcx Can’t Break Free From the ‘Chains of Love’ in Stunt-Filled Music Video for ‘Wuthering Heights’

Trending on Billboard

Charli xcx reaches new heights — and not the wuthering kind — in the music video for her new song, “Chains of Love,” pulling off a number of gravity-defying stunts from way high up.

The monochromatic visual posted Monday (Nov. 17) finds Charli in a white dress and boots, dancing atop a large white dining table in a luxurious hall. Flipping her hair and writhing around in pain and ecstasy, the singer dodges plates and cutlery that fly at her face while battling mysterious, paranormal forces that throw her around. At one point, the long table tips over, forcing her to hang on for dear life while suspended many feet in the air.

“Shattering like glass/ Yes, they’re breaking up my heart/ The chains of love are cruel,” she sings. “I shouldn’t feel like a prisoner/ My face is turning blue/ I can’t breathe without you here.”

Following “House,” “Chains of Love” marks the second song and video Charli has created for Emerald Fennell’s Wuthering Heights film adaptation. Sharing a clip of the new visual on Instagram, the musician gushed of the partnership, “I’m here so permanently…”

Charli’s work on Wuthering Heights will eventually culminate in a full concept album of the same name, which will drop one day before the film’s premiere on Valentine’s Day next year. The adaptation stars Jacob Elordi as Heathcliff and Margot Robbie as Catherine, the two star-crossed lovers from Emily Brontë’s classic gothic romance.

“Chains of Love” dropped a few days prior to its musical video and soundtracked the first proper trailer for Fennell’s film.

In a recent post on Substack, Charli explained that she’s been loving immersing herself in the world of Wuthering Heights as a musical release, rather than focusing at all on topping the success of her 2024 breakout album Brat. “I wanted to dive into persona, into a world that felt undeniably raw, wild, sexual, gothic, British, tortured and full of actual real sentences, punctuation and grammar,” she wrote. “Without a cigarette or a pair of sunglasses in sight, it was all totally other from the life I was currently living.”

“This collection of songs is an album, and sure, my name’s on the credits, but is it a Charli xcx album?” she added at the time. “I don’t even know. Nor do I really care to find out.”

Watch Charli’s new music video for “Chains of Love” above.


Billboard VIP Pass

Pusha T & Virginia Williams Preparing To Welcome Another Son

Louis Vuitton: Photocall - Paris Fashion Week - Menswear Spring/Summer 2026
Source: Olga Gasnier / Getty

Pusha T and his wife, Virginia Williams, might have to “Let God Sort ‘Em Out” when it comes to these bedtime schedules, because baby #2 is on the way. 

Virginia went to social media to announce the news with a photo of her holding her baby bump, writing, “2nd masterpiece on the way… God is good.” This is the second baby for the power couple. Their firstborn, Nigel Brixx Thornton, has made it clear he wanted a sibling, according to King Push. Well, his wish is coming true; Nigel has a sibling on the way.

Push followed up Wifey’s post with his own, giving her and Nigel a heartfelt message, “Nigel, you ask and you shall receive…but this time it was mommy who made it happen. She prayed day and night, she struggled with disappointments, but she never gave up on your wishes. You are gonna owe her big time!!”

Also adding a special thank you to his queen, “@Babyginny, thank you for my second baby boy…I hope you carry on with tradition and never teach me how to change a diaper, prep a meal, suck out a snotty nose, or anything else a Supermom does. You make things very easy for me, and I love and appreciate you for it all.”

Ending the message by confirming that they are expecting their baby boy in Spring 2026. Baby push is on the way.

The Game Says He Regrets His ‘Womanizing’ Dating History: ‘It Was Just an Exchange’

Trending on Billboard

The Game has opened up about his dating past and expressed regret over the way he handled some of his relationships.

Game sat down with Snoop Dogg, Big Boy, Matt Barnes, and Deon Cole for Kirk Franklin’s latest Den of Kings episode. At one point, Game started reflecting on the women he did wrong.

“Sometimes, like when I was in my 20s and my 30s, it was just an exchange,” he said during the conversation. “It was, ‘Hey, hey, I’m giving you this. We’re having our moment and I’m going to get back to my life. You get back to yours.’ No emotions ’cause you’re young. Everybody’s got their whole life ahead of them.”

Explore

See latest videos, charts and news

He continued: “When you get in your 40s, man, you start feeling like you’re womanizing, and I’m taking emotions home with me, or she’s taking emotions out the door with her if you are, you know, living that type of lifestyle.”

The rapper went on to explain how he used to date carelessly because of his youth. “When you’re young and you’re dealing with a young woman, ain’t nobody tripping. It’s all good,” he said. “But when you’re older and you know that that woman has trauma from her past relationship and all of that … dinner is cool, going out on the date is cool. But then once you start getting intimate with people and you know for sure that they are invested in you even a little bit, and you know you ain’t talking to this person after tomorrow…”

The Game used to be engaged to Tiffney Cambridge, the mother of two of his children. He and podcast host Shaniece Hairston most recently welcomed a child together last December.

Check out the full episode below.


Billboard VIP Pass

Get weekly rundowns straight to your inbox


Sign Up

Dasha Becomes the Second Solo Female Country Artist to Join Spotify’s Billions Club

Trending on Billboard

Just two years after singer-songwriter Dasha released her breakthrough hit “Austin (Boots Stop Workin’),” the dance-fueled song has surpassed one billion streams on Spotify, joining the streaming service’s Billions Club.

Explore

See latest videos, charts and news

In reaching the milestone, Dasha becomes just the second solo female country artist to ever reach the milestone, after global superstar Taylor Swift.

“I still can’t wrap my head around this. ‘Austin’ changed my life, and now just two years after I put it out on my own … it’s officially hit a billion streams on Spotify,” Dasha said in a statement. She added that joining Swift, a woman she says “inspired me from day one,” as the only female solo country star to reach the milestone was “completely surreal.”

“All I’ve ever wanted is to make music that helps people feel like the strongest, most badass version of themselves,” she concluded. “‘Austin’ was written in pure rage, but it somehow turned into this beautiful source of community and empowerment. I’m the luckiest girl in the world. I have the best team, the best family and friends, and now a billion streams on my first breakout song … that’s the juiciest cherry on top.”

This is the latest career milestone Dasha has reached this year, after earning an ACM Awards nomination for best new female artist, and performing on the Mane Stage during the Stagecoach Festival. Over the past two years, she’s headlined her world tour Dashville USA, and performed on Dick Clark’s New Year’s Rockin’ Eve and the Macy’s Thanksgiving Day Parade.

“Austin (Boots Stop Workin’)” rose to the top 20 on the Billboard Hot 100, and into the top 10 on the Country Airplay chart. She’s followed with songs including “Not at This Party.” In October, she also released her EP Anna, which included the tender track “Train.”
 

 
 
 

Get weekly rundowns straight to your inbox


Sign Up

The Absolute Best Taylor Swift Songs to Use for the First Dance at Your Wedding: Staff Picks

So, they knelt to the ground and pulled out a ring. Now it’s time to pick some music.


Trending on Billboard

Taylor Swift is not the kind of a girl who rudely barges in on white-veiled occasions — but she is the kind of musician who pens songs that are perfect for them.

From uptempo, family-friendly dance-floor bangers like “Shake It Off” and “Anti-Hero” to generational love songs such as “Love Story” and “Cruel Summer,” much of Swift’s catalog wouldn’t be out of place on any DJ’s wedding playlist. But the most important track for any reception is arguably the song that plays during the traditional first dance, with brides and grooms typically opting for music that’s romantic, optimistic and special to their story as a couple.

Luckily, the pop star also has plenty of tracks that fit that criteria specifically, whether on her 2006 self-titled debut album, her 2025 The Life of a Showgirl LP or just about every other album she’s released in between. Swift has more than established herself as one of the most prolific love-song writers of all time — and in honor of the maestro herself getting engaged to Travis Kelce, Billboard is rounding up all of the gems in her discography that are perfect for newlyweds’ first boogie after saying “I do.”

Below, you’ll find a wide variety of options. Some are softer and more suited for slow dancing, while others are faster-paced, in case any future wedding-havers out there would rather switch things up and fully let loose with their brand new spouse for all their friends and family to watch. Whichever vibe you’re looking for, Billboard also listed the BPM of each song so that you can shop by tempo and even practice stepping along in the weeks leading up to your big day, if you’re so inclined.

As Swift narrows down her own first-dance song choice with Kelce, check out Billboard‘s picks for the best first-dance songs she’s written below.


Billboard VIP Pass

King Combs Shares New Video for Kim Porter Tribute Track Produced by Ye: ‘I Know You’re in Heaven’

Trending on Billboard

Diddy‘s son King Combs has dropped a new video for his new song “Kim,” which honors his late mother Kim Porter and is produced by Ye.

The two-minute, Kaito-directed visual dropped on Sunday (Nov. 16) and contains haunting clips of King Combs crying, holding a rifle and painfully running in slow motion, among other recreative visual flashes of Combs as a child. All the while, Combs spits a few bars in a distorted baritone about his late mother’s passing.

“Kim, I love you, mama. Things ain’t been the same here without you, mama,” Combs spits. In a heartfelt post on Instagram, Combs said he wanted to “honor” his mother’s memory with his new video.

Explore

See latest videos, charts and news

“I miss you so much, Mommy,” he wrote. “Not a day goes by that I don’t feel your love watching over us. Today will forever mean something deeper, and I wanted to honor you with this video. I know you’re in Heaven, proud of everything we’re becoming. I love you forever.”

The new visual comes after Ye and Puff’s son dropped their Never Stop EP back in June. Ye served as executive producer, and North West — his eldest daughter with ex-wife Kim Kardashian — is featured on the song “Lonely Roads.” Another track that gained attention was “Diddy Free,” which includes the chorus, “N—as ain’t goin to sleep ’till we see Diddy free.”

In an interview with Billboard about the EP, Combs reflected on how Ye reached out to him during his father’s criminal trial, which concluded with Diddy being sentenced to over four years in prison for prostitution-related crimes and said the embattled rapper had reached out during “probably the worst times in my life.”

“He reached out to lend support and we talked about a Sean John collab,” Combs explained. “A lot of people may not know, we’ve been was gonna do a Sean John collab. Then we were gonna work on some music and stuff, but we never got a chance to. So, we started talking about the Sean John collab and he said he wanted to do a five-song EP with me. And then from there, I was like, ‘Yo, it’s no brainer, of course.; And we just made it happen.”

Check out the video below:


Billboard VIP Pass