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The Best Dupes: 6 Affordable Alternatives to Must-Have Beauty Products

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Shopping for dupes of your favorite beauty products? It’s easy to get lost in the rabbit hole of seemingly endless product recommendations and tutorial videos. To save you the time of scrolling through TikTok, Twitter, Instagram, Reddit, YouTube and other platforms, we’ve put together a budget-friendly starter pack of alternatives to luxury products from popular brands such as Olaplex, Dior, Dyson and other brands.

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Below, find a handful of the best beauty product dupes that you can buy online.

Dior Addict Lip Glow Oil: Best Alternatives

Dior Addict Lip Glow Oil is beloved among beauty fanatics and anyone who appreciates a glossy lip. Available raspberry, cherry, mahogany, coral and other shades — this luxury lip oil is designed to nourish, protect and revitalize your lips.

Dior

Dior Addict Lip Glow Oil

$38

If $38 is a bit too steep for your lip gloss budget, there are affordable substitutes floating around the web. For example, you might have seen Sea-Maid Lip Oil ($9.99) on TikTok. It’s as a cheaper alternative to Dior’s lip oil and the packaging looks somewhat similar.

Amazon

Sea-Maid Plumping Lip Oil

$9.99 $13.99 29% OFF

According to the product description, this dewy lip oil is made with cocoa butter, beeswax and essential oils, and it’s available in cherry, coral, raspberry and rosewood.

If you prefer a balm to lip oil, alternatives to Dior Addict Lip Balm include Cover Girl Clean Fresh Tinted Lip Balm ($6.99) and L’Oreal Paris Glow Hydrating Lip Balm ($6.98).

Best Dyson AirWrap Dupe

Make no mistake about it, the Dyson AirWrap is a game changer! It’s engineered for multiple hair types and comes with several attachments, but if you don’t have $600 to spend on this amazing hair tool, you can always shop for alternatives.

Dyson

The T3 Air Brush Duo ($189) is a good substitute for the Dyson AirWrap at a more affordable price point and it works similarly.

Amazon

T3 AireBrush Duo Interchangeable Hot Air Blow Dry Brush with Two Attachments

$189.99

The hair tool features an interchangeable brush design and T3 IonFlow technology for shiny, frizz-free hair, plus it has 15 heat speed combinations. Need something even cheaper? Try Revlon’s 6-in1- Hair Brush and Volumizer ($59.99).

Best Dupes for Olaplex Shampoo, Conditioner & Hair Mask

Olaplex

Olaplex No. 4 Bond Maintenance Shampoo

$30

If you have dry, damaged hair, Olaplex might be right up your alley — but maybe not in your price range. The all-natural, ultra-hydrating shampoo and conditioner utilizes a patented system that repairs and protects hair making it shinier and easier to manage.

Olaplex products range in price from $15 for the smaller, three-ounce bottles and $30 for an eight-ounce bottle. Because Olaplex is one-of-a-kind, you might not find an exact “dupe,” but you can save money on alternatives like Elizavecca Cer-100 Collagen Protein Treatment ($7), which is one of the more popular dupes that we found online and an alternative to Olaplex No. 8 Bond Intense Moisture Mask ($30).

Amazon

Elizavecca cer-100 collagen coating hair protein treatment 100ml

$7.62

A few other alternatives for Olaplex (No. 3 and No. 4) include, OGX Restoring + Bond Treatment, Maui Moister Shine + Awapuhi Conditioner ($10.49), pH Plex 1 Protect and Repair Kit ($4.95) and L’Oreal EverPure Bonding Shampoo and Conditioner ($17.98).

Tatcha Dewy Skin Cream: Best Alternatives

Tatcha

Tatcha Limited Edition Dewy Skin Cream

$85

Tatcha’s best-selling Dewy Skin Cream moisturizes, replenishes, plumps and hydrates the skin. It’s packed with antioxidants and Japanese purple rice to give your skin that dewy glow.

A full-sized container of Tatcha Dewy Skin Cream can cost you $70-$85. Don’t have that much to spend? Try these alternatives: Bliss Ex-Glow Super Rich Face Moisturizer (from $22 and up), Innisfree Green Tea Moisturizer ($29) and Elf ultra-hydrating skin cream ($13.00).

Amazon

Bliss Ex-Glowsion Face Moisturizer

$21.93

Bliss Ex-Glowsion is described as a “velvety, skin-brightening cream” with stabilized vitamin C that transforms skin from “dry and lackluster to dewy and luminous” within seconds.

Sol de Janeiro Bum Bum Cream: Best Alternatives

All the rumors are true! Sol de Janeiro Bum Bum Cream is worth every penny. Bum Bum Cream nourishes, tightens and replenishes the skin. It offers deep hydration thanks to rich antioxidants like guaraná extract, açaí oil and brazil nut oil.

Sol de Janiero

Sol de Janiero Brazilian Bum Bum Cream

$48

Bum Bum Cream can cost anywhere from around $22 for a small, 2.5-ounce bottle and $48 for the eight-ounce bottle. Want a cheaper option? There are a good number of rich, creamy body butters out there like The Body Shop Almond Milk Body Butter ($7). This vegan, body butter is available in over a dozen flavors including almond milk, mango, shea and British rose.

Amazon

The Body Shop Almond Milk Butter

$7.00

For additional body butters that are comparable to Bum Bum Cream, try Pistaché Skincare Whipped Body Butter ($28), Burt’s Bees Hydrating Moisturizing Cream with Aloe and Rice Milk ($21.43), Soap & Glory The Righteous Body Butter Moisturizing Body Butter ($13.99) and NIVEA Soft Moisturizing Cream ($9.97).

Bacarat Rouge 540: Best Dupes

Bacarat Rouge 540 is one of the most timeless, and beloved scents in the fragrance world. The woodsy but sweet fragrance blends notes of jasmine, saffron, cedarwood and ambergris, and it can cost you up to $625.

Nordstrom

Bacarat Rouge 540 Eau de Parfum

$325-$625

Need more affordable scents? Orientica Amber Rouge and Lattafa Ana Abiyedh Rouge ($27.99) are two alternatives that you’ll find on TikTok and other social media platforms.

Amazon

Orientica Amber Rouge for Women Eau de Parfum Spray, 2.7 Ounce

$67.74

Both feature similar notes to Bacarat Rouge: jasmine, amber wood, saffron, musk, cedar and more. Ariana Grande’s Cloud Eau de Parfum ($65) has also been named as an affordable alternative to the luxury fragrance.

Here’s How You Pronounce Kylie Jenner & Travis Scott’s Son Aire’s Name

Nearly a year after giving birth to her son with Travis Scott, Kylie Jenner revealed this weekend that he’s named Aire Webster — and now she’s letting fans know how to pronounce the unique name too.

“Do you think it’s pronounced air or airey?” one Instagram fan account asked of the moniker, which means “Lion of God” in Hebrew. Well, the Kylie Cosmetics mogul decided to drop into the comments section to officially set the record straight. “AIR,” she wrote in all caps with a single red-heart emoji.

The grand unveiling of baby Aire’s name came over the weekend along with the very first photos of the little man’s adorable face. The big reveal earned the tot plenty of famous fans, with everyone from Rosalía and SZA to Chloe Bailey and Hailey Bieber cooing over him in the comments section on Jenner’s post.

Upon his February 2022 birth, Jenner and Scott originally announced their son would be named Wolf but retracted the decision weeks later after thinking it over. (“FYI our son’s name isn’t Wolf anymore,” the Kardashians star wrote on her Instagram Stories at the time. “We just really didn’t feel like it was him. Just wanted to share because I keep seeing Wolf everywhere.”)

In November, Aire’s famous dad was enlisted by pal Future to direct the music video for his newest single “712PM.”

Check out Jenner’s lesson on how to pronounce Aire in the Instagram post below.

Ticketmaster Plans to Blame Scalpers for Taylor Swift Debacle at Senate Hearing

Don’t expect Live Nation’s Joe Berchtold to be quoting Taylor Swift’s “Anti-Hero” during the Senate Judiciary Committee hearing on ticketing Tuesday. Unlike the pop star’s “I’m the problem it’s me” chorus-turned-meme, the company’s president and CFO plans to take aim at who he says are the real culprits behind Swift’s disastrous Nov. 15 presale — scalpers.

While the Live Nation-owned Ticketmaster was villianized for weeks following the presale for Swift’s upcoming The Eras tour that both broke single-day sales records and threw fans into a fury over service issues, according to a prepared opening statement reviewed by Billboard, Berchtold plans to lay much of the blame on scalpers who used illegal bots to attack the online sale. The statement, to be delivered Tuesday in Washington, D.C., to the committee led by ranking member Dick Durbin (D-Ilinois), details Ticketmaster’s ongoing “arms race” against scalpers illegally using autonomous software to disrupt and attack high profile ticket sales. Country music legend Garth Brooks is lending his support to Berchtold’s testimony as well, with a letter defending Ticketmaster and attacking ticket scalpers who use illegal methods to buy up tickets.

“We knew bots would attack [Swift’s] onsale, and planned accordingly,” reads Berchtold’s planned statement. “We were then hit with three times the amount of bot traffic than we had ever experienced, and for the first time in 400 Verified Fan onsales they came after our Verified Fan access code servers. While the bots failed to penetrate our systems or acquire any tickets, the attack required us to slow down and even pause our sales. This is what led to a terrible consumer experience that we deeply regret.”

Following the Nov. 15 presale, Ticketmaster eventually canceled its general onsale for the remaining 170,000 tickets to Swift’s tour. In December, the company announced a new strategy to sell the passes over the course of four weeks and recently concluded that effort. At the time, the company said “historically unprecedented demand” caused the failure, but blamed bots then, too — saying, 14 million fans and more than 3 billion bots hit the site. That excuse did little to satisfy the more than 100,000 fans who kicked out of line during the bot attack, and even the singer spoke out blaming the company. With many fans calling for Ticketmaster’s punishment, Berchtold also plans to apologize directly to Swift and her followers.

“As we said after the onsale, and I reiterate today, we apologize to the many disappointed fans as well as to Ms. Swift,” his statement reads.

While Berchtold notes Ticketmaster “accepts its responsibility to be the first line of defense against bots in this ever- escalating arms race,” he intends to shift the hearing’s focus to policy changes that could tamp down on scalpers.

“In this forum where we are here to discuss public policy, we also need to recognize how industrial scalpers breaking the law using bots and cyberattacks to try to unfairly gain tickets contributes to an awful consumer experience,” his statement reads. “We are doing everything we can to fight the people who attack our onsales and steal tickets meant for real fans, but we need help passing real reforms to stop this arms race.”

Brooks, in his statement, supports this notion.

“The crush of bots during an on-sale is a huge reason for program failure NO MATTER WHO THE TICKET SELLING COMPANY is,” writes the country icon in his letter addressed to Congress. “And the one who ALWAYS pays for this atrocity is the customer, the LAST one on whom that burden should fall.”

Brooks notes in his letter that he forced Dallas Cowboys owner Jerry Jones to allow him to use Ticketmaster to sell tickets to his April concert at AT&T Stadium, instead of SeatGeek which held the exclusive contract to ticket the stadium.

“I had grown to love and trust the people at Ticketmaster so much,” he explained in his letter, noting, “this was not because of Ticketmaster, but a choice I made.”

Berchtold will be joined on the witness stand by SeatGeek chief executive Jack Groetzinger and longtime Chicago promoter Jerry Mickelson with JAM Productions, along with recording artist Clyde Lawrence and representatives from the James Madison Institute and American Antitrust Institute.

Ticketmaster officials are expecting a pile on, both from Congress and the other testifying witnesses. SeatGeek has filed a number of complaints against Ticketmaster with the Department of Justice for alleged anti-trust violations, and Mickelson testified before Congress in 2010, condemning the merger between Live Nation and Ticketmaster. While company officials aren’t expecting any standing ovations, Berchtold’s testimony will be an important preview of the company’s framing of the challenges facing the business over the next couple of years and promises to be the most detailed defense of Live Nation by an executive in its 18-year history.

Sen. Amy Klobuchar (D-Minnesota) originally called for this hearing in response to public anger over the technical failures of the Taylor Swift Eras ticket sale. But the witness list and the name of the hearing, “That’s the Ticket: Promoting Competition and Protecting Consumers in Live Entertainment,” released Monday (Jan. 23) suggest that the hearing is more likely to focus on long-simmering dissatisfaction over the 2010 consent decree governing the merger of Ticketmaster and Live Nation. That consent decree has had mixed success creating a level playing field for competition in the ticketing business, and critics consider it a failure because it didn’t prevent Ticketmaster from becoming the dominant ticketing company it is today.

“We hear people say that ticketing markets are less competitive today than they were at the time of the Live Nation-Ticketmaster merger. That is simply not true,” reads Berchtold’s statements, claiming Ticketmaster’s market share has decreased since the DOJ estimated it held 80% of the market in 2009.

At the time, Ticketmaster “did not face the level of competition we face today from new competitors including SeatGeek, AEG’s AXS, and Eventbrite, along with established competitors including Tickets.com and Paciolan,” Berchtold continues. “Today, there is intense competition for every ticketing contract that goes out to bid — far more than there was in 2010. Ticketmaster has lost, not gained, market share, and every year competitive bidding results in ticketing companies getting less of the economic value in a ticketing contract while venues and teams get more. The bottom line is that U.S. ticketing markets have never been more competitive than they are today, and we read about new potential entrants all the time.”

Berchtold plans to present the threat posed by bad actors and malicious software as an issue both the government and the private sector must address together. The strategy shifts part of the criticism for the Taylor Swift ticket debacle onto the Senate — which unanimously voted to pass the BOTS act in 2016, effectively outlawing automated ticket-buying technology. Since its passage, the law has only been enforced twice by the FBI and the Federal Trade Commission, despite pleas from Ticketmaster officials that bot attacks on high profile ticket sales are increasing in frequency and complexity, sources tell Billboard. Berchtold also plans to detail how the company has spent more than $1 billion developing technology to prevent bot attacks on the company’s ticket sales using software like Verified Fan and digital ticketing.

A ‘blame the bots’ strategy is not likely to satisfy the members of the Senate Judiciary committee, which include such conservative and liberal firebrands such as Ted Cruz (R-Texas), Josh Hawley (R-Missouri), John Kennedy (R-Louisiana), Diane Fienstein (D-California), Corey Booker (D-New Jersey) and Richard Blumenthal (D-New Jersey). Anti-Ticketmaster sentiment and criticism of the 2010 merger between Ticketmaster and Live Nation is one of the few issues of bipartisan agreement on Capitol Hill.

Berchtold will end his testimony laying out calls to action he believes Congress can take to combat bad actors in the ticketing industry: First, is empowering private parties like Ticketmaster to bring civil actions against ticket sellers who knowingly sell tickets obtained by bots. Second, Berchtold believes Congress should act to outlaw deceptive sales practices like speculative ticket sales “offering for sale tickets you don’t own or have an existing right to obtain,” or deceptive sites that mislabel themselves as “the official” ticket seller for shows they aren’t contracted to work with.

The Senate Judiciary Committee’s “That’s the Ticket: Promoting Competition and Protecting Consumers in Live Entertainment” begins at 10 a.m. EST on Tuesday. Click here to watch the hearing live.

Stevie Nicks Extends 2023 North American Tour With Solo Dates: ‘Surprise!’

Stevie Nicks has some big plans for 2023. The Fleetwood Mac singer first announced tour plans — a small series of co-headlining shows alongside Billy Joel — back in November, and she received so much enthusiasm from fans, she revealed Monday (Jan. 23) that she’s chosen to extend the run of previously announced dates.

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“Surprise!” Nicks wrote on Instagram, sharing the official tour poster — a photo of her in a black top hat and matching sheer veil, the tour dates below her — to her Instagram. “Tickets for my 2023 tour go on sale Friday at 10am local time. Which show will we see you at?”

After a March 10 co-headlining show with Joel in Los Angeles, Nicks’ solo trek will officially begin March 15 at Seattle’s Climate Pledge Arena. The White Witch will make stops in Las Vegas, San Francisco, New Orleans, Toronto, Chicago and more before concluding at Louisville’s KFC Yum! Center on June 27.

As for the Grammy winner’s co-headlining dates with the Piano Man, she’ll do nine dates separate from her own solo trek, which are further detailed in her Instagram post.

See Nicks’ new 2023 North American tour dates below.

STEVIE NICKS 2023 TOUR DATES

  • Wed Mar 15 – Seattle, WA – Climate Pledge Arena
  • Sat Mar 18 – Las Vegas, NV – T-Mobile Arena
  • Thu Mar 23 – San Francisco, CA – Chase Center
  • Sun Mar 26 – Sacramento, CA – Golden 1 Center
  • Thu Mar 30 – Oklahoma City, OK – Paycom Center
  • Sun Apr 02 – New Orleans, LA – Smoothie King Center
  • Wed Apr 05 – Birmingham, AL – The Legacy Arena at BJCC
  • Fri May 12 – Raleigh, NC – PNC Arena
  • Tue May 16 – Knoxville, TN – Thompson-Boling Arena
  • Mon May 22 – Atlanta, GA – State Farm Arena
  • Thu May 25 – Orlando, FL – Amway Center
  • Tue Jun 20 – Toronto, ON – Scotiabank Arena
  • Fri Jun 23 – Chicago, IL – United Center
  • Tue Jun 27 – Louisville, KY – KFC Yum! Center

10 Cool Pop Songs to Get You Through the Week: Caroline Polachek, TWICE, Overcoats & More

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These 10 tracks from artists including TWICE, Caroline Polachek, Overcoats, Alison Goldfrapp and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.

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TWICE, “Moonlight Sunrise”

2021 saw K-pop darlings TWICE release their first-ever English single, “The Feels,” which notably charted at No. 83 on the Billboard Hot 100 following its release. Now, the girl group is back with their second stab at an English release with “Moonlight Sunrise”; the track sees members Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung and Tzuyu demanding ’round the clock affection and attention from their lovers against a backdrop of bouncy synths and subtle trap beats (Dua Lipa & Megan Thee Stallion’s “Sweetest Pie” comes to mind). The girls also step more into their mature sides, delivering lines like “baby, let’s do it all night” with a certain cheekiness. – Starr Bowenbank

Caroline Polachek, “Welcome to My Island (George Daniel & Charli XCX Remix)”

Caroline Polacheck’s “Welcome to My Island” was a serene, at times bubbly, look into isolation, but with the newly released George Daniel (The 1975) and Charli XCX remix of the track, the isolation turns into an all-out dance party filled to the brim with rave-ready instrumentation. Charli spits on the track, asserting her relationship demands, sexual prowess and love for expensive, luxury goods while Polachek’s pitched-up vocals add another dash of dopamine. – S. Bowenbank

Eli Smart, “Done Me” 

This breezy, whistling tune from newcomer Eli Smart is a refreshing take on beachy pop-rock, as he repeatedly questions, “What have you done to me?” But with production this catchy and lighthearted, it seems he’ll recover just fine. As the Hawaii-born singer-songwriter said in a statement, “The tune came very naturally, and we just danced around my room … it gave us a version of the sunshine we were yearning for.” — Lyndsey Havens

Raine, “Never Tell”

“Never Tell” is just as intriguing as its maker; little is known of emerging singer-songwriter Raine, other than her age (19) and home base (Los Angeles). The single plays out like a colorful and winding staircase, introducing new tempos and beats at every turn. All the while, Raine’s crisp and inviting voice is what guides listeners along — even through the sudden pauses — ensuring no one will get lost on the unexpected journey that is “Never Tell.” — L. Havens

Ashley Kutcher, “Everyone and No One”

Baltimore singer-songwriter Ashley Kutcher deploys the titular phrase of her new midtempo ballad in the lynchpin line “Am I the one you want when everyone and no one’s watching?” — a question that betrays an uncertainty in her partner during loud and quiet moments. Kutcher navigates the situation with an open heart and sense of pace, her voice growing more commanding as the song (which follows her promising 2022 EP Survive My Own Mind) engrosses the listener. – Jason Lipshutz

Malady, “Pressure Builds”

After opening for Wet Leg last year, London quartet Malady hope to enjoy a breakout year of their own with debut EP All Pressure, No Diamonds, out next month. They’re off to a strong start with “Pressure Builds,” a woozy, shuffling alt-pop track with fuzzed-out guitar sparring with vocal hooks that sound primed for packed clubs; there are a lot of whirring details, especially in the song’s back half, which suggests a bevy of ideas to be presented on Malady’s upcoming project. – J. Lipshutz

Girl Scout, “Weirdo”

As the world shut down due to the pandemic in 2020, Girl Scout singer-guitarist Emma Jansson was working at a grocery store, trying to understand adjustments in social interactions and generally feeling pretty strange about everything. “Weirdo” captures that anxiety within a crisp indie-pop shrug, as the intriguing Swedish group makes a declarative statement about an abnormal time and comes up with one of their best tracks to date. – J. Lipshutz

Alison Goldfrapp & Claptone, “Digging Deeper”

“Everything has changed,” Alison Goldfrapp open her new Claptone collaboration, “Digging Deeper.” If the longtime member of synth-pop duo Goldfrapp is thinking about unleashing more work as a solo artist, this kinetic new single is a strong first step: “Digging Deeper” is designed for dance floor euphoria and delivers a drop that needs to soundtrack your next treadmill sprint. – J. Lipshutz

Brye, “Diet Culture”

A sharp arrow aimed at unfair and narrow body standards in society, Brye’s “Diet Culture” is an indie pop confection about not just loving yourself but loving the way you look, too. Over bubbling syncopation and unusual string flourishes, the Chicago singer-songwriter defiantly tells off anyone who would dare “look at me with pity” because they’re “afraid to gain a pound or two.” – Joe Lynch

Overcoats, “Never Let You Go”

Ahead of their April 7 album Winner, Overcoats share “Never Let You Go,” a beguiling meditation on the way you sometimes feel an increased attraction and dependency in the midst of a breakup. But even if the topic is bittersweet, the single is an irresistible, tightly woven slice of moody pop elevated by the NYC duo’s gorgeous harmonizing and a shimmering piano solo. – J. Lynch

JoJo Siwa Celebrates 2-Year Anniversary of Her Coming Out: ‘I’m So Proud of 17-Year-Old JoJo’

Time flies when you’re having fun — and for the last two years, JoJo Siwa has been having the time of her life.

On Sunday, Siwa posted on Instagram to celebrate the two-year anniversary of her public coming out announcement back in 2021. Sharing the same photo she shared two years ago, Siwa wrote a short-but-sweet caption to commemorate the moment.

“2 years ago today,” she said next to a series of rainbow-colored heart emojis. “now looking back on everything…. I’m SO proud of 17 year old JoJo.”

Siwa officially came out on Jan. 22, 2021, when she posted a photo of herself with the caption, “My cousin got me a new shirt.” The picture shows Siwa smiling and looking down at the tee, which said in blue block letters, “Best. Gay. Cousin. Ever.”

In the time since then, Siwa has used her platform to try and elevate LGBTQ voices and stand up for her community. Most recently, the former Nickelodeon star called out Fuller House star Candace Cameron Bure for saying that she would not feature same-sex couples in movies she produces at the Great American Family Network.

Speaking to People, Siwa explained why she called Bure out for her “rude and hurtful” comments. “You not liking gay marriage, do your thing girl. You being religious, do your thing girl. Of course, I would want everybody to do what they want to do,” she said. “But to purposely exclude someone because of who they love, that’s sh–ty.”

Check out Siwa’s anniversary post on Instagram below:

Beyoncé Shuts Down Dubai During Private Concert, Twitter Was Drunk In Love Looking At Clips

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Atlantis The Royal Grand Reveal Weekend 2023 - Beyonce Performance

Source: Mason Poole/Parkwood Media / Getty / Beyonce

Beyoncé is gearing up for her upcoming Renaissance world tour and gave guests a taste of what fans worldwide can expect when she takes the stage.

Over the weekend, the Beyhive was buzzing as word spread about a private concert featuring Beyoncé going down in Dubai.

Word on the street to get Beyoncé got coins to perform at the invite-only concert that was part of the Atlantis the Royal hotel’s unofficial opening.

Per The Cut’s reporting, there was an Ivy Park fashion lounge by the pool on top of a star-studded guest list. Guests included new Black Panther, Letitia Wright, her Wakanda Forever co-star Winston Duke, Kendall Jenner, Chloe Bailey, Halle Bailey, Ellen Pompeo, Rebel Wilson, and of course, JAY-Z was on hand to witness greatness.

The private concert across the globe had a strict no-phones policy, and guests had to put their phones in pouches.

But, of course, no one follows the rules, and plenty of videos hit social media, much to the delight of Beyonce fans who were dying to see Queen Bey do her thing.

For her first concert performance in four years, Beyoncé pulled out all the stops based on the many circulating clips and photos.

Beyoncé Put On One Hell Of A Show

Entertainment Tonight reports the Houston native performed with Firdaus, a 48-person all-female orchestra, and the Mayyas, an all-female dance troupe, in front of the hotel’s massive fountain. Fatima Robinson took care of the choreography.

While she didn’t perform any songs from her latest album, and understandably so, being that she is in Dubai’s stringent rules, the setlist from the night included her hits such as “Naughty Girl,” “Crazy In Love,” “Brown Skin Girl” with some help from Blue Ivy and “Drunk In Love.”

Despite her long break, Beyoncé hasn’t missed a single beat. We hope you are ready to get your wigs snatched when she officially goes on tour.

You can see all the reactions to her show in the gallery below.

Photo: Mason Poole/Parkwood Media / Getty

1. Gotta love Blue

2. Well damn

Drake Pauses Apollo Theater Concert After Man Falls From Balcony

Drake‘s Sunday night show at the Apollo Theater was momentarily put on pause after a man fell from the lower mezzanine balcony into the audience.

“Just gotta make sure somebody’s OK,” the OVO rapper said after a crew member ran onstage to inform him of the fall.

The incident occurred about 90 minutes into the show, just as 21 Savage walked out to perform “Rich Flex” and a slew of other Her Loss hits alongside Drake. The pause lasted about 15 minutes as venue staff treated the injured man.

“Unfortunately, last evening an incident occurred with an audience member who landed in the orchestra from the lower mezzanine,” the venue said in a statement posted to Instagram on Monday (Jan. 23). “Drake, Apollo and SiriusXM halted the show immediately when learning of a potential fan injury and standard protocols were taken. They were seen immediately by EMS on site. The fan and other audience members reported that they were OK. No major injuries have been reported. The Apollo is investigating the situation further.”

In partnership with SiriusXM, Drake announced the concert as a one-night only event last fall. It was originally meant to take place Nov. 11 but was moved to early December to mourn Takeoff, whose shooting death occurred a little over a week prior. The show was then delayed again to January due to production issues, and a second show was added.

The two-night event attracted an A-list crowd, including Justin and Hailey Bieber, Kevin Durant, Odell Beckham Jr., Aaron Judge, A$AP Ferg and more, as Drake performed a mix of his biggest hits and deep cuts spanning his catalog. The Toronto native also brought out Dipset and Lil Uzi Vert as special guests, and hinted at a possible tour with 21 this summer.

January Country Rookie of the Month: Alana Springsteen

Alana Springsteen has an old classical guitar she found in her grandfather’s garage at the age of seven to thank for her first foray into music.

“He didn’t even play guitar, but from the first second I saw it, I was drawn to it,” the Virginia native tells Billboard, calling just before heading out to perform as part of Luke Bryan’s annual Crash My Playa festival in Cancun, Mexico.

Her grandfather gifted her the guitar, on one condition. “He said I could have it if I promised to learn how to play it,” Springsteen recalls. “I begged my uncle to come over on weekends and start teaching me chords.”

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By nine she started writing songs and a year later was making trips to Nashville. By age 14, she had signed her first publishing deal. Last year, she released the two-part EP project, History of Breaking Up, via Sony Music Nashville/Columbia. Now 22, the member of CMT’s Next Women of Country Class of 2023 is gearing up to release her three-part, full-length debut album.

On March 24, she will put out the project’s first installment, the six-song Twenty Something: Messing It Up, spearheaded by fiery single, “You Don’t Deserve a Country Song.”

When she walked into the writing session with Mitchell Tenpenny, Geoff Warburton, Michael Whitworth and Will Weatherly in early 2021, Springsteen was healing from a tough romantic breakup and was intent on writing about moving on.

“You can’t really say that title without smiling,” she says. “I wasn’t in a really good place after my last relationship ended, and this guy was the same one I wrote a lot of History of Breaking Up (Part Two) about. He broke my heart and it was not a good situation, which is why It made sense to me to kick off Messing It Up with this song. It doesn’t come from a place of anger or pain, but from a place of deciding to put myself first. I realized I was giving my ex a lot of power by sitting in regret and heartbreak, so I walked into that writing session very intentionally.”

Chatting with Billboard, Springsteen discussed her upcoming project, her new song and her time in Nashville.

When you first came to Nashville, what were your first co-writing sessions like?

I first came when I was 10 and started co-writing with Sherrié Austin and Will Rambeaux. It’s so funny looking back because I’m like, “What must they have been thinking when they saw this 10-year-old walk into a room like, ‘Here’s this idea I have. Let’s write a song’?” But I never questioned it, and just knew it’s what I was born to do.

We wrote a breakup song, believe it or not. I remember they were like, ‘Have you been through a breakup?’ I drew from stories, and movies and books. Then I met people like Bart Herbison at NSAI and Tim Fink at SESAC, just early believers. That’s one thing that is so special about Nashville. People, for the most part, genuinely want to help you get connected.

What does songwriting mean to you?

That was really a big deal for me. I mean, when I found songwriting, my whole world changed. Songwriting is how I make sense of the world. It has been my therapy. All I wanted to do was be a country artist like those I grew up on, like Shania Twain, Taylor Swift, Carrie Underwood and Keith Urban. I love the way country music can craft a hook and take you on this journey through song.

Mitchell Tenpenny was a co-writer on “You Don’t Deserve a Country Song.” You’ve also toured with him.

We met while writing this song and that led to a cool friendship. He’s got a few other moments on this upcoming album, which is exciting.

As a co-writer, a vocalist, or both?

I don’t want to give away too many details, but he’s definitely all over this record.

Do you already have all of the songs written for all three portions of Twenty Something?

I always leave room to change things. I write in real time, so I’m keeping room if something really special comes along, but I have pretty much the record planned out.

Last year, you released the two-part project, History of Breaking Up. Your upcoming album, Twenty Something, has three parts. What appeals to you about making these multi-part albums?

I think there’s just something really cool about creating this body of work and letting fans digest a lot of songs. Twenty Something is, as a whole, about kind of the messiness of your 20s. I’m only two years into my 20s, but I’ve already learned so much about myself and experienced so much change. I know I’m not alone in that.

When I wrote the song “Twenty Something,” I started to see that a lot of the music that I had written over the past few years fit into three separate categories. I wanted to compile them and take it step by step and take my fans along with me on this journey.

What can fans expect from the music on the upcoming portions of Twenty Something?

There are songs on here that call out my struggles, areas that I’ve messed it up, which a lot for me has been in the areas of love and relationships. It’s pretty vulnerable. But then there are moments where, if you’re lucky, you start living your purpose and start figuring things out. I think your 20s are a mixture of all of that. I hope that people can just find a little bit of themselves in this record one way or another.

What is the first concert you remember seeing?

The first concert I went to was Taylor Swift’s Speak Now Tour in Charlotte, North Carolina. I’m a huge Taylor fan. Growing up, it was like she was telling my stories. She was writing from such a young age, that encouraged me that I could do the same thing. I’ll never forget what it felt like watching her on that tour, the way she shared that moment with her fans. It was beautiful to watch and I’d never seen fans react to an artist that way.

Do you have a favorite music book or podcast?

I love the [podcast] And the Writer Is…, that one’s always really fun to listen to, to get into the mind of writers and learn tips from people that I look up to in the field. I’ve also been reading a book called 101 Essays That Will Change the Way You Think. I’m making my way through it. I feel like I’ll read a paragraph and be like, “Oh, wow, I need to spend a week just sitting with that and figuring out what it means to me.” So it’s one that I pick up, whether I’m on a plane or in the van on the road. But it just gives me something to think about.

NYPD Responds to Viral Video of Police Filming Fans Leaving Drake Apollo Concert

Some audience members leaving a concert by Drake at the Apollo Theater in Harlem came outside to see a New York Police Department officer filming those filing out, raising concerns from privacy advocates over what would be done with the footage.

The NYPD said Monday (Jan. 23) the video would only be used for a social media post, but there were still calls for the material to be deleted.

Music writer Jon Caramanica of The New York Times tweeted on Saturday night that the NYPD was filming those leaving the show at the Apollo Theater, putting up a video showing an officer seemingly recording those coming out.

In a statement, the department said the officer was part of the social media team for the local precinct and was getting video for a social media post about local events.

“The video will not be utilized for any other reason,” the department said.

But the Surveillance Technology Oversight Project, a New York City-based group that focuses on privacy and civil rights, called the videotaping “highly concerning” and that attendees were being surveilled without their consent. It demanded the video be destroyed.

See Caramanica’s video below: