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15 Female Rap Anthems to Get You Amped During Women’s History Month

What better way to celebrate women than by chanting along to some of their greatest girl-power hits? For Women’s History Month, we’ve gathered some of our favorite anthems by women rappers — and a few singers who dipped into the genre — who range from certified legends to burgeoning stars.

According to a recent Spotify-funded study from the USC Annenberg Inclusion Initiative, less than 25% of the artists on Billboard’s Hot 100 Year-End chart for 2021 were women–something that has gone virtually unimproved over the last decade. When it comes to songwriters, the numbers are even more alarming, with women comprising 12.7% within the last ten years. It’s hard to believe, with so many certified hits from women across genres, which is all the more reason to keep these uplifting tracks in your rotation.

The round-up spans three decades (beginning with Queen Latifah and ending with Ice Spice) and includes widely-acclaimed hits like Lizzo’s chart-topping single girl anthem, “Truth Hurts” to unforgettable Y2K favorites like “Bossy” by Kelis, all the while keeping you prepared to dominate whatever is to come, regardless of your gender. Some artists on the list even sampled songs from artists who came before them, for example Lizzo sampling Lauryn Hill’s “Doo-Wop (That Thing)” on her 2022 album cut, “Break Up Twice.”

Some cuts motivate us to demand the respect we deserve while others simply get us in the mood to pop out with our baddie friends. While we could’ve listed about a hundred more, here are 15 ear-worm anthems to get you started.

Black Activists Spar Over Proposed NYC Menthol Cigarette Ban

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A proposed ban in New York City on menthol cigarettes has led to two opposing groups of advocates debating the potential effects on the Black community.

The proposal of further city and state bans on the sale of menthol cigarettes has created an unexpected conflict between groups of Black activists, visibly seen on Thursday afternoon (March 9th) in dueling protests for and against the bans held a half-hour apart near City Hall. 

A group of activists led by the family members of Eric Garner and George Floyd held a protest against the ban on the steps of City Hall. “We don’t need more interaction by police enforcement, we had enough,” Gwen Carr, Garner’s mother, said at the protest. “My son was a victim because allegedly he was selling ‘loosie’ cigarettes.” That’s what they’re going to do when they ban these cigarettes.”

Another protest, led by members of the NAACP along with 40 clergy members in front of One Police Plaza, advocated for the bans to commence. “The big lie is that the police are going to come into our communities if we ban menthol cigarettes,” said NAACP New York State Conference President Hazel Dukes. “Our children are dying. Our kids think menthol is great. They think it’s bubblegum,” she continued. 

While there is a current ban on most flavored tobacco producs in New York State, the 2024 fiscal budget put forth by Governor Kathy Hochul contains the proposed ban on the sale of menthol cigarettes and a tax increase on other tobacco products. The city’s ban proposal, brought forth by Council member Rita Joseph and 19 others, bears similarities to the state ban and contains language which will “prohibit police officers or other law enforcement officers from arresting any person on the grounds in relation to any flavored tobacco product.”

Menthol cigarettes have enjoyed a high degree of popularity in the Black community. According to data compiled by  New York public health officials, $177 million of the $9.1 billion spent annually by major tobacco companies goes to marketing in the state. Observers and critics have pointed out how these tobacco companies have aggressively marketed menthol tobacco products to the Black community through targeted ads, giveaways, and event sponsorship. Menthol cigarettes, while consumed by half of all adult users, are smoked primarily by 86% of Black smokers and 72% of Latino users according to reported data. 

Jason Mraz to Kick Off Grammy Museum’s ‘Sunday Brunch With…’ Series

Jason Mraz will kick off The Grammy Museum’s “Sunday Brunch With…” series, a fundraiser for the museum’s Grammy in the Schools education programs.

The inaugural event will be held on Sunday April 2 at VERSE LA, a restaurant in Los Angeles’ Toluca Lake neighborhood. Guests will eat a three-course brunch while listening to music performed by a jazz trio assembled by a Grammy in the Schools education program alumni. Following the meal, Mraz will perform for 45 minutes. The brunch begins at noon, Mraz’s performance begins at 1:30 p.m.

Tickets, priced at $350, include open bar and three-course brunch (vegetarian, vegan, gluten free and dairy free options available) and complimentary valet parking. Tickets are tax deductible.

This inaugural event is presented by Union Bank and supported by VERSE LA, which is owned by long-time Grammy Museum supporter and 11-time Grammy-winning mixer, Manny Marroquin.

Marroquin won a Grammy for record of the year on Feb. 5 for his work on Lizzo’s “About Damn Time.” He won album of the year last year for his work on Jon Batiste’s We Are. He has won two awards each for work with Lizzo and Alicia Keys and one award each for work with Mary Mary, Kanye West, John Legend, John Mayer, Bruno Mars, Rihanna and Batiste.

Mraz is a two-time Grammy winner. He won both awards on the 2010 telecast – best male pop vocal performance for “Make It Mine” and best pop collaboration with vocals for “Lucky,” a collab with Colbie Caillat.

The Grammy Museum’s music education programs annually impact more than 35,000 K-12 students and teachers across the U.S.

VERSE L.A. is located at 4212 Lankershim Blvd, Toluca Lake, CA 91602. Tickets and more info here.

Megan Thee Stallion Will Return to Houston For First Concert of 2023

Megan Thee Stallion is returning to the stage. The “Sweetest Pie” rapper will be headlining AT&T Block Party as part of the 2023 NCAA March Madness Music Festival. Slated to take place in Megan’s hometown of Houston, the three-day weekend will begin March 31 during NCAA Men’s Final Four and continue until April 2, with Megan’s headlining performance leading the way.

Held at Houston’s Discovery Green Park, AT&T will use its Samsung Galaxy S23 Ultra smartphones to film the concert through multiple camera angles. Fans can register for the show and live-stream the event here. “There’s no place I’d rather be for my first performance of the year than my hometown of Houston,” Megan said in a statement. “The AT&T Block Party Concert is gonna be such a vibe, and I can’t wait to get back on stage in the city where it all began. I’m looking forward to seeing my Hotties and putting on an unforgettable show for them.”

The rest of the weekend will include more superstar performances — day two will feature Lil Nas X and Maggie Rogers while day three will offer Tim McGraw, Keith Urban, Little Big Town and Mickey Guyton.

December 2022 served as the conclusion to the Megan Thee Stallion-Tory Lanez saga, when the Canadian rapper was found guilty on three charges from a July 2020 shooting in Los Angeles. The jury convicted Lanez on the following charges: assault with a semiautomatic firearm, carrying a loaded unregistered firearm in a vehicle and discharge of a firearm with gross negligence.

deadmau5 Expects to Retire the mau5head by the Time He’s 50

Time flies when you’re headlining global mainstages. Fifteen years after releasing their collaborative classic “I Remember,” deadmau5 and Kaskade have come back together as Kx5.

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Ahead of their debut album coming next Friday (March 17) and their performance at Billboard Presents The Stage at SXSW on March 18, the pair sat down for our latest cover story to talk about life as two of EDM’s elder statesmen.

In the piece, deadmau5 shares that “I don’t think I’m going to be f–king donning a mau5head in my 50s,” referring to his signature helmet and his plans to retire it in the next decade. (deadmau5 is 42, while Kaskade is 51.) deadmau5 adds that he’s considering managing acts from his indie label, mau5trap, as he gets older and tours less.

Noting that he and Kaskade broke through “right at the turning point” when EDM was the world’s most lucrative genre, deadmau5 says their respective businesses have developed so that most of their revenue is currently “in ancillary goods — tangible items [like merchandise], appearances, shows, production.”

Kaskade’s manager Ryan Henderson also notes that the pair put major money into Kx5 live performances, with their record-setting show last December at the Los Angeles Memorial Coliseum costing “almost seven figures to design and over seven figures to execute.”

But while such investments affect the Kx5 bottom line, so too does the pairing feed each artist’s residual revenue streams, with Henderson adding that Kaskade just signed a three-year, eight-figure Las Vegas residency deal. “I’m not saying the Kx5 brand contributed to that,” Henderson notes, “but it definitely didn’t hurt it.”

And with the pair having influenced the next generation of dance artists, the story also reveals that current scene phenom John Summit, who opened for Kx5 at the Coliseum show, will release the first-ever official remix of “I Remember” later this year.

Here’s Why Fans Think Miley Cyrus Accused Liam Hemsworth of Cheating on ‘Muddy Feet’

Some fans think Liam Hemsworth’s fingerprints — or should we say, footprints — are all over Miley Cyrus‘ new album Endless Summer Vacation, which dropped midnight Friday (March 10).

More specifically, many have speculated that track nine on the album, “Muddy Feet,” calls out Hemsworth for being unfaithful during their relationship. “You smell like perfume that I didn’t purchase,” Cyrus sings on the record, a collaboration with Sia. “Now I know why you’ve been closing the curtains/ Get the f–k out of my house.”

Later on the song, she sings, “Always questioning my questioning/ Get thе f–k out of my head with that s–t.”

Of course, Cyrus doesn’t mention the Hunger Games actor by name; however, her former romance with Hemsworth is objectively the musician’s longest and most well-known public relationship. The two first met in 2009 on set of The Last Song, and dated on and off for the better part of a decade. In 2018, they got married before promptly splitting a few months later in 2019.

The length and rockiness of the former couple’s relationship has led fans to connect much of Cyrus’ new music to Hemsworth, including her Billboard Hot 100 No. 1 Endless Summer Vacation lead single. On “Flowers,” the Hannah Montana star confidently sings about her ability to love herself better than her former partner, believed by many to be Hemsworth, ever could.

There’s also the not-so-subtle fact that Cyrus literally released “Flowers” on Jan. 13 this year, aka Hemsworth’s 33rd birthday. So, there’s that.

Check out some of the best reactions to Miley Cyrus potentially confirming Liam Hemsworth cheated on her below.

As Allbirds Sales & Stocks Plummet, CFO Shown The Door & Store Openings Deaded

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Sneaker Company Allbirds Files For IPO

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Is it going to be “Grand opening, Grand Closing” for sneaker brand Allbirds Inc.? It kind of looks that way if stock prices are any indication.

According to Bloomberg the sneaker brand took a major hit on the stock exchange after going public just 18 months ago as share tanked as if they had a celebrity spokesperson spitting antisemitic rhetoric on social media. Things have gotten so bad that Allbirds will be hitting the pause button on opening new stores and have even replace their Chief Financial Officer Mike Bufano with former Adidas AG, Annie Mitchell.

Revenue in the three months through December sank 13% to $84.2 million, trailing the average analyst of $96.7 million. Joey Zwillinger, the company’s co-chief executive officer and co-founder, said Allbirds, which makes shoes from wool and eucalyptus, tried to win over more younger consumers and runners, but those products missed expectations.

“We just didn’t see the sell-through on those franchises that we would’ve hoped for, and that came at the expense of that core franchise,” Zwillinger said in an interview. “We took our eye off the ball a little bit.”

Though Allbirds took a net loss of $101.4 million last year, it still pales in comparison to adidas $540 million loss after cutting ties with Kanye West. Still, adidas is a monster in the game and can take that kind of loss and keep things moving. The same cannot be said about Allbirds which is looking to get stabilize their business before they can fly high again.

“We know we disappointed in 2022,” the company said to begin an investor presentation. “Decisive action” is being taken in what Allbirds described as a “transition” year.

Anytime you take a loss in the business game the best you can do is say it’s a “learning lesson” or it’s just a “transition” into a new direction. Still, it’s L’s regardless. Just sayin.’

With ‘Die for You,’ The Weeknd Matches Michael Jackson for Hot 100 History: Ask Billboard

Submit questions about Billboard charts, as well as general music musings, to askbb@billboard.com. Please include your first and last name, as well as your city, state and country, if outside the U.S.

Or, tweet @gthot20.

Let’s open the latest mailbag (and Instagram feed …)

The Weeknd Matches Michael Jackson for Hot 100 History

The Weeknd is correct! With “Die for You” soaring to No. 1 on the latest, March 11-dated Billboard Hot 100, he joins Jackson as the only male soloists with multiple leaders on the chart from three albums.

(The feat is based on counting “Die for You” from Starboy, on which it was originally released in 2016, six-plus years before its new remix, with Ariana Grande, sparked its coronation. For Billboard’s charts, all versions of the song roll up into one chart listing.)

Overall, the club of acts with multiple Hot 100 No. 1s originally released on three, or more, albums, is exclusive – just seven members, with The Weeknd its newest since 2001. Two of those acts have notched multiple leaders from more than three albums each: Mariah Carey, the leader with six, and The Beatles, with four.

Let’s recap each act’s impressive haul of multiple Hot 100 No. 1s from three or more albums each (with details, similar to the journey of “Die for You,” regarding songs with notable release histories beyond the albums listed below).

The Weeknd

  • Starboy: “Starboy” (feat. Daft Punk), 2017; “Die for You” (with Ariana Grande), 2023
  • After Hours: “Heartless,” 2019; “Blinding Lights,” 2020; “Save Your Tears” (with Grande), 2021
  • Beauty Behind the Madness: “Can’t Feel My Face,” “The Hills,” 2015

Janet Jackson

  • All for You: “Doesn’t Really Matter,” 2000 (originally released on the Nutty Professor II: The Klumps soundtrack); “All for You,” 2001
  • janet.: “That’s the Way Love Goes,” “Again,” 1993″
  • Janet Jackson’s Rhythm Nation 1814: “Miss You Much,” 1989; “Escapade,” “Black Cat,” 1990; “Love Will Never Do (Without You),” 1991

Mariah Carey

  • The Emancipation of Mimi: “We Belong Together,” 2005; “Don’t Forget About Us,” 2005-06 (added to the album’s Ultra Platinum Edition rerelease)
  • Rainbow: “Heartbreaker” (feat. Jay-Z), 1999; “Thank God I Found You” (feat. Joe & 98 Degrees), 2000
  • Butterfly: “Honey,” 1997; “My All,” 1998
  • Daydream: “Fantasy,” 1995; “One Sweet Day” (with Boyz II Men), 1995-96; “Always Be My Baby,” 1996
  • Music Box: “Dreamlover,” 1993; “Hero,” 1993-94
  • Mariah Carey: “Vision of Love,” “Love Takes Time,” 1990; “Someday,” “I Don’t Wanna Cry,” 1991

Whitney Houston

  • I’m Your Baby Tonight: “I’m Your Baby Tonight,” 1990; “All the Man That I Need,” 1991
  • Whitney: “I Wanna Dance With Somebody (Who Loves Me),” “Didn’t We Almost Have It All,” 1987; “So Emotional,” “Where Do Broken Hearts Go,” 1988
  • Whitney Houston: “Saving All My Love for You,” 1985; “How Will I Know,” “Greatest Love of All,” 1986

Michael Jackson

  • Bad: “I Just Can’t Stop Loving You” (with Siedah Garrett), “Bad,” 1987; “The Way You Make Me Feel,” “Man in the Mirror,” “Dirty Diana,” 1988
  • Thriller: “Billie Jean,” “Beat It,” 1983
  • Off the Wall: “Don’t Stop ‘Til You Get Enough,” 1979; “Rock With You,” 1980

The Beatles

  • Let It Be: “Get Back” (first released as a non-album single), 1969; “Let It Be,” “The Long and Winding Road,” 1970
  • Hey Jude: “Paperback Writer,” 1966; “Hey Jude,” 1968 (both first released as non-album singles)
  • Magical Mystery Tour: “Penny Lane,” “Hello Goodbye,” 1967 (both first released as non-album singles)
  • Help!: “Ticket to Ride,” “Help!,” 1965

The Supremes

  • The Supremes Sing Holland–Dozier–Holland: “You Keep Me Hangin’ On,” 1966; “Love Is Here and Now You’re Gone,” 1967
  • More Hits by The Supremes: “Stop! In the Name of Love,” “Back in My Arms Again,” 1965
  • Where Did Our Love Go: “Where Did Our Love Go,” “Baby Love,” “Come See About Me,” 1964 (all first released as non-album singles)

The Weeknd doesn’t only become the latest artist with at least two Hot 100 No. 1s from three or more albums. As previously reported, “Die for You” also makes him and Grande the sixth pair of artists with two No. 1s together.

There’s even more to The Weeknd and Grande’s latest success …

An Achievement to ‘Die For’

Hi Gary,

The Weeknd and Ariana Grande score a first on the latest Hot 100: Thanks to “Die for You” and “Save Your Tears,” they are the first artists in the elite category of acts with two shared No. 1s each with top billing on both of their hits. All the others – Drake and Future; Drake and Rihanna; Eminem and Rihanna; Nelly Furtado and Timbaland; and Jennifer Lopez and Ja Rule – included featured billings on their No. 1s together.

Meanwhile, here are a few star collaborators that have nearly each pulled off a pair of Hot 100 chart-toppers, each missing by just one position:

  • Michael Jackson & Paul McCartney: “The Girl Is Mine” (No. 2, 1982) and “Say Say Say” (No. 1, 1984)
  • Beyoncé & Jay-Z: “Crazy in Love” (No. 1, 2003) and “Drunk in Love” (No. 2, 2014)
  • Rihanna & Jay-Z: “Umbrella” (No. 1, 2007) and “Run This Town (No. 2, 2009)
  • Drake & 21 Savage: “Jimmy Cooks” (No. 1) and “Rich Flex” (No. 2, both 2022)

Also, a darkly fun coincidence: No. 1 on the Hot 100 is “Die for You” and No. 100 is “Die 4 Me,” by Halsey. Honestly, what are the chances? I don’t know, for the life of me.

Pablo Nelson
Oakland, Calif.

Thanks Pablo. Plus, the titles at Nos. 2 and 99 on the latest Hot 100: “Flowers” and “The Color Violet.”

Also, the debuts at Nos. 89 and 88: “Joe” and “Dirt.” If we have a callback to an early 2000s film in “Kill Bill,” why not another?

An ’80s Hit That ‘Ties’ Into This Week

Hi Gary,

With “Die for You” hitting No. 1 on the Hot 100 after a six-year-plus wait, the second-longest from a debut on the chart, I thought of a song that should be noted among those that took long routes to the top: “At This Moment” by Billy Vera & The Beaters. The ballad peaked at No. 79 its first time out, as a live version, in 1981 and, thanks to a newer studio recording, hit No. 1 over five years and four months later, in January 1987.

Take care!

Ron Raymond, Jr.

Thanks, Ron. Great observation. The song hit No. 1 at last sparked by its synch in NBC’s Family Ties. “I am grateful to have written a standard that will live long after I’m gone,” Vera said in an in-depth 2021 interview that chronicles the song’s comeback.

The only reason that it isn’t considered among the songs with the longest climbs to No. 1 on the Hot 100 from a debut is that when it returned to the chart, it was treated as a debut, not a re-entry, as it was, as you point out, an entirely new recording, as opposed to a remix, and on a different label (Rhino Records, marking its first leader) than when it was first released.

The song also wasn’t the only one to return in a new form, and as a debut on the Hot 100, during that era. The Righteous Brothers’ “Unchained Melody” likewise charted as a new entry, thanks to a re-recording, on Curb Records (as a cassette single), and hit No. 19 in November 1990.

Meanwhile, the duo’s original version, on Verve/Polydor (on vinyl), re-entered, after reaching No. 4 in 1965, and rose to No. 13 in October 1990.

So, two versions of the classic charted on the Hot 100 simultaneously. Or, put another way, and to reference a movie from the early ’90s this time, ditto.

Jonas Brothers Say ‘The Album’ Will Be Inspired By ’70s Influences’

Jonas Brothers opened up about the sound of their upcoming album, The Album, in a new interview on Wednesday (March 8).

“We’re taking the roots of what our sound is, but also going back to our roots and pulling from those ‘70s influences we grew up listening to,” Nick Jonas teased at Spotify’s Stream On event to E! News.

Joe Jonas jumped in to add: “A lot of things happened obviously in the last couple of years, so we never got the time to just connect, stay in one room and work on new music. To be able to do that and have that outcome that we had, we are so thrilled.”

Among the references the siblings point to on The Album include sounds from the 1970s like the Bee Gees, Boston and Stevie Wonder.

Kevin Jonas also teased the Brothers’ plans to hit the road later this year to promote the studio set. “We haven’t announced the tour, but it will be coming very soon,” he said. “We are going to be doing a bunch of shows leading up to the album release as well. A lot of exciting things this year and the years to come.”

Prior to The Album‘s May 12 release, Joe, Kevin and Nick will also be taking over the Marquis Theater in New York City for a five-night residency on Broadway. Each night starting next Tuesday (March 14), they’ll highlight one of of their past albums — from 2007’s Jonas Brothers to 2019’s Happiness Begins — before performing their new album live for the first time. This week, they also announced a one-night-only show at London’s Royal Albert Hall set for April 14.

Animated Series ‘Batman: Caped Crusader’ Coming To Amazon

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HBO Max might’ve had no use for a Batman: Caped Crusader series, but Amazon Prime certainly feels like they can work wiith a new animated Batman series and truth be told, we agree.

According to Deadline, Amazon will be picking up the J.J. Abrams, Matt Reeves and Bruce Timm animated Batman series a few years after HBO Max passed on the project, which was supposed to hit their streaming service back in 2021. Unfortunately for Abrams and company, the Caped Crusader series was one of six animated projects that was axed by Warner Bros. Discovery streamer due to its cost-cutting maneuvers.

Surprisingly with the success of Matt Reeves’ The Batman, you’d think Warner Bros. would circle back to the animated series, especially since they decided to give The Penguin his own spinoff saga. But ultimately Amazon swooped in looking for another dub to it’s already successful streaming platform.

From Deadline:

Batman: Caped Crusader is a “reimagining” of the Batman mythology, based on the characters from DC.

It is produced by Warner Bros. Animation, Bad Robot Productions and 6th & Idaho with Timm,  Abrams, Reeves, Sam Register, Ed Brubaker exec producing.

Timm is behind the classic Batman: The Animated Series, which ran for over 100 episodes in the mid-90s.

’80s babies remember just how next level Batman: The Animated Series was so y’all know we’re looking forward to what he has in store for a new Batman mythology. HBO Max might’ve dropped the ball on this one. Just saying.

No word on when we can expect Amazon to premier Batman: Caped Crusader, but we wouldn’t be surprised if it happens around the same time that the sequel to Matt Reeves’ The Batman drops, which should be some time in 2025.