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Bluey is coming to a movie theater near you. Don’t tell your kids just yet — you’ll have to wait a couple years to see it.
A CG-animated feature film based on the hit series is slated for a 2027 release from The Walt Disney Company and BBC Studios, according to The Hollywood Reporter. It’ll stream on Disney+, and it will air on ABC iview and ABC Kids in Australia, after the global theatrical run of the movie.
The feature is set to “continue the adventures of Bluey, a loveable, inexhaustible, blue heeler dog, who lives with her Mum, Dad and her little sister, Bingo,” reads a description from a statement announcing the film.
Vocal talent families already know — including Melanie Zanetti and David McCormack (as Bluey’s mum and dad, Chilli and Bandit Heeler) — are on board for the film, as well as the series’ music composer, Joff Bush.
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BBC Studios will finance and license the Bluey movie for distribution, while Disney will release it in theaters worldwide. Bluey creator Joe Brumm is writing and directing, and Ludo Studio is producing in collaboration with BBC Studios.
Series creator Brumm said, “I really enjoyed the experience of working with a longer format on ‘The Sign’ in Series 3, so going even further with a feature film feels like a natural extension of that. I’ve always thought Bluey deserved a theatrical movie. I want this to be an experiential event for the whole family to enjoy together.”
Last month the Bluey franchise’s latest soundtrack, Bluey: Rug Island, debuted at No. 1 on Billboard‘s Kid Albums chart. Available on vinyl (in a sunset orange edition, or as a picture disc), on CD and as a digital download, almost 60% of the Oct. 25 releases’s 3,000 first-week sales came from vinyl purchases.
Bluey: Rug Island is the third soundtrack album from the series, following Bluey: The Album (2021) and Dance Mode! (2023). At press time, Bluey: Rug Island ranks at No. 7 on the Kid Albums chart — the chart is currently led by the Vince Guaraldi Trio’s classic A Charlie Brown Christmas soundtrack as the holiday nears.
Hugh Forrest has been promoted to president of South by Southwest, where he will continue to oversee programming and assume full leadership of an organization he’s worked at for 36 years. Previously co-president and chief programming officer, Forrest takes on this new role as Jann Baskett, the current co-president and chief brand officer, prepares to step down on Dec. 31. Baskett will transition into an advisory and project-based role.
As president, Forrest will focus on driving business growth and work closely with the board of directors, which includes co-founder Roland Swenson, Jay Penske (CEO of Penske Media, SXSW’s largest shareholder), and Amy Webb (CEO of the Future Today Institute). Forrest expressed his enthusiasm for leading SXSW into its next phase, emphasizing “the experience of connection, inspiration and discovery that we provide for so many different industries each March” and its role in fostering community globally.
Founded in 1987 by Swenson, Nick Barbaro, Louis Black and Louis Jay Meyers, SXSW has evolved into a globally renowned event in Austin. Swenson, who led SXSW for 36 years, became executive chairman in 2022. Over the past two years, Forrest and Baskett successfully navigated SXSW’s post-COVID recovery, including expanding the festival to Sydney and London.
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Baskett reflected on her time leading SXSW, sharing pride in her contributions alongside Forrest and the team. She praised the event’s mission of supporting creative individuals — “Never has that purpose been more necessary” — and expressed excitement about her ongoing involvement as an advisor. “SXSW continues to be a beacon of light for artists and change makers,” she said.
“I want to extend my gratitude to Jann Baskett for her leadership, commitment, and creative vision as Co-President of SXSW over the past few years,” said Jay Penske. “Her contributions have been key in evolving the festival. Looking ahead, we are confident that Hugh Forrest will continue SXSW’s long tradition of supporting innovators and artists, expanding our global footprint, and building upon the incredible foundation of the world’s premier gathering of creative minds.”
The Executive Leadership Team supporting Forrest includes co-founders Swenson and Barbaro, as well as chief culture & people officer Autumn Amescua, chief technology officer Justin Bankston, chief logistics officer Michele Flores, chiefpartnerships officer Peter Lewis, chief financial officer Leanna Rossman, general counsel Stevie Fitzgerald and executive vice president Darin Klein
Note: Billboard’s parent company PMC is the largest shareholder of SXSW and its brands are official media partners of SXSW.
Future scores a triple play as his single “Too Fast” reaches No. 1 on three Billboard radio song charts: Mainstream R&B/Hip-Hop Airplay, Rhythmic Airplay and Rap Airplay. The track advances to the summit on the lists dated Dec. 21 after it became the most played song on U.S. monitored mainstream R&B/hip-hop and rhythmic radio stations and the most heard song, by audience impression count, on U.S. monitored hip-hop stations in the tracking week ending Dec. 12, according to Luminate.
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“Too Fast,” released on Freebandz/Epic Records, jumps from No. 3 on Mainstream R&B/Hip-Hop Airplay after a 3% increase in plays for the week. It becomes Future’s seventh No. 1 on the chart and second of 2024, after “Like That,” his collaboration with Metro Boomin and Kendrick Lamar, which reigned for three weeks in June. The rapper’s leading collection includes the longest running No. 1 in the chart’s history, the 16-week champ “Wait for U,” featuring Drake and Tems, from 2022.
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Looking at Rhythmic Airplay, “Too Fast” wraps an identical 3-1 leap after a strong 12% surge in weekly plays and likewise is Future’s seventh No. 1 on the radio ranking. On Rap Airplay, the single pushes from the runner-up spot thanks to a 9% rally in audience impressions, giving the rapper his sixth leader.
With its triple coronation, “Too Fast” is the fifth song to rule the Mainstream R&B/Hip-Hop Airplay, Rhythmic Airplay and Rap Airplay charts in 2024. It joins Future’s collaboration with Metro Boomin and Kendrick Lamar, “Like That,” Jack Harlow’s “Lovin on Me,” Lamar’s “Not Like Us” and Nicki Minaj’s “Everybody,” featuring Lil Uzi Vert.
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Elsewhere, “Too Fast” climbs 4-3 on the audience-based R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, it improved to 13.4 million audience impressions, up 7%. Such gains, in turn, push the track 24-23 on the all-genre Radio Songs chart, with a 9% improvement to 24 million audience impressions across all formats.
“Too Fast” appears on Future’s Mixtape Pluto project, which dropped in September. It became the rapper’s 16th No. 1 on the Top R&B/Hip-Hop Albums chart, a record by a solo artist and put Future within one leader of tying The Temptations for the most among all acts.
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A deadly school shooting in Madison, Wisc. took place on Monday (Dec. 17) which left three dead, including the shooter. Police have identified the teen shooter in the deadly incident as Natalie Rupnow, who died of a self-inflicted gun wound.
Local Madison outlet WKOW reports that Madison Police Department officers responded to a call from the Abundant Life Christian School around 11 AM local time after a second-grade student dialed 911 to report the shooting. Upon arriving, officers discovered several people had been shot.
Madison Police Department Chief Shon Barnes gave the name of the shooter as Natalie Rupnow, 15, and added that she was a student of the school. Responding to reports of an alleged manifesto tied to the shooting, Chief Barnes said his department has heard rumblings of such but stopped short of confirming its discovery.
Rupnow shot a fellow teen student and a teacher, killing them both. Six others were hurt including another teacher and five students. Two of the students are in critical condition with life-threatening injuries. The remaining students and teacher had non-life-threatening injuries of two of them were allowed to leave the hospital after treatment.
According to Barnes, the shooting took place during a study hall with students of all ages attending and carried out with a handgun, which was later recovered by officers. The department has contacted the family of Rupnow, who is cooperating with the investigation as authorities work to find a motive for the shooting.
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Mariah Carey has overtaken Tom Grennan in the race for the U.K.’s Christmas No. 1 Single, as per a new report from the Official Charts Company published Tuesday (Dec. 17). Explore See latest videos, charts and news See latest videos, charts and news Moving to No. 2 in the midweek charts, Carey’s festive classic “All […]
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Days after the woman accusing Jay-Z and Diddy of rape back in 2000 admitted that she may have misremembered crucial details about the incident, Jay-Z’s lawyer is pouncing on the admission and is filing a motion to have the lawsuit dismissed entirely.
According to Deadline, Jay’s legal representative, Alex Spiro, is looking to get his client off the hook as Jane Doe admitted that she was “guessing” specific details about the night in question and wrote a letter to the judge overseeing the case calling it all a “sham” of a lawsuit. While Jay-Z promised to fight the allegations in a court of justice and even implored Jane Doe’s attorney, Anthony Buzbee, to file a criminal suit instead of a civil one, it seems like it may not even come to that as Jane Doe has damaged her own case by the statements she made during her NBC interview last week.
Per Deadline:
“These stunning revelations make clear that the complaint filed by plaintiffs’ attorney, Anthony Buzbee, therefore had no factual basis whatsoever,” the Quinn Emanuel Urquhart & Sullivan partner added. “Even Mr. Buzbee is walking back the complaint he put his name to – excusing these glaring inconsistencies by pointing the finger at the case being referred by another firm who allegedly vetted the story before sending to them. The heinous allegations against Mr. Carter are patently false.”
Leaning hard into his take-no-prisoners persona, Spiro also went for the jugular in his letter of late last week by questioning the ethics and jurisdictional rights of Houston-based Buzbee, who has filed dozens of suits against Combs and says he has over 100 clients with sexual assault allegations against the Bad Boy Records founder. “Mr. Buzbee thus appears to have strategically declined to seek admission in order to avoid sanctions for a complaint that he knew had no factual basis,” says the high-profile Spiro in the three-page correspondence to NYC-based Judge Analisa Torres.
While many Jay-Z haters rejoiced after the rape allegation took social media by storm just a few weeks ago, Jay was quick to deny the accusation and called the lawsuit an attempt at blackmail. Since then, Jane Doe’s story has seemingly fallen apart. Not only have many people said that Jay-Z and Diddy didn’t even hang out on the night in question, but the accuser’s own father (whom she said picked her up after the alleged incident) said he didn’t remember doing so that night.
Whether or not the case gets dismissed remains to be seen, but what is obvious is that Jay-Z and his lawyer are prepared to fight this accusation to the bitter end as Jay has promised Buzbee he wouldn’t get “one red penny” from his pockets over this lawsuit.
What do y’all think about this latest development in the Jay-Z rape case? Sound off in the comments section below.
Jelly Roll is off the grid — and his phone is somewhere at the bottom of the Cumberland River. In an effort to reduce stress, the country star recently chucked his cell into the water and has no plans to replace it, he revealed on the latest episode of Bunnie XO’s Dumb Blonde podcast.
On the episode posted Monday (Dec. 16), Jelly began by saying, “I can confidently tell people I’m not gonna have a phone all of ’25.”
The “Son of a Sinner” singer then recounted to Bunnie — whom he married in 2016 — a recent drunk night out that ended with him asking his driver to pull over so that he could get out of the car and lob his phone into the Cumberland, which runs through Kentucky and Tennessee — not that it was an on-the-fly decision. “I was determined,” Jelly recalled, laughing. “I talked about this in interviews all year. I was like, if this tour goes the way I want it to, I’m gonna throw my phone off the Shelby Street Bridge.”
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Jelly went on to explain why it’s more “healthy” for him to be phoneless, noting that he’ll probably downgrade to a simple flip phone in 2025. “I was getting to a point that I was getting hundreds and hundreds of text messages a day,” he shared. “And I just was overwhelmed. I would just feel like such a bad human for missing them. I was carrying a lot of guilt. This phone was causing me a lot of guilt.”
“I would use my phone as a way to avoid,” the Nashville native added. “I would be missing text messages and know there were so many over there that it was too stressful to go check. So I would avoid that by mindless scrolling or, you know, I had these news alerts on my phone, and then we become big news stories all the time. I started getting caught up in that. It doesn’t make me a better person.”
Jelly is currently on break from his Beautifully Broken Tour, which picks back up in Canada in March following a festival performance at Coors Light Birds Nest in Scottsdale, Ariz. In April, he’ll join Post Malone on a two-month joint North American stadium trek.
While on tour, the musician — who recently performed two tracks at the 2024 Billboard Music Awards — has been open about his weight-loss journey. On Dumb Blonde, Jelly explained why he’s stayed so public about the process, telling Bunnie, “I want to be honest about my struggles with it for people.”
“I think that people that become as big as I became, when they lose the weight, they’re so ashamed that they go and hide and lose the weight,” continued Jelly, who revealed he’s now lost 140 pounds. “I wanted to lose [weight] in front of everybody, I wanted to talk about it. I want to bring people along with me.”
Listen to his episode on Dumb Blonde below.
50 Cent, Davido and Mary J. Blige have announced a special gig scheduled to take place July 3 at London’s Tottenham Hotspur Stadium.
The date will see the three global superstars perform together as co-headliners for the first time. Tickets will go on sale at 10 a.m. GMT this Friday (Dec. 20) via Ticketmaster.
For Blige, the show will follow her spring North American headlining tour in support of new LP Gratitude. On Nov. 29, the R&B legend also celebrated the 30th anniversary of her sophomore album, My Life, which spawned the singles “Be Happy,” “I’m Goin Down” and “Mary Jane.”
Speaking to Billboard earlier this year, Blige described the record as being “pivotal” to her success, adding that its creation allowed her to find herself as an artist. “My fans have given me so much, and when I say, ‘We did it,’ I mean my fans and I,” she said.
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50 Cent, meanwhile, has another huge U.K. show scheduled for July. The following week will see him headline Glasgow’s TRNSMT Festival (July 11), alongside Irish pop act The Script. The rapper recently landed his second video in the YouTube Billion Views Club with 2005 hit “Candy Shop,” joining “In Da Club.” His last studio album arrived in the form of 2014’s Animal Ambition.
In March 2023, Davido released his Timeless LP, which peaked at No. 37 on the Billboard 200 and was nominated for best global music album at the 2024 Grammy Awards. Its Musa Keys-assisted track “Unavailable” went on to hit No. 3 on the U.S. Afrobeats Songs chart.
The Nigerian-American artist is slated to drop his next album, 5ive, early next year. He unveiled lead single “Funds” with Odumodublvck and Chike earlier on Dec. 5; it featured a sample of the 1997 track “Vuli Ndlela” by South African singer-songwriter Brenda Fassie.“This one is straight from the heart – my story, my truth, my growth,” Davido wrote on Instagram uponn the song’s release. “This one’s for the dreamers, the go getters and everyone chasing what’s theirs! Thank you for riding with me.”
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Chris Rock’s monologue for SNL jabbed at multiple figures in the news, including Donald Trump, Elon Musk, and the CEO of UnitedHealthcare who was killed in midtown Manhattan.
Last Saturday’s (Dec. 14) episode of Saturday Night Live was hosted by veteran comedian Chris Rock. His opening monologue wasted no time in going after multiple people prominent in today’s news but started off with a playful jab at show director Lorne Michaels for “25 great years of Saturday Night Live!” (The show is currently celebrating 50 years on the air.) Rock was a former cast member on the show from 1990 to 1993 and has hosted SNL three times in 1996, 2014, and 2020. He took a shot at Diddy first by bemoaning having to walk by a pack of “baby oil-sniffing dogs.”
He continued by talking about the capture of Luigi Mangione, the suspected shooter of UnitedHealthcare CEO Brian Thompson in midtown Manhattan earlier this month. “I really feel sorry for the family,” Rock began. “Everybody’s fixated on how good-looking this guy looks. If he looked like Jonah Hill, no one would care. They’d already given him the chair already — he’d be dead. But he actually killed a man — a man with a family, a man with kids. I have condolences. This is a real person, you know? But you also got to go, ‘You know, sometimes drug dealers get shot.’”
The Top Five actor also made sure to roast President-elect Donald Trump and his base of supporters by calling out the history of past American presidents and his proposed plans for mass deportation of undocumented immigrants. “Menendez brothers are getting out of jail — just in time to get deported. Trump is going to deport their ass, you murdering Mexicans!” he quipped before taking aim at tech billionaire Elon Musk. “He’s working with the number one African American in the world. The richest African American in the world: Elon Musk. That’s right. He is African American. Elon’s got more kids than the Cleveland Browns. That’s right. Nobody knows how to get rid of people like a South African.”
Check out the entire monologue above.
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Andrew Schulz still has his sights on Kendrick Lamar. The comedian has labeled the rapper the Taylor Swift of Rap.
As reported by Rap-Up, the media personality is not letting up on the “Not Like Us” MC. During the most recent episode of the Brilliant Idiots podcast, Andrew Schulz had a very hot take on Kung-Fu Kenny. “Kendrick really is the Taylor Swift of Hip-Hop. No matter what he does, he’s still the victim,” he explained. “You know how Taylor is always the victim? She’s the biggest in music in history, yet she’s a victim to the label, she’s a victim to Scooter, she’s a victim to her boyfriends. Yet, she’s still the biggest in the world. Somehow Kendrick is the victim here.”
His commentary follows a recent creepy statement he made after Kendrick Lamar took a shot at him on “wacced out murals” about the comedian’s criticism of Black women. “Kendrick’s people and the gang affiliate, you know, everybody, his security, they will kill me, they will destroy me,” he added. “They’ll find me in the street, they’ll f**king cut me up, they’ll shoot, they’ll do whatever, I’m not a tough guy … But just Kendrick? I would make love to him and there’s nothing he could do about it. Just Kendrick Lamar? I would make love to him. And the only thing that he could do is decide if it’s consensual or not.”
You can hear Andrew Schulz’s explain his comparison of Kendrick Lamar and Taylor Swift below.
Comedian Andrew Schulz reveals Kendrick Lamar’s team contacted Charlamagne Tha God to “clarify” things and thinks Kendrick is playing the victim like Taylor Swift in their beef. pic.twitter.com/pOEf9Qyldu
— Wiztohfem Unplugged (@wiztohfem) December 16, 2024
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