News

Queer Jams of the Week: New Music From Tove Lo, Adam Lambert, Kim Petras & More

Happy Pride, everybody! What better way to celebrate the reason for the season than with a cornucopia of new tracks from your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Tove Lo’s Y2K dance anthem to Adam Lambert’s appropriate new Pride cover, check out just a few of our favorite releases from this week below:

Tove Lo, “I Like U”

That’s right, we’re kicking off Pride with one hell of a new dance song. Tove Lo’s “I Like U” doesn’t need to be anything other than what it is — a feel good, fire-up-the-smoke-machine single about the revelry of newfound love. With production courtesy of frequent collaborator Timfromthehouse, Tove’s new song is a perfect party banger to kick off your Pride Month, as she wails “I li-li-li-like you/ I want you tonight.”

Adam Lambert feat. Sigala, “You Make Me Feel (Mighty Real)” (Sylvester cover)

When you think of “Pride anthems,” a handful of tracks immediately come to mind — one such song is Sylvester’s classic 1978 hit “You Make Me Feel (Mighty Real).” Now, 35 years after the disco icon’s death, Adam Lambert is ready to pay tribute to a great that paved the way. Teaming up with Sigala for a dance-fueled remix of the track, Lambert’s falsetto stylings fit perfectly with the song, nailing each note of the track, but never aiming to emulate the late star — rather, he honors his legacy with this dedicated cover.

Paris Hilton feat. Kim Petras, “Stars Are Blind (Paris’ Version)”

Say it with me — “that’s so hot.” Paris Hilton is, in fact, back with a re-release of her beloved single “Stars Are Blind.” (Note Taylor Swift’s impact, with Hilton dubbing her new rendition “Paris’ Version”). This time, though, Hilton is bringing along her friend and past collaborator Kim Petras to amp up the newest version of the track, with a pitch perfect second verse.

The Aces, I’ve Loved You For So Long

You shouldn’t mistake The Aces’ new album, I’ve Loved You For So Long, as nostalgia; while much of the 11-track project does deal with delving into the past, not all of it is done fondly. Throughout this expansive LP, the group retrods everything from teenage self-loathing (“Miserable” and “Always Get This Way”) to co-dependency (“Girls Make Me Wanna Die”), all done with their signature indie-pop sound and top-shelf songwriting completely intact.

Claud, “Wet”

Ever had that one person in your life who just refused to commit? If so, Claud has a song for you. The alt-pop star’s latest offering “Wet” deals with this exact dilemma, as Claud chastises a could-be partner for their refusal to just go for it. The thrumming, synth-focused production only adds to the drama, as the singer passively tells the song’s subject, “That’s not an apology/ But I’ll take what I can get/ Dip your feet but not too wet.”

Jake Shears, Last Man Dancing

It bears repeating that in dark times, it feels good to unplug and dance for a little while. Jake Shears’ phenomenal new album Last Man Dancing provides exactly that opportunity, while also offering something of a history lesson in queer music. Revisiting the chaotic electroclash that defined the late ’90s and early 2000s (especially on album standout “Really Big Deal”) and diving headfirst into gorgeous disco-tinged dance songs (the Kylie Minogue-assisted “Voices”), Last Man Dancing is a triumphant call to joy from Shears for the queer community. Sure, the world’s turning into a dystopia, but when has that ever stopped us from making our own good time?

CHIKA, “Requiem For A Dream”

When it comes to penning lyrics that make you sit back in your chair and exhale loudly, CHIKA is nearly unmatched. Her return single “Requiem for a Dream” is a perfect example — throughout this woozy track, the rapper dives deep into her own mind, plucking out insecurities, fears and self-scrutinizations and laying them out for the listener. But after shooting off a veritable laundry list of the problems she’s dealing with, CHIKA comes to a gorgeously-sung resolution on the song’s chorus: “I’m alright with pretending that all’s well …We’ll be okay,” she sings, before hampering her own thought. “F–k, I’m delusional.”

Zolita, “Grave”

As fun as it is to be petty, sometimes you just have to suck it up and be the adult in a relationship. For all of the angst she’s sung about thus far in her career, Zolita’s ready to be the grown-up on “Grave.” This chilling new track sees the rising pop singer living through the aftermath of a breakup, and instead of going scorched earth on her ex (see past single “20 Questions” for that particular tirade), Zolita decided to just take it in stride. “You said things you never thought you’d say,” she offers, spitefully. “You’re lucky I’ll take that s–t to my grave.”

Dorian Electra, “Sodom & Gomorrah”

If right-wing politicians want to use the Bible like a cudgel, Dorian Electra says “let them.” On “Sodom & Gomorrah,” the hyperpop star takes a look back at that “ancient story” where “two cities got super horny,” and turns it into a metaphor for what they’d like to see their lover do to them. With some cheeky wordplay and a lot of thinly-veiled innuendo, Electra gets their point across with ease in this sexed-up single.

Trixie Mattel, “Looking Good, Feeling Gorgeous” (RuPaul cover)

Her Snatch Game impression of RuPaul might have been a bit rough, but Trixie Mattel’s new cover of a RuPaul classic is, as she put it, a “winner winner chicken dinner.” Taking the (frankly underrated) RuPaul track “Looking Good, Feeling Gorgeous” and giving it a modern facelift, Mattel leans into the unbridled camp of the dance single, pouring every ounce of faux-sincerity into the song’s central question of “How do I look?” Considering the fact that the music video is also raising money for the Drag Isn’t Dangerous fund, and you simply have no reason not to press play.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

Executive Turntable: Warner Chappel Names Legal & Business Affairs Head; WMX Shakes Up Leadership

Steve Butler was named head of legal & business affairs, North America at Warner Chappell Music. Butler will support the publisher’s U.S. (including Nashville and U.S. Latin) and Canadian markets while working closely with various departments to ensure cohesion across its North American operations. He will continue reporting to Warner Chappell executive vp/global head of legal & business affairs Peter Rosenthal. Butler was previously senior vp of legal & business affairs; among other deals, he oversaw the company’s purchase of David Bowie‘s catalog.

Warner Music Group’s WMX announced several new hires: Karl Walsh as executive vp/head of global commerce; Brian Furano as global head of A&R; and Robbie Owens-Russo as senior vp of creative services. Additionally, the company announced the following promotions: Tracy Stone to head of artist and fan experiences, North America; Bob Workman to head of WMX artist & fan experience, UK & rest of the world/senior vp of international artist & brand partners; and Angela Nguyen to head of global commercial operations. The new appointments mark a major overhaul of WMX’s merchandise, commerce, partnerships and ops teams. Walsh can be reached at Karl.Walsh@wmg.com, Furano can be reached at Brian.Furano@wmg.com, Owens-Russo can be reached at robbie.owens-russo@wmg.com, Stone can be reached at Tracy.Stone@wmg.com and Workman can be reached at Bob.Workman@warnermusic.com.

David Loiterton was hired as president, Indo-Pacific at Primary Wave Music. Based in Hong Kong, Loiterton will be tasked with managing the company’s catalog while driving investment in music IP across the region, particularly in India, Japan, Korea, China and Australia as well as emerging Southeast Asian markets. He can be reached at dloiterton@primarywave.com.

SESAC Performing Rights promoted Erin Collins to senior vp of film/TV creative services. The Billboard 2022 Women in Music honoree will continue overseeing SESAC’s network of composers and publishers.

Independent dance label Armada Music announced several new hires and promotions: Madeleine van Schendel was named chief growth officer; Jop Bonnike was promoted to COO; and Michel Peek was promoted to GM of publishing. Additionally, Nadine van Bodegraven moved from Armada’s executive team to join its investment company BEAT as COO.

Attorney Kenneth T. Deutsch joined law firm Paul Hastings as a partner and global co-chair of its entertainment and media practice. He joins from Latham & Watkins, where he served as global co-chair of the firm’s entertainment, sports and media group.

Island Records announced the promotions of Hannah Colson to director of artist development and Sam Lunn to director of strategic marketing.

MNRK Music Group promoted Brandon Squar to GM and Ebrahim “Abe” Rasheed to senior vp of urban. Squar will oversee commerce, marketing, project management and publicity for the company’s artists while Rasheed will spearhead all efforts in A&R and artist development for MNRK’s urban roster.

Tamaya Petteway was named senior vp of partnerships at Dick Clark Productions, where she will be tasked with securing brand partnerships across the company’s live event programming, including the American Music Awards, the Country Music Awards, the Billboard Music Awards, Dick Clark’s New Year’s Rockin’ Eve, the Streamy Awards, So You Think You Can Dance and The Golden Globes. Petteway joins the company from Endemol Shine North America, where she most recently served as senior vp of brand partnerships, licensing and digital.

Ariana White was promoted to vp of publicity at Atlantic Records. She currently handles publicity for Atlantic signees Kali, Mahalia, Rico Nasty, Ckay, No Cap and Quando Rondo, among others.

The Black Music Action Coalition and Audiomack announced a paid internship and mentorship program designed to discover the next generation of Black executives in the music industry and named several executives as mentors. They are: Artistry Group CEO Max Gousee, The Blueprint Group CMO/partner Al Branch, Biz 3 Publicity CEO Kathryn Frazier, CAA agent Yves Pierre, 10Q Management CEO Lydia Asrat and AEG talent buyer Marcus “Don Dada” Johnson. Prospective candidates to the program can apply here.

Troy Skabelund joined artist financing company beatBread as CFO. Skabelund is also founder/CEO of the small business consulting network Advisory Zone.

Boutique entertainment law firm Ritholz Levy Fields promoted three attorneys to partner: Cody Brown (New York), Jenna Harris (Nashville) and Dan Zupnick (New York). Brown can be reached at cbrown@rlfllp.com, Harris can be reached at jharris@rlfllp.com and Zupnick can be reached at dzupnick@rlfllp.com.

Lauren Kreisler was promoted to director of brand & digital for the Official Charts Company in the UK, a newly created role. Her expanded role comes ahead of the company’s refreshed brand identity and consumer-facing digital platform in the coming weeks. Kreisler can be reached at lauren@officialcharts.com.

Anna Desalu was named vp of commerce and sales at record label Blac Noize! (Big Machine/SB Projects), where she will lead streaming initiatives for the company’s roster, including by cultivating digital partnerships and editorial placement. She joins the company from Warner Music Group/Atlantic Records’ Asylum Records, where she was director of sales and commerce.

Audioshake co-founder/CEO Jessica Powell has joined the advisory board of digital music distribution platform Octiive, joining SoundCloud chief product officer Rohit Agarwal and Meta head of UK and Ireland venture capital & partnerships Rowly Bourne.

Tina Turner Tops 40 Million U.S. Streams in Week After Her Death

Fans rallied to the late Tina Turner’s catalog in massive numbers in the week following the icon’s death. Her tracks collected more than 40 million U.S. on-demand streams from May 24, the day of her passing, through the six days after, according to preliminary reports to Luminate.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Turner, the electric performer whose career spanned multiple generations and multiple genres – with pop, rock, soul and even country among her gifts – died at age 83 on May 24 at her home in Switzerland. Her legacy includes a rare double induction into the Rock and Roll Hall of Fame, as she was honored in 1991 part of Ike & Tina Turner and again in 2021 for her solo efforts.

Across all her work, Turner’s tunes captured 40.1 million U.S. on-demand streams May 24-30, up from 2.7 million May 17-23 – a 1,367% increase. Turner’s solo material, consisting of songs largely recorded from 1978 on, contributed 36.1 million clicks of the posthumous activity. Songs credited to Ike & Tina Turner, active from 1960 to 1976, accounted for 4 million streams. (The totals above include both official on-demand streams and user-generated activity [“UGC”] to give a full view of Turner’s posthumous impact. UGC streams do not count toward Billboard’s chart calculations.)

“What’s Love Got To Do With It” led all of the diva’s songs, with 7.2 million clicks May 24-30, up 686% from 912,000 in the previous seven days. The 1984 Billboard Hot 100 No. 1 was the main driver behind her monumental comeback that year. It became her sole Hot 100 No. 1, leading the list for three weeks, and ended 1984 at No. 2 on the year-end Hot 100 chart. The single won Turner two Grammy Awards, including record of the year, at the 1985 ceremony and ranks first on the recap of Turner’s biggest Hot 100 hits.

“The Best” claimed second place among Turner’s streamed songs May 24-30, with 4.5 million on-demand clicks, up 1,022%. Turner’s 1989 cover of the Bonnie Tyler cut became a signature song, inspiring the title of her 1991 greatest-hits set, Simply the Best. The same phrase became a common refrain in many tributes and eulogies on social media.

Ike & Tina Turner’s 1971 classic “Proud Mary” cover ranked third May 24-30 thanks to 3.9 million on-demand streams (up 1,132%). Two cuts from Turner’s 1984 LP, Private Dancer, the title track (2.04 million, up 2,502%) and “Better Be Good to Me” (1.8 million, up 1,714%), round out the top five.

On the Billboard charts (dated June 3), “What’s Love” also generated the strongest impact, despite only two days of the posthumous activity surge in the last chart tracking week (May 19-25). (The weekly airplay, sales and streaming windows for Billboard charts run on a Friday-Thursday cycle.) The single debuts at No. 11 on the Hot R&B Songs chart, which began in 2012 and blends streaming, radio airplay and sales activity.

“What’s Love” also returns at No. 1 on the R&B Digital Song Sales chart with 7,000 downloads sold (up from a nominal sum) and leads eight Turner songs onto the 15-position list:

No. 1, “What’s Love Got To Do With It”
No. 2, “We Don’t Need Another Hero (Thunderdome)”
No. 3, “Proud Mary”
No. 4, “Better Be Good to Me”
No. 5, “Private Dancer”
No. 7, “I Don’t Wanna Lose You”
No. 9, “Let’s Stay Together”
No. 10, “River Deep – Mountain High”

All told, Turner sold 78,000 song downloads May 24-30, a 6,238% vault from a little over 1,000 in the prior seven-day window.

The streaming and sales activity spark album gains for her 2005 greatest-hits effort, All the Best: The Hits. The set debuts at No. 6 on the June 3-dated Top R&B Albums chart, No. 14 on Top R&B/Hip-Hop Albums and No. 45 on the Billboard 200.

New Music Latin: Listen To Releases From Young Miko & Jowell y Randy, Gocho & More

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

Explore

See latest videos, charts and news

See latest videos, charts and news

Young Miko and Jowell & Randy, “ID” (The Wave Music Group)

Puerto Rican rapper Young Miko recruits renowned reggaetón duo Jowell y Randy for her new single “ID.” Produced by Mauro and Caleb Calloway, the track is infectious reggaetón infused with smooth Jamaican reggae beats, which halfway through transitions to Jowell & Randy’s hard-hitting perreo sound. In “ID,” the newcomer and urban genre veterans not only exchange NSFW verses about admiring a girl’s behind and her sexy movements, but also deliver a new summer obsession for our playlist. — INGRID FAJARDO

LIT killah, Duki, Emilia, Tiago PZK, FMK, Rusherking, Maria Becerra & Big One, “Los Del Espacio” (Warner Music Latina)

Each one of them is a star in their own right; now, together, they intend to take you to another dimension with “Los del Espacio.” LIT Killah’s new single with Duki, Emilia, Tiago PZK, FMK, Rusherking, Maria Becerra and Big One brings together some of the most prominent artists on Argentina’s current music scene with an up-tempo reggaetón perfect for the summer (or to warm the souls in the southern hemisphere, where winter is kicking in.) “In slow motion/ You stuck with me and you didn’t realize/ That tonight I let you go’/ I know it tempts you,” says part of the chorus of the catchy song, which will undoubtedly make you dance, whether you’re at the beach or on the dancefloor. Written by the octet of friends and produced and mastered by Big One, “Los del Espacio” arrives with a cheerful music video directed by Facundo Ballve — released on June 1 to great hype at an event covered by Billboard Argentina — in which each of the stars has a chance to shine. — SIGAL RATNER-ARIAS

Daddy Yankee & Omar Courtz, “BEACHY” (El Cartel Records/Imperial)

An Instagram post is what drove Daddy Yankee to collaborate with newcomer Omar Courtz (featured in Billboard’s On The Radar Latin) on his latest single “BEACHY.” Just in time for the summer, the sultry track—produced by Yankee, Dimelo Flow, BK, and PM — fuses reggaetón with Afrobeats, backed by Yankee’s signature sugary vocals and Courtz’s raspier tones. Co-written by Yankee, Courtz, Justin Quiles, and BCA, “BEACHY” narrates the story of a girl who’s getting tanned at the beach and enjoying the sun while she’s living her best single life. The music video, filmed by Marlon P, brings the song’s breezy essence to life, showing both artists at the beach surrounded by inclusive models. “BEACHY” is part of Yankee’s upcoming LEGENDADDY Goat Edition album. — JESSICA ROIZ

Francisca Valenzuela, “¿Dónde se llora cuando se llora?” (Fantastic Records)

Where does one cry when one cries? It’s a question that Chilean singer-songwriter Francisca Valenzuela is trying to get an answer to in her new pop-ballad track “¿Dónde Se Llora Cuando Se Llora?” Penned and produced by Valenzuela and Francisco Victoria, the song puts the artist’s transformative journey at the forefront, giving the audience a sneak peek of her trek to self-discovery where she’s learned to embrace her vulnerability. “Where does one cry when one cries?/ At the bathroom in my party, in the middle of a reunion/ In the car, in the shower, drugged on an airplane,” she wonders. The raw and ultra-personal new single is the first single from her upcoming sixth studio album. — GRISELDA FLORES

Gocho, No Soy El Mismo (Lado A) (Forgiven Music)

Eight years since his last solo project, singer-songwriter and renowned producer Jose Angel Torres Castro, better known as Gocho, returns with the EP No Soy el Mismo (Lado A) (I am not the same, Side A). In the six-song urban EP, which also features pop and tropical fusions, the artist expresses himself freely about his spirituality and reflects on his life. “I definitely don’t see music the same way as before… I think we have to be aware of the impact we have when we write a song,” he states in a press statement. The album includes “Mi Mejor Cancion” (My best song), released with Farruko, a slow and very personal reggaetón collab written by Gocho and dedicated to his wife, in which he apologizes for his faults and expresses his desire to improve their relationship. “God gives me a new time, so we can build a love that, despite everything, nothing can destroy,” Farruko chants.

Gocho, who reached the top of Billboard’s Hot Latin Songs chart with “Si Te Digo la Verdad” and co-produced reggaetón hits like “Dale Don Dale” by Don Omar, is currently on the Billboard Tropical Airplay chart with the Funky-featuring “Solución,” the first single of the album. No Soy el Mismo (Side A) also includes other team-ups, such as “Hablaré” with Alex Zurdo, “Te enseñaré” with Onell Diaz and “Soledad” with Jay Kalyl. “Each one of them gave the album that unique touch to take it to the next level,” he says of his collaborators. The EP is a good introduction to this new facet of the artist, with an implied continuation to come with the eventual Side B. — LUISA CALLE

Los Aptos x Cuco, “Miel” (Warner Music Latina/VPS Music)

Propelled by sparkly synths and a steel-string guitar, Los Aptos and Cuco conjure up a whirling love-letter ballad that harkens back to the whimsical, romantic era of The Beatles’ Rubber Soul and the gruperas of Los Yonics — equipped with hooded eyes and their heart on their sleeve. “You’re as strong as a ray of sunshine/ To my world you’re so essential/ And those beautiful honey-colored eyes/ Like chocolates on Valentine’s Day and a sunset,” sings frontman Juan Ortega against a hazy sierreño backdrop. The charming quality is that “Miel” oozes with pure idealism and sweetness. It’s a perfect laid-back summer jam for your newfound crush. — ISABELA RAYGOZA

The Weeknd, Madonna & Playboi Carti, Foo Fighters: What’s Your Favorite Music Release of the Week? Vote!

With summer just around the corner — and June officially here — new music releases are beginning to drop, with this week featuring the likes of The Weeknd and friends, Foo Fighters and more.

The Weeknd continues to roll out tracks from the soundtrack for Max’s (formerly HBO Max) The Idol, this time with the help of two new guest features on new track “Popular.” Playboi Carti and Madonna swoop in for assists on the slinky track, laden with booming synth instrumentals and plinking percussion. The rapper boasts of his financial prowess and how it lures in women, while the “Like a Virgin” singer defends her superstar status while simultaneously extending pity to a woman desperately trying to cling to the limelight.

Foo Fighters describe their latest album But Here We Are as “hard-fought,” and it’s no surprise as to why — the LP serves at the first album release since the loss of the band’s longtime drummer Taylor Hawkins last year, and the record speaks to the gravity of his passing. Ten-minute track “The Teacher” is sure to get listeners choked up at the level of emotion highlighted on the song, and “The Glass” hits home as Grohl emotively sings, “I had a vision of you, and just like that/ I was left to live without it.”

Peso Pluma & Bizarrap, Jelly Roll, Stray Kids and more all dropped new material this week, but which release is your favorite? Vote in our poll — or enter in your personal favorite song or album selection — below.

Kelly Clarkson Once Hid a Creepy Doll in Reba McEntire’s Closet

Let’s face it — some dolls are creepy, and Kelly Clarkson has an experience of her own to prove it. In a Friday (June 2) interview with the cast of The Marvelous Mrs. Maisel on her eponymous talk show, the American Idol alumn revealed her own encounter with a creepy doll.

Reflecting on an overnight stay at Reba McEntire’s house, the “Stronger” singer said, “She had this doll and it was so creepy to me.” “Two days later, she’s like ‘So, I found the doll in the closet?’ And I’m like, ‘Oh my God! I’m sorry, I didn’t put it back!’” she continued. The “Breakaway” singer explained, “It scared me and I couldn’t sleep! I’m not just gonna sleep with that thing looking at me!” Emmy-winning Maisel star Alex Borstein chimed in, “I’ve had that happen at Airbnbs, they had something very creepy and I couldn’t look at it and I had to put it away.”

Thankfully, Clarkson smoothed things over with her fellow Grammy-winning superstar. “[Reba] was like, ‘Did you put my stuff in the closet?’” Clarkson recounted. “I kinda did. I did, I’m so sorry! I should have brought it back out,” she replied. The conversation then evolved into sharing memories of jokingly stealing from the Maisel costume department.

Clarkson, who has earned three chart-toppers on both the Billboard 200 and the Hot 100 since she became the original American Idol 21 years ago, is currently preparing the release of her tenth studio album. Titled Chemistry, Clarkson’s new record – her first of original pop music since 2017’s Meaning of Life — is due June 23, and features the pre-release singles “Me,” “Mine,” “Favorite Kind of High,” and, most recently, the Steve Martin-assisted “I Hate Love.”

Watch Clarkson reflect on her creepy doll experience in the video above.

Adam Lambert Teams Up With Orly for ‘High Drama’ Nail Collaboration: Shop the Limited Collection Before It’s Gone

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Adam Lambert and Orly teamed up for a “high drama” collaboration in honor of Pride Month. Inspired by Lambert’s High Drama album, the six-piece collection of vibrant nail polishes will be available exclusively at Orlybeauty.com on Friday (June 2).

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“We are all very excited about this collaboration. Adam has such a powerful voice, both in his music and in championing the causes closest to his heart,” said Tal Pink, Vice President of Business Development at Orly International. “As a musician myself as part of a rock band, we not only are immense fans of Lambert’s musical talents but also his compassion and advocacy for the queer community.”

The Adam Lambert x Orly: High Drama Collection features a silver metallic shade dubbed “Fluidity,” an apple green polish named “Adam’s Apple” and a black and silver glitter polish named “In the Moonlight.” There’s also a gold polish called “Hero Worship,” a plum shade named “Flight of Fancy” and “Berry That” — a custom navy duo chrome shimmer that Lambert conceptualized and created at Orly Color Labs in West Hollywood, Calif.

Adam Lambert

Courtesy Photo

The polishes retail for $10.50 and the six-piece collection retails for $63. Proceeds from the collection will go to Stand With Trans, a non-profit organization that provides critical support for trans youth and their families.

“Stand with Trans is thrilled to be invited to participate in this exciting collaboration with ORLY and Adam Lambert. Adam’s voice will send an impactful message to folks about the importance of celebrating the trans and queer community,” said Roz Gould Keith, founder and executive director of Stand with Trans.

Shop the collection below.

Orly

Adam Lambert x Orly High Drama Collection — Fluidity

$10.50

Adam Lambert x Orly High Drama Collection — Flight of Fancy

$10.50

Orly

Adam Lambert x Orly High Drama Collection — In the Moonlight

$10.50

Cynthia Weil, Prolific Co-Writer of ‘You’ve Lost That Lovin’ Feelin’,’ Dies at 82

Cynthia Weil, the prolific lyricist who wrote dozens of indelible pop hits with husband Barry Mann over a six-decade career has died at 82. According to the Associated Press, Weil’s death of undisclosed causes was confirmed on Friday (June 2) by Interdependence Public Relations, which represents Mann’s daughter, Dr. Jenn Mann.

Explore

See latest videos, charts and news

See latest videos, charts and news

Weil and Mann were one of the most formidable songwriting teams to set up residence in Manhattan’s famed Brill Building in the 1960s, which was also home to fellow pop songwriting powerhouses including Carole King and Gerry Goffin. Weil’s tear-stained ballads about young love, undying devotion and social struggles include such classics as the Crystals’ “Uptown,” the Drifters’ “On Broadway,” The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’” and the Animals’ anti-war anthem “We Gotta Get Out of This Place.”

Longtime friend King paid homage to Weil in a statement that featured an image of her with Mann, Weil and her then-husband Goffin at a BMI dinner in 1962, writing, “We lost the beautiful, brilliant lyricist Cynthia Weil Mann… The four of us were close, caring friends despite our fierce competition to write the next hit for an artist with a #1 song. Sometimes we wrote in different combinations, e.g., Mann and Goffin ‘Who Put The Bomp?’ and King and Weil ‘One To One.’ Cynthia’s high professional standard made us all better songwriters. My favorite Cynthia lyric is, “Just a little lovin’ early in the mornin’ beats a cup of coffee for startin’ out the day.” If we’re lucky, we know this is true, but she wrote it — and then she rhymed “mornin’” with “yawnin’” in the next verse. May the legacy of lyrics by Cynthia Weil continue to speak to and for generations to come. Rest in peace with love and gratitude.”

Weil was born on Oct. 18, 1940 in New York City and studied ballet and piano as a child, but after graduating from Sarah Lawrence University with a theater major she scored a job working for composer Frank Loesser at 20 and soon met Mann, whom she married in 1961. After scoring their first hit that year with Tony Orlando’s “Bless You,” the pair became regular collaborators with “Wall of Sound” producer Phil Spector, with whom they worked on the Ronettes’ “Walking in the Rain” and the Crystals’ “He’s Sure the Boy I Love.”

They landed their most enduring chart-topper in 1965 with the blue-eyed soul smash “You’ve Lost That Lovin’ Feelin’,” a No. 1 hit produced by Spector that has been covered dozens of times and became the most-played song on radio and TV in the 20th century according to BMI.

The width and breadth of their songwriting ranged from lounge singers Eydie Gorme (“Blame it on the Bossa Nova”) and her duet partner Steve Lawrence (“Don’t Be Afraid, Little Darlin’”), to pop group Jay and the Americans (“Only in America,” a collaboration with Jerry Leiber and Mike Stoller), rock band Paul Revere & the Raiders (the anti-drug tune “Kicks”), singing TV group The Partridge Family (“I Really Want to Know You” and “I’m on the Road”) and British siren Dusty Springfield (“Just a Little Lovin’” from her iconic 1969 Dusty in Memphis album).

The 1970s brought collabs with rockers Blood Sweat & Tears (“So Long Dixie”), country singer B.J. Thomas (“Here You Come Again”) and the Grass Roots (“Mamacita”), as their hot streak continued into the 1980s with Bill Medley’s “Don’t Know Much,” which was a No. 2 hit for Linda Ronstadt and Aaron Neville in 1989, winning a Grammy in 1990 for best pop performance by a duo or group with vocal. They did it again in 1981 with the Quincy Jones/James Ingram ballad “Just Once,” which hit No. 17 on the Billboard Hot 100 and was nominated for a best male pop vocal performance Grammy in 1982.

Weil and Mann also wrote hits for Dionne Warwick (“Never Gonna Let You Go”), Bette Midler (“All I Need to Know”), Jeffrey Osborne (“We’re Going All the Way”), the Pointer Sisters (“Baby Come and Get It”) and Ronstadt and James Ingram (“Somewhere Out There”), a No. 2 hit they collaborated on with James Horner for the animated movie An American Tail that won Grammys in 1988 for song of the year and best song written specifically for a motion picture or television.

She also scored hits on her own or with other writers for the Pointers (“He’s So Shy”), Barry Manilow (“Somewhere Down the Road”), Lionel Richie (“Running with the Night,” “Love Will Conquer All”), Peabo Bryson (“If Ever You’re in My Arms Again”), Chaka Khan (“Through the Fire”), Sheena Easton (“So Far So Good”) and Martina McBride (“Wrong Again”).

Weil was the first woman recipient of the Ahmet Ertegun Award at the 2010 Rock and Roll Hall of Fame induction (which she shared with Mann), and was inducted into the Songwriters Hall of Fame in 1987 and landed the first-ever National Academy of Songwriters Life Achievement Award (both with Mann), as well as the Songwriting Hall of Fame’s highest honor, the Johnny Mercer Award in 2011. She is survived by Mann, 84, and their daughter, Jenn.

One Call Away: These Flip Phones Are Gen Z-Approved

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Touchscreen, flat smartphones are the it cell phone to own, but newer models have continued to grow in size unlike our pocket space. Since the ’90s have made a sweeping comeback among fashion there’s a new accessory everyone (especially Gen Z) is scrambling to own: a flip phone. Celebrities like previous Billboard Hot 100 chart topper Ed Sheeran and “Alone” singer Kim Petras have hopped on the trend with Sheeran even preferring the old school model as it helps him limit social media usage, which he said in The Collector’s Edition podcast.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Petras even remembers growing up with the phone during the early 2000s. “In the early 2000s, people I looked up to had the iconic pink Razr and it was the coolest accessory,” she said in a statement for Motorola.

Owning a flip phone doesn’t mean completely giving up all the features a smartphone carries — newer models are bringing you the best of both worlds with touchscreen capabilities, HD cameras, app usage and more. All paired with the famous screen flip feature, of course.

Whether you’re looking to cut down your screen time or want a more compact, portable phone to carry in your tote bag, flip phones make it easy to stay connected — without having to lug around a tablet-sized smartphone in your hand.

In anticipation of the Motorola Razr Plus being released on June 23, we rounded up a list of flip phones to shop in a range of versions from styles with just the basics to new flip phones featuring the latest tech. Check below to shop our picks for the best flip phones to own in 2023!

For more product recommendations, check out our roundups of portable phone chargers, best TV deals to shop right now and best graduation gifts.

Samsung Galaxy flip phone straight and bent with display screen on

Best Buy

Samsung – Galaxy Z Flip4 

$999.99

Get all the characteristics of a smartphone shrunk down into a portable flip phone design with the Samsung Galaxy Z Flip4. It comes in four colors to customize to your liking and comes with flex mode allowing you to use the top portion to video call friends while browsing the Internet on the bottom half.

teal Nokia flip phone open and closed with display screen on

Best Buy

Nokia 2780 Flip | Unlocked | Verizon, AT&T, T-Mobile | Blue

$89.99

Go back to basics with the Nokia 2780 Flip Phone, which is not only an affordable option but comes with all the necessities including talk, text and a camera. Just note that a SIM card is not included.

Motorola razr+ flip phone bent open with camera and keypad lit up

Motorola

Motorola razr+

$999.99

The Motorola Razr+ is not only Petras-approved, but aims to be the phone for content creators and it’s already getting rave reviews. It turns your smartphone into a fashionable accessory you can carry with you and shoot video, snap pictures, text, call, use social media and more. It won’t be available for pre-order until June 16, but until then, you can register to be notified of presale and once it’s available you’ll be able to purchase it through phone carriers or grab it universally unlocked at Amazon, Best Buy and Motorola.

Gray Alcatel flip phone flipped open with time and apps on display screen

Walmart

Alcatel – My Flip 2 Prepaid Tracfone

$43

Flip on over to Alcatel’s prepaid flip phone featuring only the essentials. Whether you’re traveling or just want to declutter your accessories, this phone will enable you to call, text, surf YouTube and even use a maps feature.

gray Consumer Cellular flip phone partially open with time display on front screen

Consumer Cellular

Consumer Cellular Verve Snap

$69

Keep things simple and under $100 with this flip phone from Consumer Cellular. It’s compact enough to throw in your purse, pocket or backpack and will allow you to call and send text messages without the distraction of social media.

The Weeknd Teases Viewers Will Hear ‘More of’ Madonna in ‘The Idol’: ‘She Is the Ultimate Pop Star’

From “Die for You” to “Creepin’,” The Weeknd has become almost synonymous with the upper regions of the Billboard Hot 100 in recent years. With the imminent premiere of his new HBO drama, The Idol, Abel “The Weeknd” Tesfaye is angling himself toward a new arena: television domination.

The Idol, which The Weeknd co-created with Emmy-nominated Euphoria producer and director Sam Levinson, is set to star Lily Rose-Depp, Troye Sivan, Moses Sumney, Jennie Ruby Jane, and, of course, The Weeknd himself. On Friday (June 2), the “Earned It” singer sat down with Zane Lowe on Apple Music 1 to discuss The Idol, the forthcoming soundtrack, and his new single “Popular,” which features Madonna and Playboi Carti.

“I’m definitely proud of it,” The Weeknd gushed. “And then Madonna, Madge. She’s the ultimate co-sign for this song, for this album, and for this TV show.”

Originally a collaboration between only The Weeknd and Playboi Carti, the “Can’t Feel My Face” singer revealed, “We’ve had a different version of this song prior. So I’ve had these vocals for a while and I’ve kind of just worked around it, and then kind of kept it in the tuck. But now it felt like it was time.”

“Popular” marks the second single from The Idol soundtrack following The Weeknd and Future’s No. 18-peaking duet “Double Fantasy.” Although “Popular” marks the first official collaboration between Madonna and The Weeknd, the Idol star promised that viewers will “hear more of her in the show. She is the ultimate pop star.”

With Madonna’s towering musical legacy and singular commercial success, it comes as no surprise that The Weeknd sings her praises. “I’ve always wanted to work with her,” he mused. “I’ve always wanted to write and produce a Madonna album … well, co-produce with her, of course … because she’s a visionary and she has such a singular vision, and I just want to come into her world and create a classic Madonna album. That was always my dream n… Hopefully, this is the appetizer for that.”

The Weeknd, who is currently in Portugal preparing for another leg of his globe-trotting After Hours Til Dawn Tour, worked on The Idol soundtrack alongside Sam Levinson and Mike Dean. “It’s such a labor of love and such a collaborative project,” he said. “You’ve got three maniacs in the studio … it’s a very cohesive body of work.”

Described as “very experimental, but still pop,” The Idol soundtrack also features production contributions from Across the Spider-Verse soundtrack curator and frequent Weeknd collaborator Metro Boomin.

The Idol is set to premiere on HBO Sunday (June 4). “I feel great because everyone involved feels great,” The Weeknd told Lowe of the show’s premiere. “We’re all so proud of what we made. It’s controversial. It is. And as you know, I’m no stranger to it. Sam is no stranger to it. We’re just excited for people to finally watch it and come up with their own opinion.”

Watch his interview with Zane Lowe above.