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Harry Styles Ends Love on Tour With New Instrumental Song, Heartfelt Speech in Italy

It’s a wrap for Harry Styles‘ Love on Tour. The Harry’s House hitmaker ended his massive tour in Reggio Emilia, Italy, at RCF Arena on Saturday night (July 22), and he topped the last concert off with an extra encore.

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Styles closed the show with an as-yet-untitled song that was new to fans: It went on for about 10 minutes and it was an instrumental ballad, with Styles on piano.

His name and the phrase “new song” trended on Twitter on Saturday as fans reacted to hearing new music from Styles at his final Love on Tour date. It was an emotional end to a tour that went on for nearly two years.

“I don’t get to do this if you guys don’t come,” Styles told the audience during a speech that had fans in tears. “I know that more than anyone else. You guys being here tonight, I know you wanted to make it special for me. You make it special for me every single night.”

“The atmosphere that you have created, the family that you have created, this safe space that you have created,” he said during his speech. “I want to thank you for everything.”

Styles continued, “I know feeling so incredibly small in this world it can be really, really difficult to feel like anything you can do can make a difference. I promise you, I see it all the time in the little things that you do and the way that you treat each other. How it has affected all the people around me, how it has affected people out there, it is so much bigger. It does not end when this tour ends. I want you to continue it. Put love out into the world. It needs it a bit right now. I love you all so much, and I’m gonna miss you. I will be loving you so, so much — if you’ve been supporting me for one year, five years, 13 years, whatever it is. Not only have you changed my life over and over again, but you’ve made me the happiest. I’m so thrilled and happy to be here tonight. I’m so, so happy.”

The trek, which launched on Sept. 4, 2021 in Las Vegas, brought Styles to five continents and has become one of the 10 highest-grossing tours of all time, according to figures reported to Billboard Boxscore. The former One Direction singer had earned almost $600 million from the tour as of a week ago.

Watch him perform his new song and see a clip from his thank you speech below.

Miranda Lambert Reacts to Fan’s ‘Shoot Tequila, Not Selfies’ Shirt at Vegas Show

Miranda Lambert took a moment to address a fan in the crowd again Saturday night (July 22), but this time it was to give a compliment.

The country star, performing at Planet Hollywood Resort and Casino at Zappos Theater during her Miranda Lambert: Velvet Rodeo The Las Vegas Residency, spotted something that amused her in the audience.

“Her shirt says, ‘Shoot tequila, not selfies,’” Lambert announced on stage.

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“She did it. I didn’t,” she said with a laugh.

Last weekend, Lambert paused her Vegas concert during “Tin Man” to call out a group of fans she believed were “worried about their selfie and not listening to the song.” “It’s pissing me off a bit,” Lambert said at the time. “Sorry, I don’t like it. At all.” One of the audience members whose mid-show selfie-taking irked Lambert later told NBC News she was “appalled” by the singer’s reaction and said, “It felt like I was back at school with the teacher scolding me for doing something wrong and telling me to sit down back in my place.”

But this weekend, what Lambert saw in the crowd seemed to leave her in good spirits: “That’s bad—,” she commented on the “shoot tequila, not selfies” shirt. She then leaned forward and accepted a mini bottle of what was probably tequila, said cheers and took a swig from the bottle.

See a fan-captured clip of the lighthearted bit below.

Fans Choose Britney Spears & Will.i.am’s ‘Mind Your Business’ as This Week’s Favorite New Music

Britney Spears and Will.i.am‘s “Mind Your Business” has topped this week’s new music poll.

Music fans voted in a poll published Friday (July 21) on Billboard, choosing the collaboration between the pop superstar and Grammy-winning producer as their favorite new music release of the past week.

“Mind Your Business” brought in nearly 48% of the vote, beating out new music by Travis Scott, Bad Bunny and The Weeknd (“K-Pop”); the Barbie movie soundtrack; Chris Stapleton (“White Horse”); ZAYN (“Love Like This”); and others.

After giving fans just a one-day heads up, the two all-star musicians dropped their new single “– a full decade after first working together on 2012’s “Scream & Shout.”

On the track, Brit and the Black Eyed Peas founder riff over spacey synth ripples, with the Princess of Pop declaring, “Mind your business, b—-.” “Mind Your Business” also recycles a tagline featured throughout “Scream & Shout”: “You are now rockin’ with Will.i.am and Britney, b—-.”

The project was only announced one day ahead of time, with Will.i.am simply tweeting out a 16-second snippet of the electronic dance track. “UH OH!!! You are now NOW rocking with will.i.am and @britneyspears…,” he captioned the sneak peek.

Trailing behind “Mind Your Business” on the poll is Scott, Bad Bunny and The Weeknd’s collaboration “K-Pop,” which brought in 15% of the vote.

See the final results of this week’s new music release poll below.

‘Barbie’ Takes Box Office Crown With $155 Million Opening in Historic Weekend

“Barbenheimer” didn’t just work — it spun box office gold. The social media-fueled fusion of Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer brought moviegoers back to the theaters in record numbers this weekend, vastly outperforming projections and giving a glimmer of hope to the lagging exhibition business, amid the sobering backdrop of strikes.

Warner Bros.’ Barbie claimed the top spot with a massive $155 million in ticket sales from North American theaters from 4,243 locations, surpassing The Super Mario Bros. Movie (as well as every Marvel movie this year) as the biggest opening of the year and breaking the first weekend record for a film directed by a woman. Universal’s Oppenheimer also soared past expectations, taking in $80.5 million from 3,610 theaters in the U.S. and Canada, marking Nolan’s biggest non-Batman debut and one of the best-ever starts for an R-rated biographical drama.

It’s also the first time that one movie opened to more than $100 million and another movie opened to more than $80 million in the same weekend. When all is settled, it will likely turn out to be the fourth biggest box office weekend of all time with over $300 million industrywide. And all this in a marketplace that increasingly curved towards intellectual property-driven winner takes all.

The “Barbenheimer” phenomenon may have started out as good-natured competition between two aesthetic opposites, but, as many hoped, both movies benefitted in the end. Internationally, Barbie earned $182 million from 69 territories, fueling a $337 million global weekend. Oppenheimer did $93.7 million from 78 territories, ranking above Barbie in India, for a $174.2 million global total.

The only real casualty was Mission: Impossible: Dead Reckoning Part I, which despite strong reviews and a healthy opening weekend fell 64% in weekend two. Overshadowed by the “Barbenheimer” glow as well as the blow of losing its IMAX screens to Oppenheimer, the Tom Cruise vehicle added $19.5 million, bringing its domestic total to $118.8 million.

“Barbenheimer” is not merely counterprogramming either. But while a certain section of enthusiastic moviegoers overlapped, in aggregate the audiences were distinct.

Women drove the historic Barbie opening, making up 65% of the audience, according to PostTrak, and 40% of ticket buyers were under the age of 25 for the PG-13 rated movie.

“It’s just a joyous time in the world. This is history in so many ways,” said Jeff Goldstein, Warner Bros.’ president of domestic distribution. “I think this marketing campaign is one for the ages that people will be talking about forever.”

Oppenheimer audiences meanwhile were 62% male and 63% over the age of 25, with a somewhat surprising 32% that were between the ages of 18 and 24.

Both Barbie and Oppenheimer scored well with critics with 90% and 94% on Rotten Tomatoes, respectively, and audiences who gave both films an A CinemaScore. And social media has been awash with reactions and “takes” all weekend — good, bad, problematic and everywhere in between — the kind of organic, event cinema, watercooler debate that no marketing budget can buy.

“The ‘Barbenheimer’ thing was a real boost for both movies,” Goldstein said. “It is a crowning achievement for all of us.”

Oppenheimer had the vast majority (80%) of premium large format screens at its disposal. Some 25 theaters in North America boasted IMAX 70mm screenings (Nolan’s preferred format ), most of which were completely sold out all weekend — accounting for 2% of the total gross. Theaters even scrambled to add more to accommodate the demand including 1 a.m. and 6 a.m. screenings, which also sold out.

“Nolan’s films are truly cinematic events,” said Jim Orr, Universal’s president of domestic distribution.

IMAX showings alone made up 26% of the domestic gross (or $21.1 million) from only 411 screens and 20% of the global gross, and Oppenheimer will have at least a three-week run on those high-demand screens.

“This is a phenomenon beyond compare,” said Rich Gelfond, the CEO of IMAX, in a statement. “Around the world, we’ve seen sellouts at 4:00 a.m. shows and people travelling hours across borders to see Oppenheimer in IMAX 70mm.”

This is the comeback weekend Hollywood has been dreaming of since the pandemic. There have been big openings and successes — Spider-Man: No Way Home, Top Gun: Maverick, Avatar: The Way of Water among them, but the fact that two movies are succeeding at the same time is notable.

“It was a truly historic weekend and continues the positive box office momentum of 2023,” said Michael O’Leary, President & CEO of the National Association of Theatre Owners. “People recognized that something special was happening and they wanted to be a part of it.”

And yet in the background looms disaster as Hollywood studios continue to squabble with striking actors and writers over a fair contract.

Barbie and Oppenheimer were the last films on the 2023 calendar to get a massive, global press tour. Both went right up to the 11th hour, squeezing in every last moment with their movie stars. Oppenheimer even pushed up its London premiere by an hour, knowing that Emily Blunt, Matt Damon and Cillian Murphy would have to leave to symbolically join the picket lines by the time the movie began.

Without movie stars to promote their films, studios have started pushing some falls releases, including the high-profile Zendaya tennis drama Challengers.

But for now, it’s simply a positive story that could even continue for weeks to come.

“There could be a sequel next weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “The FOMO factor will rachet up because of this monumental box office event centered around the movie theater experience.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

‘Speak Now (Taylor’s Version)’ Spends Second Week at No. 1 on Billboard 200

Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), spends a second week at No. 1 on the Billboard 200 chart (dated July 29). It’s the first time a re-recorded Swift album has spent its first two weeks at No. 1. The pop superstar’s re-recorded Fearless and Red each bowed at No. 1 in 2021, and then fell from the top slot in their second frames — though the former returned to No. 1 six months later after its release on vinyl and signed CD.

Speak Now (Taylor’s Version) earned 121,000 equivalent album units in the U.S. in the week ending July 20 (down 83%), according to Luminate.

Swift leads a quiet top 10, where the region hosts zero debuts for the first time in six months. The top 10 was last absent of debuts on the Jan. 28-dated list, when SZA’s SOS led the chart for a sixth week.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 29, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (July 25). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Speak Now (Taylor’s Version)’s 121,000 equivalent album units earned in the week ending July 20, SEA units comprise 73,000 (down 65%, equaling 95.6 million on-demand official streams of the set’s 22 songs), album sales comprise 47,000 (down 91%) and TEA units comprise 1,000 (down 72%).

For a second week in a row, Swift has four albums in the top 10 of the Billboard 200. A week ago, she became the first living artist to chart four albums in the top 10 at the same time since 1966. On the latest chart, those same four sets (all former No. 1s) are still in the top 10, as Speak Now (Taylor’s Version) is joined by Midnights (rising 5-4 with 51,000 units; down 7%), Lover (7-6 with 44,000; down 2%) and Folklore (a non-mover at No. 10 with 34,000; up 5%).

Morgan Wallen’s former No. 1 One Thing at a Time is stationary at No. 2 on the Billboard 200 with 105,000 equivalent album units (up 2%). One Thing at a Time has earned in excess of 100,000 equivalent album units in all 20 of its chart weeks. It extends its own record as the album with the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.

Peso Pluma’s Génesis returns to its peak, rising 4-3 (55,000 equivalent album units; down 5%); Wallen’s chart-topping Dangerous: The Double Album climbs 6-5 (48,000; up 3%); SZA’s SOS ascends 8-7 (43,000; down 1%); Lil Uzi Vert’s former leader Pink Tape dips 3-8 (40,000; down 34%); and Gunna’s A Gift & a Curse is steady at No. 9 (nearly 40,000; down 6%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

The 1975 Cancels Shows in Indonesia and Taiwan Following Malaysia LGBTQ Controversy

The 1975 are canceling shows in Indonesia and Taiwan after the band’s set was cut at a Malaysia music festival following frontman Matty Healy‘s comments about the country’s anti-gay laws and kissing his bandmate on stage.

The British pop-rock group was scheduled to perform at Jakarta’s We the Fest on Sunday (July 23) and at the Taipei Music Center on Tuesday (July 25) as part of their 2023 Asia tour. The band announced in a statement on Sunday that both performances have been called off.

“The 1975 regret to announce that their forthcoming shows in Jakarta and Taipei will no longer be going ahead as planned,” the 1975 wrote in a statement posted on We the Fest’s Twitter page.

“The band never takes the decision to cancel a show lightly and had been eagerly looking forward to playing for fans in Jakarta and Taipei but unfortunately, due to current circumstances, it is impossible to proceed with the scheduled shows.”

The cancellations come after Healy slammed Malaysia’s LGBTQ laws as “f–king ridiculous” before sharing a prolonged kiss with bassist Ross MacDonald at the country’s Good Vibes Festival in Kuala Lumpur on Friday (July 21). The following day, event organizer Future Sounds Asia announced that the remainder of the three-day fest had been canceled.

Homosexuality is illegal in Malaysia, and those convicted face up to 20 years behind bars.

The 1975’s Good Vibes set was cut short after Healy, who has long been outspoken about LGBTQ rights, ranted about Malaysia’s restrictive laws banning homosexuality.

“Because you are young people, and I’m sure a lot of you are gay and progressive and cool,” he told the crowd in video circulating on social media, noting that he had pulled the show Thursday in protest before deciding not to let fans down. “But, I’ve done this before. I’ve gone to a country where it’s — I don’t know what it f–king is. Ridiculous. F–king ridiculous to tell people what they can do with that and that. If you want to invite me here to do a show, you can f–k off. I’ll take your money, you can ban me, but I’ve done this before and it doesn’t feel good, and I’m f–ked off.”

The set ended early shortly after Healy kissed MacDonald, with the frontman telling festival-goers, “All right, we just got banned from Kuala Lumpur. See you later.”

See the 1975’s Asian tour cancellation announcement below via We the Fest’s Twitter page.

‘Special Ops: Lioness’ Is Now Streaming on Paramount+: How to Watch the Series for Free

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Zoe Saldaña leads a special forces unit in the thriller series, Special Ops: Lioness, which premiered on Paramount+ on Sunday (July 23).

Special Ops: Lioness follows Joe (Saldaña), a CIA operative whose boss (played by Nicole Kidman) pairs her with a young Marine (played by Laysla De Oliveira) for an anti-terrorism mission. The series, from Yellowstone creator Taylor Sheridan, is inspired by the Lioness program used by the U.S. Military.

The cast includes Michael Kelly, Morgan Freeman, Dave Annable, Jill Wagner, LaMonica Garrett, James Jordan, Austin Hébert, Jonah Wharton, Stephanie Nur and Hannah Love Lanie.

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Sheridan, Saldaña, David C. Glasser, Kidman, Wagner, Ron Burkle, Bob Yari, David Hutkin, Geyer Kosinski, Michael Malone and John Hillcoat are executive producers.

Keep reading for ways to stream Special Ops: Lioness — free of charge.

How to Watch Special Ops: Lioness for Free

Special Ops: Lioness is now streaming exclusively on Paramount+. The first two episodes dropped on July 23.  

Paramount+

$5.99/month after 7-day free trial

Want to stream the show for free? The first episode is streaming for free, but you can also enjoy a free trial for a week to stream episode two and additional episodes.

Paramount+ plans start at $5.99/month (or $59.99 a year) for the Essential plan and $11.99/month (or $199.99 a year) for the ad-free Premium plan with Showtime. Click here for more ways to land a free subscription.

How to Watch Paramount+ on Prime Video

Paramount+ is available on Prime Video along with other streaming channels such as Starz, AMC+ and Max.

Is Paramount+ free for Amazon Prime members? Unfortunately, Paramount+ does not come included in your Prime membership but you can still score a free trail for the first week.

Click the link below to launch your free trial. The Paramount+ on Prime Video subscription allows you to stream on Paramountplus.com and the Paramount+ app.

Paramount+ on Prime Video

$ $11.99/month after 7-day free trial

Looking for more ways to save on your streaming bill? Amazon offers student discounts on Paramount+ and other streaming channels when you subscribe to Prime Student. Paramount+ also offers a 25% discount for students. If you’re not a student, you can save on your bill by subscribing to an annual plan.

Whether its BET, MTV, Comedy Central, Nickelodeon or The Smithsonian Channel, Paramount+ has a wide variety of content including exclusive shows such as Fatal Attraction, The Family Stone, School Spirits, Star Trek: Strange New Worlds, Star Trek: Picard, 1923, 1883, Mayor of Kingstown, Seal Team, RuPaul’s Drag Race All Stars, Why Women Kill, Before I Forget and iCarly.

You can also stream movies like Dungeons & Dragons: Honor Among Thieves, Scream VI, 80 for Brady and Top Gun: Maverick, sporting events, live TV and more on Paramount+.

Watch the trailer for Special Ops: Lioness below.



Elon Musk Says Twitter Will Soon Change Its Logo to ‘X’

Elon Musk said Sunday (July 23) that he plans to change the logo of Twitter to an “X” from the famous blue bird, marking what would be the latest big change since he bought the social media platform for $44 billion last year.

In a series of posts on his Twitter account starting just after 12 a.m. ET, Twitter’s owner said that he’s looking to make the change worldwide as soon as Monday.

“And soon we shall bid adieu to the twitter brand and, gradually, all the birds,” Musk wrote on his account.

The change isn’t surprising given Musk’s long history with the name “X,” says Allen Adamson, co-founder of marketing consultancy Metaforce. The billionaire Tesla CEO tweeted last October that “buying Twitter is an accelerant to creating X, the everything app.”

Musk’s rocket company, Space Exploration Technologies Corp., is commonly known as SpaceX. And in 1999, Musk founded a startup called X.com, an online financial services company now known as PayPal.

“Not sure what subtle clues gave it way, but I like the letter X,” Musk tweeted Sunday.

But the change on Twitter was met with sharp criticism on the social media platform.

The change will be very confusing to a huge chunk of the Twitter’s audience, which has been already souring on the social platform given a slew of other major changes Musk has made, Adamson said.

“They won’t get it,” he said. “It’s a fitting end to a phenomenal unwinding of an iconic brand and business.”

Earlier this month, Musk put new curfews on his digital town square, a move that met with sharp criticism that it could drive away more advertisers and undermine its cultural influence as a trendsetter.

The higher tweet-viewing threshold is part of an $8-per-month subscription service that Musk rolled out earlier this year in an attempt to boost Twitter revenue. Revenue has dropped sharply since Musk took over the company and laid off roughly three-fourths of the workforce to slash costs and avoid bankruptcy.

In May, Musk hired longtime NBC Universal executive Linda Yaccarino as Twitter’s CEO.

Luring advertisers is essential for Musk and Twitter after many fled in the early months after his takeover of the social media platform, fearing damage to their brands in the enveloping chaos. Advertisers have cut back on spending partly because of changes Musk has made that has allowed for more hateful content to flourish and that has offended a wider part of the platform’s audience.

Musk said in late April that advertisers had returned, but provided no specifics.

Musk’s move to change Twitter’s logo to an “X” also comes as Twitter faces new competition from Meta’s new app, Threads, launched earlier this month. It has been seen as an alternative for those who have been upset with Twitter.

Threads is being billed as a text-based version of Meta’s photo-sharing app Instagram that the company has said offers “a new, separate space for real-time updates and public conversations.”

In the first five days of its launch, 100 million people had signed up for Threads, according to a post on Threads by Instagram head Adam Mosseri.

Cody Johnson Offers Support to Jason Aldean Amid ‘Try That in a Small Town’ Controversy

During his concert on Friday night (July 21) in St. Louis, Cody Johnson let his thoughts be known about the controversy surrounding Jason Aldean‘s latest song and video, “Try That in a Small Town,” which was removed from rotation by CMT earlier in the week.

Graham Allen, host of the Dear America podcast, posted a video of “Til ‘You Can’t” hitmaker Johnson coming to Aldean’s defense during the show at St. Louis’ Chaifetz Arena.

“We live in a time where everyone gets p—-ed off at Jason Aldean for putting out a song,” Johnson said, adding, “If you’re videoing this, and Jason Aldean if you’re seeing this video, you keep it up, brother. You do you, boo boo.”

Johnson went on to note his interpretation of the song as a patriotic one, saying, “If being patriotic makes you an outlaw, then by God, I’ll be an outlaw.”

Artists including Travis Tritt, John Rich and Lee Greenwood have spoken out in defense of Aldean, while Aldean’s labelmate Blanco Brown defended Aldean, but emphasized that he strongly disagreed with the song itself. Artists such as Jason Isbell, Adeem the Artist, Margo Price and Sheryl Crow have slammed both the song and Aldean.

Aldean released “Try That in a Small Town” in May, and performed it during his Nissan Stadium set at CMA Fest in June. However, the video for the song was released last week; the clip and the song quickly began to draw criticism on social media from commenters who called the song racist and pro-gun. Commenters also noted the location of the video, which was filmed at the Maury County courthouse in Columbia, Tenn. — the same location where an 18-year-old Black man, Henry Choate, was lynched in 1927. CMT pulled the video from its rotation on Tuesday (July 18), a move that sparked both praise and backlash on social media.

In addition to releasing a statement about the controversy earlier in the week, Aldean also spoke out in a lengthy speech during his own concert on Friday night in Cincinnati, Ohio.

“It’s been a long week and I’ve seen a lot of stuff suggesting I’m this, suggesting I’m that,” Aldean told the crowd in a fan-captured video. “I feel like everybody’s entitled to their opinion. You can think something all you want to, it doesn’t mean it’s true. What I am is a proud American. I’m proud to be from here. I love our country. I want to see it restored to what it once was before all this bulls— started happening to us. I love my country, I love my family, and I will do anything to protect that, I can tell you that right now, he said, as the crowd began to chant “USA! USA!”

He also added, “You guys know how it is this day and age, cancel culture… This day and age, if people don’t like what you say, they try to make sure they can cancel you, which means try to ruin your life. Ruin everything. One thing I saw this week was a bunch of country music fans that can see through a lot of the bullshit. I saw country music fans rally like I’ve never seen before and it was pretty badass, I gotta say. Thank you guys so much. I know a lot of you guys grew up like I did. You kind of have the same values, the same principles that I have, which is we want to take our kids to a movie and not worry about some asshole coming in there shooting up the theater.”

Before launching into “Try That in a Small Town,” Aldean told the crowd, “So somebody asked me, ‘Hey man, you think you’re going to play this song tonight?’ The answer was simple. The people have spoken and you guys spoke very, very loudly this week.”

After the controversy erupted, Aldean’s sales and streams have surged, according to preliminary reports from Luminate, and the video has now earned 14 million views on YouTube.

Taylor Swift Debuts ‘No Body, No Crime’ With Haim at Eras Tour Concert in Seattle

Taylor Swift gave the first live performance of her Evermore song “No Body, No Crime” with Haim during her Eras Tour stop at Seattle’s Lumen Field on Saturday (July 22).

To assist with the live unveiling, the pop superstar brought out longtime friends the Haim sisters, who were featured on the studio version of the 2020 track and serve as the opening act for the remainder of her Eras Tour in North America.

“No Body, No Crime” — which peaked at No. 34 on the Billboard Hot 100 chart in December 2020 — replaced “Tis the Damn Season” during the Evermore portion of Swift’s usual Eras Tour setlist.

Swift’s team-up with Haim in Seattle arrived almost exactly one year after the sibling trio invited Tay to help perform “Gasoline” and “Love Story” at London’s O2 Arena on July 21, 2022. Swift appears on the recorded version of “Gasoline, which was originally on the expanded edition of Haim’s 2020 album, Women in Music Pt. III.

Swift and Haim have been best pals dating back to the 1989 World Tour, when the multi-Grammy winner first had the sister band open for one of her tours. Since then, the four women have collaborated on “No Body, No Crime” and joined forces again in 2022 for Swift’s “Bejweled” music video.

The North American leg of Swift’s Eras Tour will continue at Seattle’s Lumen Field on Sunday (July 23) before heading to Santa Clara, Calif.’s Levi’s Stadium (July 28-29) and closing at Los Angeles’ SoFi Stadium (Aug. 3-5 and 7-9). Haim is among the opening acts for the remaining dates.

Watch Swift debut “No Body, No Crime” with Haim in Seattle here.