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Terence Crawford Gets TKO Win Over Errol Spence Jr., We’ve Got The Reactions

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Spence Jr v Crawford

Terence Crawford demonstrated Saturday night (July 29) why he has garnered heavy respect in the welterweight division after defeating Errol Spence Jr. in a unification bout. In the win, Terence Crawford became the first undisputed welterweight champion of the world since 1986.

In front of a sold-out crowd at T-Mobile Arena in Las Vegas, Nev., Terence Crawford and Errol Spence finally got their moment after negotiations stalled late last year for a unification match. The long-awaited match didn’t have the explosive back-and-forth fight fans expected but highlighted why Crawford is considered the best pound-for-pound boxer in the sport today.

Spence opened the fight in his usual fashion but from there, Crawford delivered crushing blows, flooring Spence in Round 2 and again in Round 7. Spence was never able to mount an offensive and each time he tried, Crawford was there to stop him.

In Round 9, Spence, already looking worse for wear, stopped throwing punches and Crawford unloaded big shots but the referee saw enough and stopped the match.

“Like I said before, I only dreamed of being a world champion,” said Crawford after the match as reported by ESPN. “I’m an overachiever. Nobody believed in me when I was coming up, but I made everybody a believer.”

Crawford walked to the ring with Eminem, who performed his massive hit “Lose Yourself” for the crowd. The tone was set early as the champion was beyond focused on his goal.

After the match, Spence congratulated his opponent and hoped they could run it back again. The pair also showed massive respect for one another in a moment of class from both fighters.

On X (formerly known as Twitter), fight fans reacted to Terence Crawford stopping Errol Spence Jr. in Las Vegas. Check out those reactions below.

Photo: Getty

Haim Joins Taylor Swift on Stage Dressed Up as ‘Bejeweled’ Stepsisters for ‘No Body, No Crime’

Haim had some tricks up their sleeves for their second weekend on Taylor Swift‘s Eras Tour. Este, Danielle and Alana arrived on stage wearing dresses like their “Bejeweled” video gowns when they joined Swift on “No Body, No Crime” in Santa Clara, California, on Friday (July 28).

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“hi from the step sisters!” the real-life sisters wrote Saturday (July 29) on Instagram. They shared a series of photos and a backstage video from the night before at Levi’s Stadium that featured a look at their “Bejeweled”-inspired dresses. The trio guest-starred in Swift’s self-directed music video that was released in October.

“we literally filmed this on our way to stage,” Haim added in a caption on TikTok about Friday night’s hijinks.

“No Body, No Crime” has been a new Evermore-era song on the setlist since Haim joined the tour as an opening act. Swift and Haim debuted it live together on July 22 in Seattle. Their collab replaced “‘Tis the Damn Season” on the setlist.

Swift will play Levi’s Stadium again Saturday night before heading to Los Angeles’ SoFi Stadium to wrap the North American leg of her tour with six concerts. Haim is among the opening acts for the remaining dates.

Watch a clip of Friday night’s “No Body, No Crime” performance below.

Selena Gomez Shares Gorgeous Swimsuit Photos and a ‘Randemz’ Gallery

Selena Gomez must be having an incredible summer, based on new photos and video clips of the singer/actress out at sea, looking completely radiant and carefree in a pink swimsuit.

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Gomez, pictured in a pretty bikini and denim overalls — and wearing no, or very minimal, makeup — gave fans a glimpse at her day having fun in the sun on Saturday (July 29).

In one video, she gazes at the camera and holds her hair back in the wind. In pictures, she poses with friends and for the shot, with the ocean and a blue sky as her backdrop.

On Friday, she posted a random collection of photos on her Instagram feed — which included pics of her staring at her iced coffee, eating meals, hanging out with pals and taking selfies.

The abundance of new photos of the pop star has made fans happy: One commented, “Are we dreaming????? You’re so active omg.”

And just a couple days ago, Gomez was on Instagram sharing pictures and a sweet birthday message for her longtime friend Francia Raisa.

See her latest Instagram Stories video here and snapshots here. Gomez also uploaded her “randemz” photo dump on Friday.

The Chicks Postpone This Weekend’s Tour Dates Due to Illness

The Chicks have postponed more tour dates due to illness, the band announced.

Concerts that were originally set for Nashville, Tenn., on July 27, Knoxville, Tenn., on July 29, and Greensboro, N.C., on July 30 were called off this week.

After announcing that they had to cancel the Nashville show just hours before showtime on Thursday, on Friday afternoon the country group informed fans that this weekend’s concerts in Knoxville and Greensboro were also not happening.

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“We have made the difficult decision to also reschedule our shows in Knoxville and Greensboro due to illness. We are so sorry for the inconvenience, but our priority is to put on a show you all deserve,” The Chicks wrote in an update on their official social media accounts.

The Chicks have already announced makeup dates for the postponed concerts: Greensboro, N.C., has been rescheduled for Aug. 8 at Greensboro Coliseum Complex, Knoxville, Tenn., has been rescheduled for Sept. 21 at Thompson-Boling Arena, and Nashville, Tenn., has been rescheduled for Sept. 23 at Bridgestone Arena.

“All original tickets will be honored at the rescheduled performances,” they posted on Friday. “Wild Rivers will still support the newly rescheduled dates. There are no changes to additional dates at this time.”

The Chicks — Martie Maguire, Natalie Maines and Emily Strayer — are currently touring across North America on The Chicks World Tour 2023. The world tour launched in June in Oslo, Norway.

See the band’s latest tour update below.

Hayley Williams Shares Health Update Following Paramore Concert Postponements: ‘A Week of Misery’

Hayley Williams is sharing an update on her health after rescheduling a handful of Paramore concerts due to an illness.

The 34-year-old singer-songwriter took to her Instagram Story on Friday (July 28) to pen an emotional letter to fans explaining why her band was recently forced to postpone four live dates in the United States.

“As you know, we postponed a handful of dates due to illness. We kick back up Saturday in Tulsa (!!!) after a week of misery, sadness, and bellyfuls of antibiotics and steroids,” Williams wrote, referring to the group’s July 29 concert at the BOK Center in Tulsa, Okla. “For the record, we did not have food poisoning or a band-wide s— fest.”

Last Saturday (July 22), Paramore postponed their concert at San Francisco’s Chase Center just hours before it was slated to take place. The group later postponed additional dates in Seattle, Portland and Salt Late City due to an “illness within the touring party.” All of the concerts have been rescheduled for August.

“In all seriousness, this past week has been really tough,” the “Ain’t It Fun” singer continued in her post. “Nobody would know this but I started getting sick in Houston (non contagious) and muscled my way all the way through LA. Adrenaline is a wonder! But by the time the excitement and the nerves from all the LA shenanigans wore off, my body just gave out.”

Williams noted that touring has grown increasingly difficult with age.

“Touring is different at 34 than it was at 16, when leaving home felt like the greatest escape,” she wrote. “At this age, I have my own home life, a community, a dog, my sisters and the rest of my family who are getting older… Alf and I go on neighborhood walks with my elderly neighbor and her dog. It’s quite a lot to leave behind.”

The singer-songwriter continued, “But then, we get on stage for 2 hours and I see the world through this joyous, hopeful and wide-open lens. It’s a view I simply cannot get from home. And it’s very healing — especially as obsessed and addicted to the daily doom-scroll of local, national, and global news as I am.”

Williams concluded her post on an upbeat note, writing, “This tour has done my heart a lot of good. I couldn’t be more grateful for the faces I see the first few seconds after we walk onstage during the intro. Those people revive me, nightly.”

Paramore is touring in support of their sixth album, This Is Why, which debuted at No. 2 on the Billboard 200 in February. After their North American tour wraps on Aug. 13 in Salt Lake, the group will team up with Taylor Swift again for the European leg of her Eras Tour, which launches on May 9, 2024.

See Williams’ health update to fans in a fan-captured screenshot here.

Taylor Swift Delivers Live Debut of ‘Right Where You Left Me’ With Aaron Dessner at Santa Clara Concert

Taylor Swift teamed up with her frequent collaborator Aaron Dessner for the first live performance of “Right Where You Left Me” in Santa Clara, Calif., on Friday (July 28).

The live debut of the 2020 Evermore bonus track, which was co-written by The National frontman, arrived during the surprise songs portion of the pop superstar’s set at Levi’s Stadium. Prior to the performance, Swift warned Eras Tour concert-goers that it was one of her more challenging songs to play live.

“Because it’s one of our favorites, there’s more pressure on it,” Swift told the crowd. “Also, this is one of the wordiest songs. I have been rehearsing this for weeks, OK? And I’ve never, ever gotten it 100% right. Not even one time. If this is the time that I get it right, you have no idea what kind of celebration I’m going to be exhibiting after that. And also, this goes for you. If you can get all the words right to this song, you get to pat yourself on the back. You win an imaginary prize. It’s yours. We love this song and I hope that I somewhat do it justice.”

As expected, the songstress goofed up the lyrics before laughing it off and starting again where they left off. “It was too good to be true!” she said. “I knew that I would f— that up! We really can’t let that be it, so now we’ve got to go back.”

This isn’t the first time Dessner has appeared with Swift during the Eras Tour. The singer-songwriter has also popped up in several cities for onstage collaborations of “The Great War,” “Would’ve, Could’ve, Should’ve,” “Seven” and “Ivy.”

Swift’s second surprise song of Friday evening was the first live performance of “Castles Crumbling,” from her recently released album, Speak Now (Taylor’s Version), which debuted at No. 1 on the Billboard 200. The studio version of the track features Paramore‘s Hayley Williams, but Swift delivered the track solo on piano.

The North American leg of the Eras Tour will continue in Santa Clara on Saturday (July 29) and close with six shows at Los Angeles’ SoFi Stadium (Aug. 3-5 and 7-9).

Watch Swift and Dessner perform “Right Where You Left Me” here.

SEVENTEEN’s CARATs VS Selena Gomez’s Selenators In Billboard’s Fan Army Face-Off | Billboard News

In the quarterfinals of Billboard’s Fan Army Face-Off, SEVENTEEN’S CARAT’s are going head-to-head against Selena Gomez’s Selenators.

Tetris Kelly
We’ve reached the quarterfinals of Billboard’s fan army faceoff. Matchup three is going to be a tough one. And in this corner we got the boys of SEVENTEEN. They have over 33 million followers 7.5 million monthly listeners, 4 albums and 10 mini albums, 5 of which charted on the Billboard 200. Carats already helped SEVENTEEN beat Young Boy Never Broke Again, Ariana Grande and Lady Gaga. And next they better watch out for Selenur, she’s been in the game since she was a kid building up over a half a billion followers, almost 51 million monthly listeners, 1 Hot 100 hit, 9 top 10s, 39 charting hits and 3 chart topping albums it’s no wonder she’s taken out Harry Styles her ex The Weeknd and her bestie Taylor Swift. Who’s making it to the next round Carats or Selenators? Let us know in the comments and vote for your favorite on Billboard.com.

Farruko Leads ‘March for Jesus’ in Puerto Rico & More Uplifting Moments in Latin Music 

From career milestones and new music releases to major announcements and those little, important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week. 

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Farruko’s Youth Faithstival

Puerto Rican star Farruko held his first-ever Youth Faithstival in Puerto Rico on July 23, which kicked off with a faith-based march dubbed the Youth for Jesus and ended with a free concert, attended by 15,000 people, according to a press statement. Throughout the march, people could stop at several booths featuring guest speakers and presentations by groups such as the Christian Youth of Puerto Rico.
The day ended with a handful of performances by artists such as Gabriel José Rodríguez, better known as Gabriel EMC, Onell Díaz who collaborated with Farruko on “Misericordia” and Jaime Barceló — former member of the band León de Judá — among many more artists.

Prior to the event, Farruko posted on social media: “I’m going to make it easy totally free we will dance, jump, sing and feed the spirit that we need so much in these difficult times, if we unite for sometimes stupid causes let’s unite for peace, for the youth and for God.”

Anuel AA Surprises Fan

Anuel is making dreams come true. The Puerto Rican hitmaker was spotted gifting one of his sparkly necklaces to a young fan who couldn’t hold back the dears as his idol gave him this special gift. In the video shared on social media, you can see Anuel put the necklace on a little boy, who is of course recording on his phone every second of this moment. Then, Anuel gives him a hug and tells him to behave and never to take the necklace off.

On the Radar (July) 

If you missed our On the Radar picks for July, it’s never too late to start listening to these hidden gems. This month, Billboard’s Latin and Español editors highlight 11 emerging acts, from Jasiel Nuñez – who scored his first entry on the Hot 100 thanks to “Lagunas” with Peso Pluma – and K-efe from Chile who performed at the Latin Alternative Music Conference earlier this month.

See all the picks for On the Radar here.

Colombia Team on Top

The Colombia team celebrated their first win at the Women’s World Cup 2023 in a big way. Following their victory over South Korea on Tuesday (July 25) at the Sydney Football Stadium, the team returned to the locker room where they got a surprise visit from the Colombian hitmaker J Balvin, who hyped them as they blasted and sang along to one of his early hits, “Ay Vamos.” Before the game, they were bumping to Karol G’s “Amargura,” to which Karol G responded with “Reinotas (Queens).”

Rosalía sends emotional message post-Motomami World Tour

Before reports of her engagement ending with Rauw Alejandro, Rosalía was celebrating a milestone as she wrapped her first-ever global tour. The Motomami World Tour, a nearly 70-date global trek, ended with a last performance at Lollapalooza Paris and later posted an emotional message on social media to mark the end of an era. “Motomami has anded but my gratitude with God, my family, my team and all those that support me is forever. Motomami has been a hurrican that has brought but also taken many things from my life that I don’t even know where to start. Thanks to all the Motomamis of the world for giving me so much love during this time,” she wrote.

Burna Boy “Big 7,” Stunna Girl ft. French Montana “Like Dat Remix” & More | Daily Visuals 7.28.23

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Celebrity Sightings In New York City - July 06, 2023

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Burna Boy’s been bubbling on the rap scene for a minute now and with his next album, I Told Them… set to drop next month (August 24), the man is ready to get some buzz going for his seventh studio album.

Promising to bring some 90’s flavor with his next LP, Burna Boy gives us a sample of just that in his latest visuals to “Big 7” where the Nigerian artist hits the streets of New York and finds himself kicking it Junior Mafia and Hip-Hop icons such as The RZA and Busta Rhymes. The video itself had a real 90’s-ish feel to it too. Check it out.

Stunna Girl meanwhile looks like she’s ready to fly in style and for her French Montana assisted clip to “Like Dat Remix,” Stunna and French pull up on an airport runway in some big boy toys before hitting the club and turning up like it’s Stunna Girl’s birthday. Wait, was it her birthday?!

Check out the rest of today’s drops including work from Yo Gotti, Gucci Mane, and more.

BURNA BOY – “BIG 7”



STUNNA GIRL FT. FRENCH MONTANA – “LIKE DAT REMIX”



YO GOTTI – “NO FAKE LOVE”



GUCCI MANE – “WOPPENHEIMER”



THAT MEXICAN OT – “BREANNAN”



RICH HOMIE QUAN – “GOT YO WINGZ”



STONEBWOY FT. RUSS – “LIFE & MONEY REMIX”


https://youtube.com/watch?v=zUhPBMqjDj8&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

SHORDIE SHORDIE – “PASSION”



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Astroworld Report Contains Chilling Details of Tragedy: ‘Someone’s Going to End Up Dead’

Just moments before rap superstar Travis Scott took the stage at the deadly 2021 Astroworld festival, a contract worker had been so worried about what might happen after seeing people getting crushed that he texted an event organizer saying, “Someone’s going to end up dead,” according to a police report released Friday.

The texts by security contract worker Reece Wheeler were some of many examples in the nearly 1,300-page report in which festival workers highlighted problems and warned of possible deadly consequences. The report includes transcripts of concertgoers’ 911 calls and summaries of police interviews, including one with Scott conducted just days after the event.

The crowd surge at the Nov. 5, 2021, outdoor festival in Houston killed 10 attendees who ranged in age from 9 to 27. The official cause of death was compression asphyxia, which an expert likened to being crushed by a car. About 50,000 people attended the festival.

“Pull tons over the rail unconscious. There’s panic in people eyes. This could get worse quickly,” Reece Wheeler texted Shawna Boardman, one of the private security directors, at 9 p.m. Wheeler then texted, “I know they’ll try to fight through it but I would want it on the record that I didn’t advise this to continue. Someone’s going to end up dead.”

Scott’s concert began at 9:02 p.m. In their review of video from the concert’s livestream, police investigators said that at 9:13 p.m., they heard the faint sound of someone saying, “Stop the show.” The same request could also be heard at 9:16 p.m. and 9:22 p.m.

In an Aug. 19, 2022, police interview, Boardman’s attorneys told investigators that Boardman “saw things were not as bad as Reece Wheeler stated” and decided not to pass along Wheeler’s concerns to anyone else.

A grand jury declined to indict anyone who was investigated over the event, including Scott, Boardman and four other people.

During a police interview conducted two days after the concert, Scott told investigators that although he did see one person near the stage getting medical attention, overall the crowd seemed to be enjoying the show and he did not see any signs of serious problems.

“We asked if he at any point heard the crowd telling him to stop the show. He stated that if he had heard something like that he would have done something,” police said in their summary of Scott’s interview.

Hip-hop artist Drake, who performed with Scott at the concert, told police that it was difficult to see from the stage what was going on in the crowd and that he didn’t hear concertgoers’ pleas to stop the show.

Drake found out about the tragedy later that night from his manager, while learning more on social media, police said in their summary.

Marty Wallgren, who worked for a security consulting firm hired by the festival, told police that when he went backstage and tried to tell representatives for Scott and Drake that the concert needed to end because people had been hurt and might have died, he was told “Drake still has three more songs,” according to an interview summary.

Daniel Johary, a college student who got trapped in the crush of concertgoers and later used his skills working as an EMT in Israel to help an injured woman, told investigators hundreds of people had chanted for Scott to stop the music and that the chants could be heard “from everywhere.”

“He stated staff members in the area gave thumbs-up and did not care,” according to the police report.

Richard Rickeada, a retired Houston police officer who was working for a private security company at the festival, told investigators that from 8 a.m. the day of the concert, things were “pretty much in chaos,” according to a police summary of his interview. His concerns and questions about whether the concert should be held were “met with a lot of shrugged shoulders,” he said.

About 23 minutes into the concert, cameraman Gregory Hoffman radioed into the show’s production trailer to warn that “people were dying.” Hoffman was operating a large crane that held a television camera before it was overrun with concertgoers who needed medical help, police said.

The production team radioed Hoffman to ask when they could get the crane back in operation.

Salvatore Livia, who was hired to direct the live show, told police that following Hoffman’s dire warning, people in the production trailer understood that something was not right, but “they were disconnected to the reality of (what) was happening out there,” according to a police summary of Livia’s interview.

Concertgoer Christopher Gates, then 22, told police that by the second or third song in Scott’s performance, he came across about five people on the ground who he believed were already dead.

Their bodies were “lifeless, pale, and their lips were blue/purple,” according to the police report. Random people in the crowd — not medics — provided CPR.

The police report was released about a month after the grand jury in Houston declined to indict Scott on any criminal charges in connection with the deadly concert. Police Chief Troy Finner had said the report was being made public so that people could “read the entire investigation” and come to their own conclusions about the case. During a news conference after the grand jury’s decision, Finner declined to say what the overall conclusion of his agency’s investigation was or whether police should have stopped the concert sooner.

The report’s release also came the same day that Scott released his new album, “Utopia.”

More than 500 lawsuits were filed over the deaths and injuries at the concert, including many against concert promoter Live Nation and Scott. Some have since been settled.