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Taylor Swift Extends Artist 100 Longevity Record to 76 Weeks at No. 1

Taylor Swift spends a record-extending 76th week at No. 1 on the Billboard Artist 100 chart (dated Aug. 19), thanks to the continued success of her latest album, Speak Now (Taylor’s Version), as well as 10 additional albums on the Billboard 200 and five songs on the Billboard Hot 100.

The set ranks to No. 4 in its fifth week on the Billboard 200 with 60,000 equivalent album units earned Aug. 4-10, according to Luminate, after spending its first two weeks at No. 1. It became Swift’s first re-recorded album, of three that she’s released so far, to notch its first two weeks at the summit.

Also boosting Swift’s Artist 100 standing are 10 additional albums on the Billboard 200. This is the fifth week (all consecutive) that Swift has landed 11 titles on the survey. Four weeks ago, she became just the third act – and first woman – to chart at least 11 in a single week, following The Beatles and Prince.

Here’s a recap of Swift’s current Billboard 200-charting titles.

Rank, Title:
No. 4, Speak Now (Taylor’s Version)
No. 5, Midnights
No. 6, Lover
No. 9, Folklore
No. 13, 1989
No. 15, reputation
No. 18, Red (Taylor’s Version)
No. 24, Evermore
No. 30, Fearless (Taylor’s Version)
No. 144, Taylor Swift
No. 181, Speak Now

Swift also boasts four albums in the Billboard 200’s top 10 for a third time. Last month, she became the first living artist to achieve the feat in nearly 60 years.



On the Hot 100, Swift charts five songs: “Cruel Summer” (up 4-3, a new high), “Karma” featuring Ice Spice (20-13), “Anti-Hero” (31-18), “Blank Space” (a re-entry at No. 49) and “I Can See You (Taylor’s Version) (From the Vault)” (76-63).

“Blank Space,” Swift’s seven-week Hot 100 No. 1 in 2014-15 from her album 1989, has been gaining in recent weeks, as she has been performing it on The Eras Tour, and ahead of the Aug. 9 announcement of her re-recorded 1989 (Taylor’s Version), due Oct. 27.

Rounding out the Artist 100’s top five, Travis Scott drops to No. 2, Morgan Wallen rises 4-3, Luke Combs lifts 5-4 and Post Malone falls 3-5.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Luke Combs Sets Growin’ Up and Gettin’ Old Tour For 2024, With 25 New U.S. Stadium Shows

Reigning CMA Awards entertainer of the year Luke Combs is gearing up for a double-header of a tour next year, when his Growin’ Up and Gettin’ Old Tour launches in April.

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The 25-show outing will visit 13 cities, with nearly every city getting two nights — Fridays and Saturdays — of shows.

The tour kicks off April 12-13 in Milwaukee, WI. Combs will also play two nights at New Jersey’s MetLife Stadium, Los Angeles’ SoFi Stadium, Jacksonville’s Everbank Stadium and Phoenix’s State Farm Stadium, before wrapping with two shows in Houston at NRG Stadium on Aug. 9-10.

Since his breakthrough hit “Hurricane” spent two weeks at the pinnacle of Billboard’s Country Airplay chart back in 2017, Combs has become known for his wellspring of hits, becoming one of the biggest country music sensations of his generation. But with this tour, he continues doubling down on introducing fans to other musicians he loves, from contemporary country acts, to those that lean more into the Americana and Red Dirt genres.

The Friday night lineup of shows will feature Combs’ headlining set, in addition to guests Charles Wesley Godwin, Hailey Whitters, The Wilder Blue, Cody Jinks and The Avett Brothers. The Saturday night opening acts will include Jordan Davis, Colby Acuff, Drew Parker and Mitchell Tenpenny.

“We got an opportunity to do two shows in some U.S. markets on the World Tour, but when I found out we were going to be able to do two shows for most all of the cities on the 2024 tour, I decided I wanted each show to have their own unique set up of openers, as well as my own unique setlist,” Combs said in a statement. “I thought this would give people an opportunity to come to both nights if they want, but see two completely different shows.”

He added, “With country music being such a wide genre and being a huge fan of it all myself, I wanted to open up my stage to acts that lean into Outlaw, Americana and Red Dirt on Friday nights, as well as having a night with people I have toured with in the past, who are more contemporary country,” he explained. “I’m super excited to have both groups be out on the road with me for the Growin’ Up and Gettin’ Old Tour!”

The tour takes its name from Combs’ recent pair of albums, 2022’s Growin’ Up, and its 2023 companion Gettin’ Old, and will follow his current 44-show World Tour, which visits three continents and 16 countries, and continues through the fall with concerts in Europe and Australia.

Combs recently helped country music make history on Billboard’s Hot 100 chart, as his rendition of Tracy Chapman’s classic “Fast Car,” alongside Morgan Wallen’s “Last Night” and Jason Aldean’s “Try That in a Small Town,” recently commanded the top three slots on the Hot 100, the first time in the chart’s history that three country songs had reached that milestone. “Fast Car” also spent five weeks atop the Country Airplay chart, and two weeks atop the Adult Pop Airplay chart.

Tickets for the Growin’ Up and Gettin’ Old Tour go on sale to the general public on Aug. 25 at 10 a.m. local time here, while Combs’ fanclub members will have access to a presale beginning Aug. 23 at 10 a.m. local time.

See the full list of dates below:

April 12 – Milwaukee, WI @ American Family Field

April 13 – Milwaukee, WI @ American Family Field

April 19 – Buffalo, NY @ Highmark Stadium

April 20 – Buffalo, NY @ Highmark Stadium

April 27 – University Park, PA @ Beaver Stadium

May 3 – Jacksonville, FL @ EverBank Stadium

May 4 – Jacksonville, FL @ EverBank Stadium

May 10 – San Antonio, TX @ Alamodome

May 11 – San Antonio, TX @ Alamodome

May 17 – Santa Clara, CA @ Levi’s® Stadium

May 18 – Santa Clara, CA @ Levi’s® Stadium

May 31 – Phoenix, AZ @ State Farm Stadium

June 1 – Phoenix, AZ @ State Farm Stadium

June 7 – Salt Lake City, UT @ Rice-Eccles Stadium

June 8 – Salt Lake City, UT @ Rice-Eccles Stadium

June 14 – Los Angeles, CA @ SoFi Stadium

June 15 – Los Angeles, CA @ SoFi Stadium

July 19 – East Rutherford, NJ @ MetLife Stadium

July 20 – East Rutherford, NJ @ MetLife Stadium

July 26 – Washington, D.C. @ FedExField

July 27 – Washington, D.C. @ FedExField

August 2 – Cincinnati, OH @ Paycor Stadium

August 3 – Cincinnati, OH @ Paycor Stadium

August 9 – Houston, TX @ NRG Stadium 

August 10 – Houston, TX @ NRG Stadium 

Damien Scott Named Billboard’s Deputy Editorial Director

Damien Scott has been named Billboard‘s new deputy editorial director, the music media brand announced Monday (Aug. 14).

In his New York-based role, Scott will work to expand Billboard’s audience through news coverage, video, social content, live events and more, all with a special focus on hip-hop and R&B.

“We are so happy to have Damien on board,” added Hannah Karp, editorial director of Billboard. “Damien’s expertise will be instrumental as we continue to grow, evolve and expand our content for music fans and creators across genres.”

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“We are beyond thrilled to welcome Damien to the team,” said Mike Van, president of Billboard. “Damien’s deep experience in driving culture is unparalleled and we cannot wait to work alongside him, especially as we expand our global coverage of hip-hop.”

Scott has had an extensive career in media, editing and writing, most recently working as the head of editorial at music distribution company UnitedMasters. Before that, he worked as the president of the J. Cole-co-founded Dreamville Ventures and was also the editor-in-chief and VP of content and development at Complex Media, where he helped produce the successful cultural festival ComplexCon. He has held roles at companies including BET, Hearst Autos, Mass Appeal, VIBE and Time magazine.

Scott is based in Billboard‘s New York office and reports to Karp. Deputy editorial director Rob Levine continues to oversee coverage of the business of music.

R&B/Hip-Hop Fresh Picks of the Week: UMI, Headie One, frex & More

Hip-hop officially turned 50 years old late last week, but it’s never too late to celebrate the genre that has soundtracked Black life in America over the past five decades. With Fresh Picks, we intend to highlight those next up in R&B and hip-hop, and this week we have a range of sounds to do so — from R&B rhythms by frex, UMI and Elmiene to rap anthems by DavidTheTragic (with Kenny Mason), Devin Malik and Headie One.

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Don’t forget to check out our August picks so far in the Spotify playlist, linked below.

Freshest Find: frex, “Hoodie Back”



frex wants her hoodie back ASAP. The Pennsylvania native details a situation that’s all too familiar — the classic story of someone keeping a memento following the end of a relationship. “When the love dries up, I want my s–t back,” she shared on the inspiration for the new single. “I made ‘Hoodie Back’ with [artist/producer duo] Mulherin and [producer/songwriting duo] Trackside. I wanted something with open instrumentation, and they were in the mood for early 2000s drums, so we meshed it together.”

UMI, “happy im”



“I wrote this song to remind myself to stop running from love — that life is meant to be sweet. Think less, love more,” wrote UMI. On “happy im,” gentle acoustic guitar glides over a stripped-back drumbeat while the Seattle native’s emotionally charged delivery enchants as her lyrics seamlessly flow between Japanese and English. “Happy I’m falling for you. Happy I love myself too,” she sings, serenading her partner and herself.

Äyanna, “Say You Love Me”



“Say You Love Me” is an anthem for love. The R&B/pop fusion relishes in Äyanna’s knack for combining those sounds along with soul and beyond. “‘Say You Love Me’ is my favorite song in the project. To me, it feels like the perfect stadium love song to sing,” she shares. “I wanted to know what an R&B ballad would sound like if it was inspired by ‘Sunflower’ by Post Malone, which was one of my favorite songs at the time. Every time I hear or sing this song, it takes me back to where I was when I wrote it — experiencing love for the first time.” “Say You Love Me” will appear on her upcoming EP.

Elmiene “Mama”



Elmiene returns with a new confessional track, “Mama.” Co-written and produced with Sampha the track sees the Oxford-based singer baring his soul as he reckons with his imperfect existence, asking: “Would you mourn a sinner mama? Could you love my demons mama?”

DavidTheTragic feat. Kenny Mason, “Let’s Play”



DavidTheTragic and Kenny Mason are a dynamic duo. The two linked again for their new single “Let’s Play” where the former raps about playing the game when it comes to modern hookup culture. Mason slides in around the 35 second mark, rapping about being on a mission to go out with the money.

Devin Malik, “LINK DUCKER”



Devin Malik is a link ducker, or one who ducks links. On the self-produced hi-hat and clap heavy new track, the California rapper/producer sounds off for two and half minutes about not taking s–t from anybody and getting money. “Barely touch my phone because it always be something/ Unless it’s ’bout some bread, then like Miss Tubman, I’m running,” he raps.

Headie One, “More Money More Problems”



Produced by long-time collaborator M1OnTheBeat and Deggzy, “More Money More Problems” is the embodiment of Headie One’s street-smart lyrics. On the drill track, he recounts his journey from the streets of Tottenham to rap superstardom, while paying homage to The Notorious B.I.G. and Nipsey Hussle.

Elektra Elevates Jacob Fain to EVP / Head of A&R

Elektra Entertainment has promoted Jacob Fain to executive vice president and head of A&R at the Warner Music-owned label unit. The Los Angeles-based Fain joined Elektra in late 2020 and was most recently senior vp of A&R and head of the label’s data and analytics team. He’ll continue to report directly to Elektra president Gregg Nadel.

“Jake is a standout A&R with incredible, creative instincts shaped by years of experience,” Nadel noted. “He has an innate ability to form genuine, meaningful relationships and has helped our artists at every stage of their career articulate their vision and surpass their potential.”

During his short time at Elektra, Fain has signed country star Bailey Zimmerman and he is credited with steering Masked Wolf’s breakout single “Astronaut In The Ocean” to the top the Billboard charts in 2021.

Before joining the Warner family, Nadel spent 13 years at Sony Music Publishing, where as svp of A&R he signed and developed some of the company’s top songwriters and producers, including The Chainsmokers, Leon Bridges, Of Monsters and Men, Chase Rice, Princess Nokia and others. Prior to SMP, Fain worked in A&R at Republic Records and marketing at RCA Records.

Earlier this year, Elektra Entertainment (which includes Elektra, Fueled by Ramen, Roadrunner and DTA Records, among others) elevated Johnny Minardi to senior vp of A&R as part of a spate of promotions. And this month the label umbrella announced the promotion of Aimie Vaughan-Früehe to evp/head of promotion and streaming.

“Elektra is building a cutting-edge, forward-thinking record company focused on music that moves culture and developing best in class talent. I’m so proud of the work we have done to serve our artists in an evolving landscape, and to be part of such an incredible team. I’m grateful to Gregg and my Elektra family for this opportunity.”

HHW Gaming: ‘Call of Duty: Modern Warfare III’ Will Be A Premium $70 Release

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'Call of Duty: Modern Warfare II' Will Cost $70 At Launch

Source: Activision / Sledgehammer Games / Call of Duty: Modern Warfare III

The next installment in the rebooted Call of Duty: Modern Warfare franchise has a date, and now we know how much it will cost.

Activision is slowly prepping COD fans for Call of Duty: Modern Warfare III with teases of the title and recently a reveal trailer teasing the return of notorious villain Makarov and Verdansk location. Insider Gaming reports that Modern Warfare III will also be a premium $70 release when it launches, throwing cold water on the idea that the game will be on a DLC add-on for 2022’s Modern Warfare II.


https://youtube.com/watch?v=C_6J06wdgXY&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Notable Call of Duty reporter, CharlieIntel, confirmed the news from Activision that game will be a premium $70 release.

Per CharlieIntel:

Activision has confirmed that Modern Warfare III is a full premium release and will be priced at $70. There is no upgrade price, and it’s not an expansion. “As stated in numerous Activision Blizzard quarterly conference calls, Modern Warfare III is a premium release. It will be price accordingly at $70 USD,” an Activision spokesperson tells CharlieIntel.

In a follow-up post on X, formerly known as Twitter, CharlieIntel explained why Modern Warfare III is listed as an add-on on Steam, and that is due to all Call of Duty games being added to the Call of Duy HQ app.

Is Call of Duty’s Annual Release Strategy Here To Stay?

Activision’s current plans with Call of Duty are a deviation from the rumored strategy change in releasing Call of Duty games. In January 2022, there were rumblings that Activision would ditch the annual release model for the game after Call of Duty: Vanguard flopped.

It appears following the success of Modern Warfare II, Activision hit the pause button on that strategy and is still sticking with its annual release strategy with the Modern Warfare III coming on November 10.

We will have to see what Activision and Sledgehammer will have in store for us in just two days when the MWIII reveal goes down.

Keep it locked on HHW Gaming for all news on Modern Warfare III.

Photo: Activision / Sledgehammer Games / Call of Duty: Modern Warfare III

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Signed: ‘Cowboys Did Cocaine’ Singer Riley Thomas Lassoes Elektra/DBLBLK; Daughtry Connects to Big Machine

Rock-country artist Riley Thomas has signed with Elektra/DBLBLK Records, which will release his new single, “I’ll Be Damned,” on Friday (Aug. 18). Thomas scored a sleeper success with his debut single, “Cowboys Did Cocaine,” which has racked up nearly 14 million streams on Spotify since its release in June.

“I’ve had the pleasure of knowing and watching Riley develop as both a writer and artist for years,” said DBLBLK Records founder Jameson Roper in a statement. “It’s always been a question of when — not if — his moment would arrive. I am beyond thrilled to lock arms with my true partners at Elektra. They have always identified great music and supported our artists fully. For Riley, the music may be dark, but the future is bright.”

Thomas added, “As an artist focused on the reach of my music, I knew I wanted to be with Elektra after meeting the team. I’ve long admired Gregg Nadel, Johnny Minardi, and the staff’s ability to develop and sustain career artists. Moreover, their respect for good music and commitment to fostering growth gave me confidence that this is the place for me. With the addition of a tenacious Jameson Roper and DBLBK, I’m looking forward to a long ride with this family.”

Thomas is managed by Mike Easterlin at Glen West Entertainment and Jameson Roper at DBLBLK Management. His booking agent is Nate Towne at WME.


Daughtry signed with Big Machine Records, which released the band’s latest single, “Artificial,” on Aug. 11. Fronted by Chris Daughtry, the band has released a total of six albums to date.

Country singer-songwriter Walker Hayes announced a new partnership with Monument Records and RCA Records. Under the deal, Hayes recently released a new two-track bundle titled Strait Two Stepping featuring “Stetson” and “Show Me The Country.” Hayes is managed by Robert Carlton at SMACKSongs and represented by Aaron Tannenbaum at WME.

Nashville-based alternative singer-songwriter Max Frost signed to Nettwerk, which will release his new single, “Creep Back,” on Friday (Aug. 18.) Frost is represented by Ron Shapiro and Joe Hegleman at Have Fun Management and Marsh Vlasic and Craig Bruck at IAG for booking. He was formerly signed to Atlantic Records.

CMW Entertainment struck a partnership with Sony Music’s AWAL Recordings for CMW’s flagship artist, Mudrigo, whose latest single, “UH HUH,” was released under the pact on Aug. 2. The companies will collaborate to support Mudrigo with a full suite of services globally; AWAL will support his development by offering services including A&R, global marketing, creative, synch, brand partnerships, distribution and access to real-time analytics.

Mette signed to Since ’93 and RCA Records in the United States. The labels will release her upcoming EP, METTENARRATIVE, on Sept. 22, preceded by Mette’s new single, “VAN GOGH.” She is managed by Caron Veazey at ThreeSix Zero; booking is handled by Mary Hannon and Craig D’Souza at WME for the United States and United Kingdom, respectively.

SMACK has launched SMACKRecords, adding a label branch to the company and announcing its first signing, singer-songwriter-actress Jenna Davis. SMACKRecords marks the fourth enterprise to launch under SMACK, following publishing company SMACKSongs, SMACKManagement (which reps Walker Hayes and Kylie Morgan) and digital marketing company SMACKTok. Davis will also be represented by Marissa Turk at SMACKManagement. Her debut single, “DiCaprio,” was co-written by Hayes, Kelsea Ballerini and Ross Copperman. Davis also recently voiced the main character in the horror-thriller M3GAN. – Jessica Nicholson

Rock band Sheer Mag signed with Third Man Records, marking the group’s first partnership with a larger independent label. Under the deal, Third Man will physically and digitally re-release Sheer Mag’s entire back catalog — including EPs I, II and III as well as albums Need To Feel Your Love and A Distant Call — on Oct. 27. Third Man just released the band’s latest single, “All Lined Up.” Sheer Mag is represented by manager Mike Sneeringer at Another Management Company and booking agent Timmy Hefner at Ground Control Touring.

Country duo Neon Union signed with CAA. The duo, which has played over 50 tour dates so far this year, is signed to Red Street Records and managed by Tristan Kirkbride.

Country singer-songwriter Annie Bosko signed a joint-venture management deal with Randy Bernard and Brown Sellers Brown (BSB) Management; she will be represented at the latter by Benny Brown, Jason Sellers and Angela Wheeler. Bosko also signed a label deal with Brown’s Stone Country Records and is now represented by CAA for booking.

Emerging country singer-songwriter Eli Winders signed to Atlantic Records/Bad Realm Records, which released his debut single, “Pack My Hometown,” on Friday (Aug. 11). He is managed by Layne Lindroth at C3.

Morgan Myles, the country singer-songwriter who was formerly a contestant on The Voice, signed with KZZ Music/Blue Élan, which released her new single, “Vertigo,” on Aug. 8. She’s represented by manager Ann Henningsen and booking agents Jennifer Hludzik at APA and Jared Caleb.

Singer-songwriter Rissi Palmer signed with New York-based management/distribution/merchandising company Invasion Merch and has signed a new contract with talent and literary agency Paladin Artists. Palmer recently earned two Grammy nominations and hosts the Apple Music show Color Me Country with Rissi Palmer. Earlier this year, Palmer’s Still Here documentary film was featured on PBS’ American Masters: In the Making series. – Jessica Nicholson

Singer-songwriter Ryan Larkins signed with CAA, where he will be represented by Marc Dennis. Larkins previously signed with Red Street Records, which released his debut songs as an artist — “Man That Holds the Beer” and “She’s the Tough One” — on Friday (Aug. 11).

Adele Sweetly Stops Las Vegas Show to Help Couple With Baby Gender Reveal: ‘That Was Amazing’

Adele has issued a stern warning to fans who would dare to throw any objects up at her on stage during her Las Vegas residency. But nobody said anything about signs. Though it’s apparently verboten to bring placards into the singer’s Weekends with Adele residency at the Colosseum at Caesars Palace, one sneaky couple secreted one in over the weekend that read “Adele will you do our gender reveal?,” and it was totally worth it.

In a video shared on his TikTok and Instagram, Chris Dare and wife Shantelle Lord managed to stop the show and rope Adele into helping them with their big announcement. The singer — mother to 10-year-old son Angelo with her ex — invited the New York couple up the front of the stage and after getting their names, she told the audience, “Shantelle and Chris are having a baby,” before finding out that Shantelle is 18 weeks along and had waited to find out the baby’s gender until they attended Adele’s show.

“No one’s really allowed signs in here, I’m just obsessed that you got one in,” Adele told the couple. “I’ve never done this,” she added while taking a slip of paper from the pair. “Oh my God, I think it’s [the note] like from a doctor!” Asking if there was anything in particular they wanted her to say and making sure they had someone filming the blessed moment, Shantelle told the singer, “I’m just honored that you’re going to do this for us. We’ve known since 12 weeks and we have been waiting for this moment.”

The latter comment drew an audible “awwww” from the crowd and compelled Adele to take a seat on the stage so she could properly rip open the envelope. “So… Shantelle and Chris are having a baby… BOY!” she said as the couple exploded into excitement, with Chris raising his arms in triumph and both sneaking in a quick hug with the singer.

“That was amazing! I’m so happy for you,” Adele said weeping as the couple kissed. “That’s so emotional. Oh my God! If and when I get pregnant will you do my gender reveal?” In a 2022 Elle interview, Adele said she “definitely” wants more kids some day,” but is currently focused on her residency, which runs through November.

Check out the reveal below.

No College? No Problem. Grammy U Expands Eligibility to All Who Are Actively Working Toward a Career in Music

In an effort to make its Grammy U program more inclusive and accessible, the Recording Academy is no longer requiring that applicants be full-time college students — or college students at all. It has now added a second path to membership for individuals aged 18-29 who are actively taking an alternate path toward a career in music.

As before, full-time students of any age qualify. They must be currently enrolled in an accredited college, university or trade school full-time (nine credits) and pursuing associate, bachelors, masters or PhD degrees.

But now there is a second option: professional/creative, which is open only to people aged 18-29. This option is for professionals or creatives pursuing a career in music as well as students studying at college part-time or taking any certificate course or program.

“For many years, Grammy U has invested in the development of emerging young music creators and professionals by providing resources and a supportive ecosystem committed to helping them thrive in the music industry,” Recording Academy CEO Harvey Mason jr. said in a statement. “With this expansion, Grammy U is ensuring that membership will be more inclusive and accessible for the next generation of music creators and professionals, no matter their career path.”

Jessie Allen, who was in the first Grammy U class of 1,000 students in 2006 and has headed the program for the past two-and-a-half years as Grammy U senior director, notes, “Not everyone has the same path to success. … Everyone has their own story. Maybe they are having financial hardships and they can’t go to college full-time. Maybe they are just taking a different route and they want to be on tour all year. Maybe they started their own business right after high school – if they went to high school, even. This is what we’re looking at from an inclusivity standpoint and also just making sure that we are representative of what the actual industry looks like. That is why we are making the change.”

Does Allen think this change will make Grammy U membership more representative in terms of having more women or more people of color? “All of the above,” she replies. “By taking away the college requirement, that just opens the door to the whole, entire emerging music industry of creators and professionals.”

Allen says the old rule was too restrictive and sometimes confounding even to people at the Academy. “We often saw people who were in technical school. Is that full-time? Is that accredited? We thought, ‘You are really taking that step for yourself. You are pursing music. You are taking a certificate program or you’re a part-time student.’ That was when we [decided], ‘Let’s not make this such a grey zone.’ [Before, we sometimes thought], ‘We can’t really let them in, but we should be letting them in.’”

Allen says the rule change was “a natural evolution.”

“This is one of the most organic things that has happened in my time at the Academy,” says Allen, who joined the full-time Academy staff 10 years ago as project manager for the Florida chapter. Allen credits Tammy Hurt, chair of the Recording Academy’s board of trustees; J. Ivy, a fellow trustee; and Ruby Marchand, chief awards & industry officer, for spearheading the change, which required a vote of the trustees.

“It was the easiest yes from the Academy,” she says. “It was almost like, ‘Yes, we all know this needs to be happening.’”

While the Academy is broadening access, it is not simply throwing the doors open to all who want to join Grammy U. Applicants must document what active steps they’re taking to build a career and must provide a letter of recommendation from someone in the industry.

“I would say ‘active’ is the most important word here,” Allen says. “We’re looking to see that you’re taking your career seriously and that this is something that you’re really invested in. [You can do that by documenting that] you’re playing regularly in your area or maybe you’re releasing music.”

In recent years, the Academy has been keenly sensitive to being inclusive, but it added a strict age requirement on this new, second option of Grammy U membership. That being: Anyone who has turned 30 is ineligible. Isn’t that inconsistent with the Academy’s overall philosophy of inclusivity?

“The room that you’re in when you’re in a Grammy U program event is a room of your peers,” Allen says, by way of explaining the age restriction. “We want to make sure that the programming and the opportunities we’re offering match. …As they grow later into their careers, there are still places for them at the Academy. But our programs are really tailored to this place in somebody’s journey and creating that peer community. While we want to be as inclusive as possible, we also want to make sure that everyone feels like they are having relatable opportunities in that room.”

Later, Allen doubles back to this point. “Just because you can‘t be a full-time member of Grammy U doesn’t mean that there aren’t other ways that we can support you; have you volunteer and have you part of our community until you are hopefully ready for voting or professional membership.”

Earlier this year, a Grammy U alumnus, Michael Repper, won a Grammy for best orchestral performance for conducting the New York Youth Symphony. Other Grammy U alumni include musician, singer and songwriter Jake Wesley Rogers; singer/songwriter Megan Winsor; Naledi Nyahuma Seck, VP of DEI at The Orchard; Erin Hanson, director of content partnerships at Audible; and Christine Busanelli, Esq., MBA–entertainment lawyer.

Allen, 35, is one of “at least a dozen” Grammy U alums who have joined the Recording Academy staff, by her count. The Miami-based executive is one of two full-time Grammy U staffers, along with Cat Sornmayura, project manager.

Grammy U dues are a one-time payment of $50 for four years of membership. The program just added a renewal feature where members can renew for $50 for each additional year.

“The idea is that you are pretty close at this point – we hope—to moving into voting and professional membership,” Allen says. “We wanted to create that bridge where you are still with us; still getting the benefits as you go into the next phase of your career.”

Grammy U has had more than 32,000 members since its inception. Grammy U finished this past year with more than 6,000 current members. Approximately 1,500 students were accepted during the 2022-23 program year which is primarily from August – May.



Grammy U members cannot vote for the Grammys or vote in chapter elections, but they can submit awards proposals and participate in select chapter events and Academy-wide initiatives like District Advocate, in addition to dedicated Grammy U programs.

There are 14 Grammy U representatives across the Recording Academy’s 12 chapters. The representatives co-produce all events and oversee membership within their chapters, with the help of more than 100 Grammy U “ambassadors.” In the 2022-23 program year, the membership program hosted more than 80 events and programs locally and nationally.

Events this past year include separate master classes with Jacob Collier, Armani White and Andrew McMahon; SoundChecks featuring such artists as Steve Lacy, Lizzy McAlpine, Stephen Sanchez, Gracie Abrams, Carly Rae Jepsen, MUNA, Sabrina Carpenter and Death Cab for Cutie; an all-day conference in Miami focused on Latin music creators and professionals; and mentorship programs with executives from such companies as Sony Music Entertainment, Universal Music Group, Warner Music Group, SiriusXM and ASCAP.

For more information about Grammy U and how to apply, visit grammyu.com.

RM Promises That BTS Will Be ‘Back For Sure’ in 2025: ‘This Is Like a Vacation’

How can you miss them if they don’t go away? That’s essentially what BTSRM said during a Weverse livestream over the weekend, during which the singer promised ARMY that the K-pop supergroup is on target to regroup right on schedule.

After reading a heartfelt letter from an ARMY member expressing how much the group has meant to their fans over the past decade, RM offered some assurance, and hope, that things will be back to normal soon.

“I hope our songs and solo projects could be another reminder to you guys of how important ARMY was, has been and will be in our lives at the same time,” he read, speaking in English after listening to the ARMY-created tribute song “Love Letters” during the chat. “I hope that it is a reminder that spring will come again. Please continue to keep BTS alive in your hearts, in this moment and perhaps throughout your entire life.”

After sharing the ARMY thoughts, RM got personal, noting that band mate Suga talked “a lot” about the feelings he had during his 28-show solo run this year and how much love he felt from ARMY, who are patiently “waiting for the reunion in 2025”; BTS’ seven members announced last year that they were taking a group break to focus on solo projects while the men prepare to take part in South Korean’s mandatory military service requirement.

“Even though we’re doing our solo activities on our own… what I’m thinking these days when I’m doing my solo projects is… this is just like a vacation,” RM said of his solo efforts, which include his recent hot trending songs No. 1 collab with Colde on “Don’t Ever Say Love Me.”

“To get back to where I was, which was BTS and ARMY. All the solo [activities] is just a journey,” he said. “But it is a very important journey for Chapter 2. But it’s a journey to get back home safe.”

And then RM uttered the words all of ARMY have been waiting to hear.

“Eventually, when we get back and reunite together in 2025… [we will] be back for sure. We’ll be joining together again. And that will be in 2025.”

During the 40-minute video chat, RM also commented on his buzz cut (“no reason” he said when someone asked why he’d shorn his locks) and busted out some dance moves, admitting that he’s “scared” he’s going to forget the group’s choreo if he doesn’t keep practicing. He also munched on a candy bar and fessed up that he doesn’t really watch soccer unless it’s the World Cup.

So far, Jin and J-Hope have entered the military and Suga is expected to go next.

Watch RM’s live chat below.