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Karol G & Trippie Redd Debut in Top 10 on Album Sales Chart

Karol G and Trippie Redd see their latest projects debut in the top 10 on Billboard’s Top Album Sales chart (dated Aug. 26), while Travis Scott’s Utopia continues atop the list with a big gain owed to bargain-basement sale pricing.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Utopia sold 99,000 copies in the U.S. in the week ending Aug. 17 (up 169%), according to Luminate. Utopia’s album sales grew in the set’s third week on the chart thanks in part to a promotional offer in Scott’s official webstore, which discounted the Utopia vinyl LP from $50 to only $5 for a limited time. Of Utopia’s 99,000 sales for the week, vinyl accounted for 93,000. That sum marks Utopia’s best week on vinyl yet, the seventh-largest sales week on vinyl for any album since Luminate began tracking sales in 1991, and the biggest week for an R&B/hip-hop or rap album on vinyl in that same period.

Taylor Swift’s chart-topping Speak Now (Taylor’s Version) rises 5-2 on Top Album Sales with 23,000 (up 14%) while NewJeans’ former leader 2nd EP ‘Get Up’ falls 2-4 with 20,000 (down 24%).

Karol G logs her highest-charting set ever on Top Album Sales (and second top 10) – with her largest sales week yet – as Mañana Será Bonito (Bichota Season) starts at No. 4 with 17,000 sold. The new collection was available as a digital download album, CD and vinyl LP. The latter sold about 3,500 copies and arrives at No. 14 on the Vinyl Albums chart.

Swift’s former No. 1 Midnights bumps 9-5 with 13,000 (up 26%), the Barbie soundtrack is a non-mover at No. 6 with nearly 13,000 (down 10%) and Swift’s former leader Folklore climbs 8-7 with 12,000 (up 12%).

Trippie Redd scores his fifth top 10-charting effort on Top Album Sales as A Love Letter to You 5 debuts at No. 8 with 11,000 sold. He notched his first top 10 five years ago with the No. 5-peaking Life’s a Trip.

Rounding out the top 10 on the new Top Album Sales chart are a pair former No. 1s: Swift’s Lover (rising 12-9 with 11,000; up 28%) and Stray Kids’ 5-Star: The 3rd Album (11-10 with 9,000; down 5%).

In the week ending Aug. 17, there were 1.869 million albums sold in the U.S. (up 4.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.540 million (up 6.4%) and digital albums comprised 329,000 (down 3.6%).

There were 646,000 CD albums sold in the week ending Aug. 17 (down 1.4% week-over-week) and 885,000 vinyl albums sold (up 13.1%). Year-to-date CD album sales stand at 22.236 million (up 3.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 29.613 million (up 21%).

Overall year-to-date album sales total 63.938 million (up 7.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 52.191 million (up 12.6%) and digital album sales total 11.747 million (down 9.9%).

50 Cent & Megan Fox Appear in ‘Expendables 4’ Trailer, Promising ‘Lots’ of Violence & Gore

Sylvester Stallone and Jason Statham have returned with a brand new group of fighters for the highly anticipated Expendables 4 film, and the trailer released on Wednesday (Aug. 23) promises violence, action and lots of gore. That’s why, unlike the previous film, this one is rated R.

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50 Cent, Megan Fox, Tony Jaa, Iko Uwais and Andy Gracia join the franchise as newcomers, alongside returning cast members Dolph Lungren and Randy Couture. In the trailer, the group is seen cutting throats, shooting guns and trigger explosions as a voiceover assures moviegoers that they are in for a bloody good time.

“We heard you, loud and clear,” the narrator says over vicious scenes from the upcoming film. “‘Please make Expendables 4 rated R.’ ‘There better be violence and lots of it.’ ‘I want all the blood and guts.’ […] Expendables, definitely rated R.”

The fourth installment of the film comes nearly 10 years after Expendables 3 was released back in 2014. At the time, the film didn’t do as well in the box office as expected, and Stallone said that making the film PG-13 to appeal to a wider audience was a “horrible miscalculation.”

Expendables 4 arrives eight years after it was announced in 2015, with an initial 2017 release date. Production eventually started in fall 2021, and the Scott Waugh-directed film is set to hit theaters on September 22.

See the full trailer below.



Doja Cat Teases Something’s Coming, Says ‘All That Matters to Me Is That My Fans Know Who I Am’

Doja Cat is gearing up to release … something. On Wednesday (Aug. 22), the pop star shared a photo on Instagram that revealed she has something arriving on Sept. 1.

The photo features a dark silhouette of the “Need to Know” singer wearing a pair of devil’s horns. “9.1.23,” she captioned the post with an hourglass emoji. Though she didn’t specify what exactly is arriving at the top of the month, the artist has been gearing up for the release of her next album. She’s released two new songs this summer: “Attention” in June, and “Paint the Town Red” earlier this month.

In addition to the mysterious teaser, Doja took to her Instagram Stories to share two messages with her followers. The first post contained a quote from Lady Gaga that states, “When you die, nobody is going to give a f–k what you tweeted.” The following post was Doja’s own words: “All that matters to me is that my fans know who I am and the others are stuck trying to figure out.”

The rapper’s Stories post follows her Aug. 16 message in which she claimed that she felt “free” after seeing so many people unfollow her on social media following a series of rants. “Seeing all these people unfollow me makes me feel like I’ve defeated a large beast that’s been holding me down for so long,” the Grammy winner wrote at the time. “It feels like I can reconnect with the people who really matter and love me for who I am and not for who I was.”

See Doja’s lastest posts below.

Why Aren’t More Pop Stars Being Born?

Why have so few major new pop stars emerged lately? The music-buying public has thoughts.

For the Aug. 2 Billboard story, “Pop Stars Aren’t Popping Like They Used To — Do Labels Have a Plan?”, reporter Elias Leight spoke with label executives and managers to try to understand the dearth of new superstars, with Olivia Rodrigo and Ice Spice cited as rare examples of new artists to have broken through over the past couple of years. Reasons given for the decline ranged from the practice of signing more artists at labels, to the lessening marketing power of radio, to increased competition for time and attention from video games and social media — with some sources concluding that expectations for mass market appeal should be lowered in today’s more fragmented media landscape.

Due in part to an Aug. 8 tweet by widely-followed pop culture account Pop Base, however, online chatter around the story exploded, with users on X (formerly known as Twitter) and Reddit offering their own opinions on the relative absence of new stars with the mass appeal of Taylor Swift, Beyoncé, Rihanna, Harry Styles and Lady Gaga. Here are a few of the most prominent and interesting takes.

It’s All TikTok’s Fault

The most common reason given for the scarcity of new pop stars was TikTok, which was blamed for all but killing traditional artist development.

“They need to stop signing people based off of a couple viral tiktok videos, churning out fast food music and work with real artists with longevity,” wrote @internetmaeve on X. “like Olivia didn’t blow up overnight she was a disney kid?? s– takes time.”

The ephemeral nature of the short-form video platform — a significant change from a radio-dominated business, when songs in rotation on Top 40 stations were inescapable — was cited as a factor by Reddit user @anneoftheisland, weighing in on the r/popheads channel where the article was shared: “TikTok isn’t set up to boost artists, it’s set up to boost individual songs…In the radio era, if a hit broke out, labels had significant sway to get that artist’s second and third songs in front of you … they couldn’t force you to like those songs, but they could force you to listen to them. But that’s a lot harder to do in the streaming/TikTok era. If you hear a song you like on TikTok, there’s a large chance you won’t hear that artist’s second/third singles unless you seek them out yourself.”

On the same Reddit thread, @Interesting-Ad9838 said that artists who break through on TikTok simply don’t have the cross-generational impact as in previous eras, thereby limiting their influence. “The general audience don’t know who these artists are anymore,” they wrote. “If my grandparents know who you are, then you definitely made it.”

Record Labels Are Too Risk-Averse

Another common theme, which ties in with concerns about TikTok, is the complaint that labels are increasingly risk-averse, preferring to sign artists with preexisting fanbases rather than putting the time, energy and money into developing them from the ground up.

“Mind you there are artists on…labels right now probably begging to have full label support and funding for their projects,” said X user @waylojan. “The problem is they’re looking elsewhere instead of bolstering the talent they have.”

“The industry wants quick and fast and isn’t giving, in my opinion, some people who could really do this the right chance,” added Reddit user @moxieroxsox on the r/popheads thread. “It took Rihanna 3 albums before she skyrocketed. Taylor Swift wasn’t taken seriously until what? Speak Now? Red? Ariana did Broadway and TV before she started music and she has the voice of a literal angel. Beyoncé spent years tailoring her sound, not to mention all the years she spent developing her abilities in Destiny’s Child.”

Record Labels Are Doing This On Purpose

Provocatively, a Reddit user (who has a rather provocative handle we won’t name here for reasons of decorum) positioned the pop star drought as something engineered by labels to avoid paying the kind of money they gave superstars like Janet Jackson and Madonna in the old days.

“When you have stars that have a lot of momentum behind their career, and they have a lot of prestige, and they have a large and solid fanbase, they get to demand more from labels,” they wrote. “If you have stars with much shorter careers…and shorter reigns in public interest, you don’t have somebody who can walk into a negotiation, and demand more on their side of the deal with the label.”

Our Attention Is Too Fragmented

Audience fragmentation, precipitated in part by the rise of social media influencers, was also a theme hit upon by several commenters.

“It’s probably hard when everyone can be famous now on TikTok,” said X user @kariwarburgon. “It’s like that one quote from The Incredibles ‘Once everyone is super no one is.’”

With so many platforms to release and consume music now, Reddit user itsyagurlb says public attention has simply become more diffuse — making it more difficult for artists to achieve stratospheric levels of fame.

“As someone else here has mentioned, we no longer have ‘smash’ hits from major pop stars that are inescapable, and so even with the rise of streaming, it’s much easier for people to tune out of today’s ‘hit’ song,” they wrote. “We consume music differently now which also impacts how pervasive a song can be because of how individualized our streaming choices can be. Even in the age of iTunes, hits were more impactful because if you wanted to hear the hot new song, you might pay for it. Now? I can listen to a minute of the song on spotify without any real investment and move on if I dont vibe with it, and there’s been no ‘sale.’”

Added Reddit user @BronzeErupt, citing one of the most powerful promotional vehicles of the late ’90s and early ’00s: “There’s no modern equivalent of TRL where a song can be deliberately played and suddenly everyone knows about it.”

Music Is Boring/Bad Now

Predictably, some social media users slammed the state of modern popular music. “I want to blame TikTok for this, but truthfully I think the root of the problem is how boring, dull and unoriginal modern-pop music sounds like,” said Reddit user TuffyTenToes. “They aren’t popping off because there is nothing to be popping off for. Perhaps I’m doomposting but it truly feels like pop music is in an all time low, creatively speaking.”

“Too many people mistake tik tok earworms for musical talent,” added @LSX3399 on Reddit. “No albums anymore, no concepts, no risks. Over-saturation of mid.”

It’s Taylor Swift’s Fault

Is the real problem…Taylor Swift? According to Reddit user @LifeOfAWimpyKid, the uber-popstar of the 21st century is simply taking up too much space in the conversation for other artists to break through.

“I feel like Taylor Swift has singlehandedly saturated the pop market to the point where the entire industry has become boring as s— and not fun for other artists to participate in,” they wrote. “Taylor is not without merit, but now it’s just Taylor, Taylor, Taylor all the time. Her fans are very vocal and active too and dominate the conversation, and all the other opinions just get drowned out. This was hardly the case a decade ago, when you had multiple acts coexisting at the top, such as Rihanna, Katy Perry, Bruno Mars, Ke$ha, Lady Gaga, David Guetta, Britney Spears, Justin Bieber, Calvin Harris, and Eminem.”

This Is Actually a Good Thing

Breaking from the pack, X user @fromage_enjoyer couched the struggle to mint new pop stars as a positive development, marking a shift from the days when radio and MTV determined what people listened to: “The current generation is winning. We aren’t stuck with whatever big labels want to shove down our throats thanks to the internet. That has them scared since they lose profits, but for the artists and consumers it’s great,” they said, before hastening to add: “Streaming pay outs need to be talked about however.”

Nike Kobe 8 Protro ‘Halo’ Sneakers Are Finally Here: Where to Shop the Limited Shoes

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Today would have marked the late Kobe Bryant’s 45th birthday, and in honor of the legendary basketball player, Nike released an exclusive sneaker that’s available in very limited quantities. The Kobe 8 Protro sneakers are officially here in the colorway “Halo,” which officially dropped on Wednesday (Aug. 23) in line with the athlete’s birthday.

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The collaboration between Nike Basketball and Vanessa Bryant happens annually to honor her late husband’s legacy while providing a chance for fans to celebrate his special day. Vanessa took to Instagram on Tuesday (Aug. 22) to debut the sneakers in a series of photos and share a heartfelt message to her followers and fans.

“The Kobe VIII protro’s came out beautiful!!!! Love collaborating with the Nike footwear team on Kobe’s line. ? Nike wanted this debut Halo Collection to be limited and collectable but the good news is Nike is working towards more units for future Kobe releases! The ‘Kobe Halo’ collection debuts on Kobe’s birthday tomorrow, collect all future Halo releases to celebrate this special day every year,” the caption read.

For those who were unable to snag a pair of their own from Nike, you can still get the Kobe 8 Proto sneakers through online retailers including StockX, Goat and eBay that offer resale sneaker deals.

Keep reading to shop the sneakers.

white nike basketball sneaker

StockX

Nike Kobe 8 Protro – Halo

$260

Ditch the all-white tennis sneaker and upgrade your sneaker collection with a basketball-inspired look that aims to be supportive while honoring the late Bryant. The triple-white shoes were designed with Nike React foam for added durability and comfort, while the upper and herringbone traction pattern have been replaced. The tongue also features the classic Mamba logo to show your support for the basketball player.

This isn’t the only brand that has honored the star. 2K also paid tribute to Bryant with the 25th-anniversary NBA 2K24 game featuring two different covers with the athlete on the front.

For more product recommendations, check out our roundups of the best men’s crewnecks and hoodies, celebrity Crocs collaborations and the best varsity jackets.

Trippie Redd’s ‘Love Letter to You 5’ Debuts in Top 5 on Top R&B/Hip-Hop Albums Chart

Trippie Redd extends his top-10 streak on Billboard’s Top R&B/Hip-Hop Albums chart, as his A Love Letter to You 5 debuts at No. 3 on the list dated Aug. 26. The mixtape opens with 37,000 equivalent album units earned in the U.S. in the week ending Aug. 17, according to Luminate.

Of the 37,000 starting sum, 26,000 units derive from streaming, a figure equaling 46.8 million official U.S. audio and video on-demand streams of the project’s tracks. Traditional album sales contribute 11,000 of the remaining units, with a negligible amount of activity from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

With A Love Letter to You 5, which Trippie Redd stated is the last installment of his popular mixtape series, the rapper-singer banks his eighth consecutive top 10 release on Top R&B/Hip-Hop Albums. Here’s a recap of the eight projects’ chart results:

Album Title, Peak Position, Peak Date

  • Life’s a Trip, No. 4, Aug. 25, 2018
  • A Love Letter to You 3, No. 1 (one week), Nov. 24, 2018
  • !, No. 2, Aug. 24, 2019
  • A Love Letter to You 4, No. 1 (one week), Dec. 7, 2019
  • Pegasus, No. 1 (one week), Nov. 14, 2020
  • Trip at Knight, No. 1 (one week), Sept. 4, 2021
  • Mansion Musik, No. 2, Feb. 4, 2023
  • A Love Letter to You 5, No. 3 (to date), Aug. 26, 2023

Of Trippie Redd’s 10 appearances on Top R&B/Hip-Hop Albums chart, only the first two A Love Letter to You chapters missed the top 10. The first edition peaked at No. 32 in February 2018, while its follow-up reached a No. 19 best in October 2017.

Elsewhere, A Love Letter to You 5 starts at No. 2 on the Top Rap Albums chart and at No. 13 on the all-genre Billboard 200.



As A Love Letter to You 5 launches, three of its tracks debut on Hot R&B Songs: “Take Me Away” with Corbin (No. 16), “Thy Motion” (No. 19) and “How You Alive” (No. 23). The album’s overall arrival helps Trippie Redd score a No. 33 re-entry on the Billboard Artist 100, which measures artist activity across key metrics of music consumption – album and track sales, radio airplay and streaming – to provide a weekly multi-dimensional ranking of artist popularity. The return gives Trippie Redd his first visit to the list since February, when he raced to No. 23 as Mansion Musik debuted.

HHW Gaming: Atari Is Banking On Video Game Nostalgia With The Atari 2600+ Mini Console

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Atari Is Dropping Another Console, The Atari 2600+

Source: Atari / Plaion / Atari 2600+

One thing long-time gamers love is nostalgia, and Atari, with help from Plaion, is banking on it with the release of the Atari 2600+ retro home console.

With Plaion handling publishing duties, Atari is again dropping another console even after the failed attempt that was the Atari VCS, which flopped big time, but this attempt might fare a bit better.

The Atari 2600+ pays homage to the original console that arrived in 1977 and is essentially a mini-console on the same tier as Nintendo’s mini NES Classic, Super Nintendo Classic, PlayStation Classic, and Mega SG.

In the box will be the 2600+ console that ironically draws inspiration from the four-switch model from the 1980s that can play Atari 2600 and 7800 games. It also comes with a modern remake of the classic Atari CX40 joystick, the CX40+, and will feature support for a second player. If you want another controller, it will cost you an additional $25, and Atari notes a CX-30 Paddle is also in the works.



What Games Will Be On The Atari 2600+?

As far as games, the Atari 2600+ will come with a “10 Games in 1” cartridge that will feature AdventureCombat, Dodge’ EmHaunted HouseMaze CrazeMissile CommandRealSports VolleyballSurroundVideo Pinball, and Yars’ Revenge. 

Interesting choices in games. Atari has included a list of compatible cartridges, so if you want to play classic Atari games like Frogger or Pitfall, you’ll have to spend some money in the resale market.

The Atari 2600+ will also have an HDMI output, widescreen support, and a larger socket to reduce cartridge sticking. As a nice touch, the Atari logo lights up when the console is powered on.

The Atari 2600+ launches on November 17 for $130. You can see more photos of the console in the gallery below.

Photo: Atari / Plaion / Atari 2600+

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RM Takes Fans Behind the Scenes of Colde’s ‘Don’t Ever Say Love Me’ Live Clip: Watch

BTSRM took ARMY behind the scenes of his filming of the live clip for Colde’s “Don’t Ever Say Love Me,” on which he features, in a new video shared to BTS’ YouTube channel on Wednesday (Aug. 23).

Before launching into the days work, RM speaks to the camera and shares the agenda for the day, as well as how he feels about meeting up with Colde for the video. “I’m here to meet Colde today. To tell you how I feel right now … I really want to see him,” he says. “Make sure to listen to ‘Don’t ever say love me (featuring RM of BTS).’”

The pair linked up on a sparse set with nothing but black chairs and a gray background, and joked around, with Colde doing a mock interview with RM before preparing for the visual. RM later revealed that one of the scenes was shot in one take. After filming concluded, RM explains that the live video was made in place of a his cameo for the song’s official music video.

“I couldn’t make it for the MV of ‘Don’t ever say love me (featuring RM of BTS)’ because of a variety of reasons, so we said, ‘Let’s do a video of us singing live.’ But I didn’t know it’d be such a big project,” RM shares. “The scale has gotten a lot bigger — this video is in between a MV and a video of us singing live. I’m happy to be with my friend.”

Despite such an arduous day on set, the BTS star shared that he was thankful for the experience. “It’s been a while since I’ve worked, so I’m happy and it feels so new. It was fun to grab a mic and sing live for the first time in a while. I think it’ll be a good influence on my work as well,” he concludes.

Colde’s “Don’t Ever Say Love Me” was released as a track on his fourth EP, Love Part 2, which arrived on May 4. In the song, RM and Colde reflect on infidelity, and the fall out that ensues after it comes to light.

Watch the behind the scenes video of “Don’t Ever Say Love Me” live clip in the video above.

Electronic Producer Oliver Anthony Skyrockets in Streams Due to… Well, You Can Probably Guess

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: Oliver Anthony is way up in streams — no, not *that* Oliver Anthony — while October London brings the spirit of Marvin back to the airwaves and an ’00s R&B hit spikes due to a highly unexpected TikTok trend.

The Other Oliver Anthony: Viral Country Sensation Gives Bump to Similarly Named Electronic Producer



Folks who read about the chart-topping phenomenon that was Oliver Anthony last week and went on to buy or stream his 2021 EP Breaking Bread were likely a little disappointed – or at the very least, extremely confused. That’s because Breaking Bread was not released by the Oliver Anthony who connected with country fans (and right-wing signal-boosters) with his breakout hit “Rich Men North of Richmond” – the one whose artist name is officially Oliver Anthony Music, and who has only released singles thus far – but rather, by the producer Oliver Anthony, whose lone release on streaming services is a six-song, seven-minute, independently released set of unassuming lo-fi electronic instrumentals. 

Not much information seems to be publicly available about this other Oliver Anthony – there’s no biographical info on their Spotify page, their YouTube uploads are all automated and it’s not clear if they’re present on social media. But whoever they are, they’re enjoying a massive streaming bump from the Oliver Anthony Music confusion: The original Oliver Anthony netted over 36,000 official on-demand U.S. streams for the week ending Aug. 17, according to Luminate – up 523% from the under 6,000 the week before, and up 144,548% from the negligible amount of streams they posted the week before that. 

They also sold over 500 digital songs last week after a minimal amount the week before – and on iTunes, Breaking Bread has even reached the top 10 on their real-time albums chart. Hopefully those consumers looking for country-folk working-class anthems are also in the market for some low-intensity midtempo beats! – ANDREW UNTERBERGER


Marvin Reborn: October London Brings Gaye’s Classic Sound to Streaming and Radio



The soul singer October London is unburdened by the anxiety of influence: He titled his February album The Rebirth of Marvin (out on the famed Death Row Records), and it’s nearly heroic in its single-minded commitment to recreating the tone and texture of Marvin Gaye’s 1970s recordings (with one exception: album closer “You Look Better” leans more Barry White). R&B radio programmers have welcomed the homage to Gaye: The single “Back to Your Place” jumped from No. 3 to the top spot on Billboard’s Adult R&B airplay chart this week, dethroning Janelle Monae’s “Lipstick Lover.” 

“Back to Your Place” sounds like a nod to “Distant Lover,” a tower of yearning on the back half of Gaye’s Let’s Get It On album. It’s uncanny at times how closely London pitches his voice to replicate Gaye’s — the wails of “take me” during the chorus, the swelling harmonies that emphasize “your place.” Back in the second week of July, “Back to Your Place” was already piquing interest in core R&B markets, appearing high on the Shazam rankings in Washington D.C. and Atlanta. 

Audience impressions from airplay have more than doubled since then, according to Luminate, and interest in London has spread more widely, with “Back to Your Place” climbing into the Top 20 of the U.S. Shazam chart. Growth at streaming has been slow but steady: The single amassed 556,000 official on-demand U.S. streams in the tracking week ending August 17, up from just over 400,000 a week in early July. – ELIAS LEIGHT

Chrisette Michele’s “Epiphany” Twerks Its Way to Streaming Gains 



One of the most beautiful things about TikTok is how random catalog songs can experience resurgences due to trends that have absolutely nothing to with the song. Chrisette Michele, the Grammy-winning R&B star who experienced some controversy when she performed at then-President Donald Trump’s Inaugural Ball back in 2017, is the latest artist to benefit from this phenomenon. According to Luminate, “Epiphany (I’m Leaving),” the lead single from her 2009 sophomore studio album of the same name, has earned 329,000 official on-demand U.S. streams between August 11-17, a whopping 215% increase from just over 104,000 streams during the period of August 4-10. 

The song’s sizable streaming gains are due to a TikTok trend where users flaunt how well they can twerk. The primary aim is to throw your backside in as perfect a circle as possible while Michele croons, “I think I’m just about over being your girlfriend.” On TikTok, the most popular “Epiphany” sound boasts over 60,000 videos. “Epiphany” is Michele’s first and only unaccompanied Billboard Hot 100 hit; in 2009, the song peaked at No. 89 on the chart, and also reached the top ten on Adult R&B Airplay (No. 9). – KYLE DENIS

Hot 100 First-Timers: Cris MJ Debuts on Karol G & Ryan Castro Collab ‘Una Noche En Medellin’ Remix

Chilean singer/rapper Cris MJ is officially a Billboard Hot 100-charting hitmaker, as his new collaboration with Karol G and Ryan Castro, “Una Noche En Medellín (Remix),” debuts on the Aug. 26-dated chart at No. 68.

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The song, released Aug. 11 on Karol G’s new collection Mañana Será Bonito (Bichota Season), on Bichota/Interscope records, begins with 6.9 million official U.S. streams through Aug. 17, according to Luminate. It also starts at No. 12 on Hot Latin Songs, No. 68 on the Billboard Global 200 and No. 101 on Billboard Global Excl. U.S.



The song is a remix of Cris MJ’s original “Una Noche en Medellín,” released in January 2022. That version reached No. 24 on Hot Latin Songs in May 2022, as well as No. 16 on Global Excl. U.S. and No. 29 on the Global 200. It marked Cris MJ’s first Billboard chart appearance upon its debut.

Since then, Cris MJ has charted two other songs on Billboard’s global rankings: “Me Arrepenti,” with AKR:20 and Pailita, reached No. 63 on Global Excl. U.S. and No. 138 on the Global 200, and “Marisola,” featuring Standly, climbed to Nos. 38 and 70, respectively.

Mañana Será Bonito (Bichota Season) debuts at No. 1 on the Top Latin Albums chart and No. 3 on the all-genre Billboard 200 with 67,000 equivalent album units earned in its opening week. It earns Karol G her third No. 1 on Top Latin Albums, following KG0516 in 2021 and Mañana Será Bonito this March.

Cris MJ (full name: Cristopher Andrés Álvarez García), from La Serena, Chile, has released one solo studio album so far: Welcome to My World in 2022.