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Ariana Grande Surprises Fans at R.E.M. Beauty Pop-Up in NYC: ‘Today Made My Heart So Happy’

Fans went into Ariana Grande‘s R.E.M. pop-up shop in New York City thinking that they were just going to get ice cream, but walked out with an even sweeter surprise.

After spending months abroad in London filming for Jon M. Chu’s Wicked adaptations, the 30-year-old pop star made an unexpected stateside public appearance Tuesday (Aug. 29) for her beauty company’s new foundation line celebration at Morgenstern’s Finest Ice Cream shop in Greenwich Village. The star hid behind the store’s counter until fans entered, then popped up to say hi when they were least suspecting it.

“What can we get you?” she says casually to an unsuspecting fan, who lets out a scream, in a video posted to Grande’s TikTok.

“today made my heart so happy,” the singer-actress captioned another TikTok video of her hugging a couple of tearful fans. “i can’t wait to share more soon but for now… just this. i’ve watched 100 times. thank you for coming to our @r.e.m. beauty ice cream shoppe ! it will be open til Thursday !”

Grande also shared a clip of her waving out her car window to a sea of fans on her Instagram Story, writing, “love you please be careful omg i’m sorry i opened window [sic.] i just wanted to say hello”

The surprise meet-and-greet comes in honor of R.E.M. Beauty’s new Sweetener Foundation line, named after the “God Is a Woman” singer’s Grammy-winning 2018 album. At the Sweetener Shoppe, fans were able to have their skin tone matched to a shade of Grande’s foundation, enjoy complimentary ice cream and snag limited edition merch.

The pop-up also comes as Grande continues celebrating the 10th anniversary of her debut album, Yours Truly. In the past week, she’s shared a series of live performances of songs on the 2013 record, old footage and Q&A videos, all supporting the Aug. 25 release of her Yours Truly special anniversary edition.

Watch Ariana Grande surprise fans at her R.E.M. Beauty event below:

@arianagrande

today made my heart so happy. ♡ i can’t wait to share more soon but for now… just this. i’ve watched 100 times. thank you for coming to our @r.e.m. beauty ice cream shoppe ! it will be open til Thursday ! ?

♬ original sound – arianagrande

Atlanta Rap Duo EARTHGANG Partners With UnitedMasters

After partnering with Brent Faiyaz earlier this year, UnitedMasters continues to stockpile their roster with more proven talent by joining forces with EARTHGANG. The newly minted partnership between the rap duo and UM will allow the Atlanta MCs to fortify their lanes as independent artists for the first time in their careers while remaining at their home bases of Sincethe80s and Dreamville Records. 

“We are extremely excited to be partnering with EARTHGANG and their team,” UnitedMasters CEO Steve Stoute tells Billboard. “Our mission is to empower our artist partners to be entrepreneurs, and we are excited to support Earthgang on this phase of their journey.”

UM’s vp of music, Mike Weiss, echoes Stoute’s sentiments. “It’s rare to come across artists with such clear creative vision and purpose, he says in a press release. “EARTHGANG embodies the power of building an authentic community. We could not be more excited to help bring their vision to life.” 

To celebrate their latest partnership, EARTHGANG released their new song “Die Today,” which includes a bevy of cameos, most notably from Denzel Curry, actor Noah Centineo, and Mereba. The introspective cut finds the hip-hop twosome pondering their partner’s loyalty when encountering the eyes of death. “Tell me baby if I die today, would you come and kiss my cold face? Would you run up in my bank account,” they ask.

“UnitedMasters is the future.” EARTHGANG’s WowGr8 says in a press release. “Their approach to success and achievement in both art and business is empowering. I’m proud to partner with a company that follows such a sustainable philosophy for working in this industry.”

His partner in rhyme, Olu, doubles down on their partnership by vocalizing the power behind independence. “It’s another perfect partnership for artists like us. We feed our fanbase directly, and we receive our fair share of profits. The power is back in the hands of the creatives,” he says. 

Watch “Die Today”:



ATEEZ Reflects on ‘Outlaw’ Hitting No. 1 on Top Album Sales Chart, Viral ‘Bouncy’ Challenge & More

2023 has been a packed year for the boys of ATEEZ. The K-pop group — which consists of members Hong Joong, Seong Hwa, Yun Ho, Yeo Sang, San, Min Gi, Woo Young and Jong Ho — recently went No. 1 on Billboard‘s Top Album Sales chart with its Outlaw EP, hit up this year’s KCON LA for a headlining performance and are about to embark on a series of tour dates in Latin America. In between the group’s stacked schedule, the K-pop stars stopped by Billboard News to discuss their latest career highlights.

Host Tetris Kelly kicked off the interview congratulating the group for the Outlaw EP’s success (the set also peaked at No. 2 on the Billboard 200), and asked the members their thoughts on why it had such positive reception.

“I think this era is a whole different ATEEZ, so that why many ATINY [the group’s fan name] and many audience wanna get some new piece of our album,” Hong Joon mused. “After we got a high number on the chart, we had pressure also, but we try to enjoy these days. We try to have a good mindset to make new songs. After debut, we try to put something deeper into it, like a new genre of music.”

K-pop has become one of the most popular genres of music in the last few years, and as a result, ATEEZ’s rise comes at the right time. Min Gi reflected on this shift and noted “there’s a growing change as K-pop is becoming more widely accepted by the general public despite the language differences.”

The shift has also led to the expansion of ATINY. The group recently mobilized across the world to perform flash mobs of the group’s single “Bouncy” in public spaces, with many of the videos going viral across social media.

“I think the only people that can really capture the ATEEZ energy are our ATINY, so seeing them follow along with our dance was really fascinating,” Yun Ho said of the dance videos. “It made me want to set more cool choreographies that we can do together in the future.”

Up next for the group is the continuation of its The Fellowship: Break The Wall tour. The trek continues on Aug. 30 with a stop in Santiago, Chile, and will visit Bogota, Singapore and Manila next month.

Watch ATEEZ’s Billboard News interview above.

Karol G Replaces Herself at No. 1 on Hot Latin Songs With Peso Pluma Collab ‘Qlona’

Karol G’s “Qlona,” her first collaboration with Peso Pluma, conquers Billboard’s Hot Latin Songs chart as the song ascends 2-1 and ousts her own “Mi Ex Tenía Razón” from the lead, sending it to No. 2 on the Sept. 2-dated list. Both songs are part of her No. 1 album Mañana Será Bonito (Bichota Season).

“Qlona” leads the multimetric ranking powered by streaming activity. During the tracking week ending Aug. 24, it logged 12.6 million on-demand official streams in the U.S., a 7% rise from the previous week, according to Luminate. The sum yields the song to No. 1 on Latin Streaming Songs as the Greatest Gainer of the week and an 18-16 lift on the overall Streaming Songs chart; the only song by a Latin artist in the top 20 there.

With “Qlona,” Karol G captures her eighth No. 1 on Hot Latin Songs. She first led with “Dame Tu Cosita” with Pitbull and El Chombo, featuring Cutty Ranks, for two weeks in 2018. Her second and longest coronation to date arrived a year later as “China” — with Anuel AA, Daddy Yankee, Ozuna and J Balvin — crowned the list for 12 weeks in 2019.

Peso Pluma, meanwhile, secures his second champ after the 19-week ruler “Ella Baila Sola” with Eslabon Armado, the longest leading song on Hot Latin Songs in 2023 thus far.

As “Qlona” exchanges places with “Mi Ex Tenía Razón,” Karol G replaces herself at No. 1 again. She is the last woman with direct successors at the summit, as “Mamiii” with Becky G ceded the throne to her own “Provenza” on the May 14, 2022-dated chart. Among all acts, Bad Bunny did it last, when “Me Porto Bonito” ejected his own “Titi Me Preguntó” from the lead (list dated May 28, 2022).

“Qlona” is the second ruler from Karol G’s Bichota Season to lead Hot Latin Songs. Thanks to nine new debuts from the set on last’s week chart (Aug. 22 dated chart), the Colombian made history, breaking the record for the most songs among female artists on the list’s history, which dates to 1986.

Elsewhere, “Qlona” rallies 29-12 on Billboard Global 200 and flies 55-15 on Global Excl. U.S., to new peaks on both rankings.



Hozier’s ‘Unreal Unearth’ Debuts at No. 1 on Top Rock & Alternative Albums Chart

Hozier’s new album, Unreal Unearth, launches at No. 1 on Billboard’s Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums charts dated Sept. 2.

The set earned 62,000 equivalent album units in the Aug. 18-24 tracking week, according to Luminate. That opening-week sum includes 39,000 units from album sales; with 23,000 in vinyl sales, the set also starts at No. 2 on Vinyl Albums.

Unreal Unearth is Hozier’s third No. 1 on all three charts, encompassing each of his full-lengths. He first reigned with his self-titled debut in 2014, followed by Wasteland, Baby! in 2019.

Concurrently, Unreal Unearth begins at No. 3 on the all-genre Billboard 200. All of his LPs have reached the top three, with Wasteland, Baby! debuting at No. 1 and Hozier premiering at No. 2.

The entirety of Unreal Unearth has appeared on the multimetric Hot Rock & Alternative Songs chart, including 15 of the album’s 16 songs on the latest tally. (Lead single “Eat Your Young” peaked at No. 6 in April and has since gone recurrent.) The album’s “Damage Gets Done,” co-billed with Brandi Carlile, is the highest ranking cut on the latest list, new at No. 21 with 2.5 million official U.S. streams and 1,000 downloads sold.

“Francesca,” the album’s second and current single, follows at No. 22 with 2.3 million streams (up 317%) and 1.4 million radio audience impressions (up 14%). The song spends a second week at its No. 3 high on Adult Alternative Airplay; predecessor “Eat Your Young” ruled Adult Alternative Airplay for two weeks in May.

“Eat Your Young” also peaked at No. 13 on Alternative Airplay in June and made a modest crossover to adult top 40 radio, reaching No. 32 on Adult Pop Airplay that month.

Kylie Minogue Ratchets Up the ‘Tension’ With New Single Announcement: ‘Are You Ready?’

She already taught you what your heart sounds like with “Padam Padam.” Now, Kylie Minogue is ready to put the pressure on with her new single.

In a post to her Instagram on Wednesday (Aug. 30), Minogue revealed the release date for her latest single, “Tension.” Due out on Thursday (Aug. 31), the clip played what appears to be a short instrumental snippet of the song, as a club-ready ’90s house piano plays a series of chunky chords.

“LOVERS!!! New music is coming!!” the Australian icon wrote in the caption of her Instagram post. “The single TENSION is yours 31st August. Are you ready??”

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The song, along with being her newest single, serves as the title track for her new album Tension, due out on Sept. 22. With her latest single “Padam Padam,” Minogue certainly drove interest in her new project. Yhe pounding club track earned the pop singer her very first top 10 hit on Billboard‘s Hot Dance/Electronic Songs chart after going viral throughout the summer.

Minogue also recently announced that once her new album is officially out, she’ll be heading to Las Vegas for what she promised would be “More Than Just a Residency,” according to its title. Kicking off on Nov. 3 at Venetian Resort Las Vegas’ Voltaire, tickets to the pop star’s first-ever residency have already sold out.

The “Locomotion” singer also recently announced her upcoming TV special, An Audience With Kylie, which will see the star look back through her greatest hits during a performance at London’s iconic Royal Albert Hall. The special is set to film at the iconic venue on Dec. 1, and subsequently air on ITV in the U.K.

Check out Minogue’s official teaser for “Tension” below:

Watch One Direction Cover Kelly Clarkson’s ‘My Life Would Suck Without You’ in New ‘X Factor’ Footage

Suddenly, it’s 2010 again. Harry Styles, Liam Payne, Louis Tomlinson, Zayn Malik and Niall Horan‘s very first moments together as One Direction were revealed Wednesday morning (Aug. 30) in nearly 30 minutes of never-before-aired X Factor footage, showing the then-teenagers getting put through the ringer by Simon Cowell during the early Judges’ Houses stage of the competition show that made them stars.

The footage features raw shots of the five boys practicing their make-or-break performances together, including a previously unreleased group cover of Kelly Clarkson’s “My Life Would Suck Without You” for Cowell. When their passionate, albeit rough-around-the-edges audition earns the band — already unified under the name One Direction — a pass into the next round, Styles, Payne, Tomlinson, Malik and Horan tearfully jump for joy and exchange several group hugs.

At one particularly prophetic point in the video, Cowell wisely predicts that the group will have a “falling out” or two in the future. “You will, trust me,” he tells them.

One Direction would go on to win third place on the British competition series, after which the group quickly released its debut single, “What Makes You Beautiful,” under Cowell’s mentorship. After five years, multiple Billboard Hot 100 hits and four Billboard 200 No. 1 albums, Malik would make his departure from the band in 2015. The next year, the remaining four went on hiatus.

All five of the guys went on to pursue solo careers following their boy-band days, and everyone seems to be on good terms with each other in 2023. True to Cowell’s prediction, though, there were a handful of spats along the way.

The new X Factor footage comes about a year after the show released decade-old video evidence proving that it had actually been Nicole Scherzinger to put the members of One Direction together — not Cowell, as many had believed for years. The assembly of 1D actually saved the guys from elimination, taking their failed solo auditions and sending them forward as a band.

 “They’re just too talented to get rid of,” Scherzinger said at the time, piecing the group together based on a pool of headshots of male hopefuls. “They’ve got just the right look and the right charisma onstage. I think they’ll be really great in a boy band together. They’re like little stars. You can’t get rid of little stars, you know? So you put ’em all together.”

Watch the new, previously unseen footage of One Directions early days on The X Factor above.

Phil Wickham’s ‘I Believe’ Bounds In at No. 1 on Top Christian Albums Chart

Singer-songwriter Phil Wickham scores his fourth No. 1 on Billboard’s Top Christian Albums chart, as I Believe rockets in atop the Sept. 2-dated tally.

The 14-song set, released Aug. 18, earned 7,000 equivalent album units, with 3,000 in album sales, in its first week (ending Aug. 24), according to Luminate.

The LP was produced by Jonathan Smith.

“Wow, I am absolutely floored by all the love and support for this album,” Wickham tells Billboard. “This is wild. I felt called when I started writing this record to create songs that feel fresh, but at the core get back to the basics of who we are to God, and who He is to us. Thanks to everyone for listening!”

For the 39-year-old San Diego-based Wickham, I Believe marks his fourth Top Christian Albums leader, and his third to open at the summit. His last No. 1, Hymn of Heaven, arrived in the penthouse in July 2021. The set followed his prior leaders Living Hope, in August 2018, and Sing Along 3 with Kari Jobe, Shane & Shane and Jeremy Riddle in May 2015.

The new collection is also Wickham’s ninth Top Christian Albums top 10, a run that began with his self-titled first entry, which hit No. 8 in May 2006.

Meanwhile, “This Is Our God,” the lead single from I Believe, climbs 6-2 for a new high on the streaming-, airplay- and sales-based Hot Christian Songs chart. It drew 1.8 million official U.S. streams, up 33%, during the tracking week. The song, which Wickham solely wrote, led Christian Airplay for two weeks starting in June, becoming his fourth No. 1.

24 Hours at Harvard, Attending IDK’s No Label Academy

It’s early afternoon on Friday (August 25), the last day of class for students at this year’s No Label Academy (NLA) music business program. IDK, his team and I are driving to Harvard Medical School for two lectures on mental health. He maintains a calm demeanor, and is focused and pensive, as he prepares for one last session of helping his nearly two dozen students realize their personal and artistic potential.

“I felt like there was a lot of people like me who may not have the academic accolades but have the capability to be successful in music,” IDK tells Billboard in the backseat of a black Chevy Suburban. “They just needed the confidence.”

Two years ago, the Maryland rapper-producer and entrepreneur (born Jason Mills) and Boston-based non-profit No Label sought to break down the barriers to entry into the music industry by holding their first-ever No Label Academy. The nine-day seminar, held at Harvard University offers advice, resources, job opportunities and internships surrounding various topics in the music industry, and is “aimed at democratizing and improving opportunities for students from systemically disadvantaged backgrounds interested in careers in the music business,” a press release explains. The program is open to applicants ages 18 to 25, regardless of collegiate status, and also includes wellness exercises like morning workouts, meditation and daily affirmations.

This year, NLA returned for its second iteration — and invited Billboard to sample the experience, paying for this reporter’s lodging and transportation to visit the academy. Due to the busy schedules of IDK and No Label’s co-founders Marcelo Hanta-Davis and Miles Weddle, the program took around a year and a half to curate. After an application process consisting of a resumé submission, interview rounds and a video essay, 23 students were chosen to participate in the immersive music business course.

2021’s guest speakers included the late Virgil Abloh, Mike Dean and Zane Lowe. This year’s iteration follows suit with lectures from star rappers Roddy Ricch and Joey Badass, award-winning actress Issa Rae, celebrity stylist Bloody Osiris and more. And thanks to high-profile sponsors like Nike, Dior, Converse, Jordan Brand, Warner Music Group, Microsoft, Timberland and YouTube, transportation, lodging and meals are fully covered — making the program free for the students.

No Label Academy

Joey Badass lecturing No Label Academy’s 2023 student cohort at Harvard University’s Science and Engineering Complex.

Lev Diamond

“Most stuff in entertainment is driven by financial decisions – and that’s not a core component to what it is we do here,” says Weddle, who is also a Harvard alumnus. “We’ve never paid a speaking fee, so every artist who comes here is really doing it because they want to give back to the community and educate individuals. The primary driver of our ability to do this is sponsor dollars.”

Weddle and fellow Harvard alumnus Marcelo Hanta-Davis founded No Label in 2018 to “utilize hip-hop and popular culture to make education more accessible,” says Hanta-Davis. “We’ve found this niche space of bringing hip-hop and academia together.” The idea for NLA came to fruition after the co-founders invited IDK to give a lecture on criminal justice reform at the Ivy League school for No Label’s Uncut speaker series in February 2020. 

“I’m a middle-class person who went to prison, partially because I went to a bad school in a bad area,” the 31-year-old told Billboard in 2020. “Then I go back four times on the same exact charge … because I didn’t take home detention or violated this or that. Knowledge and education are important for empowerment, especially in the Black community.” 

Hanta-Davis and Weddle maintained their relationship with IDK throughout the pandemic and combined their platforms to ideate No Label Academy. “We determined that there was a need for some kind of music education, and we thought we had a platform based in terms of our relationship with Harvard as alumni,” says Weddle.

IDK made sense as a professor given both the real-life hardships he endured and the first-hand experience he has a signed musician. In the mid-2010s IDK (which stands for “Ignorantly Delivering Knowledge”) began releasing mixtapes as an independent artist. In 2019, his label Clue Records signed a joint venture with Warner Records and released his critically acclaimed breakthrough album Is He Real? the same year. Four albums followed including 2021’s USEE4YOURSELF which reached No. 164 on the Billboard 200 and this year’s F65, which reached No. 21 on the Heatseekers Albums chart and features other big names like NLE Choppa, Musiq Soulchild, Snoop Dogg and more.

But as much success as he’s had as an artist, he’s finding even more satisfaction in his new role as a professor — to the point where he may consider teaching above making music in the future. “I’ve seen a few people cry a few times. I see people really trust the way that I think and the way that I look at things — their willingness to listen and learn,” he says. “There was a Harvard professor [who] is making synthetic hearts… he said he was inspired by what I do and wants to change the way he teaches his course after coming to my class two times. For me, to come from not really graduating high school properly, it means a lot.”

When asked if Harvard has remained cooperative while hosting NLA, he answers vaguely but alludes to the recent reversal of affirmative action in college admissions proving this year’s planning process to be difficult — even though NLA is merely using the institution’s facilities. (Back in June, the Supreme Court overturned affirmative action in college admissions, “declaring race cannot be a factor and forcing institutions of higher education to look for new ways to achieve diverse student bodies,” according to AP.)

“I can’t really speak on the affirmative action thing, honestly,” he says. “It’s still an ongoing thing that we are working to make sure we’re doing right in representing Harvard in a way that they felt was good and also we felt was accurate.” 

No Label Academy

@leviberlin

Once we arrive at Harvard Medical School, IDK meets up with LaShyra “Lash” Nolen, who walks us inside. Nolen is in her last year at the school, and is the first Black woman to be named Harvard Medical School’s class president. She is an advisor to NLA (along with Brian Price, clinical professor of law at Harvard Law School) and the next speaker for the day.

The last day of class at this year’s No Label Academy is almost identical to the previous four days of the week. Students start the day with 6:00 a.m. workouts, followed by breakfast, meditations, then lectures running from 9:00 a.m. to around 5:00 p.m., with breaks and lunch in between. Each day has a theme – like monetization, financial literacy or mental health — along with surprise guest lecturers.

“My own experience is probably the most important factor to this course,” says IDK. “When you go to school, oftentimes the people who are teaching, especially in music, aren’t currently practicing. And even if they are, they may not have the time to practice full-time. Every guest speaker, at least 99% of them, are personal friends, or people that I’ve met along my journey, and I just reach out to them. I personally believe they add value to what we are trying to do and our mission.”

Following Nolen, Chicago artist Saba and TDE rapper Ab-Soul join Friday’s class to discuss their personal bouts with mental health. The latter opens up about his suicide attempt, what he prefers to call his “near-death experience,” fighting addiction and moving forward. Saba primarily touches on grief (the lyricist lost a handful of his family and friends to violence in a short amount of time) and the pressures of fame and being a provider.

“I think grief is one of the most informative experiences,” Saba says to the class. “Grief can be so many different versions of pain. It’s inevitable and shows you yourself. Grief taught me that everybody going through some s–t.”

Whereas the past few weeks concluded with studio time, Friday evening is more celebratory, with a joint graduation ceremony/fashion show dinner ceremony held at Harvard Art Museum. The students walk a rose-lined runway to accept their certificates of completion while modeling their custom Dior uniforms, designed by IDK and Kim Jones, the fashion house’s men’s artistic director. Rapper and Massachusetts native Bia also stops by to perform at the students’ after party.

NLA 2023 graduate Zahir Muhammad, a 21-year-old rising film/music video director and senior at LSU, says the entire experience has been incredible for him. “I love learning [and] it’s been great having no limit on how much I can learn from everybody here,” he shares. 



“The first day of class, the theme was vulnerability,” Muhammad continues. “IDK said, ‘If you all can make it through this day, then you can make it through anything the entire week.’ None of us knew why he said that, but that whole day was [us] sharing the things we hated about [ourselves]. Everybody was crying but supporting each other. He basically broke us all the way down and built us all the way back up by the end of the week.”

In the future, as funding and time permit, IDK, Weddle and Hanta-Davis plan to expand NLA to colleges and universities nationwide.

“Sometimes we don’t acknowledge the knowledge that we have, because we may have not accomplished some of the things that society deems makes [us] valuable,” says IDK. “This program is a demonstration of perseverance, belief and the ability to never take ‘no’ for an answer — and showing how far that can take you if you have an actual plan that makes sense.”

IDK, No Label Academy

IDK and No Label Academy’s 2023 student cohort.

Tito Garcia

Eric Church Brings Contemplative, Career-Spanning Set to Country Music Hall of Fame Artist-in-Residence Show

On Tuesday (Aug. 29), Eric Church became the 18th artist to perform as part of the Country Music Hall of Fame and Museum’s prestigious artist residency program, as he kicked off the first of two nights of intimate, career-spanning shows at the Country Music Hall of Fame and Museum’s 700+ seat CMA Theater. Launched in 2003, a prestigious residency has since celebrated the artistic magnitude of artists including Cowboy Jack Clement, Earl Scruggs, Kenny Rogers, Connie Smith, Tom T. Hall, Guy Clark, Kris Kristofferson and Miranda Lambert.

For Church, it also marked a full-circle moment, as acclaimed journalist Robert K. Oermann noted that just seventeen years ago, Church had launched his major-label recording career with an album release party for Sinners Like Me in that same building, at the 200+ seat Ford Theater. Back then, Oermann had asked the tiny audience of ardent Church fans if they were ready for “a kick in the pants.” That night at the CMA Theater, he guaranteed the audience of passionate fans — many of them Church Choir members — were sure to get “a kick in the heart.”

He returned to the hallowed Hall as a Country Music Association entertainer of the year winner, a 10-time Grammy nominee, and the subject of his own exhibit at the Country Music Hall of Fame and Museum, aptly titled Eric Church: Country Heart, Restless Soul.

Seated front and center on a stool, and backed by his longtime band and backup singers, Church embarked upon a career-cataloging set that chronicled his evolution into one of country music’s biggest artists. The early portion of the evening centered on his fierce determination to rise above an onslaught of negative early career press, as a video screen outfitted to resemble an vintage television rattled off reviews that disparaged his early music and performances.

From the beginning of his career, Church has done things his own way and colored outside of the lines, daring to dig deeper, musically and creatively. He was kicked off an early tour for playing too loud and too long; in 2016, he surprised the industry and his fan club members by releasing his Mr. Misunderstood album directly to members of his Church Choir fanclub first, by mailing out vinyl and CD copies directly to them before anyone in the industry had heard it. He took on ticket scalpers in a bid to keep real fans in the concert seats at reasonable prices.

But early on, he also knew the power of building a devoted fanbase. He launched his CMA Theater set with songs including “How ‘Bout You,” “Sinners Like Me” and “Smoke a Little Smoke” — songs that displayed his dogged determination, but also positioned him as an advocate for those who are downtrodden, left of center or simply determined to leave their own unique legacy.

From there, the career-spanning set touched on his breakthrough projects, and songs that showed him to be a songcraft expert. From his CMA album of the year-winning project Chief, he performed “Springsteen” and “Like Jesus Does.” From The Outsiders, he offered “Give Me Back My Hometown” and “Talladega.” From another CMA album of the year-winning album, Mr. Misunderstood, came the title track and “Record Year,” and from Desperate Man came the wisdom-imbued “Some of It” and the tender-and-tough “Monsters.” Along the way, Church has been rewarded with 10 Billboard Country Airplay No. 1 hits. He’s also become one of the chief musical architects infusing a new wave of country music with this soul-fueled, heartland rock sensibilities, layered with keen observations and a knack for a killer hook.

The evening had moments of hand-raising, righteous rock and moments of somber tribute. As the crowd rose to its feet and cheers of “Chief!” swelled throughout the theater at the set’s conclusion, Church said, “I hope you guys enjoyed it as much as I did.” Surveying the past nearly two hours of career-spanning music, he noted, “It was tough at times, but you know what? That’s our life. That’s our career. Everything you saw tonight is who we are and that’s unbelievably how we got in this room. It has been the greatest honor of my life to do this.”

Below, we look at five standout moments from the Chief’s opening night as a Country Music Hall of Fame artist-in-residencce.