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Everything We Know About Coldplay’s Lawsuit With Former Manager Dave Holmes

The escalating legal battle between Coldplay and its former manager Dave Holmes significantly stepped up this month when the band filed a counterclaim lawsuit in the U.K. courts seeking £14 million ($17 million) in damages.

The court filing comes two months after Holmes announced he was suing the four members of Coldplay — Guy Berryman, Jonny Buckland, Will Champion and Chris Martin — for more than £10 million ($12 million) in damages and unpaid commission relating to the band’s yet-to-be-released 10th and 11th studio albums.

Having examined legal papers filed in the U.K. courts on behalf of both parties, here’s Billboard’s rundown of everything we know so far about the acrimonious dispute between Holmes and his former star clients.

Why Holmes and Coldplay fell out after more than 20 years of success together

Although the precise cause of the fallout between Holmes and Coldplay is not detailed in either lawsuit, legal papers filed by the group’s attorneys on Oct. 5 state that the band made the decision to dismiss the manager last summer following “a period of increasing concern” about his conduct. (Holmes’ position as the group’s manager officially came to an end Dec. 31, 2022).

In particular, the four band members allege that Holmes breached his contractual obligations by “failing” to adequately manage costs for the group’s 2022-2023 Music of the Spheres World Tour leading them to suffer “significant financial losses.”

“Unjustified” touring costs

Examples of financial mismanagement cited in the countersuit include spending 10.5 million euros ($11 million) on the construction of 16 bespoke stage pylons and commissioning the manufacture of a bespoke audio-visual “Jet Screen” at a total cost of $9.7 million that was only used for 10 shows in 2022. Another third-party supplier, listed in legal papers as TAIT, was paid $8.8 million to construct staging for the tour.

Coldplay’s attorneys say that those costs were “disproportionate and unjustified” and, as a result of Holmes’ “failing adequately to supervise and control” the tour budget, the band incurred at least £17.5 million ($21.5 million) in costs “which would otherwise have been avoided.”

That version of events is disputed by sources close to Holmes who deny that the former manager was responsible for tour costs overrunning. Instead, people familiar with the situation tell Billboard that many production decisions relating to the Music of the Spheres were made under the guidance of the band’s long-term creative director Phil Harvey, who has co-managed the band since last summer (following Holmes’ exit) alongside Mandi Frost and Arlene Moon.

Live Nation loans

Coldplay’s lawsuit claims that Holmes breached his fiduciary duties by using his association with the act to borrow a total of $30 million in low interest loans from Live Nation to fund a personal property development venture in Canada. The loans were not fully disclosed to the group and, as such, were secured without its informed consent, claim the four members.

Coldplay’s attorneys argue that these loans – set at a fixed annual interest rate of 2.72% – placed Holmes in a potential conflict of interest when it came to securing the best possible deal for his clients from Live Nation.

At the time when Holmes was negotiating a deal with Live Nation in 2021 and 2022 to exclusively promote Coldplay’s Music of the Spheres tour outside of the United Kingdom, the manager owed the touring giant approximately $27 million, the court filing alleges.

In response, the band is asking the courts to grant it access to Holmes’ financial accounts detailing any profits resulting from the low interest loans and the payment of any monies due to them.

The so-called “Albums 10/11 Agreement”

Holmes’ lawsuit against his former clients’ centers around a proposed contract extension (the so-called “Albums 10/11 Agreement”) that he claims Coldplay entered into in 2021 with his California-based management company, DHMC, relating to its yet-to-be-released tenth and eleventh studio albums.

Attorneys for Holmes claim he is owed outstanding commission from record company advances the manager negotiated on the band’s behalf with its label, Warner Music Group-owned Parlophone Records. Those advances totaled £35 million ($44 million) for Coldplay’s 10th album and £15 million ($19 million) each for the group’s subsequent two studio albums.

In return, Holmes received two payments in 2021 of £1.5 ($1.9 million), each equivalent to a 10% commission fee, state the court documents. However, his attorneys claim he is still due outstanding payment from the remainder of the record company advances paid to Coldplay.

Clearing samples, arranging recording sessions and recruiting Max Martin as producer

Holmes’ lawsuit additionally claims he is due payment for “extensive services” his company carried out for the 10th and 11th albums (and related tours) prior to his termination as manager.

These services include arranging writing and recording sessions in Jamaica and London, clearing an instrumental sample from musician Hal Walker, arranging a recording session on a film set in Boston, and liaising with producer Max Martin’s manager to arrange recording and production sessions.

Holmes says his team also worked on planning promotional campaigns, as well as scheduling, marketing, budgeting, sponsorship and ticket pricing for the United States, Asia and Australia legs of the Music of the Spheres World Tour.

Attorneys for Coldplay’s four founding members dispute their former manager’s claim and say that negotiations between the two parties broke down before “any such agreement might have been signed.”

In its defense and counterclaim filing, the band is seeking repayment of £3 million ($3.7 million) paid to DHMC in 2021 as advances for the band’s 10th album.

What Holmes and Coldplay are saying outside of court

On Coldplay’s part, very little. When Holmes’ lawsuit was filed in August a representative for the band confirmed with Billboard that Holmes’ management contract with the four-piece expired at the end of 2022 “at which point they decided not to start a new one. The matter is now in the hands of Coldplay’s lawyers and the claims are being vigorously disputed.” Representatives of the group declined to comment when contacted by Billboard this week about Coldplay counterclaim lawsuit.

Responding to Coldplay’s legal action, which is dated Oct. 5, a spokesperson for their former manager said, “Accusing Dave Holmes of non-existent ethical lapses and other made-up misconduct will not deflect from the real issue at hand: Coldplay had a contract with Dave, they are refusing to honor it and they need to pay Dave what they owe him.”

The matter will now proceed through the U.K. courts unless a settlement can be reached.

Camila Cabello & Anna Kendrick’s Friendship Blossoms in New ‘Trolls Band Together’ Song ‘It Takes Two’

“It Takes Two” to form a bond, and the cast of Trolls Band Together put the sweet sentiment of friendship into song with the latest track from the upcoming installment of the popular film franchise.

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In the song, Camila Cabello’s character Viva and Anna Kendrick’s Poppy trade verses about finding a special someone. “I didn’t know until I found you / Having the time of our lives / It takes two / When I look up, the stars are brighter / Now I know everything’s better with you,” they sing in the chorus.

Justin Timberlake, Eric Andre, Daveed Diggs and Kid Cudi join the track at the bridge, chanting, “Now that we got it all together / Now we’re together / We got it all.”

“It Takes Two” follows the previously released Trolls Band Together track, *NSYNC’s “Better Place,” which marked the iconic boy band’s first musical release since 2002 (when the Neptunes remix of “Girlfriend,” featuring Nelly, arrived). Fittingly, Timberlake returns as the film soundtrack’s executive music producer alongside producer and songwriter Mike Elizondo. 

The film, out on November 17, promises the usual mix of pop classics sung by all your favorites, as well as new additions to the cast including Cabello, Zosia Mamet (Crimp) and RuPaul (Miss Maxine). The returning cast includes Zooey Deschanel (Bridget), Christopher Mintz-Plasse (Gristle), Icona Pop (Satin and Chenille), Anderson .Paak (Prince D), Ron Funches (Cooper), Kunal Nayyar (Guy Diamond) and Kenan Thompson (Tiny Diamond).

The Trolls Band Together soundtrack is out on Oct. 20 via RCA Records. Listen to “It Takes Two” below.



Becky G Makes Top Five Debut on Regional Mexican Albums Chart With ‘Esquinas’

Becky G debuts at No. 3 on Billboard’s Regional Mexican Albums chart (dated Sept. 14) with Esquinas. The Edgar Barrera-produced album is Becky G’s first entry on the Regional Mexican Albums tally, after notching previous entries on Billboard‘s Latin Pop Albums and Latin Rhythm Albums rankings. The new set concurrently debuts at No. 7 on the overall Top Latin Albums chart.

Esquinas was released Sept. 28 via Kemosabe/RCA and launches at No. 3 on Regional Mexican Albums with 11,000 equivalent album units earned in the tracking week ending Oct. 5 in the U.S., according to Luminate. Streaming powers nearly all the album’s first week, with 10,000 of them from the consumption method. That equals to 14.1 million official on-demand streams for the album’s songs.

Esquinas is Becky G’s third full-length album and first appearance on Regional Mexican Albums. The 13-track set’s title, which translates to “corners,” references the intersection between her American style with her Mexican roots. It includes collabs by Peso Pluma, Ivan Cornejo, Gabito Ballesteros, Yahritza y Su Esencia, Chiquis and DannyLux. The album’s cover art was revealed through Becky G’s Instagram account on Sept. 12: “I could not be more excited to share the cover of my new album Esquinas…” she posted, with a baby photo of herself on braids, a sombrero, and a red bandana covering her chest.

Esquinas finds the 26-year-old artist at a crossroads of two cultures, a sketch which shows throughout her Billboard chart career spanning over a decade. The album also gifts Becky G with two top 10 albums after the rhythmic Mala Santa (No. 3 high on Top Latin Albums and Latin Rhythm Albums, 2019) which included team-ups with Bad Bunny, Sech, Natti Natasha, and others, while the pop-filled Esquemas (eight-week champ on Latin Pop Albums, 2022) added partnerships with Karol G, El Alfa and Guaynaa.

As mentioned, Esquinas also bows at No. 7 on Top Latin Albums, after Esquemas debuted and reached No. 5 high in May 2022. Meanwhile, it earns her third chart appearance on the overall Billboard 200, at No. 109.

As Esquinas lands, two songs debut across Latin charts: “2do Chance,” with Ivan Cornejo, one of two pop songs on the album, launches at No. 34 on the multimetric Hot Latin Songs tally, fueled by streaming activity; it logged 2.7 million U.S. clicks during the same tracking week. Meanwhile, “Por El Contrario,” with siblings Leonardo Aguilar and Angela Aguilar, debuts at No. 19 on Latin Digital Songs.

RM Wants a Girlfriend, Jimin’s Solo Doc, Ice Spice & Rema Collab, More | Billboard News

The boys of BTS are staying busy! RM recently revealed on Weverse live that he is looking for a girlfriend, Jimin is releasing a new solo documentary called ‘Jimin’s Production Diary,’ and Jung Kook shared some new concept photos for his upcoming album ‘Golden.’ A ton of new collaborations are coming your way! The Kid LAROI, Jung Kook and Central Cee announced an upcoming new collab titled “Too Much,” Ice Spice & Rema reveal their new track “Pretty Girl,” and Christina Aguilera and Latto are seemingly teasing a collaboration. And more!

Tetris Kelly 0:00
We’ve got updates from half of BTS. Collabs on the way from some of your faves. We learned five things about Pedro Capó and a thing or two about Billie Eilish’s previous track. Plus we look back at one of Kiss’ most iconic moments. I’m Tetris Kelly. This is Billboard News. Happy Hump Day! It’s Wednesday, October 11th. And we’ve got to talk about what’s going on with my boys. RM is looking for a girlfriend, Jimin is serving fans more ‘Face,’ and we see how ‘Golden’ Jung Kook will be. There’s a whole lot of BTS news, and well, I’m gonna give it to you.

Tetris Kelly
Oh snap indeed. BTS’ humble leader RM was kicking it on Weverse and when asked about a girlfriend he gave his relationship status and asked for some help.

RM
I really want to, but I have none right now. Can you introduce me to one?

Tetris Kelly
And we can always use a little more Jimin. Just a few months after making Billboard chart history with “Like Crazy,” the only track by a Korean soloist to top the Billboard Hot 100 without a feature, BTS’ Jimin is set to unveil his new solo documentary chronicling the creation of his album phase, titled ‘Jimin’s Production Diary.’ The new film is currently slated for an October 23 release exclusively on Weverse and Jung Kook’s new album ‘Golden’ is set to be released on November 3rd. Big Hit just released three concept photos for the project titled Substance that has ARMY ready to see it all in “3D.”

Watch the full video above!

Pete Davidson Chooses to Host ‘SNL’ in Exchange for Room & Boarding in New Promo

Following the conclusion of the Hollywood writers’ strike, Saturday Night Live is finally returning to NBC this weekend (Oct. 14) with former cast member Pete Davidson taking on the role of host.

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In a new promo for the episode posted on Wednesday (Oct. 11), Chloe Fineman and Bowen Yang discuss what they did over the summer, before Davidson shows up on the SNL set wearing loungewear and eating potato chips.

“Pete, what are you doing here?” Yang asks, before the Staten Island native replies, “My apartment is under construction, so I’m just living here.”

When told that only cast or hosts are allowed in the SNL studio, the comedian agrees and simply replies that he’ll host.

Davidson was supposed to host the show on May 6, alongside musical guest Lil Uzi Vert, before the writers’ strike canceled all upcoming episodes when it started on May 2. The season 49 premiere on Saturday (Oct. 14) will feature Ice Spice as the musical guest instead, marking the “Princess Diana” rapper’s debut on the show.

The following week, on Oct. 21, Bad Bunny will pull double duty as host and musical guest. Bad Bunny made his first appearance on SNL in April 2020 with a cameo during a pandemic-era Saturday Night Live At Home episode. He made his debut as a musical guest in February 2021 (and acted in a couple of sketches) alongside Bridgerton star Rege-Jean Page as the host. The Oct. 21 episode will mark Bad Bunny’s first time hosting.

Categories With the Most & Fewest Entries for 2024 Grammys

All Grammys count the same toward someone’s career Grammy total, but we all know they’re not really on an equal footing. Every media outlet on Earth will report the winners of album of the year and record of the year next Feb. 4, but good luck trying to find out who won best regional roots music album (we’ll have it, of course).

Some categories are far more competitive than others. There are more than 20 times as many entries in this year’s most populated category, song of the year (642), as in this year’s least populated category, best opera recording (28). (Nearly 23 times, actually, but we didn’t want to sound too nerdy.)

Since final-round voting for the 66th Grammy Awards opened Wednesday (Oct. 11), Grammy voters have been conscientiously wading through the entry lists for 88 of the 94 Grammy categories (or so Academy leaders fervently hope). The nominees in the other six categories are determined by committees.

Voters may find some surprises as they study the entry lists. The number of entries in three of the General Field categories (widely known as the Big Four) dropped again this year, perhaps due to the Academy’s new policy, now in its second year, of charging a fee for entries beyond five “courtesy entries.”

There are 615 entries for record of the year, down slightly from 619 last year; 476 entries for album of the year, down from 518; and 642 entries for song of the year, down from 686. The one Big Four category that saw a jump in entries was best new artist, with 405 entries this year, up from 368 last year.

Taking a longer view, this year’s 615 entries for record of the year is the smallest number in that category since 2004. This year’s 476 entries for album of the year is the least since 1995. This year’s 642 entries for song of the year is the least since 2005.

This is actually a positive trend. The entry lists were far too long. It’s asking too much of busy people to expect them to diligently wade through a list of 1,463 entries — and that was just for one category (record of the year) three years ago.

Here’s the newish rule, and the rationale behind it, taken from the 66th Grammy Awards rules and guidelines booklet: “The per-entry fee structure encourages entrants to consider the value of each entry and make mindful decisions to put forward work that they truly believe is Grammy-worthy. All professional and voting members of the Recording Academy will receive five courtesy entries every year. Any member who would feel burdened by the entry fees can request the fees be waived by reaching out to the awards department.”

This marks the first year that songwriter of the year, non-classical and producer of the year, non-classical have been moved up to the General Field (which is now the Big Six, I guess). The number of entries for songwriter of the year, non-classical, which is in its second year, is only about one-third of the number of entries for producer of the year, non-classical, which was introduced in 1974. (The exact totals are 58 and 195.) That’s probably because of the new category’s restrictive rules, which were intended to put the focus on songwriters who are not also artists or producers.

All three of the categories that were added this year had a healthy number of entries. There are 159 entries for best alternative jazz album, 122 for best African music performance, and 107 for best pop dance recording.

The most populated songwriting category (outside of song of the year) is best American roots song (297). Country, though generally thought of as a songwriter-driven genre, lags behind all other genres with 139 entries. (Nashville, you can do better.)

Here are all songwriting categories, ranked from most to least number of entries this year: song of the year (642), best American roots song (297), best rock song (271), best rap song (214), best R&B song (207), best contemporary Christian music performance/song (189), best gospel performance/song (175), best song written for visual media (144) and best country song (139).

The Recording Academy keeps track of the number of entries in each category. Here’s the relevant rule from the rules and guidelines booklet: “Each category shall have at least 40 distinct artist entries. If a category receives between 25 and 39 entries, only three recordings will receive nominations in that year.” That’s the case for both best opera recording, which as noted above, had 28 entries this year, and best música urbana album, which had 37.

The rules further state: “Should there be fewer than 25 entries in a category, that category will immediately go on hiatus for the current year – no award given – and entries will be screened into the next most logical category. If a category received fewer than 25 entries for three consecutive years, the category will be discontinued, and submissions will be entered in the next most appropriate category.” (That doesn’t apply to any categories this year.)

If you’re curious, the six categories where the nominations are determined by committees, rather than by voters at large, are best recording package, best boxed/special/limited edition, best album notes, best historical album, best remixed recording and best immersive audio album.

First-round voting for the 66th annual Grammy Awards opened on Wednesday (Oct. 11) and closes Oct. 20. Nominees will be announced on Nov. 10 (five days earlier than last year). The final-round voting window extends from Dec. 14 through Jan. 4, 2023 (same as last year). Winners will be announced on Sunday, Feb. 4, 2024, at Crypto.com Arena (formerly known as Staples Center) in Los Angeles.

Here are the categories with most and fewest entries this year.

Categories with the most entries

(in descending order)

Song of the year, 642

Record of the year, 615

Best music video, 592

Album of the year, 476

Best new artist, 405

Best jazz performance, 370

Best engineered album, non-classical, 350

Best instrumental composition, 340

Best rock performance, 335

Best arrangement, instruments and vocals, 314

Best alternative music performance, 301

Best American roots song, 297

Best pop solo performance, 281

Best global music performance, 280

Best rock song, 271

Categories with the fewest entries

(in ascending order)

Best opera recording, 28

Best música urbana album, 37

Best gospel album, 45

Best choral performance, 49

Best large jazz ensemble album, 50

Best roots gospel album, 50

Best traditional blues album, 51

Best contemporary blues album, 51

Best spoken word poetry album, 51

Best Latin rock or alternative album, 52

Best tropical Latin album, 54

Best musical theater album, 56

Best Latin jazz album, 57

Best classical solo vocal album, 58

Songwriter of the year, non-classical, 58

Offset Thinks a Collaboration With Quavo Is Possible: ‘It’s All Love’

Offset and Quavo are still healing following the death of their third Migos member, Takeoff. In light of Takeoff’s fatal shooting, the two rappers have been able to find their way back to each other and are working on their relationship, Offset revealed in a recent interview with The Breakfast Club.

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“That’s my brother at the end of the day,” he told hosts Charlamagne Tha God and DJ Envy. “We good though. We just spoke in Paris.”

Offset continued, “We be talking because we be going through little emotions with this sh–, and it don’t be for the public. Everything ain’t for the public to be kiki-ing. We still gotta move in our own worlds. It’s all love at the end of the day. We lost a brother; we can’t rock out.”

While Quavo and Takeoff released joint material together as Unc & Phew (the pair released one studio album, 2022’s Only Built For Infinity Links), Offset and Quavo haven’t collaborated on new music since 2021’s Culture III. When asked if a collaboration could happen with Quavo, Offset replied, “I think so.” When that collaboration could come to fruition is yet to be determined.

“It’s more about me creating my foot in the game. Also I got my own — business-wise — I got my own … I’m a grown man. I got five kids too, so I gotta make sure I’m putting that food on the table,” he explained.

Listen to Offset talk about his relationship with Quavo following Takeoff’s death in the video below.

Kali Uchis Announces Spanish-Language Album ‘Orquídeas’ & Release Date

Colombian-American superstar Kali Uchis has unveiled the release date for her upcoming album Orquídeas. This will mark her fourth studio album and her second Spanish-language project. The full-length release is set to drop Jan. 12, 2024.

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In a statement shared with Billboard Español, Uchis highlighted the significance of orchids in Colombian culture. “The orchid is the national flower of Colombia, and we have more species of orchid than anywhere on earth,” she says. “I always felt distinctly intrigued and magnetized by the flower. This album is inspired by the timeless, eerie, mystic, striking, graceful and sensual allure of the orchid. With this vast scope of fresh energy, I wish to re-define the way we look at Latinas in music.”

In August, Uchis kicked off this new era of Spanish-language music with the album’s first single, “Muñekita,” featuring Dominican dembow singer El Alfa and JT from City Girls, who each brought their dynamic energy to kick off the season. “I love bringing artists together that you’d least expect,” the Grammy winner said then in a press release. “El Alfa is a Latino legend and JT is someone I’ve admired forever. Both of them are known for their summer hits and high energy, so I’m incredibly excited to bring them together for a fun, sexy song like this.”

Kali Uchis’ most recent album, Red Moon in Venus, released in March, received critical acclaim and reached No. 4 on the all-genre Billboard 200 chart. The album featured the RIAA gold-certified single “Moonlight” and collaborations with Summer Walker, Don Toliver and Omar Apollo.

Her Red Moon in Venus Tour included performances at iconic venues like the Hollywood Bowl, Radio City Music Hall and Chicago’s Aragon Ballroom. Additionally, she made waves at Coachella, performing alongside surprise guests Tyler, the Creator, Omar Apollo and Don Toliver. She also performed at Lollapalooza in Chile, Argentina and Brazil and Estéreo Picnic in Colombia.

Pre-order and pre-save Orquídeas here.

Chris Stapleton Postpones Three Upcoming Concerts Following ‘Doctor’s Orders’

Chris Stapleton isn’t necessarily “starting over,” but the country superstar is postponing several dates of his ongoing All-American Road Show Tour. In a message posted to his official Instagram page Wednesday (Oct. 11), the “Tennessee Whiskey” singer revealed that “doctor’s orders” have forced him to reschedule the next three dates of his nationwide trek.

“To all my friends in Corpus Christi, Houston and Lafayette, I am very sorry to let you all know that I am unable to perform this weekend’s shows,” he wrote. “I have bronchitis and laryngitis, and on doctor’s orders am on vocal rest through the weekend in order to heal. I’m grateful for your patience and understanding, and hope to see you all in November.”

In the photo set’s caption, Stapleton clarified that “all tickets will be honored for the rescheduled dates.” The rescheduled dates are as follows: on Nov. 16, Stapleton will hit Lafayette, LA (originally Oct. 14), then make his way to Houston, TX, on Nov. 17 (originally Oct. 13), before finally gracing Corpus Christi, TX, on Nov. 17 (originally Oct. 12).

Chris Stapleton’s All-American Road Show Tour is the “You Should Probably Leave” singer’s first solo headlining concert tour. The trek has served as promotional support for his second, third, and fourth studio albums: 2017’s From A Room: Volume 1 and From A Room: Volume 2, and 2020’s Starting Over. Myriad opening acts have made their mark on the tour, including recent support acts such as Marcus King, Margo Price and The War and Treaty.

The eight-time Grammy winner is currently prepping the release of his forthcoming fifth studio album, Higher. He released the set’s lead single, “White Horse,” over the summer (Jul. 21), and the song has since reached No. 7 on Hot Country Songs and No. 31 on the Billboard Hot 100.

Chris Stapleton has earned 15 career entries on the Hot 100, including his sole top 10 hit, “Say Something” (with Justin Timberlake). Over on the Billboard 200, the “Scarecrow in the Garden” singer has collected four consecutive top 10 albums, including his sole No. 1 title, 2015’s Traveller (two weeks).

Check out Chris Stapleton’s statement below:

Travis Kelce Reacts to the Bump for Brother Jason’s ‘Kelce’ Documentary in Light of ‘Taylor Swift Drama’

Travis Kelce’s football jersey isn’t the only thing seeing a major bump in light of the rumors of him dating Taylor Swift. His brother Jason’s Prime Video documentary, Kelce, is also getting a boost in viewership following the pop star’s attendance at recent Kansas City Chiefs games.

“How crazy is that?” Travis said on the Wednesday (Oct. 11) episode of the brothers’ New Heights podcast.

“All because of you and me,” quipped Jason — who plays center for the Philadelphia Eagles — adding sarcastically, “Doesn’t have anything to do with this Taylor Swift drama.”

Kelce premiered on the streamer on Sept. 12. According to Deadline, the documentary quickly became Prime Video’s most-watched documentary ever in the United States, and has remained in the top five movies on the platform in three weeks since its release.

The documentary’s boost in numbers tracks. Swift first watched Travis play during the the Chiefs’ Sept. 24 game against the Chicago Bears. The “Anti-Hero” singer’s outing further sparked dating rumors, as she was spotted in private seats next to Travis’ and Jason’s mother Donna Kelce.

Following Swift’s eventful appearance at the Chiefs-Bears game, she later attended the teams’ Oct. 1 game against the New York Jets, and Kelce’s football jersey sales saw a bump in sales. “Yesterday, Travis Kelce was one of the top five selling NFL players and saw a nearly 400% spike in sales throughout the Fanatics network of sites, including NFLShop.com,” a spokesperson for the NFL’s official e-commerce partner, Fanatics, said in a Sept. 25 statement according to CNN.

The Swift Effect even extended to brands, with Heinz creating a limited-edition Ketchup and Seemingly Ranch bottle (a rebrand of their existing Kranch flavor) to honor the pop star’s choice of condiments at the Sept. 24 game.

Travis, however, did not offer any additional information about him and Swift on the latest podcast episode. “Everybody is just so interested in the family dynamic!” he playfully responded to his brother.

Watch the Kelce brothers’ latest podcast episode below.