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UMG Sues AI Company For Using Songs To Train Models: ‘Systematic & Widespread Infringement’

Universal Music Group (UMG) and other music companies are suing an artificial intelligence platform called Anthropic PBC for using copyrighted song lyrics to “train” its software — marking the first major lawsuit in what is expected to be a key legal battle over the future of AI music.

In a complaint filed Wednesday morning (Oct. 18) in Nashville federal court, lawyers for UMG, Concord Music Group, ABKCO and other music publishers accused Anthropic of violating the companies’ copyrights en masse by using vast numbers of songs to help its AI models learn how to spit out new lyrics.

“In the process of building and operating AI models, Anthropic unlawfully copies and disseminates vast amounts of copyrighted works,” lawyers for the music companies wrote. “Publishers embrace innovation and recognize the great promise of AI when used ethically and responsibly. But Anthropic violates these principles on a systematic and widespread basis.”

A spokesperson for Anthropic did not immediately return a request for comment.

The new lawsuit is similar to cases filed by visual artists over the unauthorized use of their works to train AI image generators, as well as cases filed by authors like Game of Thrones writer George R.R. Martin and novelist John Grisham over the use of their books. But it’s the first to squarely target music.

AI models like the popular ChatGPT are “trained” to produce new content by feeding them vast quantities of existing works known as “inputs.” In the case of AI music, that process involves huge numbers of songs. Whether doing so infringes the copyrights to that underlying material is something of an existential question for the booming sector, since depriving AI models of new inputs could limit their abilities.

Major music companies and other industry players have already argued that such training is illegal. Last year, the RIAA said that any use of copyrighted songs to build AI platforms “infringes our members’ rights.” In April, when UMG asked Spotify and other streamers in April to stop allowing AI companies to use their platforms to ingest music, it said it “will not hesitate to take steps to protect our rights.”

On Wednesday, the company took those steps. In the lawsuit, it said Anthropic “profits richly” from the “vast troves of copyrighted material that Anthropic scrapes from the internet.”

“Unlike songwriters, who are creative by nature, Anthropic’s AI models are not creative — they depend entirely on the creativity of others,” lawyers for the publishers wrote. “Yet, Anthropic pays nothing to publishers, their songwriters, or the countless other copyright owners whose copyrighted works Anthropic uses to train its AI models. Anthropic has never even attempted to license the use of Publishers’ lyrics.”

In the case ahead, the key battle line will be over whether the unauthorized use of proprietary music to train an AI platform is nonetheless legal under copyright’s fair use doctrine — an important rule that allows people to reuse protected works without breaking the law.

Historically, fair use enabled critics to quote from the works they were dissecting, or parodists to use existing materials to mock them. But more recently, it’s also empowered new technologies: In 1984, the U.S. Supreme Court ruled that the VCR was protected by fair use; in 2007, a federal appeals court ruled that Google Image search was fair use.

In Wednesday’s complaint, UMG and the other publishers seemed intent on heading off any kind of fair use defense. They argued that Anthropic’s behavior would harm the market for licensing lyrics to AI services that actually pay for licenses — a key consideration in any fair use analysis.

“Anthropic is depriving Publishers and their songwriters of control over their copyrighted works and the hard-earned benefits of their creative endeavors, it is competing unfairly against those website developers that respect the copyright law and pay for licenses, and it is undermining existing and future licensing markets in untold ways,” the publishers wrote.

In addition to targeting Anthropic’s use of songs as inputs, the publishers claim that the material produced by the company’s AI model also infringes their lyrics: “Anthropic’s AI models generate identical or nearly identical copies of those lyrics, in clear violation of publishers’ copyrights.”

Such litigation might only be the first step in setting national policy on how AI platforms can use copyrighted music, with legislative efforts close behind. At a hearing in May, Sen. Marsha Blackburn (R-Tenn.) repeatedly grilled the CEO of the company behind ChatGPT about how he and others planned to “compensate the artist.”

“If I can go in and say ‘write me a song that sounds like Garth Brooks,’ and it takes part of an existing song, there has to be compensation to that artist for that utilization and that use,” Blackburn said. “If it was radio play, it would be there. If it was streaming, it would be there.”

5 Things to Know About ‘SNL’ Host Nate Bargatze

Nate Bargatze will make his hosting debut on Saturday Night Live on Oct. 28, alongside musical guests Foo Fighters.

While it’s his first time hosting SNL, the comedian, deemed “The Nicest Man in Stand-Up” by The Atlantic, has been in the game for years. He has five comedy albums and multiple Netflix specials stemming back more than a decade. According to his website, Bargatze has made more than 10 appearances on The Tonight Show Starring Jimmy Fallon, has performed for the troops in Kuwait and Iraq, and at festivals including Bonnaroo, SXSW, Oddball Comedy Festival, Sasquatch, Clusterfest, and the JFL Montreal Comedy Festival.

The Nashville native also hosts his own weekly podcast called Nateland, which is available via Audioboom, YouTube and other podcasting platforms.

Ahead of his SNL debut, see below for five things to know about the comedian.

Canadian Artist Mustafa Pens Open Letter to Justin Trudeau Urging Him to Speak for Palestine

Toronto musician Mustafa has posted an open letter to Prime Minister Justin Trudeau, pleading with him to support the people of Palestine and “defy this active genocide and imprisonment that is levelling Gaza.” This comes after Israel declared a state of war against Hamas on Oct. 9.

Mustafa, then going by Mustafa The Poet, met the prime minister at a Black liberation event and eventually served as the Ontario representative in Trudeau’s youth council 10 years ago. Calling Trudeau his “old acquaintance,” Mustafa asks him to fight for the lives of Palestinian civilians, in particular the women and children, affected by Israel’s offensive.

The artist highlights Canada’s own past with colonial oppression. Mustafa asks Trudeau to join past leaders like Nelson Mandela and Desmond Tutu on “the right side of history in the liberation of Palestine.”

Read Mustafa’s full letter below:

Justin Trudeau,

We met a decade ago, to jog your memory we participated in an event for black liberation together before you were the prime minister of Canada.

When you were appointed prime minister, I served on the first ever youth council as your Ontario rep., we travelled this endless country together in search of some semblance of democracy.. You have your flaws in leadership, but in our time together I sensed a heart in you.

I know you have a political & economic responsibility to Israel. I remember our time in Calgary was clipped because you had to immediately fly to Tel Aviv for the funeral of war criminal Ariel Sharon. I knew and you knew there was no say in the matter of your attendance for this man you did not know.

I’m asking you to use the same tongue that defended Israel & condemned Hamas to defy this active genocide and imprisonment that is levelling Gaza, that is burying & disfiguring children and women.

I’m asking you to use our people’s tax dollars that have been exhausted to support the most funded & violent state in the world to also protect the relentlessly tormented people of Palestine.

So much of our time together was about undoing the iniquities that were done to our Indigenous population, a hopeless pursuit for this already stolen land — for the decades and decades of ethnic cleansing that they’re still recovering from, how could we ever undo what can’t be forgiven or rectified?

A century from now, when they contemplate your legacy Prime Minister, will you be recalled as a custodian of this unforgivable genocide, this ethnic cleansing, this stolen land? Your battle here in Canada will have been for nothing.

Nelson Mandela, Albert Einstein, Desmond Tutu, Jimmy Carter, join these respected leaders on the right side of history in the liberation of Palestine.

Solidarity with the oppressed and the erased,

Mustafa Ahmed,

Regent Park, Toronto

Hours after Mustafa posted his letter on X, an air raid struck a Gaza hospital, killing at least 500 people. This prompted Trudeau to tweet about the tragedy, stating accountability must be held for those responsible.

Mustafa has also released the first song, “Name of God” from of his upcoming full-length album debut. A devout Muslim himself, Mustafa reflects on the loss of his brother and his relationship with God.



In true Mustafa fashion, this single also came with a heartfelt message in his own words:

I never felt like the Nubian prince my father seen in me through his tinted lens. I try their dance, their prayer- I always fall short.

& Gods name wasn’t always related to beauty for me, but to hopelessness, this Islam we share and Allah we call for while witnessing a constant violence that continues to

bind us, I don’t think I ever felt completely Muslim among other Muslims,

All these sub-beliefs like borders. My aunts in all their wisdom and narrowness-one Sufi spinning into remembrance, one refuting the taking of a photograph.

When my big brother was killed in what will always feel like yesterday, knowing the suspected murderer was someone he held as a friend, someone he prayed with- it led me to believe that maybe his love was his end? Maybe where there is no love, parting from love keeps us alive? Maybe ending in love is the only way to actually begin? I don’t know.

The only clear memory from the days of his death were my parents reciting in unison, “oh Allah, we accept his passing, we accept what you ordained.”

I’m desperate to love God like them.

Our faith and our hearts are too often our demise- I know a field of young niggas dreaming that can testify to this. For better or worse we’ll uncover every bone beneath our hollow laughter, our confused affection; maybe its revealed in our final gasp for meaning.

Until then.

Bismillah, In the Name of God, 10.17.23

Mustafa recently made an appearance during the Daniel Caesar Toronto show on Oct.13. Alongside Charlotte Day Wilson and Caesar, Mustafa performed “Old Man’ by Neil Young in an unconventional encore broadcast live from the green room at Scotiabank Arena.

This article was originally published by Billboard Canada.

Monster Savings: Amazon Drops Portable Speaker 43% Off & It’s ‘Worth Every Penny’

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Prime Big Deals Day may be over, but Amazon is still dancing away with sales — including discounting a Monster portable speaker for 43% off. It’s never too early to start your holiday shopping, and rather than wait until Black Friday or Cyber Monday, the retailer is treating you to a major early deal that’ll make the perfect gift for music lovers, or you can treat yourself to an upgraded speaker.

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From hosting dinner parties, game night or a backyard barbecue, this portable speaker will help keep the tunes going without tying you down to an outlet. One full charge can last up to 12 hours straight and the built-in indicator light will help you track how much battery is left. Did we mention it’s also waterproof? Yep, now if your friend accidentally spills their drink on your precious speaker, it won’t die.

Plus, Prime members won’t have to wait the typical seven-day shipping period to receive the speaker. With a membership, you’ll get free, one-day shipping on practically all items sold on the site. Not a Prime member? Launch your 30-day free trial here.

Keep reading to shop the Amazon deal.

black wireless speaker

Amazon

Monster Blaster 3.0 Portable Speaker

The portable speaker comes in three shades to choose from including black, white and red. When you’re on the go, the top handle makes it easier to move the speaker from place to place while its Bluetooth capabilities mean you can connect it to most smart devices like your phone, tablet and laptop. If you love a strong bass output, then you’ll most likely enjoy the 60W powered subwoofer. Plus, at 43% off it’s dropped to under $200!

Reviewers can’t get enough of Monster’s speaker giving it a 4.5 star rating with one shopper describing it as a “piece of art” while another claimed it’s “worth every penny” for its sound quality and portability.

For more product recommendations, check out our roundups of the best wifi extenders, karaoke microphones and bluetooth earbuds.

20 Questions with Yellowcard’s Ryan Key: When We Were Young Fest, New Music & More

After reuniting in September 2022 to end a five-year break, Yellowcard has enjoyed a memorable 2023: the pop-rock veterans released their first new project in seven years, the Childhood Eyes EP, this summer, right around the time they celebrated the 20th anniversary of their beloved 2003 album, Ocean Avenue. That breakthrough full-length included hits like “Ocean Avenue,” “Way Away” and “Only One,” and became the first of their seven albums to reach the top 40 of the Billboard 200.

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Yellowcard will bring their hits to Las Vegas this weekend as part of When We Were Young, the huge pop-punk and emo festival that is back for its second year beginning on Saturday (Oct. 21). Green Day and Blink-182 will be headlining in 2023, and Yellowcard will be sharing a stage that also includes The Offspring, Good Charlotte and 5 Seconds of Summer, among others.

Ahead of When We Were Young — and a 2024 that promises to keep fans of their toes — Yellowcard leader Ryan Key checked in with Billboard about the band’s recent EP, future plans and more, in this edition of 20 Questions:

  1. What’s the first piece of music that you bought for yourself, and what was the medium?

Michael Jackson’s Bad on CD.

  1. What was the first concert you attended?

New Kids on the Block and Boyz II Men at the Jacksonville Memorial Coliseum.

  1. What did your parents do for a living when you were a kid?

My dad was general manager / vice president of a car dealership and my mom was a mom.

  1. Who made you realize you could be an artist full-time?

My mom was a huge source of support for me as a kid and encouraged my creativity, but actually my high school theater teacher, Michael Higgins, made me realize I could be an artist. 

  1. What’s at the top of your professional bucket list?

The very top? To one day sit at the Oscars, nominated for an Academy Award for Best Original Score. When I’m not touring with Yellowcard these days, I’m working towards furthering my career in film scoring.  

  1. How did your hometown/city shape who you are?

The most influential part of my upbringing in Jacksonville, Florida was attending Douglas Anderson School of the Arts. I feel like most people don’t look back very fondly on their high school experience but mine transformed my life. 

  1. What’s the last song you listened to?

I just walked downstairs from the studio, and the Imperial March from Star Wars was playing. 

  1. If you could see any artist in concert, dead or alive, who would it be?

Nirvana.

  1. What’s the wildest thing you’ve seen happen in the crowd of one of your sets?

2006 – Brazil. Mix Festival in Sao Paulo, 50,000 people in attendance. The entire place was a giant mosh pit, and in the middle of it, the fans made a human pyramid that was 3 people high and hoisted a Brazilian flag with a Yellowcard logo in the middle of it. It was iconic and I’ll never forget it. 

  1. How did the pandemic affect your creative process?

When I lost the ability to tour, I was pretty scared. At that point I didn’t know that Yellowcard would ever be a part of my life again, so losing the ability to play shows on my own made the future and my income really uncertain. In the end, the pandemic turned out to be a strangely positive experience for me though, because it taught me how to take my professional life online, and I built a community with fans like I’d never had before. 



  1. What was the reception like to Yellowcard’s Childhood Eyes EP upon its July release?

Overwhelmingly positive. We were all amazed by the outpouring of support and love for the new songs.

  1. How did the EP capture where the band might be headed next?

We hoped that, with this EP, we were able to rediscover the core sound of the band while also representing who we are now. I think we found exactly the direction we were looking for, and if we do any more new music, we’ll continue down that path. 

  1. Yellowcard is playing When We Were Young this weekend. What are you most looking forward to about the festival?

Watching Blink-182 and Green Day play two-hour sets each night. 

  1. When We Were Young exploded last year, with some industry members surprised at the demand for a major pop-punk/alternative/emo festival. What do you think the overall reaction to the festival says about where that sound is at?

I think it’s incredibly encouraging for bands like Yellowcard, who are realizing how much life there is left in our careers. 

  1. You’ve toured with a lot of the When We Were Young bands. Have you been able to stay in touch with many of them over the years?

Yes – some of my oldest and closest friends will be in Las Vegas, and I think we are all looking forward to recreating the Warped Tour environment and supporting each other.

  1. What’s one thing your most devoted fans don’t know about Yellowcard?

The chorus melody and lyric on “Honest From the Jump” (from our recent Childhood Eyes EP) was taken note for note from one of my solo compositions recorded back in 2020, from a song called “Brighton.” You can hear it on my EP, Everything Except Desire

  1. What’s your karaoke go-to?

“Say It Ain’t So” by Weezer. 

  1. What movie, or song, always makes you cry?

“Evaporated” by Ben Folds Five.

  1. What’s one piece of advice you would give to your younger self?

Get started making electronic music much earlier. 

  1. What can Yellowcard fans look forward to in 2024 and beyond?

Everything is top-secret right now, but we have some amazing plans for next year. Fans can follow us on social media to make sure they don’t miss future announcements.

Warner Music Japan’s Takehito Masui & MIXI Inc. CEO Talk Monster Strike, Future of Sports & Music

Koki Kimura is the man behind the smartphone game Monster Strike, which has gone on to become a popular content brand worldwide, bringing in over $10 billion in revenue. In June 2018 he was appointed president of MIXI Inc., and he has been focusing the company’s efforts on sports business. Takehito Masui of Warner Music Japan talked with Kimura about what led to his turning Monster Strike into more than just a game, expanding it into a full range of entertainment that includes real-world events, music, and anime. Kimura discussed what he has hoped to accomplish by doing so and what he sees as the future of sports and music.

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Takehito Masui: You’re currently the president of MIXI, but originally you were a game producer. Your smartphone game Monster Strike was a huge hit, with one trillion yen in revenue over a six year period. What do you think made it so successful at capturing people’s hearts?

Kimura: I think everyone has a desire to stay in constant contact with their old and trusted friends. In fact, they’re looking for excuses to stay connected. If you’re an adult, you can create opportunities to stay connected by saying, “I’ve got this work, do you want to do it together?” I was thinking that children also needed some sort of pretext to play together. AAA games had satisfied that need in the past, but now people were playing mobile games instead. I think that’s what led to Monster Strike’s explosive popularity.

Masui: Thanks to Monster Strike’s success, MIXI’s market capitalization grew 30-fold, from roughly 20 billion yen to roughly 600 billion yen. At the time, you were still a game creator. The environment around you has changed dramatically, but has your mindset also undergone any changes? 

Kimura: Yes. One of the big changes was that I started paying attention to what was going on overseas. In 2015, Monster Strike had the highest annual sales of any smartphone app in the world, but most of those sales came from Japan. If you do business that exclusively targets the local Japanese market, you’ll quickly reach your limits. However, the whole world needs communication tools, not just Japan. When I started thinking “we might be successful overseas, too,” I started travelling far more often to overseas locations such as the U.S., Korea, and China.

Masui: In around 2018, Monster Strike evolved from being just a game to being an entire entertainment brand. Music became a much bigger part of it.

Kimura: We expanded it from games to a broader range of entertainment with an eye toward using the power of a mix of media to provide people with more opportunities use to extend invitations to others. Our idea was that this would make it possible for people to reach out even to folks who didn’t enjoy gaming.

Masui: Your owned media for sharing Monster Strike news includes an official Monster Strike YouTube channel. Currently (as of September 2023) there are 1.33 million subscribers. Then you launched the Monster Strike Anime TV channel. That has 640,000 subscribers (as of September 2023). The Monster Strike anime generated a lot of buzz, leading to a theatrical anime release.

Kimura: Collaborations were a big factor behind us branching out into anime. Our IP collaborations go all the way back to April 2014 with our Rascal the Raccoon IP collaboration. Then, starting with Evangelion in May 2015, we sold characters within Monster Strike. Of course, there are some people who start Monster Strike expressly for the characters featured in collaborations, but even more than that, it brings people together because they’re saying “hey, I hear Monster Strike’s doing an XYZ tie-up!”

We believed that a story could provide the game with even more added value, so why not make the story ourselves? And that’s what led to us making the anime. Monster Strike itself is a simple action game, so it’s not great at setting up a story and getting people emotionally invested.

Masui: Then you got into music, starting with the Monster Strike Orchestra, right?

Kimura: For our orchestra project, we were inspired by Dragon Quest. The music used in Monster Strike is orchestral, so we thought it would sound great if we had it performed by an orchestra, like Dragon Quest.

Masui: Then there’s the spin-off “Monsoni!” which consists of music played by game characters. The game’s characters have become musical artists, playing their own original music. What were you aiming for with this strategy?

Kimura: My own approach is to make surprising users our highest priority, so every day I thought about what we could do next that would really surprise our users. I thought, “I’m sure they were surprised with the orchestra, so what’s next?” I figured it would be fun if we did a pop music collaboration.

Actually, to let you in a little on my ulterior motives, with pop music, idols, and bands, there are a lot of fans not only of the music but also of the artists that create it. You don’t see that kind of excitement with an orchestra. So I thought if we made the characters of the game into idols, we could not only produce musical excitement, but also make hit characters. Then we could sell those bands and groups in the game. We developed our plans with the twin goals of sharing Monster Strike in a new way, through music, and of developing new products for use within the game.

Masui: The characters in the game have their own personalities, and in the anime they’re voiced. The voice actors from the anime also perform the song vocals, and the music is sold on physical CDs, just like flesh-and-blood artists. The personal qualities of the characters are consistent across all the media they appear in. There have been artists that started out as anime characters, but what makes this interesting is that even before that, these characters were game characters.

In 2016, you started your XFLAG PARK live entertainment shows (now called “DREAMDAZE”). What was your aim with this?

Kimura:  The phrase “content marketing” may sound a little dry, but there’s a certain passion that you just can’t generate with bought media. That kind of passion can only be generated by creating it through content.

Our idea was to reap the returns through the game, so we don’t aim to recoup the full cost through tickets alone. At a recent DREAMDAZE, we revealed the new Lucifer Transcension: Kai. After the event, the character sold exceptionally well. We can recoup the costs that way, so even if events are costly, we want to create new things people have never seen before.

Masui: The 2019 XFLAG PARK attracted 40,000 people and 340,000 people watched the live stream. That scale rivals many famous music festivals. I’d imagine that you did this to broaden the range of opportunities you’re presenting people to extend invitations to their friends. Have you had any difficulties in reaching fans who are normally focused on entirely different genres?

Kimura: I don’t think there’s very much conflict. Monster Strike is, essentially, about getting together with friends or family members, bringing your smartphones to the same place and having fun together. In that sense, it’s not so much an online game as an offline game.

Some people might not like a particular artist at first, but through the process of playing with friends, having a shared experience with them as they take in the artist’s work, many will gain an appreciation for the artists. For example, when people go to karaoke and everyone sings an artist’s songs, the songs become a shared language and everyone has a fun time. That’s why I think Monster Strike is a really good fit for music and artists.

Masui: What are your plans for overseas markets?

Kimura: I want to continue our philosophy of sharing the value of communication with people around the world. Right now, we’re focusing on Asia. Asia’s population is huge. India, in particular, is a population giant, home to 1.4 billion people. 25 million babies are born every year. The population will provide a powerful boost in the future, and I think we might see Asia developing a strong economic sphere that surpasses those of the U.S. and Europe.

Looking at smartphone communications alone, India has a 46% smartphone adoption rate, making it the country with the second highest number of smartphone users, behind China. Also, due to political reasons, Chinese apps such as TikTok are banned in India. I think that, as a country closed off to China, India presents tremendous business opportunities to us as a Japanese company.

This interview by Yuuka Higaki first appeared on Billboard Japan

Jay-Z Says Working With Hype Williams on ‘Can’t Knock the Hustle’ Felt Like ‘Cinema’

Jay-Z has been a longtime collaborator of music video visionary Hype Williams, and the rapper sat down for a rare interview with Complex honoring the director’s work to share some memories.

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HOV first worked with Williams back in 1996 for the mob-inspired “Can’t Knock the Hustle” music video, which goes off the track’s interpolated Scarface dialogue about getting deeper into the drug game by painting a picture of the high-end, illicit life. “‘Can’t Knock The Hustle’ felt like cinema,” Jay told Complex. “We also have to talk about Malik [Haseen Sayeed], the cinematographer Hype worked with. The cinematography was just so beautiful and the way it was shot it just elevated it to another level. We weren’t spending that sort of money then to finish the pyrotechnics. So when the limousine blows up it’s really janky, you know. But the vision and the cinematography was just beautiful and his eye was just different. The combination between Hype and June [Ambrose] elevated our look and feel. I remember people talking about how great a video it was. ”

He further gushed over Williams, adding, “I would say that Hype could take credit for 50 percent of the success of the music at that time. If not 55 percent. We gave people an audio experience that they imagined in their mind and when he put those visuals to it, it took it to a whole new level.” 

Jay continued, “I remember hearing [Busta Rhymes’] ‘Put Your Hands Where My Eyes Can See’ on Hot 97 and thinking this song is crazy. We played it a thousand times that night. But when I saw the visual, I was like, oh, this is a rock n’ roll record. This is way bigger than a nice club song. This is a cultural moment for us.”

Drake Boosts His Streaming Songs Chart Record With ‘First Person Shooter’

Drake extends his record for the most No. 1s in the history of Billboard’s Streaming Songs chart, as “First Person Shooter,” featuring J. Cole, debuts atop the Oct. 21-dated tally.

The song reigns with 42.2 million official U.S. streams earned in its first week (Oct. 6-12), according to Luminate.

Drake adds his 19th leader, more than three times the amount of the next-closest acts dating to the survey’s 2013 inception; he’s followed by Justin Bieber and Taylor Swift, with six apiece. Of Drake’s No. 1s, he has logged 15 in a lead role.

Most No. 1s, Streaming Songs:
19, Drake
6, Justin Bieber
6, Taylor Swift
5, Travis Scott
4, Cardi B
4, Miley Cyrus
4, Ariana Grande
4, Lil Baby

As for featured act J. Cole, “First Person Shooter” is his second Streaming Songs No. 1, following the one-week rule of “Interlude” in May 2021.

Drake now boasts four Streaming Songs rulers in 2023, with his latest preceded by “Search & Rescue” in April, Travis Scott’s “Meltdown” (on which he’s featured) in August and “Slime You Out,” featuring SZA, in September.

Drake first reigned in 2016 as featured on Rihanna’s “Work,” an eight-week No. 1 beginning that March. His first lead No. 1, “One Dance” (featuring WizKid and Kyla), followed that May.

The entire top 11 of Streaming Songs comprises songs from Drake’s new album For All the Dogs, which concurrently premieres atop the Billboard 200. “First Person Shooter” is followed by “IDGAF,” featuring Yeat, at No. 2, with 40.8 million streams.

It’s the third time that a single act has occupied the top 11 or more on Streaming Songs. Drake did so first – claiming the top 14 spots – on the Sept. 18, 2021, ranking with music from his LP Certified Lover Boy. Swift followed on Nov. 5, 2022, taking the top 13 via material from her album Midnights.

Thanks to his latest haul, Drake now boasts 96 Streaming Songs career top 10s, over double the amount of the next-closest act, Swift, with 39.

Most Top 10s, Streaming Songs:
96, Drake
39, Taylor Swift
34, Lil Baby
30, The Weeknd
28, 21 Savage
28, Travis Scott
25, Future
24, J. Cole
24, Kanye West

All 23 tracks on For All the Dogs make Streaming Songs, all the way down to “Screw the World Interlude,” at No. 33, with 11.8 million streams.

As previously reported, “First Person Shooter” also starts atop the multi-metric Billboard Hot 100, becoming Drake’s 13th leader – tying him with Michael Jackson for the most leaders among solo men – and J. Cole’s first No. 1.

UFC 294: How to Watch Makhachev vs. Volkanovski Online Without Cable

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A major rematch is headed to pay-per-view this weekend during UFC 294 as Islam Makhachev defends his lightweight title against featherweight champion Alexander Volkanovski. Makhachev may have taken the winning title during UFC 284, but now he’s back to defend his crown against a hungry Volkanovski. The main card event will take place on Saturday (Oct. 21) starting at 10 a.m. ET.

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Both contenders will be going head-to-head inside the Etihad Arena in Abu Dhabi, United Arab Emirates. For those who can’t score travel deals to see the rematch in person, you still have streaming options to livestream the match online.

The co-main event will feature middleweight contender Khamzat Chimaev against former welterweight champion Kamaru Usman. Other matches you can look forward to tuning into include Magomed Ankalaev vs. Johnny Walker (light heavyweight), Ikram Aliskerov vs. Warlley Alves (middleweight),

When & How to Watch UFC 294: Makhachev vs Volkanovski

Preliminaries will begin at 10 a.m. ET until 2 p.m. when the main card featuring Makhachev vs. Volkanovski takes place. In order to watch the match live without cable, you’ll need to have an ESPN+ subscription, then purchase the fight on PPV. If you already have an ESPN+ subscription, then you can purchase the PPV fight here for $79.99.

Don’t have ESPN+? The streamer doesn’t have a free trial, but is one of the more affordable streamers on the market with prices starting at $10.99/month or save over 15% with an annual subscription for $109.99/year. You can also bundle ESPN+ with Disney+ and Hulu for $14.99/month. Once you sign up, you’ll also need to purchase the PPV fight in order to stream Makhachev vs. Volkanovski live.

Besides being able to watch UFC 94 online, having a subscription to ESPN+ will give you access to the entire ESPN library including live games in other sports, NFL draftsNFL playoffsMLB games and exclusive on-demand videos, as well as access content from what was formerly known as ESPN Insider. In addition to games, ESPN+ has original shows to stream on-demand, including game recaps, NBA finals and analyses hosted by Peyton Manning, a shorter version of NFL Primetime, as well as full replays of historic NFL games.

Plus, by bundling it with Disney+ and Hulu, you’ll triple your content offerings for hours upon hours of original and exclusive series and movies.

Word ?: Lil Yachty Says His Homie Kai Cenat Has More Money Than 90 Percent of Rappers

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Lil Yachty Says Kai Cenat Has More Money Than 90% of Rappers

Source: Kaitlyn Morris / Getty / Lil Yachty

Popular streamer Kai Cenat got some high praise from Lil Yachty.

In a recent episode of Cool Kicks that was released on Saturday, Oct.14, Lil Yachty talked his ish in a rant about the streaming platform made popular by gamers, Twitch, boasting that he was one of the first Hip-Hop stars alongside “rapper” Post Malone on the platform.

The “Talk To Me Nice” crafter also used his rant to give props to Twitch’s current superstar streamers Kai Cenat and Adin Ross, both of whom have made successful careers off streaming alone.

Ironically, Cenat has confronted Ross about his use of the N-word.



“Kai is my brother, shouts out to Kai. Shouts out Fanum, shouts out the whole AMP, shouts out f**kin’ Adin Ross,” Yachty said. “Yeah, for real. The young guys, the young bros, they goin’ crazy. Kai for sure got more money than, I think, 90 percent of rappers. 90 percent of rappers, I think Kai got more money than them. Adin too, sure!”



Regarding Cenat, what Yachty is saying is definitely not cap. Cenat broke the record for subscriptions in a month, getting over 300,000 subscribers in the month of February alone.

Cenat has also won awards for his for his streaming.

Kai Cenat Drama

But he has also seen his share of drama. Cenat caught some well-deserved flack after allowing a white woman to say the n-word during a stream.

Cenat was also arrested in New York City in August for causing a riot with his impromptu PS5 giveaway. Still, Cenat remains as popular as ever, with people like Travis Scott and Offset vouching for him.

As for Yachty, his claims of being the first rapper on Twitch caught the ire of Soulja Boy, who is first to everything, it seems.

The rapper went on a nonsensical rant about Yachty’s comments.

Per Vibe:

I ain’t gon’ even cap, Lil Yachty, sit yo bi**h-a** down, ni**a,” Soulja Boy barked about Yachty’s claims. “Drake, you and Lil Yachty getting on my muthaf**king nerves. Lil Yachty, you is a bi**h ni**a. Fruity-a** ni**a. Painting yo muthaf**king toe nails and sh*t.”

“I’m getting tired of y’all f**k ni**as,” he continued. “You wasn’t the first ni**a to do sh*t. I’m getting tired of y’all pu**y a** ni**as, man.

Someone needs to tell Soulja Boy to chill, and it’s not that serious.

Photo: Kaitlyn Morris / Getty