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Live Nation Wants Its Artist Agreements Kept Confidential in Senate Probe

Live Nation officials are at an impasse with a powerful Senate subcommittee over demands that the concert promoter hand over confidential emails, contracts and memos detailing sensitive information about artist compensation.

Attorneys for Live Nation say they have already turned over more than 10,000 documents to investigators working for Sen. Richard Blumenthal (D-Conn.) and the Permanent Subcommittee on Investigations, or PSI, which Blumenthal chairs. Live Nation in-house counsel Dan Wall wrote on Live Nation’s corporate blog on Tuesday (Nov. 21) that the company is willing to hand over more sensitive documents if the PSI agrees to confidentiality protections to ensure the information is kept out of the public domain.

So far, Blumenthal has refused to agree to any restrictions requested by Live Nation and issued a subpoena for the confidential documents on Nov. 16. Live Nation officials plan to challenge the subpoena in court and are preparing for a lengthy legal battle to protect the confidentiality of its artist contracts if the two sides can’t reach an agreement.

“It is only in a subpoena enforcement action [before a federal judge] that Live Nation can assert its rights to protect the confidentiality of this information,” Wall wrote in the blog post.

Live Nation’s insistence on “confidentiality protections” is fairly routine, most legal experts agree, especially when it comes to court proceedings or investigations by government agencies. It’s also common practice for congressional investigators to agree to confidentiality rules while collecting evidence for congressional inquiries, but there’s no legal recourse if a member of Congress or staff discloses confidential information to the public.

News on Monday (Nov. 20) that Live Nation was being investigated by the powerful Department of Homeland Security and PSI surprised many music industry insiders. Created by President Harry Truman in 1941 to investigate wasteful defense spending after World War II, the PSI’s focus for much of its existence has been on matters of national security, including Korean War atrocities, the American Mafia’s influence on major labor unions and the government’s response to Hurricane Katrina.

Under Blumenthal’s leadership, the PSI has shifted its focus to consumer-oriented investigations, like the proposed merger of the PGA and the Saudi-backed LIV Golf league, equity within Medicare Advantage and sexual abuse in federal women’s prisons.

Blumenthal has also long been a critic of Live Nation and its 2010 merger with Ticketmaster, calling for the two companies to be split apart during a high-profile Senate hearing in January. According to a Nov. 16 letter from Blumenthal to Live Nation CEO Michael Rapino, the PSI officially began investigating Live Nation in March, in part for what Blumenthal calls “failure to combat artificially inflated demand fueled by bots in multiple, high-profile incidents, which resulted in consumers being charged exorbitant ticket prices.”

That description is the only public hint of what PSI is focusing on in its Live Nation investigation and doesn’t seem particularly damning of the concert promotion company. While bots, often operated by scalpers, do inflate demand for tickets — especially during high-profile onsales — and can lead to exorbitant ticket prices, it’s almost always Ticketmaster’s competitors in the secondary market who stand the most to gain.

Before Live Nation hands over any documents that contain “highly sensitive client information about artists, venues and others with whom we deal,” Wall wrote in the blog post, the company wants “binding confidentiality protections to prevent its misuse.”

Live Nation’s request might prove more difficult than the company’s leadership realizes, says Andrew Olmem, attorney and partner at Mayer Brown, which specializes in defending clients targeted by major investigations and congressional inquiries.

“Any documents provided to Congress are always vulnerable to public disclosure,” Olmem explains, noting that Congressional members and their staffers enjoy broad protections against criminal and civil liability under the U.S. Constitution’s speech and debate clause.

It is common for attorneys of clients targeted by Congressional inquiries to negotiate terms of documents’ use with investigators requesting the information, Olmem says. Many investigators, he adds, care deeply about reputational trust, knowing that violating confidentiality agreements with targets could make future targets less willing to voluntarily cooperate with document requests and significantly slow down investigations.

“But even if you secure such an agreement, members of Congress and their staffs can’t be liable for releasing confidential documents as part of their official legislative duties, such as submitting (the documents) into the congressional record or reading them on the House or Senate floors for the purpose of informing a legislative debate,” Olmem continues. “There are many circumstances in which members and their staff are incentivized to leak and do leak information for political purposes without consequences.”

Jack Harlow’s ‘Lovin on Me’ Jumps to No. 4 on TikTok Billboard Top 50 Chart | Billboard News

Mitski continues to reign over the charts with her track “My Love Mine All Mine,” while Jack Harlow breaks into the chart’s top five with his song “Lovin on Me.”

Rania Aniftos:
Mitski’s “My Love Mine All Mine” ranks atop the TikTok Billboard Top 50 yet again, while Jack Harlow’s viral hit “Lovin on Me” makes a major move.

Mitski’s “My Love Mine All Mine” is unstoppable, appearing at No. 1 for the second straight week and fifth overall on the TikTok Billboard Top 50 posted Nov. 22. Lil Mabu and Chrisean Rock’s “Mr. Take Your B-tch” remains in the No. 2 spot, while Kanye West’s “Runaway” featuring Pusha T jumps into the ranking at No. 3, thanks to an upload showing when Ye changed the lyrics to the song to address his divorce from Kim Kardashian.

Kanye West:
More specifically, Kimberly.

Rania Aniftos:
Jack Harlow’s viral hit “Lovin on Me” jumps from No. 23 to No. 4 as users center on the opening lyric of “I’m vanilla, baby” and referencing so-called “vanilla men.”

Rounding out the top five is Mariah Carey’s classic “All I Want For Christmas Is You” as users get pumped for the holiday season.

Every Thursday, Billboard will bring you the verified list of the hottest songs on TikTok by monitoring music discovery and engagement on the platform in the United States. To find the TikTok Billboard Top 50 each week users can simply go to any sound detail page and tap the top right button to access the charts page.

Watch the full interview above!

Will Dolly Parton’s ‘Rockstar’ Become Her First Ever No. 1 Album on the Billboard 200?  

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard 200 dated Dec. 2), Dolly Parton’s rock-themed new set is in the mix for the No. 1 spot, but faces competition from recent Drake and Taylor Swift blockbusters.  

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Dolly Parton, Rockstar (Butterfly/Big Machine): When Dolly Parton was nominated for (and later inducted into) the Rock and Roll Hall of Fame – despite a career mostly spent in country music and other rootsier genres – she was inspired to retroactively make good on her rock icon status by recording her first-ever full-length rock set. That album materialized on Friday with Rockstar, a 30-track affair that features the beloved singer-songwriter fully plugging into the genre, with a combination of covers and originals, and help from such legendary guests as Sting, Steven Tyler, Debbie Harry, Rob Halford, Elton John and of course goddaughter and frequent collaborator Miley Cyrus. 

While Rockstar may not be particularly massive on streaming – though having 30 total tracks to stream will certainly help with those totals – it is expected to sell very well. It’s of course helped by the months of buzz generated by Parton’s Rock Hall embrace and her subsequent genre pivot, but even more so by the album’s wide availability: It’s being sold in more than 10 vinyl variants, including exclusive editions for Walmart, Barnes & Noble, Target, indie stores and (appropriately) the Rock Hall’s webstore, and is even being sold at less-traditional retailers like Cracker Barrel, Dollar General and HSN. (She could also get a late-week boost in visibility this Thursday, when she performs at halftime of the NFL’s Thanksgiving showdown between the Dallas Cowboys and Washington Commanders, though that boost will most likely be limited to digital album sales and streaming services, due to most brick-and-mortar stores being closed on the holiday.)  )  

If all this adds up to enough sales for Rockstar to claim the No. 1 spot on the Billboard 200, it would make for a benchmark moment in the country legend’s career: Despite visiting the chart 49 times – dating back to her first appearance in 1969 – Parton has yet to reach its apex, having only reached the top 10 twice. (She came closest in 1987, with the Emmylou Harris and Linda Ronstadt team-up set Trio, and with 2014’s Blue Smoke, both of which reached No. 6.)  

Drake, For All the Dogs (OVO/Republic): Drake’s latest already topped the Billboard 200 upon its October debut, and it’s hung around the chart’s top five in the five weeks since. Next week, For All the Dogs should get another boost from the added attention and consumption resulting from the release of its new Scary Hours edition, which adds six extra cuts to the already-24-track set, including the J. Cole-featuring “Evil Ways.” As usual with Drake, the bonus songs are performing excellently on streaming, so Parton should beware of Dogs potentially securing an equivalent album unit total in the six digits, presenting a real challenge to her securing her first-ever No. 1 on the Billboard 200.  

Taylor Swift, 1989 (Taylor’s Version) (Republic): Drake himself acknowledged Taylor Swift’s chart supremacy on his Scary Hours cut “Red Button,” calling her the “only one [who] could make me drop the album just a little later.” Swift’s latest (and biggest yet) blockbuster re-recording spent its first two weeks atop the Billboard 200, before falling to No. 2 behind Stray Kids’ Rock-Star on last week’s chart (dated Nov. 25). That sales-driven chart-topper will likely fall out of the mix for the top spot in its second week — but Swift’s should hang around, as the set continues to sell well, and several of her new Taylor’s Versions remain on the daily U.S. charts at the biggest DSPs.  

IN THE MIX 

ENHYPEN, Orange Blood (Befit Lab/YG): South Korean pop group ENHYPEN has inched closer to the top of the Billboard 200 with each of their last three EPs, securing their highest position on the chart with May’s No. 4-debuting Dark Blood. They’ll have a shot to one-up that finish with last Friday’s six-track Orange Blood, which should post strong sales – helped by 12 collectible CD variants with branded merch inside, and exclusives for Barnes & Noble, Target and Walmart, as well as a webstore-exclusive digital edition with seven voice memos from the group members. 

2 Chainz & Lil Wayne, Welcome 2 Collegrove (Def Jam/Gamebread): With six No. 1 albums on the Billboard 200 between them, rap greats 2 Chainz and Lil Wayne team up for a second collaborative album with this month’s Welcome 2 Collegrove, follow-up to 2016’s No. 4-peaking Collegrove. The 21-track effort also features appearances from big names like Rick Ross, 21 Savage and Usher, and a signed CD of the set is available through the duo’s official webstore.  

Andre 3000, New Blue Sun (Epic/Sony): One of the late year’s most-discussed sets has been hip-hop legend Andre 3000’s ambient, rap-less set New Blue Sun, announced just a couple days before its release last Friday. Though as half of OutKast, Andre reached the top two of the Billboard 200 five times, New Blue Sun is not expected to stream enough to really make it a contender for the top spot (and is not yet available for physical purchase) — but it will almost certainly be the highest-ranking album of woodwind instrumentals on next week’s chart.  

New ‘Hunger Games’ Movie Spurs Streaming Gains for New Olivia Rodrigo Song and Classic James Newton Howard Folk Ballad

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: A new release in the Hunger Games franchise leads to gains for soundtrack hits old and new, while a new TikTok challenge gives a not-that-old JID hit a second crack at the charts, Drake fans celebrate a deep cut’s title day and more.

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The Streams Are Ever in Their Favor: ‘Hunger Games’ Songs Surge Following Prequel Release



Last weekend, The Hunger Games: The Ballad of Songbirds & Snakes topped the box office with a $100 million international gross following its Nov. 17 bow in multiplexes. The arrival of the prequel film, which is set 64 years before the events of the original Hunger Games, had fans turning back toward songs old and new that have been associated with the franchise, and volunteering as tribute as they pressed play on streaming platforms.

“Can’t Catch Me Now,” the Olivia Rodrigo soundtrack single released on Nov. 3, may have dropped 25 spots to No. 81 in its second week on the Billboard Hot 100 this week, but early streaming returns for this week suggest a rebound in conjunction with the film release. “Catch” earned 4.26 million official on-demand U.S. streams in the first four days of the Songbirds & Snakes theatrical run (Nov. 17-20) — a 43% increase from its streaming total from the previous Friday-to-Monday tracking period, according to Luminate.



Meanwhile, “The Hanging Tree,” the James Newton Howard song that was performed by Jennifer Lawrence in 2014’s The Hunger Games: Mockingjay, Part 1 — and is revived in Songbirds & Snakes as “Lucy Gray’s Version,” as performed by Rachel Zegler — also experienced a streaming resurgence. “The Hanging Tree” earned 344,000 streams over the first four days of the film’s run, up 58% from 217,000 streams from the prior Friday-to-Monday tracking period. – JASON LIPSHUTZ


JID’s “Surround Sound” Solidifies Sleeper Hit Status With Substantial Streaming Gains 



Last year, JID’s third studio album, The Forever Story, brought him loads of acclaim and his highest Billboard 200 peak to date (No. 12). “Surround Sound,” the set’s Baby Tate- and 21 Savage-featuring lead single peaked at No. 90 during its initial run on the Hot 100 – the lowest-peaking of JID’s five career hits on the ranking. Nonetheless, that could change thanks to a viral TikTok trend that has resulted in material gains across streaming platforms. 

According to Luminate, “Surround Sound” has earned over 3.9 million U.S. on-demand streams during the period of November 10-16; that’s a whopping 48.3% increase from 2.68 million streams during Nov. 3-9. In turn, that Nov. 3-9 figure is a 27.2% increase from just over 2.1 million streams during the period of October 27 to Nov. 2. The boost in streams is mainly thanks to the viral Ceiling Challenge on TikTok, where users tape their phone to the ceiling, hit record, and then post a clip of that overhead shot. Normally, the video uses the portion of the track that lets the sample of Aretha Franklin’s “One Step Ahead” play to soundtrack the camera set-up process, and once the beat drops, they proceed to do their thing for the camera. With users opting for both wholesome and risqué versions of the challenge, the official “Surround Sound” TikTok sound has been used in over 175,800 posts and counting.  


No ‘Wondering’ Here: Red Clay Strays Score Chart Hit Thanks to TikTok



While The Red Clay Strays have spent a long time supporting other major country acts on tour, from Brothers Osborne to Dierks Bentley to Eric Church, the Alabama group may finally be scoring a mainstream moment of its own. “Wondering Why,” the group’s soulful waltz from last year’s album Moment of Truth, has gone viral on TikTok, as users have been picked up on the line “She keeps on loving me/ Loves me the way I am” and deployed it in a variety of wistful clips.

“Wondering Why” has earned The Red Clay Strays their first Billboard chart appearance, as the song debuts at No. 33 on Hot Rock & Alternative Songs. And after scoring 2 million U.S. on-demand streams during the week ending Nov. 16, “Wondering Why” could be in for an even bigger total the following week, as the track earned 1.89 million streams from Nov. 17-20, according to Luminate. – JL


Ocean Alley Score Globe-Traversing Crossover Hit Five Years After Initial Release 



Five years ago, Aussie rockers Ocean Alley scored a career-defining hit with “Confidence,” the third single from their sophomore studio album Chiarascuro (2018). The track climbed to No. 9 in Australia, earned a platinum certification in the territory, and reigned atop the 2018 Triple J Hottest 100. 

Clips of live performances of “Confidence” have gained ample traction on the band’s official TikTok page for years, but a slightly pitched-up and sped-up version of the song used in the band’s Nov. 2 TikTok commemorating two sold-out Brisbane shows has catapulted “Confidence” into the hearts and minds of millions of new listeners. According to Luminate, “Confidence” has collected over 1.9 million U.S. on-demand streams during the period of Nov. 10-16; that’s an eye-popping 182% increase from 700,000 streams during Nov. 3-9. In turn, that Nov. 3-9 figure is a 433.7% increase from just over 131,000 streams during the period of Oct. 27 to Nov. 2. 

Ocean Alley has smartly latched onto the song’s unexpected second wining, using their TikTok comment section to confirm to fans that they’re working on getting a sped-up version on DSPs. Furthermore, the band has been posting clips of old interviews and performances of the song – one of which went viral due to how similar lead singer Baden Donegal looks to both Jordan Peele and Bad Bunny. On TikTok, the official “Confidence” sound is featured in just under 2,000 posts, but the sound connected to the sped-up version boasts over 43,800 posts. The source of that sound is Jun. 15 TikTok by user @alyx ⭐️?, which features a fancam of One Direction alum Zayn. In posts using “Confidence,” the main attraction to the song is split between genuine interest and a “behind every boy/girl with impeccable music taste” trend. 

Thanks to its viral moment, “Confidence” has already topped the Viral 50 – USA Spotify chart, and there seems to be plenty of room for the song to continue to grow Stateside. – KD


Season’s Gainings: Drake Fans Flash Back to “November 18th” 



Even with a total of 30 new Drake songs to feast on between new album For All the Dogs and its Scary Hours deluxe reissue, the Drizzy faithful can’t help but go a little retro around this time of year. “November 18th,” a DJ Screw-sampling fan favorite from the 6 God’s classic 2009 mixtape So Far Gone, sees the superstar rapper paying tribute to both Houston and the life-chanigng date he first flew to H-Town to meet eventual mentor Lil Wayne. With that date passing on the calendar on Saturday, streaming audiences were apparently interested in a little homage of their own: According to Luminate, the song racked up nearly 121,000 official on-demand U.S. streams that day – up 160% from the previous Saturday. – ANDREW UNTERBERGER

Olivia Rodrigo & Camila Cabello Blow Kisses in Adorable Mirror Selfie

The crossover of pop queens occurred on Tuesday night (Nov. 21), when Camila Cabello and Olivia Rodrigo spent some quality time together.

The duo attended Doja Cat’s concert at Miami’s Kaseya Center, and commemorated the hang with a classic bathroom mirror selfie. See the snap on Cabello’s Instagram Story here before it disappears.

Rodrigo is gearing up for her own tour in support of her sophomore album Guts. The 57-date trek — which is produced by Live Nation — kicks off Feb. 23 at Acrisure Arena in Palm Springs, Calif. She’ll perform in North America through April, where she’s scheduled a pair of dates for April 5 and 6 at Madison Square Garden in New York City, then heads overseas, beginning her international dates on April 30 in Dublin, Ireland. The pop star returns to the United States with a July 19 show in Philadelphia, and wraps her world tour with two concerts at the Kia Forum in Los Angeles on Aug. 13 and 14.

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The Breeders, PinkPantheress, Chappell Roan and Remi Wolf are scheduled to open on select dates.

“I’m getting it all together right now, brainstorming everything,” she told The Hollywood Reporter at the premiere of The Hunger Games: The Ballad of Songbirds & Snakes on Monday night (Nov. 13). “I’m running on the treadmill right now singing my songs, because I want to be able to jump up and down and sing the songs. I think it’s going to be really fun. I want the show to feel like a great place for people to scream and jump around and let loose.”

8 Best Black Friday Beauty Deals to Refresh Your Makeup & Skincare Routine

Dyson Airwrap Multi-Styler

$499.99

$599.99

17% off

On Black Friday, Ulta Beauty will be offering savings of up to 50% off top products and brands until Saturday (Nov. 25). The retailer carries major beauty brands including Ariana Grande’s R.E.M. Beauty, Urban Decay, Tarte, Drunk Elephant, NYX, Fenty Beauty by Rihanna and more. Purchases of $75+ will receive one of three, free 11-piece gift sets that you can choose before checkout. Click here to see the gift bag options.

Right now, you can snag $100 off the highly coveted Dyson Airwrap Multi-Styler, a tube of Fenty Beauty Mascara for only $12 (reg. $19), 40% off Tula’s night cream and more, or click here to see all of the Black Friday deals.

Spotify Pays Reduced Fees on Android App Store Subscriptions, Google Exec Testifies

While Google usually takes a 15% cut of customer payments for app subscriptions in its Play Store on Android devices, Spotify obtained a deal that allowed it to pay a drastically reduced commission, according to The Verge.

The details of the business arrangement were divulged by Google head of global partnerships Don Harrison on Monday (Nov. 20) in testimony during the Epic Games vs. Google trial: Spotify paid no commission if users bought subscriptions through Spotify, and 4% if users selected Google as their payment processor.

Harrison said in court that Spotify landed this “bespoke” agreement because “if we don’t have Spotify working properly across Play services and core services, people will not buy Android phones.” His testimony also indicated that the deal entailed a $50 million investment by both Google and Spotify in a “success fund.”

In a statement to The Verge, a Google spokesperson said that “a small number of developers that invest more directly in Android and Play may have different service fees as part of a broader partnership that includes substantial financial investments and product integrations across different form factors. These key investment partnerships allow us to bring more users to Android and Play by continuously improving the experience for all users and create new opportunities for all developers.”

A rep for Spotify did not respond to Billboard’s request for comment.

Epic Games, which is known for furnishing the world with the popular game Fortnite, has been battling Google since way back in 2020 over the 30% fee the search giant charges app developers for purchases made on its Play Store on Android devices. Epic tried to circumvent Google’s system by putting its own payment system into the Fortnite app and charging a reduced price; Google hit back by yanking Fortnite off the Play Store.

Epic then sued Google. “Google… is using its size to do evil upon competitors, innovators, customers and users in a slew of markets it has grown to monopolize,” Epic wrote in its complaint. The New York Times reported that Epic’s CEO, Tim Sweeney, said in court on Monday (Nov. 20) that Google “exercises de facto control over the availability of apps on Android.”

Wilson White, a Google vp of public policy, told reporters earlier this month that “Epic wants all the benefits of Android and Google Play without having to pay for them,” according to The New York Times. “The lawsuit [from Epic] would upend a business model that has lowered prices and increased choices,” White argued.

Google had tried to avoid revealing the nature of its relationship with Spotify in court, The Verge reported earlier this month. “Disclosure of the Spotify deal would be very, very detrimental for the negotiation we’d be having with… other parties,” Google attorney Glenn Pomerantz told the judge overseeing the case.

Hall vs. Oates: Daryl Hall Wins Restraining Order Against John Oates in Mystery Lawsuit

Hall & Oates are locked in a mysterious lawsuit against each other, with Daryl Hall already winning a restraining order against musical partner John Oates.

The case, filed by Hall on Nov. 16 in Nashville court, concerns either a “contract” or “debt,” but little else is known about the case because it was filed under seal — a maneuver used when court documents contain sensitive information.

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The day after Hall headed to court, the judge overseeing the case issued a temporary restraining order against Oates, but there are no details about what the injunction bans the singer from doing. The lawsuit also names Oates’ wife, Aimee, in her role as a trustee of her husband’s investment trust.

The case was first reported Monday (Nov. 20) by Philadelphia magazine. Billboard confirmed its existence by reviewing court records in the Davidson County Chancery Court. An attorney for Hall, and reps for both singers, did not return requests for comment on Wednesday.

Since teaming up as a pair of Philadelphia singers in 1972, Hall & Oates have hit the top of the Billboard Hot 100 a whopping six times, first with “Rich Girl” in 1977 and then with “Kiss On My List,” “Private Eyes,” “I Can’t Go For That (No Can Do)” “Maneater” and “Out of Touch.” The pair have 10 more top 10 hits on the chart, as well as four albums that reached the top 10 on the Billboard 200.

As explained by Philadelphia, the duo have already broken up and reunited several times, sometimes going years without playing together. But they recently founded the HoagieNation Festival in Philadelphia and headlined the event in 2017, 2018 and 2021.

With details of the recent lawsuit under seal, speculation about the dispute swirled on Wednesday. TMZ pointed to a quote from Hall on Bill Maher’s “Club Random” podcast last year in which he said: “You think John Oates is my partner? … He’s my business partner. He’s not my creative partner.” Meanwhile, the Philadelphia Inquirer noted that the pair had “played only a handful of dates in 2022” and none in 2023.

Last year, Hall told the Los Angeles Times that it can be “very annoying” to operate as a musical duo. “Everything you do is juxtaposed against another person. Try doing that sometime. I don’t want to use the word ‘emasculating,’ because that’s male, but it takes away your individuality.”

No, Travis Kelce Will Not Be Spending Thanksgiving With Taylor Swift

It’s the holiday season, and the Kelce brothers gave fans a look into their Thanksgiving plans on a new episode of their New Heights podcast published on Wednesday (Nov. 22).

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Jason and Travis Kelce revealed that they won’t be spending Turkey Day together, as Travis will be in Missouri while Jason will be in Pennsylvania with his wife Kylie and the couple’s three children. As far as celebrating Thanksgiving with Taylor Swift, Travis seemed to debunk the rumors by noting that he’ll be spending the holiday alone, “feasting on KFC because I won’t have anybody here.” 

Jason then extended an invitation to his younger brother to come hang out with his family, noting that they’ll have “plenty of food,” including pork chops instead of turkey. Don’t feel too bad for Travis, though, as he had a “Friendsgiving” with his Kansas City Chiefs teammates on Saturday (Nov. 18). “It was awesome,” the tight end noted.

Earlier this month, Travis flew down to Buenos Aires, Argentina, to watch Swift’s Eras tour in the VIP tent at Estadio River Plate — with Swift’s dad, Scott, by his side. During the show, Swift changed up a lyric in “Karma” to “Karma is the guy on the Chiefs coming straight home to me,” and ran into Kelce’s arms to kiss him when the show wrapped. See it here.

Watch the full episode of New Heights below.



Rihanna Looks Smokin’ in Sultry Fenty Beauty Pictures: ‘New Lockscreen Alert’

Mirror mirror on the wall, who’s the baddest gal of them all? Rihanna has delivered another gorgeous photo campaign for Fenty Beauty, as revealed on the brand’s Instagram account.

“New lockscreen alert ?” read Fenty’s post, a photo of the “Rude Boy” singer staring down the camera with her hazel eyes partially obscured by her long bangs.

In the photo, Rih pairs a white bathrobe with an abundance of jewelry undoubtedly worth several dollar signs, including a silver ornament on her ring finger. Her makeup is simple but glamorous in the shot: sparkly eye shadow, smokey black liner and a muted red lip, perfect for the holidays.

“Y’all red-y for this @badgalriri serve of the century?” continued Fenty’s caption. “All eyes on Muva’s sultry, stunning night out #FENTYFACE slay ?? And you already know the lips stay on RED! ?”

The look earned the singer-mogul quite a few all-caps compliments, including one fan who wrote: “THE MOST VALUABLE FACE CARD.”

Another simply commented, “QUEEN ICON LEGEND.”

Rihanna’s effortless glam look came shortly after a hilarious video from Fenty, in which the “Umbrella” artist talks to herself while doing her makeup in the mirror — although the audio is missing, and for good reason. “When you’re talking about the other trash a– mascaras on the market and have to mute the video,” says a voice-caption over the clip.

As fans know all too well, it’s been ages since Rihanna last dropped an album (2016’s ANTI, which topped the Billboard 200 for two weeks upon its release). False hope recently emerged that the Grammy winner was planning a world tour with Live Nation for next year, but an inside source confirmed to Billboard that there was no merit to the rumors.

Instead, it looks like she’s keeping busy with her booming beauty business, as well as mom life; the businesswoman shares two sons with rapper A$AP Rocky.

See Rih’s new Fenty Beauty photo below: