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Big Sean has officially become an author.
The Detroit rapper launches an inspiring new book titled Go Higher: Five Practices for Purpose, Success, and Inner Peace. With a foreword written by bestselling author Jay Shetty, the self-improvement book is available now on Amazon in hardcover and paperback, as well as an audiobook edition narrated by Sean. Shop the book below.
Like the book title mentions, Sean shares his five key practices for inner work – accepting, strategizing, trying, trusting, and manifesting. Filled with step-by-step instructions, the rapper uses his personal experience of journaling, affirmations and meditation to guide readers through his self-reflective journey to finding inner peace. Go Higher is aiming to be a “spiritual guidebook” that proves that investing in yourself is something that gives you the energy to reach your fullest potential.
“In Go Higher, Sean ‘Big Sean’ Anderson explores the essential elements of personal growth and fulfillment, says Deepak Chopra, MD, bestselling author and founder of the Chopra Foundation, in a statement. “Through the practices of accepting, strategizing, trying, trusting, and manifestation, he offers a thoughtful guide to achieving inner peace and purposeful success. Each chapter provides valuable insights and practical steps for those looking to deepen their self-awareness and elevate their lives. This book serves as a compelling resource for readers committed to enhancing their personal and spiritual development.”
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Big Sean’s Go Higher: Five Practices for Purpose, Success, and Inner Peace is available here on Amazon in hardcover, paperback, and in audiobook format. In the wake of the devastating Los Angeles wildfires, Sean announced via Instagram that he is donating all proceeds of his book sales from now until the end of February to fire victims. Shop below.
‘Go Higher: Five Practices for Purpose, Success, and Inner Peace’ Book
In celebration of Bruno Mars hitting No. 1 on the Hot 100 and Global 200, the singer wants to create a “strip club anthem” with Sexyy Red. Keep watching to see the two interact on social media! Tetris Kelly:Are Bruno Mars and Sexyy Red creating the next great strip-club anthem? Bruno Mars has a lot […]
Lil Wayne might be one of Travis Kelce‘s favorite musicians, but the Kansas City Chiefs definitely aren’t topping any of the rapper’s lists right now — but the tight end is taking it in stride.
In a pair of posts on X Saturday (Jan. 18), Wayne accused the reigning Super Bowl champions — who that day bested the Houston Texans 23-14 — of cheating during games. “I hate the cheating azz chiefs,” the “Lollipop” musician wrote, followed by, “It’s not even impressive when u cheat and then clearly try to cheat … Just win baby.”
Four days later, Travis — who’s previously been open about his love for Lil Wayne and invited the hip-hop star to headline his Kelce Jam festival last year — reacted to the slight on his New Heights podcast. In the episode posted Wednesday (Jan. 22), the Grotesquerie star’s cohost and older brother, Jason Kelce, was the first to bring up the subject, saying, “I’m sure you saw some of this, but [people] were complaining about the refs again, Trav.”
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“Even Lil Wayne,” continued the former Philadelphia Eagles center before reading the rapper’s first tweet — which prompted Travis to burst out laughing.
“Shout out to Tunechi, man,” the Are You Smarter Than a Celebrity? host then said, a big smile on his face.
The rapper’s comments come about eight months after Wayne headlined Travis’ second Kelce Jam music festival in Kansas City, which celebrated the Chiefs’ second Super Bowl win in a row. In an interview with Billboard leading up to the event, the football player called the musician “one of my favorites since I was in high school.”
At one point during the festival, Travis joined Wayne on stage with co-headliner 2 Chainz and held up the Lombardi trophy. While at the event, the tight end also raved about Tunechi’s music to Billboard, gushing, “I’m a huge mixtape era guy. ‘Duffle Bag Boy’ is like one of my favorite songs of all time. I have it on my gameday playlists and everything.”
The Chiefs now have one game standing between them and a third Super Bowl in a row, with Kansas City preparing to face off against the Buffalo Bills at the AFC Championships Sunday (Jan. 26). Throughout the 2024-25 season, some NFL fans have accused referees of giving the Patrick Mahomes-led team special treatment, with one roughing the passer penalty on Houston at the Chiefs-Texans game in particular reigniting those claims Saturday.
Watch the latest episode of New Heights above, and see Wayne’s posts below.
I hate the cheating azz chiefs— Lil Wayne WEEZY F (@LilTunechi) January 18, 2025
It’s not even impressive when u cheat and then clearly try to cheat. Just win baby— Lil Wayne WEEZY F (@LilTunechi) January 18, 2025
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Mike Jenkins, a real estate developer who reformed his life after spending time in federal prison, was racially profiled in an affluent Ohio neighborhood by Michelle Bishop, a white mother of two. After Michelle Bishop received backlash, she tearfully apologized to Mike Jenkins, claiming she was more worried about the safety of her children and didn’t recognize that Jenkins was Black.
As seen on Yahoo! News, DaMichael “Mike” Jenkins was attempting to return home last November when he encountered Michelle Bishop walking with her two small children. The situation was caught on Jenkins’ Ring camera where Bishop can be heard talking to Jenkins as he pulled up in his driveway. Believing she was being followed, Bishop went up to Jenkins’ doorstep and said she didn’t believe the developer lived at the home.
After Jenkins asked if she was looking for someone in particular, she can be heard running off and screaming despite it appearing Jenkins made no aggressive moves toward her. Jenkins’ wife came out of the home and tried to make sense of it. Jenkins’ wife seemingly diffused the situation and said she was afraid because Jenkins never said he owned the home whose driveway he parked in and he claimed that he did when she was trying to knock on his door.
Bishop has since taken to social media to apologize for assuming the worst of Jenkins and claims she isn’t racist. She also said that her apologies haven’t been accepted among other talking points. With the Ring video making viral rounds, Jenkins was recently a guest on Shannon Sharpe and Chand Ochocinco’s Nightcap podcast along with his wife to discuss the harrowing incident.
To his credit, Mike Jenkins remained calm throughout the entire fracas and wants to use this moment to help inspire others and not cower in the face of judgment. He also mentioned that his long climb to success after serving prison time and his unyielding faith got him past this hurdle.
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Photo: Headshot/DaMichael Jenkins / Affordable Housing Trust for Franklin & Columbus County
2025 is only three weeks old and the rap world is in full-swing. Outside of the headlines, album and single releases are starting to pick up once again while the United States heads into a new era with Donald Trump back in the Oval Office.
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As Diddy remains behind bars awaiting the start of his trial, Hollywood has already started peeling back the layers on his downfall. Diddy: The Making of a Bad Boy shook up Peacock with the documentary’s arrival last week.
LiAngelo Ball’s “Tweaker” gave hip-hop its first breakout hit of 2025 (debuting at No. 29 on the Billboard Hot 100) while Lil Baby’s WHAM album beat out Bad Bunny for the top slot on last week’s Billboard 200.
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All eyes will be on the Grammy Awards and Kendrick Lamar’s anticipated Super Bowl Halftime Show this February, as fans are particularly counting down the days until Lamar hits the stage in New Orleans.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Joey Bada$$’s continued shots at the West Coast to Jorjiana’s spin on elevator trap. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Jorjiana, “Elevator Spaghetti”
Jorjiana is an acquired taste, but buy stock now before it’s too late. She carves out her own niche sub-genre of trap elevator music with the smooth “Elevator Spaghetti.” This is what we need playing in our office elevators going forward. The Indiana native’s flow has a Midwest drawl, but her style leans more toward elements of the DMV scene. While Jorjiana’s freestyles have caught fire on social media, her bars are still as direct as they come. “I’m bubbly as hell but I don’t drink pop,” she boasts over the samba jazz instrumental. As someone on YouTube crowned her, Atlanta Del Rey is here. – MICHAEL SAPONARA
Joey Bada$$, “Sorry Not Sorry”
Joey Bada$$ and Conductor Williams are 2/2 in 2025. The Brooklyn titan continues to represent for the East Coast while poking at the West. “N—-s Wit Attitude mad I’m bigging up my city, that’s something I had to do,” he spews. JB even delivers a possible swipe at J. Cole for exiting stage right from the Kendrick Lamar and Drake feud while he’s ready to stand 10 toes down with more heat on the way. ”Might Deletе Later, I know damn sure that Joey won’t,” Joey raps. He even compares himself to being a combination of Biggie and 2Pac. If “The Ruler’s Back” was a warning shot, the sequel should have the alarms blaring. — M.S.
Jagged Edge, “Just Might Get It”
It’s 2025 and Jagged Edge is still doing the damn thing. Before hitting the road in March to celebrate 25 years of the R&B legends’ 1999 J.E. Heartbreak album, the Atlanta crew sets the stage for their upcoming 11th studio LP with the soulful “Just Might Get It.” Penned by founding member Brandon Casey, the moral of the song is essentially saying to be careful what you ask for, because you “Just Might Get It.” While the sultry track showcases the group’s evolution and maturity, the single doesn’t stray far from their signature R&B sound. Fans can purchase Jagged Edge’s All Original Parts Vol. 1 directly on Jan. 31 before it heads to streaming services. – M.S.
NLE Choppa & Imagine Dragons, “Dare U”
Nobody has NLE Choppa and Imagine Dragons joining forces for an explosive collaboration on their 2025 bingo card. Well, LiAngelo Ball delivered rap’s first hit of the year, so it seems to be another unpredictable campaign. Choppa called teaming up with the band a “dream come true” as they pushed him to tap into another side of his artistry. “Who got the most heart? I’ma show something,” he promises before passing the baton back to Imagine Dragons frontman Dan Reynolds. – M.S.
4Fargo & Eric Bellinger, “Your Love Is Gold”
4Fargo kicks off 2025 with his new single “Your Love Is Gold,” a heartfelt collaboration with none other than R&B powerhouse Eric Bellinger. The track dives into themes of deep appreciation, commitment, and the priceless value of a genuine relationship. Comparing love to gold — a symbol of beauty and lasting worth — 4Fargo and Bellinger express their devotion and admiration for a love they see as rare and irreplaceable. Lines like “You’re the prize, you don’t need no contestants” and “She authentic, I don’t need to see no proof” highlight unwavering trust, while “I’ll put you up somewhere safe” conveys a desire to protect their bond from outside influences. With smooth vocals and heartfelt lyrics, “Your Love Is Gold” is a soulful celebration of love’s enduring value. – C.C.
Bryant Barnes, “Why Can’t You”
19-year-old rising singer, songwriter, and multi-instrumentalist Bryant Barnes is proving unstoppable with the release of his deeply personal track, “Why Can’t You.” The heartfelt song dives into themes of unrequited love, longing, and emotional vulnerability. Barnes explores the painful reality of loving someone who doesn’t feel the same, with the repeated plea “Why can’t you be in love?” echoing his frustration and confusion. The track touches on feelings of loneliness and the fear of a future without love, expressed in the line “I don’t wanna be alone for the rest of my life.” Balancing hope and heartbreak, “Why Can’t You” captures the universal struggle of holding on to a love that may never be returned. – C.C.
THEY., “Choosin’”
R&B duo THEY. seems to be having a hard time with love. The pair dives into the complexities of love and success in latest track “Choosin’.” The song delves into themes of superficial relationships, trust issues, and the fast-paced lifestyle that often comes with fame. Through lyrics like “She don’t really love me, she just want the money,” the duo captures the frustration of feeling desired for status rather than true connection. The recurring term “choosin’” reflects a culture of opportunism, where love is secondary to material gain. Despite recognizing the transactional nature of their relationships, the protagonist finds themselves caught in a cycle of luxury, nightlife, and fleeting romance — painted vividly through references to flashy cars, champagne and the allure of the fast life. – C.C.
Limp Bizkit has suffered a setback in its $200 million lawsuit against Universal Music Group, with a federal judge ruling that the band cannot legally void its contracts of “nearly 30 years” over accusations of underpaid royalties.
The blockbuster case, filed last year in Los Angeles federal court, claims that frontman Fred Durst and the band have “not seen a dime in royalties” over the years. Among other claims, the lawsuit argued that the band is therefore entitled to a ruling of “rescission” that terminates its deals with UMG.
But in a decision Friday (Jan. 17), Judge Percy Anderson ruled that the band had in fact been “paid millions in advances” and that UMG had fronted “substantial sums” to record and distribute Limp Bizkit’s albums – meaning the band doesn’t deserve the drastic remedy of terminating the decades-old deals.
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“Plaintiffs seek rescission of contracts that have governed the parties’ relationship beginning in 1996 – nearly 30 years – because the agreements should be rescinded as fraudulently induced,” the judge wrote. “Plaintiffs have not plausibly alleged the type of ‘substantial’ or ‘total failure’ in the performance of the contracts that could support rescission of the parties’ agreements.”
The ruling isn’t a total defeat. Judge Anderson didn’t reach many of the lawsuit’s other legal claims, including fraudulent concealment and intentional misrepresentation, and gave Limp Bizkit’s lawyers a chance to fix the rescission claim. But the judge’s wording suggested he will be skeptical of revoking a contract when “millions in royalties were advanced and paid under decades-old agreements.”
If finalized, the decision is something of a double blow for Durst’s lawsuit. It would not only reject his efforts to rescind the contracts, but would sink one of his other core allegations: that UMG has infringed Limp Bizkit’s copyrights. Such a claim — which could carry a huge damages award — can only succeed if the band’s contracts are voided and it legally regains its ownership of the copyrights, the judge wrote.
That could also mean the case is headed to another court entirely. If Limp Bizkit’s lawsuit no longer contains federal copyright claims, a federal court would no longer have jurisdiction over the case, meaning the lawsuit’s remaining accusations against UMG would need to be refiled in a state court.
In a statement to Billboard on Wednesday, attorneys for Durst and Limp Bizkit downplayed the impact of the ruling, noting that the court had “upheld a majority of our claims” and given them a second shot at the rejected claims.
“The facts speak for themselves,” said Frank Seddigh, the band’s lead attorney. “Universal will be held accountable for its actions and will not get away with its conduct at the expense of artists.”
A spokesman for UMG declined to comment.
Durst and Limp Bizkit sued in October, claiming the band had “never received any royalties from UMG,” despite its huge success over the years: “The band had still not been paid a single cent by UMG in any royalties until taking action.”
That claim was something of a stunner. How had one of the biggest bands of its era, which sold millions of records during the music industry’s MTV-fueled, turn-of-the-century glory days, still never have been paid any royalties nearly three decades later?
According to Durst, the answer was an “appalling and unsettling” scheme to conceal royalties from artists and “keep those profits for itself.” He claimed UMG had essentially kept Limp Bizkit in the red with shady bookkeeping, allowing the label to falsely claim the band remained unrecouped — meaning its royalties still had not surpassed the amount paid in upfront advances.
UMG hit back a month later, calling the allegations “fiction” and demanding they be thrown out of court. The music giant’s attorneys argued that Limp Bizkit’s own legal filings contradicted the accusation that the band had not been paid: “Plaintiffs concede thereafter receiving millions of dollars in payments.”
Following Friday’s decision, Limp Bizkit has until early next month to refile an amended version of the lawsuit.
Ye — formerly known as Kanye West — is returning to womenswear. The rapper teased early samples of his YZY women’s clothing line with an explosive post to his Instagram Story on Tuesday (Jan. 21). Yeezy teased the first black bodysuit, which is quite revealing. West’s wife Bianca Censori was actually spotted rocking the YZY […]
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In a recent street interview, Pusha T’s brother, No Malice, was asked about his favorite song, and his answer caught many by surprise: Kendrick Lamar’s “Not Like Us.” The irony here is that “Not Like Us” is widely believed to be a diss track aimed at Drake, a long-time rival of Pusha T. Given the intense beef between Pusha and Drake, it’s interesting to see that No Malice, who has stayed mostly out of the spotlight in recent years, seems to “vibe” with a track that’s part of the ongoing drama.
The rivalry between Pusha and Drake reached its peak with Pusha’s brutal “The Story of Adidon,” where he revealed that Drake had a son, whom he hadn’t publicly acknowledged at the time. The revelation sent shockwaves through the hip-hop community. Since then, Drake has become much more open about his son, Adonis, proudly sharing moments of their relationship, including being a hands-on basketball dad at his son’s games.
Drake responded to Pusha’s diss with a line from his album Views, humorously saying, “I wasn’t hiding my son from the world, I was hiding the world from my son.” But the final blow came when Drake appeared on LeBron James’ show, The Shop, and expressed frustration with battle rap “rules,” claiming he didn’t want to participate anymore after Pusha crossed a line by revealing his son’s existence and the health struggles of his close friend and producer, 40. The drama between Pusha and Drake may have settled, but the story is still part of hip-hop lore.
It’s well known that SZA and Drake dated way back when — but is the Certified Lover Boy a good kisser? That’s what Keke Palmer set out to uncover on First We Feast’s latest episode of Hot Ones Versus posted Tuesday (Jan. 21). While taking on the spicy-wing challenge alongside Issa Rae, the Nope actress […]
Attendees at this weeks’ Louis Vuitton Fall/Winter 2025 runway show got an unexpected treat when LV men’s creative director Pharrell Williams debuted his new collaboration with K-pop superstars SEVENTEEN during Tuesday’s (Jan. 21) show. The mid-tempo track with a low-pitched, bassy bottom, “Bad Influence,” features group members S. Coups, Hoshi, Wonwoo, Woozi, The8, DK, Seungkwan, Vernon and Dino singing about having a good time while worrying about the consequences.
On the woozy chorus, Seungkwan, Hoshi, Coups and DK cronning: “Bad influence, you had to do it/ Oh every time yeah, enough of you/ Bad influence you had to do it/ You wanna have a good good night.”
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“We are happy and honored to collaborate with Pharrell Williams, whom we have deeply admired for a long time,” said the members of the 13-person group who worked on the track in a statement; members Mingyu, Joshua, Jun and Woozi are not listed as participants on the song. “We truly enjoyed the creative process which showcases a new side of ourselves. We hope to connect with more listeners worldwide through this collaboration.”
The track was written and composed by Williams for the Paris LV show — which also featured bits of Don Toliver and BTS member J-Hope’s new single, “LV Bag,” and Playboi Carti’s “Timeless” — and represents the group’s latest team-up with an A-list collaborator. It follows on the heels of their collabs with Charli XCX (“Beg For You”), Pink Sweat$ (“17”), New Kids on the Block (“Dirty Dancing”), DJ Khaled (“Love, Money, Fame”), Marshmello (“SOS”) and Anne-Marie (“World”), among others.
SEVENTEEN released their 21-track greatest hits collection, 17 Is Right Here, in 2024, spotlighting such beloved hits as “Maestro,” “Rock With You,” “HOT” and “Super.” They wound-down the year with the Spill the Feels EP, which included the Khaled track, which they performed at the 2024 Billboard Music Awards.
Watch video from the song’s premiere below.