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De La Soul & More Remember Dave On The 1-Year Anniversary Of His Death

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It’s been one year since the world lost Dave aka Trugoy The Dove of De La Soul. His bandmates celebrated him on the anniversary of his passing.

The late great Trugoy The Dove, born Dave Dave Jolicoeur met his ancestors on Feb. 12, 2023. This year his friends and family remembered him on social media.

Posdnuos wrote a touching message on his Instagram account about his former partner in rhyme. “I feel conflicted posting this on this date…Dave disliked when people were publicly remembered on the day they were lost….” he revealed. “The day they transitioned but I’m sure he also respected how people chose to remember those they love and have lost. So on this day I will stand alongside all the people who cherish him as well as kept @wearedelasoul in their prayers but to be clear I miss him in the physical everyday, rep for him everyday & will talk to someone about him everyday.”

The same day the “Rock Co. Kane Flow” rapper shared some never before seen footage of the two MC’s laying down some vocals in a home studio. The official De La Soul Instagram page also sourced sound bytes from his peers and collaborators in an effort to show the world how special Dave was as a person.

Jarobi White of A Tribe Called Quest paid his respect to him saying “My favorite memory with Dave is all of them; from playing Ruthless to pass the coodies. My favorite verse of his or song should I say “Itzsoweezee (Hot)””. Common also explained how the group changed his life when he first heard “Plug Tunin’”. He reminisced on how the legendary trio took Common to London for the first time. “A couple of ladies liked me in the crowd, and I was like a couple of ladies in the crowd and that’s when Dave gave me this name – Enrique” he laughed.

Trugoy revealed he was diagnosed with congestive heart failure back in 2017. The cause of his death has never been shared publicly.

Killer Mike Brushes Off Grammys Arrest On ‘The View’

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Killer Mike appeared on The View and reflected on his arrest at the Grammy Awards, referring to it as “water under the bridge.”

On Monday (Feb. 12), Killer Mike appeared as a guest on The View, fresh off of his sweep of the rap category at the Grammy Awards last weekend stemming from his album, MICHAEL. Co-host Sunny Hostin chimed in and asked a question. “There was an incident at the Grammys, it led to you being handcuffed and taken out of the Grammys – that was wrong,” she began, acknowledging the ongoing legal case that prevented Killer Mike from saying much, “can you just give us some sort of description?”

“I think backstage was overcrowded, I think the winners were exuberant, and I think security got a little over zealous,” Killer Mike, also known as Michael Render, said referring to his arrest. “It’s water under the bridge for me.” He continued: “All of my heroes have been in handcuffs – Malcolm, Martin, Mandela, Medgar. I walked out with the same dignity and respect that I walked in with, and I would implore people to just take that from it.” He then went on to detail how the moment put him in a space of gratitude. “I thanked God for putting me in a space, believe it or not, by myself. And I got an opportunity to invoke the spirit of my mom and my grandmother and let them know what had happened and thank them,” he said.

The “Scientists & Engineers” rapper also opened up about the joy he felt in finding out his eldest son was getting a kidney after three years on a waitlist. “The next morning, I woke up to my son’s mother saying you have to come home because [his son] has a kidney. They have a kidney for him and we have to get him now. And I just thanked God.” He was also asked about his hesitation in endorsing President Joe Biden, to which he replied that he was going to have a “hyper-local” focus. “In terms of nationally, I’m just kinda doing what my grandfather said, ‘Stay out of white folks’ business and watch what happens’…For right now, I just don’t want to be involved in the soap opera,” he said.


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A UGK x Supreme ‘Ridin’ Dirty’ Capsule Collection Is On The Way

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UGK x Supreme

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SUPREME is taking their talents to H-Town. The brand has announced a UGK collection celebrating Ridin’ Dirty.

UGK x Supreme

Source: Supreme / Supreme

The streetwear brand has partnered with Bun B to launch a series of apparel items to celebrate the duo’s iconic third studio album. On Monday, Feb 12 the “Let Me See It” MC took to Instagram to make the announcement. “UGK X @supremenewyork Spring/Summer ‘24 #RidinDirty” he wrote. While the brief caption didn’t give many details on the forthcoming the drop it was the visuals that got Hip-Hop fans excited.

Accompanying the post were three photos featuring a hooded sweatshirt and a set of fitted caps. The hoodie in question features both the UGK and SUPREME logos on the chest and some of the promotional copy from the album’s original roll out (“The Trill-Ass Partnas Return”). As expected the hats follow suit with the logo lockup and come in three different colors including black, burgundy and blue.

Recently SUPREME unveiled their forthcoming spring summer 2024 collection. To no surprise this season prominently features their iconic logo over some streetwear staples including a red varsity jacket, polos, graphic t-shirts, branded denim, mesh shorts and more. Additionally, a SUPREME x Ducati Streetfighter V4 Motorcycle that is sure to go for big money. At this time there is no release date for the UGK capsule collection.

You can preview more of SUPREME’s spring summer 2024 collection here. 

UGK x Supreme

Source: Supreme / Supreme

Kim Petras Serves Up the Raunchiest Valentine’s Day Mix Ever on Sultry ‘Slut Pop Miami’ EP

Kim Petras has the perfect soundtrack for you Valentine’s Day. The Grammy-winning singer dropped a 12-track sex positive lust bomb EP on Wednesday (Feb. 14) entitled Slut Pop Miami, a sequel her 2002 seven-track Slut Pop EP.

The collection that a press release explains was “inspired by hedonistic trips to Miami” pulls no punches from jump on “Slut Pop Reprise,” on which Petras promises “these b–ches can’t suck like me/ Walk in, I’m the sucking queen” over an insistent disco beat and a robotic voice announcing “this is slut pop.”

The pleasure-seeking party doesn’t stop there, with X-rated jams including “Gag On It,” “F–in’ This F–kin’ That,” “Get F–ked,” “Rim Job,” “C–kblocker,” “B-tt Slut,” “Whale C-ck” and the EDM banger “Banana Boat,” on which Petras coos “So ripe, so sweet, big and juicy/ Can’t wait to put ya in my smoothie/ I wanna ride, ride, ride your banana boat.”

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Petras has been hyping the collection on her Instagram for the past two weeks, showing off a custom Corvette with the album’s title, a teaser for the album’s title track in which Petras poses on the beach in a barely there silver bikini hiding, over inflated, exploding breast implants. After that clip was posted, Petras’ “Unholy” collaborator, Sam Smith, commented “UNBELIEVABLE.”

In the day leading up the EPs release, Petras released two more NSFW teaser videos that, well, see for yourself.

Petras is currently on the European leg of her Feed the Beast world tour in support of her 2023 albums Feed the Beast and Problématique.

Listen to Slut Pop Miami below.

Inaugural 2024 Fool in Love Festival to Feature Lionel Richie, Diana Ross, Santana, Al Green, Smokey Robinson & Many More

It may be Valentine’s Day, but if you are really in the mood for love it might make sense to pass up those chocolates and long-stemmed roses today and save your romantic gesture for a late summer date to the inaugural swoon-worthy Fool in Love festival.

The packed lineup for the August 31 gig at Sofi Stadium-adjacent Hollywood Park in Los Angeles will be headlined by Lionel Richie and Diana Ross, with a stacked roster of classic R&B and soul stars including Al Green, Nile Rodgers & Chic, Gladys Knight, Chaka Khan, the Isley Brothers, Charlie Wilson, the O’Jays, Smokey Robinson, Dionne Warwick, the Stylistics, the Chi-Lites, George Clinton & Parliament Funkadelic, Zapp, Kool & the Gang, Rose Royce and Morris Day & the Time, among many others.

Fans can signs up now for an access code to a presale that begins on Friday (Feb. 16) at 1 p.m. ET here; a public onsale will follow at 5 p.m. ET if any tickets remain. GA, GA+, VIP and Platinum tickets will be available with layaway payment plans starting at $19.99 down.

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Also slated to perform at the show are: Santana, Eric Burdon & the Animals, the Jacksons, War, the Spinners, the Whispers, Durand Jones & the Indications, Barbara Mason, Mayer Hawthorne, Durand Jones, the Delfonics, the Stylistics, Los Lobos, Stevie B, Heatwave, the Bar Kays feat. Larry Dodson, Cameo, Shalamar, S.O.S. Band, Dazz Band, the Legendary Blue Notes, Bloodstone, Frankie J, Con Funk Shun, the Pointer Sisters, the Mary Jane Girls and many more.

Check out the full lineup below.

Bloodied Post Malone Dares You to Come at Him in Poster for Jake Gyllenhaal ‘Road House’ Remake

Fresh off his mesmerizing performance of “America the Beautiful” at Sunday’s Super Bowl LVIII, Post Malone is bloodied but unbound in a new teaser poster for the upcoming Road House remake. Amazon’s Prime Video released images from the upcoming film on Tuesday (Feb. 13), including one in which Posty gives a menacing “come at me” stare while rocking an orange tank top, his face splattered with blood.

The re-boot of the 1989 bar brawl drama starring Patrick Swayze will get a new leading man in Jake Gyllenhaal in the film due out on March 21. Gyllenhaal will step into the role of UFC fighter turned rough-and-rowdy bouncer James Dalton, with his poster revealing a super buff Jake — with a full left arm sleeve of ink — staring into the camera, his face also showing signs of combat.

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The actor praised Posty for his professionalism on set in an Instagram post, writing, “A man of many talents. To say it was a pleasure working together is an understatement,” alongside a photo of them smiling on set, Malone’s face once again splattered with viscera. An accompanying video shows the two men sharing a joke between shots on set and Gyllenhaal goofing around and ducking under Malone’s outstretched arms while laughing, “hey guys, sorry, what’s going on. Just passing through.”

In addition to Malone and Gyllenhaal, the film stars UFC great Conor McGregor, Daniela Melchior, Billy Magnussen, Lukas Gage, Jessica Williams, Darren Barnet, Arturo Castro and more. Malone has a growing side hustle as an in-demand actor, appearing in Spenser Confidential, Wrath of Man and in voice work in Teenage Mutant Ninja Turtles: Mutant Mayhem and Spider-Man: Across the Spider-Verse; he will also appear as Leo in the upcoming Jennifer Lopez short film This Is Me… Now: A Love Story, due out on Friday (Feb. 16).

Check out Gyllenhaal’s post, the movie posters and a preview of the film below.

Jennifer Lopez Talks ‘True Love,’ Ben Affleck and Her ‘Best Album’ Yet

Jennifer Lopez is a romantic, sure, but she’s not hopeless with it. And definitely not a sex addict. A love addict? Now we’re talking.

That’s the word according to Lopez. The pop veteran stopped by Carrie & Tommy’s drive-time Australian radio station drive show on the Hit Network, for an exploration of her two-part This Is Me…Now project — an album and an Amazon original film, This Is Me…Now: A Love Story, both set for release this Friday, Feb. 16.

Directed by Dave Meyers (Ariana Grande, Taylor Swift), This Is Me…Now: A Love Story is said to showcase “her journey to love through her own eyes.” For her Australian radio spot, Lopez was asked about the moment in the official trailer, when her pals stage an intervention, telling the “If You Had My Love” singer that she just might be a sex addict.

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“No, no,” she says with a laugh. “People can think all kinds of things when they’re seeing you from the outside, thinking they know what your life is, and you’re like ‘well that’s actually the opposite of the truth’, but it was nice to toy around with all of those ideas.”

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If anything, she would characterize herself “more of a love addict or a workaholic than everything else.”

Lopez co-wrote the film, described in a statement as a “narrative-driven cinematic odyssey, steeped in mythological storytelling and personal healing.”

A decade has passed since Lopez’s last studio album, 2014’s A.K.A., which peaked at No. 8, one of her eight top 10s on the Billboard 200 chart.

Time away from creating music has been restorative. “I feel like this is the best album that I’ve ever made,” she tells Carrie & Tommy. “The most honest and true – it took a long time for me as a musical artist to get there. I’m really happy and proud of this in a way that I don’t think I ever have been before.”

Her ninth studio album, This Is Me…Now completes a concept, an “examination of that journey” from the release of This Is Me.. Then back in 2002 when she was dating Ben Affleck, to her subsequent marriage to the Batman star, and “wanting to share it with the world” through the lens of the project, she continues. “They’ve followed me on that journey and watched me make mistakes and go in and out of relationships and wondered what was going on.”

Lopez and Affleck split in 2004, reunited in 2021 and finally tied the knot in a surprise Las Vegas wedding in July 2022 – 20 years after that album release. The rest has been like, well, a romantic film.

“I got to the point in my life where I felt like I have some answers about this, and actually, true love does exist, and some things are forever,” she enthuses. “Don’t give up hope.”

The new album features a sequel to a track from the first This Is Me album, “Dear Ben Pt. II,” plus the previously released, dance-y single “Can’t Get Enough.”

Stream the interview here.

Sony Music Revenues Jump 16% Thanks to SZA & Streaming

With SZA’s album SOS leading the way and the market enjoying more growth in streaming royalties, Sony Music’s revenue grew 16.0% to 422.1 billion yen ($2.85 billion at the period’s average exchange rate) in its fiscal third quarter ended Dec. 31, the company announced Wednesday (Feb. 14). 

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Other top releases for the quarter were Travis Scott’s Utopia, Rod Wave’s Nostalgia, Doja Cat’s Scarlet, Blink-182’s One More Time…, Tate McRae’s Think Later, Harry Styles’ Harry’s House and Fuerza Regida’s Pa Las Baby’s Y Belikeada. A couple holiday classics were amongst Sony’s top albums in the Christmas quarter: Mariah Carey’s Merry Christmas and Phil Spector’s A Christmas Gift for You From Phil Spector

Streaming fueled growth in both the recorded music and music publishing segments of the business. Paid subscriptions were a major factor in the first full quarter after Spotify raised prices in roughly 50 markets, including the U.S., in July. Favorable foreign exchange rates accounted for about 24% of the quarter’s 58.4 billion yen ($394.9 million) revenue increase. 

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Its double-digit revenue growth was comparable on a percentage basis to other music companies that have released earnings. In the same quarter, Warner Music Group’s revenue grew 17.5% to $1.75 billion and Reservoir Media revenue improved 19% to $35.5 million. Spotify, the largest single source for music royalties globally, grew revenue by 16% to 3.67 billion euros ($4.05 billion). 

Sony Music’s margins improved across the board, too. Operating income improved 20.8% to 76.1 billion yen ($514.4 million) and adjusted operating income before depreciation and amortization jumped 25.3% to 98.5 billion yen ($666.2 million). Adjusted OIBDA margin improved nearly two percentage points to 23.3% from 21.6% in the prior-year quarter. 

The strong quarter led Sony Music to raise its full-year forecasts for the third consecutive quarter. On Wednesday, the company raised the forecasts for both revenue and adjusted OIBDA by 10 billion yen ($68 million) — revenue from 1.56 trillion yen ($10.37 billion at the current exchange rate) to 1.57 trillion yen ($10.43 billion) and adjusted OIBDA from 350 billion yen ($2.33 billion) to 360 million yen ($2.39 billion). When the company released its fiscal second quarter earnings in November, it increased its revenue guidance by 5% to 70 billion yen ($485 million) and adjusted OIBDA by 4%, or 15 billion yen ($104 million). In August, it raised its revenue forecast by 6%

Both music divisions each posted solid year-over-year gains in the quarter. Recorded music revenues jumped 19.9% to 286.5 billion yen ($1.94 billion). Streaming revenue rose 17.2% to 186.5 billion yen ($1.26 billion) and accounted for about 58% of the segment’s improvement. Physical revenue gained just 1.5% to 31.5 billion yen ($213.2 million). The “other” category — including merchandise, live performances and licensing revenue from synch, public performance and broadcast — jumped 45.9% to 59.7 billion yen ($403.9 million).  

Music publishing revenue rose 16.1% to 86.1 billion yen ($582 million). Streaming revenue climbed 22.4% to 50.9 billion yen ($343.9 million) and accounted for 78% of the segment’s year-over-year gain. Publishing’s “other” category grew 8% to 35.2 billion yen ($238.1 million). 

Visual media and platform revenue declined 5.1% to 45 billion yen ($304.4 million). The segment includes mobile gaming, software for PCs and game consoles, and software development contracts. 

Financial metrics for Sony Music’s fiscal third quarter ended Dec. 31, 2023:

  • Revenue of 422.1 billion yen ($2.85 billion), up 16.0% year over year. 
  • Adjusted operating income of 98.5 billion yen ($666.2 million), up 25.3% year over year.
  • Recorded music of 286.5 billion yen ($1.94 million), up 19.9% year over year.
  • Music publishing revenue of 86.1 billion yen ($582 million), up 16.1% year over year.
  • Visual media and platform revenue of 45 billion yen ($304.4 million), down 5.1% year over year. 

SZA Expands Australian Arena Tour

SZA’s forthcoming tour of Australia and New Zealand swells to nine concerts, with the addition this week of two new dates.

The U.S. R&B star will make the long haul in support of her hit album SOS, starting with two shows at Auckland’s Spark Arena (April 15 and 16), and followed by a run of Australia’s three main east coast cities: Sydney, Melbourne and Brisbane. A second concert at Brisbane Entertainment Centre is added for April 20, and a third show is slotted in at Qudos Bank Arena for April 26.

Live Nation Entertainment is producing the tour of ANZ, SZA’s first of these parts in almost five years.

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SOS (via RCA/Sony Music) connected with Australian audiences like few other albums in 2023. Released at the back-end of 2022, the album came in at No. 5 on the ARIA year-end chart for 2023, behind collections from Taylor Swift, The Weeknd and Morgan Wallen.

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SZA’s hit “Kill Bill” logged one week on top of the ARIA Singles Chart in 2023 and finished the year as the No. 3 single, according to ARIA, behind Miley Cyrus’ “Flowers” and Morgan Wallen’s “Last Night,” respectively.

Also, the St. Louis, MO-born artist was shortlisted for most popular international artist at the 2023 ARIA Awards, a category ultimately won by Taylor Swift.

More than a year after its release, SOS is still busting records. The single “Snooze” recently earned an unprecedented 30th week at No. 1 on Billboard’s R&B/Hip-Hop Airplay chart, the most by any song in the list’s 31-year history.

SZA collected three trophies at the Grammy Awards, with best R&B song for “Snooze,” best pop duo/group performance for “Ghost in the Machine” collaboration with Phoebe Bridges, best progressive R&B album for SOS.

SZA’s The SOS Australia & New Zealand Tour Dates:
April 15 – Auckland, New Zealand – Spark Arena
April 16 – Auckland, New Zealand – Spark Arena
April 19 – Brisbane, Australia – Brisbane Entertainment Centre
April 20 – Brisbane, Australia – Brisbane Entertainment Centre (* new show)
April 23 – Sydney, Australia – Qudos Bank Arena
April 24 – Sydney, Australia – Qudos Bank Arena
April 26 – Sydney, Australia – Qudos Bank Arena (* new show)
April 29 – Melbourne, Australia – Rod Laver Arena
April 30 – Melbourne, Australia – Rod Laver Arena

Billie Eilish & Finneas, Ludwig Göransson Among Winners at 2024 SCL Awards: Full List

Billie Eilish and Finneas and composer Ludwig Göransson moved one step closer to winning Oscars by winning at the fifth annual SCL Awards, which were held at the Skirball Cultural Center in Los Angeles on Tuesday night (Feb. 13). Eilish & Finneas won outstanding original song for a comedy or musical for “What Was I Made For?,” which they co-wrote for Barbie. Göransson won outstanding original score for a studio film for Oppenheimer. These are widely regarded as the front-runners to win the Oscars for best original song and best original score, respectively, on March 10.

Siedah Garrett hosted the SCL Awards, which are presented by The Society of Composers and Lyricists.

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Director Martin Scorsese accepted the Spirit of Collaboration Award for his work with the late composer Robbie Robertson. Jason Isbell performed “Between Trains,” which Robertson wrote for Scorsese’s 1983 film The King of Comedy, to honor the pair.

The Spirit of Collaboration Award recognizes a composer/director relationship which has created a prodigious body of work. Robertson and Scorsese’s collaborations over nearly 50 years included The Last Waltz, Raging Bull, Shutter Island, The Wolf of Wall Street, The Irishman and last year’s Killers of the Flower Moon, for which Robertson is nominated for an Oscar posthumously. The composer died in August at age 80.

Past recipients of the Spirit of Collaboration Award are Thomas Newman & Sam Mendes, Terence Blanchard & Spike Lee, Carter Burwell & the Coen Brothers, and Justin Hurwitz & Damien Chazelle.

Olivia Rodrigo and Dan Nigro won outstanding original song for a drama or documentary for “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds and Snakes. That song was shortlisted for an Oscar for best original song, but it didn’t land a nomination.

Garrett is a Grammy-winning, two-time Oscar-nominated songwriter and a member of the SCL. She recently reunited with Quincy Jones on the 2023 musical version of The Color Purple.  She had collaborated with Jones on Michael Jackson’s 1987 album Bad — co-writing “Man in the Mirror” and singing background vocals on “I Just Can’t Stop Loving You.” Both songs were No. 1 hits on the Billboard Hot 100.

The Society of Composers and Lyricists, which claims nearly 4,000 members, is a leading organization for professional film, television, video game and musical theater composers and songwriters.

Here are the nominees for the 2024 SCL Awards, with winners marked:

Outstanding original score for a studio film

Anthony Willis, Saltburn

Joe Hisaishi, The Boy and the Heron

WINNER: Ludwig Göransson, Oppenheimer

Laura Karpman, American Fiction

Robbie Robertson, Killers of the Flower Moon

Outstanding original score for an independent film

Jon Batiste, American Symphony

WINNER: John Powell, Still: A Michael J. Fox Movie

Daniel Pemberton, Ferrari

Mica Levi, The Zone of Interest

Fabrizio Mancinelli/Richard M. Sherman, Mushka

Outstanding original song for a comedy or musical

WINNER: Billie Eilish O’Connell/Finneas O’Connell, “What Was I Made For?,” Barbie

Mark Ronson/Andrew Wyatt, “I’m Just Ken,” Barbie

Diane Warren, “The Fire Inside,” Flamin’ Hot

Heather McIntosh/Allyson Newman/Taura Stinson, “All About Me,” The L Word: Generation Q

Jack Black/John Spiker/Eric Osmond/Michael Jelenic/Aaron Horvath, “Peaches,” Super Mario Bros. Movie

Outstanding original song for a drama or documentary

WINNER: Olivia Rodrigo/Dan Nigro, “Can’t Catch Me Now,” The Hunger Games: Ballad of Songbirds & Snakes

Jon Batiste/Dan Wilson, “It Never Went Away,” American Symphony

Lenny Kravitz, “Road to Freedom,” Rustin

Nicholas Britell/Taura Stinson, “Slip Away,” Carmen

Sharon Farber/Noah Benshea, “Better Times,” Jacob the Baker

Outstanding original score for a television production

WINNER: Nicholas Britell, Succession

Natalie Holt, Loki

Martin Phipps, The Crown

Carlos Rafael Rivera, Lessons in Chemistry

Gustavo Santaolalla, The Last of Us

Outstanding original title sequence for a television production

WINNER: Carlos Rafael Rivera, Lessons in Chemistry

Atli Örvarsson, Silo

Nainita Desai, The Deepest Breath

Kevin Kiner, Ahsoka

Chanda Dancy, Lawmen: Bass Reeves

Outstanding original score for interactive media

Austin Wintory, Stray Gods

Pinar Toprak, Avatar: Frontiers of Pandora

WINNER: Stephen Barton/Gordy Haab, Star Wars Jedi: Survivor

Winifred Phillips, Secrets of Skeifa Island

David Raksin award for emerging talent

Kenny Wood, The Naughty Nine

Hannah Parrott, After Death

Fabrizio Mancinelli, The Land of Dreams

WINNER: Catherine Joy, Home Is a Hotel

Allyson Newman, Commitment to Life