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Artists such as Ariana Grande, Dua Lipa, Megan Thee Stallion and Conan Gray helped Weverse, HYBE’s social media/fandom platform, grow its users by 16% in both the U.S. and Canada in 2024, the company announced Wednesday (Jan. 22). Weverse users also saw strong growth elsewhere, rising 21% in Brazil, 14% in Mexico, 22% in Japan and 54% in Taiwan. Originally a platform for K-pop groups, the platform has grown along with HYBE’s global expansion and posted 19% user growth across all territories.
Those statistics and more come from the new 2024 Weverse Fandom Trend Report, a recap of the platform’s tremendous growth and a testament to fans’ interest in their favorite artists. Joon Choi, president of Weverse Company, called 2024 “a transformative year” that expanded the platform’s artist communities, fan engagement and commerce activities. “Weverse remains committed to innovating its services to meet the evolving needs of artists and fans, solidifying its position as the center of global fandom culture,” he said in a statement.

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As much of the music industry begins to focus on better serving superfans, Weverse has already established itself as a money-making destination for fans of a select group of artists. The platform launched in 2019 and last year introduced a subscription tier that provides ad-free viewing, video downloads for offline access, high-quality streaming and language translation. “Digital membership, we believe, is the very first cornerstone of the future evolution [of Weverse],” Choi told Billboard in December.

Like a typical social network, Weverse allows artists to publish messages and content and gives fans an opportunity to leave comments. In 2024, Weverse Artists on the Weverse platform shared approximately 206,000 posts and fans generated 370 million posts. SEVENTEEN had the highest number of posts while ENHYPEN had the most comments. The platform also allows fans to send direct messages to artists — a perk for subscribers. Last year, artists sent 698,000 direct messages to fans and fans sent 96.36 million messages to artists. More than half (55%) of artists on Weverse send direct messages to fans at least every two days. Fans also sent 4.88 million personally decorated digital letters. Jung Kook received the most fan letters while LEEHAN of BOYNEXTDOOR responded to the most fan letters.

Weverse also hosted 5,787 live broadcasts on Weverse Live, the platform’s live streaming feature, totaling 4,779 hours of content in 2024 (artists don’t only live stream concert performances on Weverse Live and in fact usually opt for casual interactions and Q&A sessions with fans). Weverse Live videos were viewed 426 million times by 11.25 million unique Weverse users in 2024, while the top live stream of the year was “Missed You a Lot” by Jung Kook, which amassed 23 million real-time views.

E-commerce separates Weverse from a typical social network. Through Weverse Shop, Weverse sold 20.6 million pieces, a 13% increase from 2023. Physical merchandise such as albums and collectibles improved 10%, while Weverse Shop also sold 3.4 million pieces of digital merchandise, including artist memberships and online content, a 24% increase. Other than Weverse’s home market of South Korea, the United States and Japan were the top markets for merchandise. The top-selling digital items were artist memberships: BTS ARMY memberships were most popular in Oceania, Latin America and Europe while SEVENTEEN’s CARAT memberships were most popular in North America.

Nikola Jokic is apparently a big fan of 50 Cent, especially the Queens rapper’s song “Many Men.”
After Denver Nuggets teammate DeAndre Jordan recently revealed that the 2003 song is Jokic’s favorite, the NBA on TNT crew joked with the three-time MVP about him supposedly knowing every word and pleaded for him to rap the words during a postgame interview.

“No, no, no, I’m not,” Jokic laughed, refusing to rap. “D.J. is a bad teammate. I love the song, I love the song, but I’m not going to [rap it].”

“Peyton Watson is our locker room DJ, so anytime Nikola request a song, if it’s not, like, Serbian folk music, it is ‘Many Men’ by 50 Cent,” Jordan shared on the Run It Back podcast. “He knows the words from start to finish. … That’s his song, man, he loves it.”

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Jordan couldn’t confirm if the Serbian big man had ever seen 50’s 2003 movie Get Rich or Die Tryin’, but he said he’s going to get him a tape if he hasn’t. “You know what, I don’t know, but if he hasn’t, I’m going to get it for him on VHS.”

However, the Joker bashfully denied Jordan’s claim, but said he’ll learn the words and maybe perform the song sometime in the future.

“No, no, he’s lying. I don’t know the words. But I’m going to [learn] it. Maybe I’m going to perform, I think,” he said as they egged him on and suggested he do the performance during the upcoming All-Star weekend in February.

The highlight of the clip, though, is Adam Lefkoe rapping the hook and Shaq attempting to rap the words in Serbian (or French, maybe Creole, depending on who you ask.)

Angel Carter Conrad is getting ready to tell her side of her family’s history — including her memories of famous brothers Nick Carter and the late Aaron Carter — in a new documentary titled The Carters coming to Paramount+ later this year.
As announced Wednesday (Jan. 22), the two-part project will give viewers a “deeply personal look at the extreme highs and tragic lows of a family propelled into the spotlight” by Nick’s boy band career with the Backstreet Boys and Aaron’s rise to solo pop stardom. Told through the eyes of Angel — Aaron’s twin sister — the doc will piece together the Carter family’s “deeply disturbing path” through never-before-seen home movies and exclusive interviews with friends Melissa Joan Hart and Scout Willis.

“The Carters follows bona fide American teen heartthrobs, Nick and Aaron, who seemed to have it all,” reads a description. “But behind their remarkable gifts was a family dealing with mental health struggles, drug addiction, and heartbreaking neglect.”

An exact release date has not yet been announced. Director Soleil Moon Frye said in a statement, “I feel morally responsible to create a safe space for others to share their truths … Angel’s courage in sharing her family’s journey of mental health issues, addiction, pain, unbearable loss, and at the core, love, is a profound testament to who she is.”

“This documentary is a labor of love for my family,” added Angel. “By sharing our true story — one shaped by loss, resilience, and healing — I hope to honor our journey and transform our past into a message of hope and purpose for others facing similar challenges.”

Aaron, Nick and Angel are three of five children in their family. They also had a sister named Leslie, who died of an apparent overdose in 2012, and another sister, Bobbie Jean, who died of an accidental overdose in 2023. Aaron died the year prior in an accidental drowning. The siblings also lost their father to a heart attack in 2017.

Seemingly uninvolved in the documentary, Nick Carter is currently embroiled in legal battles with three women who have accused him of sexual assault: Shannon “Shay” Ruth, Dream singer Melissa Schuman and an anonymous Jane Doe, who in August 2023 filed a complaint alleging Nick assaulted her multiple times in 2003 when she was 15. Ruth sued the “Now or Never” singer in December 2022 for allegedly raping her on a tour bus when she was a teenager, while Schuman’s suit came in April 2023 over claims Nick gave her drug-laced alcohol and assaulted her when she was 18.

In August last year, Nick countersued Schuman for $2.5 million. He also countersued Ruth before that; both times, a judge refused attempts to have the countersuits dismissed.

Few American-made mythologies loom larger than L. Frank Baum’s Oz. His 1900 book, The Wonderful Wizard of Oz, was an instant sensation that was made into theatrical productions and films, and later inspired songs by Elton John, America, ELO and even the Melvins.

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Now, Jon M. Chu’s blockbuster Wicked is taking audiences beyond the yellow brick road, thanks to bewitching performances by Ariana Grande and Cynthia Erivo. So put on your emerald-colored glasses for a look back at Billboard’s coverage of a story that transported people over the rainbow to another world.

Not In Kansas Anymore

Just two years after Baum published his book, a musical adaptation, The Wizard of Oz, opened in a Chicago theater. Thanks to vaudeville veterans Fred Stone and David C. Montgomery playing the Scarecrow and Tin Woodman, respectively, the Jan. 3, 1903, Billboard raved, “It is one continuous case of laughter throughout.” The reviewer noted, however, that “the music isn’t so very catchy.” If they only had a Rodgers & Hart!

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If They Only Had a Brain

When the sixth silent film based on Oz opened in 1925, a Billboard critic wasn’t convinced it was King of the Forest. “No one ever expects logic in a film of this species and certainly no one finds any in The Wizard of Oz,” wrote a reviewer in the April 25 issue of director Larry Semon’s slapstick take. The good news: “You can safely invite the school committee and the clergy to view this film as it is wholesome and totally without objectionable features.”

‘What Happened Next Was Rich’

When MGM’s lush The Wizard of Oz premiered in New York, Billboard was there — as was star actress Judy Garland, who sang a few songs after the screening with frequent co-star Mickey Rooney. The “vaudefilmers” combo grossed $68,000 and broke “all house records,” according to the Sept. 2, 1939, issue. Two weeks later, Billboard forecast a bright future for “Over the Rainbow”: “You can count on its staying around for some time.” By Sept. 30, the song was a jukebox must: “No ifs and buts to it — it’s got to be in every machine.”

No Place Like Harlem

When The Wiz, a stage musical reimagining with an all-Black cast, opened on Broadway in 1975, a Jan. 18 Billboard review hailed its “sauce, moxy and innovation.” Sidney Lumet’s big-screen adaptation was “a wow” but “rather long,” according to the Oct. 14, 1978, issue. The same reviewer also said that Michael Jackson “excels as Scarecrow in several numbers,” including “a vibrant duet” with Diana Ross on “Ease on Down the Road” — which hit No. 41 on the Billboard Hot 100 the next week.

Age-‘Defying’ Appeal

A full century after Oz first hit the Gay White Way, Wicked debuted on Broadway. It was very “Popular”: When Billboard launched its Top Cast Albums chart in the Jan. 21, 2006, issue, the original cast recording was the first No. 1. Wicked’s broomstick flight to Hollywood was just as successful. “Ariana Grande is a revelation,” praised a Nov. 22, 2024, Billboard article, adding that Erivo’s Wicked Witch “feels real and relatable — even in a musical with talking goats.”

The Rock & Roll Hall of Fame wants a federal judge to toss out a copyright lawsuit over an image of Eddie Van Halen, arguing that it made legal fair use of the image by using it as part of a museum exhibit designed to “educate the public about the history of rock and roll music.”
The lawsuit, filed last year, claims the Rock Hall never paid to license Neil Zlozower’s image — a black-and-white photo of late-’70s Van Halen in the recording studio — before blowing it up into an eight-foot-tall display in the Cleveland museum.

But in a motion to dismiss the case filed Tuesday (Jan. 21), the Rock Hall says it didn’t need to. Attorneys for the museum say the offending exhibit was protected by “fair use”, a rule that allows copyrighted works to be reused legally in many contexts, including education and commentary.

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“RRHOF transformed plaintiff’s original band photograph by using it as a historical artifact to underscore the importance of Eddie Van Halen’s musical instruments,” the Hall’s attorneys write. “RRHOF operates a museum, and it displayed the image in service of its charitable mission to educate the public about the history of rock and roll music.”

Zlozower filed his case in October, claiming the Hall made an “exact copy of a critical portion of plaintiff’s original image” for the exhibit, which he claimed “did not include any photo credit or mentions as to the source of the image.”

The Rock Hall is just the latest company to face such a lawsuit from Zlozower, who also snapped images of Led Zeppelin, The Rolling Stones, Michael Jackson and Bruce Springsteen over a decades-long career. Since 2016, court records show he’s filed nearly 60 copyright cases against a range of defendants over images of Elvis Costello, Guns N’ Roses, Mötley Crüe and more.

In the current dispute, the Van Halen image was used in two exhibits: “Play It Loud: Instruments of Rock & Roll” and “Legends.” Focused on musical instruments used by famed rockers, the exhibits featured sections showing Van Halen’s guitars, amplifiers and other gear. In the display, the original photo of the band was cropped to show just Eddie holding one of the guitars, which was placed amid the exhibit’s objects and informational placards.

In their motion to dismiss the case, the Rock Hall’s attorneys say the museum made a “transformative use” of Zlozower’s original image — a key question when courts decide fair use. They say the Hall used it not simply as an image of the band, but “to contextualize Eddie Van Halen’s instruments on display in the museum as historical artifacts.”

“RRHOF incorporated a portion of plaintiff’s photograph displayed next to the exhibition object, as one piece of source material to document and represent the use of the guitar,” the museum’s lawyers write. “This proximal association between source material and exhibition object helps visitors connect information and delve more deeply into the exhibition objects.”

In making that argument, the Hall’s attorneys had a handy piece of legal precedent to cite: A 2021 ruling by a federal appeals court tossed out a copyright lawsuit against New York City’s Metropolitan Museum of Art over the use of another image of Van Halen in a different exhibit on the same famous set of guitars.

In making that ruling, the appeals court said the Met had clearly made “transformative” fair use of the image by displaying it alongside the exhibit: “Whereas [the photographer]’s stated purpose in creating the photo was to show ‘what Van Halen looks like in performance,’ the Met exhibition highlights the unique design of the Frankenstein guitar and its significance in the development of rock n’ roll instruments,” the appeals court wrote at the time.

That earlier ruling is not technically binding on the case against the Rock Hall, which takes place in another region of the federal court system. But such an uncannily on-point ruling could certainly be influential on the judge overseeing the current case.

An attorney for Zlozower did not immediately return a request for comment.

The clubs are currently dark in Ibiza, but months before the 2025 season gets underway, we’ve got tabs on the 50 most played artists at island institution Ushuaïa in 2024. These 50 artists rank highest on a list of 3,001 unique acts whose music was identified at the club in 2024. The top five slots […]

Jason Aldean is sharing his support for Carrie Underwood after her performance at Donald Trump‘s presidential inauguration ceremony, where technical difficulties led to the American Idol winner delivering a rendition of “America the Beautiful” a cappella. Explore See latest videos, charts and news See latest videos, charts and news Aldean appeared on a recent episode […]

Sting is pulling out of his next few public engagements as he recovers from a temporary throat infection, the rock star announced Tuesday. In a post on his Instagram, the Police frontman’s team wrote that he would be canceling his scheduled appearance at the Jan. 23 Bass Magazine Awards, as well as his Jan. 24 […]

Chris Brown has filed a $500 million defamation lawsuit against Warner Bros. Discovery for their documentary ‘Chris Brown: A History of Violence.’ Keep watching for the full details about the case.   Tetris Kelly: Chris Brown is suing for $500 million after a documentary is saying he has a history of violence. We have the story […]

Ringo Starr earns his first top 10 on Billboard’s all-genre Top Album Sales chart (which dates to 1991) as Look Up enters the list dated Jan. 25 at No. 7. The effort from The Beatles’ iconic drummer also arrives across a host of other Billboard album tallies, including Indie Store Album Sales (No. 2), Top Rock Albums (No. 7), Americana/Folk Albums (No. 12), Top Country Albums (a career-best No. 27) and Top Rock & Alternative Albums (No. 30). On the overall Billboard 200, it starts at No. 147, marking Starr’s 20th entry, dating to his first, Sentimental Journey, in 1970.

The 11-song album, recorded in Nashville and produced by T Bone Burnett, was released Jan. 10, on the revived Lost Highway imprint.

Starr recently told Billboard, “I did love country music before I was in (The Beatles). We got plenty of it in Liverpool, because the lads who were in the merchant navy would bring not only rock and roll over, but country — and when country bands went on tour in England, they always played Liverpool.” The new set boasts a host of collaborators from the worlds of country, Americana/folk and bluegrass, including Alison Krauss, Billy Strings and Molly Tuttle.

Look Up earned 9,000 equivalent album units in the tracking week ending Jan. 16 in the United States, according to Luminate, with 8,000 of that sum in traditional album sales.

That 8,000-sales figure yields Starr’s No. 7 arrival on Top Album Sales, marking his first top 10 and his 14th chart appearance on the 33-year-old chart, whose history dates to May of 1991, when Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Starr had previously peaked at No. 11 with 2021’s Zoom In.

Meanwhile Look Up charts on multiple other surveys. It opens at a career-best No. 27 on Top Country Albums, marking his second entry – and second top 40-charting effort – on the list. The 84-year-old previously appeared on Top Country Albums when Beaucoups of Blues hit No. 35 in December 1970.

Plus, Look Up starts at No. 12 on Americana/Folk Albums marking Starr’s first appearance on the 15-year-old chart.

-additional reporting by Keith Caulfield