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Diane Warren received her 16th Oscar nomination for best original song on Thursday (Jan. 23) — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight.
Moreover, this is the eighth year in a row Warren has been nominated, which enables her to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954 to 1961.

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Clément Ducol and Camille have two of the five songs that are nominated for best original song — “El Mal” and “Mi Camino,” both from Emilia Pérez. (They cowrote “El Mal” with the film’s director, Jacques Audiard.) This marks the first time that a songwriter or team of songwriters has had two nominated songs in the same year since 2017, when Justin Hurwitz and the team of Pasek & Paul had two nominated songs from La La Land, “City of Stars” (which won the award) and “Audition (The Fools Who Dream).”

Audiard, nominated for directing and original song for Emilia Pérez, becomes only the third person to be nominated in both the directing and original song categories, and the first to do so for the same film. Leo McCarey and Spike Jonze received their nominations in separate years.

This is the fifth year in a row that one or more non-English language songs has been nominated in the original song category. The streak started with “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se) and continued with “Dos Oruguitas” from Encanto, “Naatu Naatu” from RRR and “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon.

Elton John received his fifth Oscar nomination for co-writing “Never Too Late” Elton John: Never Too Late. It’s the second nod for his collaborator Bernie Taupin; and the first for fellow collaborators Brandi Carlile and Andrew Watt. “Never Too Late” is the first song written by four songwriters to be nominated for best original song since “Lift Me Up” from Black Panther: Wakanda Forever two years ago, which was cowritten by Tems, Rihanna, Ryan Coogler and Ludwig Goransson.

Best Original Song Nominees

“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren

“Like a Bird: from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada

“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol

“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

The Motion Picture Academy released a shortlist of 15 contenders for best original song on Dec. 17. One song, “Forbidden Road” from Better Man (Paramount Pictures) was removed from the shortlist two days later because of similarities to a 1973 film song, “I Got a Name” from The Great American Hero.

Among the notable songwriters who were shortlisted but not nominated: Lin-Manuel Miranda, Pharrell Williams, and Trent Reznor and Atticus Ross.

Miranda was shortlisted for writing “Tell Me It’s You” from Mufasa: The Lion King. Miranda has been just an Oscar away from an EGOT since 2014, when he won his first Primetime Emmy. He has been Oscar-nominated twice for writing “How Far I’ll Go” from Moana and “Dos Oruguitas” from Encanto.

Shortlisted But Not Nominated for Best Original Song

“Beyond” from Moana 2 (Walt Disney Pictures) — Abigail Barlow, Emily Bear

“Compress/Repress” from Challengers (Amazon MGM) — Trent Reznor, Atticus Ross, Luca Guadagnino

“Harper and Will Go West” from Will & Harper (Netflix) — Sean Douglas, Kristen Wiig, Josh Greenbaum

“Kiss the Sky” from The Wild Robot (DreamWorks Animation) — Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi

“Out of Oklahoma” from Twisters (Universal Pictures) — Lainey Wilson, Luke Dick, Shane McAnally

“Piece by Piece” from Piece by Piece (Focus Features) — Pharrell Williams

“Sick in the Head” from Kneecap (Sony Pictures Classics) — Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T

“Tell Me It’s You” from Mufasa: The Lion King (Walt Disney Pictures) – Lin-Manuel Miranda

“Winter Coat” from Blitz (Apple Original Films) — Nicholas Britell, Steve McQueen, Taura Stinson

Best Original Score

Volker Bertelmann, who won two years ago for All Quiet on the Western Front, is nominated for Conclave.

Kris Bowers received his first scoring nomination for The Wild Robot. He has been nominated twice in documentary categories, for A Concerto Is a Conversation and The Last Repair Shop (both collabs with Ben Proudfoot).

Clément Ducol and Camille were nominated for Emilia Pérez. They are the third married couple to be nominated in a scoring category. Composer Fred Karlin and lyricist Tylwyth Kymry were nominated in 1971 for best original song score for The Baby Maker. Lyricists Alan and Marilyn Bergman were nominated for best original song score and its adaptation or adaptation score in 1984 for Yentl, on which they teamed with Michel Legrand.

John Powell and Stephen Schwartz were nominated for Wicked. The film has become the top-grossing film ever adapted from a Broadway musical.

Best Original Score Nominees

The Brutalist (A24), Daniel Blumberg

Conclave (Focus Features), Volker Bertelmann

Emilia Pérez (Netflix), Clément Ducol and Camille

Wicked (Universal Pictures) John Powell and Stephen Schwartz

The Wild Robot (DreamWorks Animation), Kris Bowers

Trent Reznor and Atticus Ross, two-time winners in the category (for The Social Network and Soul, a collab with Jon Batiste), were passed over for Challengers.

This was not Hans Zimmer’s year at the Oscars. First, his score for Dune: Part Two was ruled ineligible due to exceeding the Academy’s limit on pre-existing music. Academy rules state: “In cases such as sequels and franchises from any media, the score must not use more than 20% of pre-existing themes and music borrowed from previous scores in the franchise.” Zimmer’s score for Dune: Part Two incorporates substantial elements from his Oscar-winning score for 2021’s Dune. Zimmer was in on the score shortlist for his work on Steve McQueen’s Blitz, but that score failed to land a nomination.

Andrea Datzman was also passed over for Inside Out 2. With this release, Datzman became the first woman to score a Pixar feature film.

Shortlisted But Not Nominated for Best Original Score

Alien: Romulus (20th Century Studios) – Benjamin Wallfisch

Babygirl (A24) – Critobal Tapia de Veer

Beetlejuice Beetlejuice (Warner Bros. Pictures) – Danny Elfman

Blink Twice (Amazon MGM Studios) – Chanda Dancy

Blitz (Apple Original Films) — Hans Zimmer

Challengers (Amazon MGM) — Trent Reznor and Atticus Ross

The Fire Inside (Amazon MGM) — Tamar-kali

Gladiator II (Paramount Pictures) — Harry Gregson-Williams

Horizon: An American Saga Chapter 1 (New Line Cinema) – John Debney

Inside Out 2 (Pixar) — Andrea Datzman

Nosferatu (Focus Features) – Robin Carolan

The Room Next Door (Sony Pictures Classics) — Alberto Iglesias

Sing Sing (A24) — Bryce Dessner

The Six Triple Eight (Netflix) – Aaron Zigman

Young Woman and the Sea (Walt Disney Pictures) — Amelia Warner

The lineup for Tomorrowland 2025 is here. The organizers of the Belgian mega-festival released a bill with more than 600 dance acts spanning the genre’s sound spectrum on Thursday (Jan. 23).
The bill includes a load of Tomorrowland regulars including Martin Garrix, Steve Aoki, Armin van Buuren, Charlotte de Witte, David Guetta, Hardwell, Nervo, Nicky Romero and many others. The bill also includes John Summit, Fisher, Amelie Lens, Alok, Agents of Time, Miss Monique, The Blessed Madonna and other artists making mainstage, house, techno, trance, bass and more.

The gentlemen of Swedish House Mafia will perform twice, once as Swedish House Mafia and once as a b2b2b featuring the trio’s members — Axwell, Steve Angello and Sebastian Ingrosso — doing a house set on one of the event’s more intimate stages. Solomun will perform not once but thrice with a weekend one set on the mainstage, a weekend two b2b with Anyma and a third set on the festival’s Freedom Stage.

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Tomorrowland will also offer a flurry of b2b sets from Dimitri Vegas b2b Fantasm, DJ Boring b2b Haai, Kevin de Vries b2b Cassian, Kölsch b2b Artbat and many more.

The festival’s 19th edition happens across two weekends — July 18-20 and July 25-27 in Boom, Belgium. The event typically draws more than 400,000 people over its back-to-back weekends. Tickets for Tomorrowland 2025 go on sale Feb. 1.

Before the festival’s flagship summer edition, Tomorrowland Winter happens March 15-22 at Alpe d’Huez, a ski resort in the French Alps roughly two and a half hours southeast of Lyon. 2025 marks the fifth edition of the event, which will host a crowd of roughly 22,000. 

See the full lineup for Tomorrowland Belgium below:

Tomorrowland

Courtesy of Tomorrowland

After operating a store on the Sixth Avenue side of Rockefeller Center for a little over four years, Rough Trade is now opening a second location in the complex, the retail chain announced Thursday (Jan. 23).
While the smaller existing store at street level will now be known as Rough Trade Above, and will expand its focus on new vinyl, the new location will cover 4,000 square feet and feature “a large selection of artist/band merch, audio hardware” including turntables and Bluetooth speakers, large sections of new and used CDs and vinyl records, plus movies, collectibles and more.

Since it will be housed in the below street-level retail concourse that connects the world-famous Rockefeller Center to the B/D/F/M subway station, the new store will be known as Rough Trade Below. Just like the Sixth Avenue location, which sees heavy foot traffic walking past the store, located between 49th and 50th Streets in Manhattan, the concourse has a steady crowd flow from the subway. What’s more, the retail concourse, also known as Under 30 Rock, draws office workers from the surrounding office buildings. Altogether, the Rockefeller Center complex — which is home to the annual televised Christmas tree lightening that draws heavy foot traffic during the year-end holidays — enjoys 35 million visitors a year, according to Rough Trade.

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Rough Trade hasn’t yet disclosed a grand opening date for the new store but says it will open sometime this spring, with the company likely targeting an opening before Record Store Day in April. 

“We’re extremely excited to be opening Rough Trade Below this spring, helping us further cater to the tremendous demand from music lovers across the five boroughs and beyond,” Rough Trade co-owner Stephen Godfroy said in a statement. “Creating a focus of counterculture in midtown Manhattan has thankfully proved to be a wildly successful move, and we look forward to creating an even stronger creative community as the year progresses.”

One way Rough Trade expects to do that is by bringing back its famed in-store performances, thanks to the new location’s larger footprint. While the smaller 6th Avenue store has hosted acoustic sets — Green Day, for one — and in-store signings, the new store will be able to handle a larger capacity crowd for performances and intends to bring in household names alongside below-the-radar bands across all genres, the company says. Other artists who have held events at the 6th Avenue store include Coldplay, Charlie XCX and De La Soul, among others.

“It’s clear that the ethos of Rough Trade—to narrow the gap between artist and audience—has struck a tremendous chord, here in New York,” Godfroy added. “Creating an even larger mecca for the music lover is an exciting prospect, especially for our intimate live events, where the world’s most exciting artists perform in-store for the admission of purchasing their new album.”

In-store performances were an exciting element of the original New York Rough Trade store, which opened in Brooklyn’s Williamsburg neighborhood in 2013 and closed in 2021. That store, housed in a 10,000-square foot space, was split about evenly between retail space and the club, with the latter hosting live concerts but also doubling as an in-store performance space, albeit one in another room separated from the retail section by a wall.

The new store will have a performance space directly within the store next to CD and vinyl racks on castor wheels, which when moved aside will allow for greater occupancy. According to Godfroy —who responded to an e-mail—the setup will accommodate more “intimacy and magic” at in-stores and “make performances all the more unique, memorable and special, for both artists and fans.”

The goal, Godfroy adds, is to “replicate the successful model of our U.K. flagship, Rough Trade East,” in London.

Since moving to Rockefeller Center, Rough Trade has continued to curate live public events, including its annual iNDIEPLAZA music festival and a quarterly concert series in the complex’s Rainbow Room. The Rough Trade presence has helped Rockefeller Center’s management company, Tishman Speyer, revitalize the complex, allowing it to remain “a dynamic destination” for New Yorkers and visitors, according to EB Kelly, Tishman Speyer’s senior MD and head of Rockefeller Center.

“We are thrilled to have Rough Trade expanding into a second location on campus, and join our Under 30 Rock collection of shops,” Kelly continued. “In just three years, the store has become one of Manhattan’s cultural touchstones and a pillar of Rockefeller Center’s dynamic transformation. New Yorkers have shown us how much they love the experience of the current store on Sixth Avenue, and the new space in our lively Under 30 Rock community will allow even more people to enjoy the musical taste of this legendary shop.”

The new Rockefeller Center location expands Rough Trade’s retail footprint to ten stores — seven in the U.K (of which four are in London, along with outlets in Bristol, Nottingham and Liverpool); one in Berlin; and now two in New York.

Steven Tyler’s sixth annual Jam for Janie Grammy Awards Viewing Party has been announced, with the star-studded charity event to kick off on Feb. 2 at the Hollywood Palladium.

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Hosted by Grammy-winning comedian Tiffany Haddish, the evening features a powerhouse lineup of performers, including Billy Idol, Joan Jett, Joe Perry, Tom Hamilton, Linda Perry, Matt Sorum, and Nuno Bettencourt. A special highlight will be a reunion performance by members of Aerosmith.

The event supports Janie’s Fund, the rocker’s nonprofit aiding young women and girls who have survived abuse, and expands its philanthropic reach this year to benefit the Los Angeles Fire Department Foundation and the Widows, Orphans, and Disabled Firefighter’s Fund. The event will welcome more than 100 firefighters who have been at the forefront of combating the California wildfires, to celebrate the major night in music.

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“What the Los Angeles community has endured with these wildfires is unthinkable. Music has healing powers and we hope to bring a moment of joy and levity to our first-responder firefighters and those most affected by the fires,” Tyler said. “The trauma experienced by the girls we work with is also unthinkable and we will continue to shed light and support the amazing work of Janie’s Fund.”

The night will include a red carpet, cocktail reception, dinner, live auction, and an exclusive after-party benefitting Janie’s Fund, as well as support both the Widows, Orphans and Disabled Firefighters Fund and Los Angeles Fire Department Foundation by raising critical funds to help meet the immediate needs for lifesaving equipment and resources. 

Event Chairs include Ace & Matt Sorum, Aerosmith, Alice Cooper, Andrea Bocelli, Ashlee Simpson & Evan Ross, Bill Maher, Bo Derek, Chris & Rich Robinson, Dolly Parton, Flavor Flav, Jane Lynch, Kayte & Kelsey Grammer, Lionel Richie, Melissa Joan Hart, Miley Cyrus, Nuno Bettencourt, Paula Abdul, Randy Jackson, Sammy Hagar, Scarlett Johansson, and Shep Gordon.

Named after Aerosmith’s 1989 hit “Janie’s Got a Gun,” which peaked at No. 4 on the Billboard Hot 100 and won the band their first Grammy for best rock performance, Janie’s Fund has been a lifeline for vulnerable girls. With its expanded mission this year, the event promises to raise vital funds for lifesaving equipment and resources.

Tickets and sponsorship details are available at JaniesFund.org.

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Domiio, one of the newer artists on Lil Wayne’s Young Money label, is starting to turn heads in the rap game. He’s from Broomall, PA, just outside of Philly, and he’s been making noise ever since he linked up with Weezy. It was the President and CEO of Young Money Records Mack Maine, and Lil Wayne who immediately took a liking to the young star. Mack Maine and Lil Wayne wasted no time in deciding to sign Domiio to his idol Weezy.

Growing up, Lil Wayne was one of Domiio’s biggest inspirations, and now he’s signed to the same label. It’s crazy how life comes full circle.

Recently, Domiio hit up Hip-Hop Wired for an exclusive freestyle, and he didn’t disappoint. In 2022 Domiio, formally known as Drizzy P, went viral after his Hot 107.9 ATL freestyle. Getting co-signs from huge stars like Lil Wayne, Chris Brown, & many more. All while showing off the skills that got him noticed in the first place.
Domiio’s journey is all about staying hungry and grinding no matter where you come from. Growing up in Philly’s shadow, he soaked up the city’s rap culture, but now he’s got his own lane. Signing with Young Money is just the beginning, and you can expect more heat from him as he builds his name. If you haven’t heard of Domiio yet, it’s time to start paying attention—he’s on his way up.

Let T-Pain buy U a drank down on Bourbon Street — or Rum Street, actually. In celebration of the 2025 Super Bowl taking over New Orleans on Feb. 9, Captain Morgan is transforming the city’s iconic Bourbon Street into Rum Street leading up to the Big Game from Feb. 6 to 8, when T-Pain will […]

Emilia Pérez received 13 nominations for the 97th annual Academy Awards, more than any other film this year and more than any other non-English language film in Oscar history. The latter record was previously held by Crouching Tiger, Hidden Dragon (2000) and Roma (2018) with 10 nods each.
Runners-up to Emilia Pérez for most nominations this year were The Brutalist and Wicked, with 10 nods each; A Complete Unknown and Conclave with eight nods each; Anora with six; and Dune: Part Two and The Substance with five nods each.

Two musicals (Wicked andEmilia Pérez) were among the 10 films nominated for best picture. This marks the first time two musicals have been nominated for best picture in the same year since 1968, when Oliver! and Funny Girl were two of the five nominated films that year. The Bob Dylan biopic A Complete Unknown was also nominated for best picture. The nominations were announced on Thursday (Jan. 23).

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Three actors from A Complete Unknown – Timothée Chalamet (who plays Dylan), Edward Norton (Pete Seeger) and Monica Barbaro (Joan Baez) – are nominated for acting honors, the first time in Oscar history that three actors from a music biopic have been nominated.

Four actors received Oscar nominations for performances in musicals – Karla Sofía Gascón and Zoe Saldaña for Emilia Pérez, and Cynthia Erivo and Ariana Grande for Wicked.

Three acting nominations are for non-English language performances: Gascón and Saldaña in Emilia Pérez, and Fernanda Torres in I’m Still Here. In eight of the last 10 years, at least one non-English language performance has been nominated.

For the sixth consecutive year, at least one film nominated for best picture has been directed by a woman. Coralie Fargeat’s nomination for The Substance is the 10th directing nomination for a woman.

Diane Warren was nominated for best original song for the 16th time  — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight. Moreover, this is the eighth year in a row she has been nominated, which enables Warren to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954-61.

Here’s a complete list of nominees for the 2025 Academy Awards.

Best Picture

Anora, Alex Coco, Samantha Quan and Sean Baker, Producers

The Brutalist, Nominees to be determined

A Complete Unknown, Fred Berger, James Mangold and Alex Heineman, Producers

Conclave, Tessa Ross, Juliette Howell and Michael A. Jackman, Producers

Dune: Part Two, Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers

Emilia Pérez, Nominees to be determined

I’m Still Here, Nominees to be determined

Nickel Boys, Nominees to be determined

The Substance, Nominees to be determined

Wicked, Marc Platt, Producer

Actor in a Leading Role

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Actress in a Leading Role

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

Fernanda Torres, I’m Still Here

Actor in a Supporting Role

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

Actress in a Supporting Role

Monica Barbaro, A Complete Unknown

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

Directing

Anora, Sean Baker

The Brutalist, Brady Corbet

A Complete Unknown, James Mangold

Emilia Pérez, Jacques Audiard

The Substance, Coralie Fargeat

Writing (Adapted Screenplay)

A Complete Unknown, Screenplay by James Mangold and Jay Cocks

Conclave, Screenplay by Peter Straughan

Emilia Pérez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes

Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)

Anora, Written by Sean Baker

The Brutalist, Written by Brady Corbet, Mona Fastvold

A Real Pain, Written by Jesse Eisenberg

September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David

The Substance, Written by Coralie Fargeat

Music (Original Score)

The Brutalist, Daniel Blumberg

Conclave, Volker Bertelmann

Emilia Pérez, Clément Ducol and Camille

Wicked, John Powell and Stephen Schwartz

The Wild Robot, Kris Bowers

Music (Original Song)

“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren

“Like a Bird” from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada:

“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol

“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Animated Feature Film

Flow, Nominees to be determined

Inside Out 2, Kelsey Mann and Mark Nielsen

Memoir of a Snail, Adam Elliot and Liz Kearney

Wallace & Gromit: Vengeance Most Fowl, Nominees to be determined

The Wild Robot, Chris Sanders and Jeff Hermann

Animated Short Film

Beautiful Men, Nicolas Keppens and Brecht Van Elslande

In the Shadow of the Cypress, Shirin Sohani and Hossein Molayemi

Magic Candies, Daisuke Nishio and Takashi Washio

Wander to Wonder, Nina Gantz and Stienette Bosklopper

Yuck!, Loïc Espuche and Juliette Marquet

Cinematography

The Brutalist, Lol Crawley

Dune: Part Two, Greig Fraser

Emilia Pérez, Paul Guilhaume

Maria, Ed Lachman

Nosferatu, Jarin Blaschke

Costume Design

A Complete Unknown, Arianne Phillips

Conclave, Lisy Christl

Gladiator II, Janty Yates and Dave Crossman

Nosferatu, Linda Muir

Wicked, Paul Tazewell

Documentary Feature Film

Black Box Diaries, Shiori Ito, Eric Nyari and Hanna Aqvilin

No Other Land, Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham

Porcelain War, Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen

Soundtrack to a Coup d’Etat, Johan Grimonprez, Daan Milius and Rémi Grellety

Sugarcane, Nominees to be determined

Documentary Short Film

Death by Numbers, Kim A. Snyder and Janique L. Robillard

I Am Ready, Warden, Smriti Mundhra and Maya Gnyp

Incident, Bill Morrison and Jamie Kalven

Instruments of a Beating Heart, Ema Ryan Yamazaki and Eric Nyari

The Only Girl in the Orchestra, Molly O’Brien and Lisa Remington

Film Editing

Anora, Sean Baker

The Brutalist, David Jancso

Conclave, Nick Emerson

Emilia Pérez, Juliette Welfling

Wicked, Myron Kerstein

International Feature Film

Brazil, I’m Still Here

Denmark, The Girl with the Needle

France, Emilia Pérez

Germany, The Seed of the Sacred Fig

Latvia, Flow

Makeup and Hairstyling

A Different Man, Mike Marino, David Presto and Crystal Jurado

Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton

The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

Wicked, Frances Hannon, Laura Blount and Sarah Nuth

Production Design

The Brutalist, Production Design: Judy Becker; Set Decoration: Patricia Cuccia

Conclave, Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter

Dune: Part Two, Production Design: Patrice Vermette; Set Decoration: Shane Vieau

Nosferatu, Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová

Wicked, Production Design: Nathan Crowley; Set Decoration: Lee Sandales

Live Action Short Film

A Lien, Sam Cutler-Kreutz and David Cutler-Kreutz

Anuja, Adam J. Graves and Suchitra Mattai

I’m Not a Robot, Victoria Warmerdam and Trent

The Last Ranger, Cindy Lee and Darwin Shaw

The Man Who Could Not Remain Silent, Nebojša Slijepčević and Danijel Pek

Sound

A Complete Unknown, Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco

Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill

Emilia Pérez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta

Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis

The Wild Robot, Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Visual Effects

Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan

Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs

Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer

Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke

Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Singer-songwriter Jason Nelson earns his fifth No. 1 on Billboard’s Gospel Airplay chart (dated Jan. 25) as “Yahweh,” featuring Melvin Crispell III, rises a spot to the top of the Jan. 25-dated survey. During the Jan. 10-16 tracking week, the song increased by 8% in plays, according to Luminate. Nelson, who hails from Baltimore, co-authored […]

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New York City Mayor Eric Adams sat down for an interview with Tucker Carlson, sparking more concern and drawing more criticism.
A day after attending the inauguration of President Donald Trump, New York City Mayor Eric Adams was more vocal about his criticisms of former President Joe Biden and his Democratic Party in an interview with Tucker Carlson. The interview, which was previously taped, aired Tuesday night (Jan. 21). “People often say, well, you know, ‘you don’t sound like a Democrat’ and ‘you seem to have left the party,’” Adams said in the interview at Gracie Mansion. “No, the party left me, and it left working-class people.” Adams has stated he will run for office again as a Democrat (he was once a registered Republican in 1990), but has cozied up to Republicans heavily in the last year since being federally indicted on corruption charges.

The 50-minute interview also showed Adams attacking former President Biden, stating that in conversations with aides in the White House, he was told to tone down his criticisms of the administration’s policies regarding migrants entering the U.S. “Basically, be a good Democrat, Eric,” Adams said to Carlson. “That was the basic overall theme.” He also related what another Biden aide told him: “Listen, this is like a gallstone. It’ll pass.” Carlson also touched on Adams’ five federal indictments. “I have no reason to suck up to you,” he said. “I thought it was ridiculous.” Adams responded gaily, ‘When I read it, I was like, where are the bags of cash?”
The interview was a sea change, as the embattled mayor had previously blasted Carlson as someone who “perpetuates racist, anti-immigrant propaganda.” Adams has been under fire after abruptly canceling his appearances at events to honor Dr. Martin Luther King Jr. Monday (Jan. 20) to attend Trump’s inauguration, and he offered no comments on Trump’s subsequent executive orders. State Senator Zellnor Myrie, who is running against Adams in the upcoming Democratic primary, ripped the interview in a post on X, formerly Twitter.
“If you’re busy tonight, you can catch him on the Steve Bannon podcast tomorrow.” Even one of Adams’ strongest allies, the Reverend Al Sharpton, questioned Adams’ intentions. “To say you’re not going to raise your eyebrows would be being dishonest,” Sharpton said in a segment on MSNBC. “I think this is going to cause a lot of us to say, ‘What is this all about?’”

01/23/2025

Of the 4,717 tracks identified at the 2024 season, 50 were played more than all the rest.

01/23/2025