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(In 2018, the Billboard staff released a list project of its choices for the Greatest Pop Star of every year, going back to 1981 — along with a handful of sidebar columns and lists on other important pop star themes from the period. Find one such sidebar below about how Lorde unforgettably took the air out of an increasingly puffed-up 2013 pop landscape, and find our Greatest Pop Star picks for every year up to present day here.)
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Over the early 2010s, as a class of rising and returning stars was minted on radio, iTunes and YouTube, pop’s arms race was accelerating to unsustainable levels of hype. Each major-label release was a self-proclaimed event, each expected to be bigger than the last. Something had to give, and in 2013, the dam broke — over and over again. Lady Gaga’s ARTPOP, Katy Perry’s PRISM, Jay-Z’s Magna Carta… Holy Grail, Britney Spears’ Britney Jean, Justin Timberlake’s The 20/20 Experience – 2 of 2; each promised the world, and each fell short in different, fascinating, and exhausting ways.
Amidst all the hubbub emerged a 16-year-old with humble origins and a grand name: Lorde.
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Popular music had never seen a teenage star quite as self-possessed as the New Zealand native, whose debut single “Royals” was pointed directly at the state of the pop zeitgeist: “Jet planes, islands, tigers on a gold leash/ We don’t care/ We aren’t caught up in your love affair/ And we’ll never be royals…” Her Queen-like vocal harmonies swoop above her dramatic, yet conversational lead vocals, barely accompanied by producer Joel Little’s kick drums and finger-snaps. This was a pop song with no obvious predecessor, whose negative space forced the listener to lean in and take notice.
“Let me live that fantasy,” Lorde sang with a knowing irony — that even as a buzzy artist signed to Universal, she’d likely never reach those heights. Incredibly, she did: From its initial release in November 2012, “Royals” slowly made its way up charts and playlists across the globe. By late 2013, it had not only topped the Billboard Hot 100 for nine weeks, but also reached top five on alternative and hip-hop/R&B radio — becoming a truly post-genre hit.
If Lana Del Rey was the first figurehead in pop’s trajectory towards moodier, more hip-hop-inflected territory over the 2010s — scoring her own first two top 40 hits in 2013, after her splashy 2011 debut and subsequent backlash the next year — Lorde took it to another level. Her debut album Pure Heroine more than delivered, bringing her tales of teenage ennui to a mass audience, while only hinting at the potential she’d unlock with 2017’s sweeping Melodrama. Though Lorde wouldn’t maintain her brief position as a singles-driven hitmaker, she’d become even more beloved as a cult pop artist.
“Post-genre,” “alt-pop” — these were labels that had never been applied to mainstream pop even as late as 2010, that have now become the norm for an entire class of streaming-era artists who aspire to cultural cachet over traditional pop stardom. “Royals” was one of the decade’s most minimalist hits, but it dared to dream big — leaving a long-term impact even Lorde herself could never have imagined.
(Read on to our Greatest Pop Star of 2014 here, or head back to the full list here.)
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Once again, Kendrick Lamar has the Rap world talking. Lil Wayne has seemingly responded to him after being mentioned on GNX.
As spotted on Vulture, the Compton, Calif., rapper made waves last week with the release of his newest project. In it, he makes several references to many of his peers post “Not Like Us.” On “wacced out murals” he raps, “Used to bump Tha Carter III, I held my Rollie chain proud / Irony, I think my hard work let Lil Wayne down / Whatever, though, call me crazy, everybody questionable / Turn me to an eskimo, I drew the line and decimals.” These lines are a direct reference to him securing the halftime performance for Super Bowl LIX. The 2025 edition is set to be hosted in New Orleans, and Lil Wayne publicly expressed his disappointment on not being able to perform in his hometown after the announcement.
Man wtf I do?!
I just be chillin & dey still kome 4 my head. Let’s not take kindness for weakness. Let this giant sleep. I beg u all. No one really wants destruction,not even me but I shall destroy if disturbed. On me. Love
— Lil Wayne WEEZY F (@LilTunechi) November 23, 2024
On Saturday (Nov. 23), Tunechi took to X, formerly Twitter, and apparently made reference to the song. “Man wtf I do?! I just be chillin & [they] still [come] 4 my head. Let’s not take kindness for weakness. Let this giant sleep. I beg u all. No one really wants destruction, not even me but I shall destroy if disturbed. On me. Love,” he wrote. This is not the first time Kendrick Lamar referenced Lil Wayne in his music. Back in 2010, he rapped over Kanye West’s “Monster” instrumental and said “I’m the best rapper alive, tell Wayne to swallow his pride.”
During the height of the Kendrick Lamar and Drake battle, Lil Wayne remained neutral and unbothered. Weeks later, he was was spotted rapping the hook to “Not Like Us” prior to performing his verse to “The Motto.”
Lil Wayne rapping “Not Like Us” while performing “The Motto” in Vegas last night.
pic.twitter.com/4f5pjVvMNZ
— Rap Alert (@rapalert6) July 14, 2024
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The attorney for Dawn Richard has revealed that the singer was “terrified” of Diddy while working with the mogul in an interview.
The lawyer representing singer Dawn Richard, who was a former member of two groups created by Diddy, opened up about her client’s experience in an interview last week. Lisa Bloom spoke about Richard being “absolutely terrified” of the mogul and detailed how “he groped and grabbed her body parts, sexually assaulted her, that he not only failed to pay the money that was promised to her but actually prevented her from eating and sleeping during those years – just treated her terribly.”
Richard sued Diddy aka Sean Combs in September, alleging that he threatened to kill her and of “subjecting her to years of inhumane working conditions which included groping, assault, and false imprisonment.” Her lawsuit joined those of two dozen other victims in the wake of Diddy’s settlement last year with Cassie Ventura, another singer, and his ex-partner who Richard claimed she saw being violently assaulted by him. “Dawn Richard, my client, says that when she spoke out about it, tried to get Cassie to speak out…When she complained about it, she was also threatened with physical violence. So [it was] just a really violent, tumultuous atmosphere,” Bloom said to BBC. “And when she spoke out, she says she was threatened with more physical violence. She said Sean Combs had a vicious temper and she was absolutely terrified of him.”
Richard was a member of two girl groups, Danity Kane and Diddy – Dirty Money. The third member of that second group, Kalenna Harper, is the prime witness for prosecutors in the federal government’s case against Diddy charging him with sex trafficking and racketeering. According to federal prosecutors, Diddy called Harper 128 times after Richard filed her lawsuit. Harper would put out a statement shortly afterward stating that her former bandmate’s experiences “are not representative of my experiences, and some do not align with my own truth.”
In the interview, Bloom referred to Harper’s statement saying that she “came out publicly and essentially called my client a liar.” Bloom added: “The strong implication there is that he talked her into making those statements, perhaps gave her money. We don’t know. But that would be witness tampering. That’s what the government argued. The judge agreed and he was denied bail as a result, which he should have been.”
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One of the culture’s most identifiable voices is living his truth publicly. Khalid has come out as gay after he says someone outed him.
As spotted on Vulture, the El Paso, Tex., native gave the world more insight on his private life. On Friday (Nov. 22), he took to X, formerly Twitter, and made the very surprising announcement in a very short but powerful post. “🏳️🌈!!! there yall go. next topic please lol,” he wrote. Naturally, the news took some of his followers by surprise prompting him to double down on his earlier reveal. “I am! And that’s okay,” he responded to one user. He would go on to allude someone he had relations with in the past had started disclosing his sexual preference without his consent. “I got outed and the world still continues to turn. Let’s get this straight (lmao) I am not ashamed of my sexuality! In reality it ain’t nobodies business! But I am okay with me 🖤 love yall.”
🏳️🌈!!!
there yall go. next topic please lol
— Khalid (@thegreatkhalid) November 22, 2024
Even then he was pressed online with questions on why he chose to hide his truth. Later on he clarified that he was not “hiding” anything. Within that same hour the sleuth community was able to identity the individual who they suspected outed Khalid as singer Hugo D Almonte. In a series of now since-deleted posts he had alluded to dating a “dumb a*s singer” who accused of him breaking into their home. In a following post he wrote, “B*tch a*s 🥷🏾 lied and said that I broke into his house cause I didn’t want him,” with an accompanying selfie of him with Khalid.
I got outed and the world still continues to turn. Let’s get this straight (lmao) I am not ashamed of my sexuality! In reality it ain’t nobodies business! But I am okay with me 🖤 love yall
— Khalid (@thegreatkhalid) November 23, 2024
The performer explained his actions in an exclusive email statement to Vulture. “[It’s] really funny how it works because my intentions was never to out someone who’s clearly been out already in the community in Los Angeles,” he wrote. “My intentions was to share my story and share how he tried to use his power to silence me because I simply ended our relationship, he was afraid of what I might say.”
I wasn’t hiding anything! It’s just not any of your business https://t.co/jAW9f7I5oO
— Khalid (@thegreatkhalid) November 23, 2024
Almonte went on to share that he has since faced criticism and even death threats. “All I’ve learned from this is never allow anyone to silence me, it’s crazy that these people said I was chasing clout, when I was holding onto this for five years, and I finally had enough,” he concluded. Almonte later say that he “would do it again and again and again the same way” in another since-deleted post.
Some people resolve to lose that last few pounds, quit drinking for a month, say hello to a stranger every day or finally book a dream vacation to Hawaii. But Cardi B‘s New Year’s resolutions have a bit more bite to them. The “Bongos” rapper hopped on Instagram Live on Sunday (Nov. 24) to let everyone with a bone to pick know that 2025 is the year she’s done with your mess.
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In a fan capture of the post, Cardi explained that she and her friends have been making new year goals, new year plans and new year affirmations, and you better believe she is not playing with any of them. “I’m telling you right motherf–king now, every n–ga or a b–ch that motherf–kin’ play with me in 2024? I’m letting you know right now… y’all better apologize to me today!,” Cardi said in the clip in which she appears to be in her pajamas.
“Because you wanna know what? You wanna know why? Because next year… as soon as… you know everybody always say this every New Year’s, but this time I’m standing on it,” she added. “Next year, as soon as 12 a.m. hit I’m hitting the reset button. You hear me? I’m hitting the motherf–king reset button.”
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Cardi then got specific about the level of reset she’s planning. “I’m hitting the f–king reset button. I’m whipping everybody’s ass with a we belt,” she warned. “I’m sick of f–king everybody. I’m telling you, next year I’m not taking f–king nothing.” While Cardi did not specify who her ire was aimed towards, she said a “whole bunch” of stuff happened to her this year that threw her 2024 into chaos.
After having all her music plans in order, including working on music videos and getting unspecified surgery at the beginning of 2024, Cardi said, “God was like, ‘not so fast. I’m sending you a f–king baby!’” To be clear, Cardi gushed over the baby daughter who was born in early September, just weeks after the rapper filed for divorce from Migos MC Offset — with whom she has two other children. Cardi called her “so f–kin beautiful… and she’s my bestie. If I could I would take her to the club with me because she’s my bestie. I wanna be with her all day.”
Cardi spent much of 2024 teasing her long-awaited sophomore album, including in another recent Instagram livestream in which she told fans she’s “wilding out lately” but wants to “get [her] f–-king life together… I have so much things coming next year,” she said. “I know next year is gonna be my f–-king year.” Among the items on her 2025 to-do list are: releasing her as-yet-untitled follow-up to 2018’s Billboard 200-topping debut album Invasion of Privacy, as well as, hopefully, getting “a little boyfriend.”
In October, Cardi told fans that her second full-length studio album was “coming really, really soon,” confirming that she was in the studio working on it.
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Faith leader Bishop T.D. Jakes suffered a “medical emergency” while delivering a sermon at his church over the weekend.
On Sunday (Nov. 24), Bishop T.D. Jakes was delivering his weekly sermon at The Potter’s House Church in Dallas, Texas, when he fell ill due to suffering an apparent “medical emergency.” The pastor was on stage finishing the sermon, which was also being livestreamed to viewers. “Oh Lord, my strength, my redeemer, let them go in peace,” he said just before dropping his microphone and shaking before going silent.
The livestream video was cut off, but images from the stream, which were later posted on social media, captured church members rushing on stage to help Jakes. “Back up, back up, give him some space,” someone was overheard saying. The Potter’s House Church would issue a statement in a post on X, formerly Twitter, shortly afterward. “Bishop T.D. Jakes experienced a slight health incident and received immediate medical attention following his powerful hour-long message. Bishop Jakes is stable and under the care of medical professionals. The entire Potter’s House family is grateful for the outpouring of love, prayers, and support from the community,” the statement read.
A Statement From The Potter’s House of Dallas
November 24, 2024 pic.twitter.com/68vvYWKNSt
— The Potter’s House (@TPHDallas) November 24, 2024
The 67-year-old faith leader, born Thomas Dexter Jakes, has been pastor at The Potter’s Church since its founding in 1996. The “non-denominational, multicultural church” reportedly boasts a membership of 30,000. According to the church’s website, Jakes spoke at former President Barack Obama’s 2009 inauguration and has also served as an advisor to three presidential administrations. On Sunday evening, Sarah Jakes Roberts, and her husband, Touré Roberts, shared an update on Jakes’ condition with the public through Facebook.
“Today could have been a tragic day, but it wasn’t by the mercy of God, by the grace of God. Bishop is doing well, he’s recovering well. He’s getting medical care,” Roberts said. They also said jokingly that they’re working on getting him to slow down with his schedule, but emphasized that this is a good time to consider what’s important. “People are asking, ‘What can we do?’ Keep praying. Keep encouraging. It means a lot to our family,” they said.
If Morgan Wallen watched the 2024 CMA Awards on TV last week, for most of the show, he probably felt he’d made the right decision to stay away from the proceedings at Bridgestone Arena in Nashville. He lost six awards in a row, including male vocalist, single and song of the year. The night was shaping up to be a replay of the 2022 CMA Awards, where he went 0-2 or the 2023 show, where he went 0-3. Voters, it seemed, were reluctant to honor an artist who had been caught on video using a racial slur.
Then Jeff Bridges came onstage to present the evening’s final award. This time, Wallen won. Bridges mispronounced Wallen’s last name, but that clumsy move didn’t change the fact that Wallen had just won the biggest award in country music – and he wasn’t there to accept it.
Suddenly, Wallen’s decision to stay away looked very different. He had just been received an award that has gone to many of the greatest country stars of the past six decades – and he wasn’t there to accept it. If he had shown up, he could have thanked his fans and the country music community for their loyalty and for giving him a second chance. Instead, all we remember from that moment is an actor’s botched pronunciation of his last name.
Several previous CMA entertainer of the year winners were also no-shows. Eddy Arnold wasn’t present when he became the inaugural winner at the 1967 show, nor was John Denver in 1975 or Garth Brooks in 1997 or 1998. (A CMA official notes: “Good reminder that CMA does not know winners in advance.”)
This happens at all awards shows, where a top winner isn’t there in person to accept. It happened fairly often in the early years of the Grammy telecast, which launched in 1971. At the 1973 telecast, the only “Big Four” recipient who was on hand to accept was Ringo Starr, a featured artist on album of the year winner The Concert for Bangla Desh. No-shows happen much less often than they used to, especially at top-level shows like the Oscars and the Grammys. The coinage of the term EGOT in 1984 makes winning at these shows even more consequential than it used to be.
Three years ago, most thought the late Chadwick Boseman would win best actor at the Oscars for Ma Rainey’s Black Bottom. The producers of the Oscar telecast even positioned that award last in the show – after best picture – thinking they would end the show with a powerhouse emotional moment. But the award instead went to previous winner Anthony Hopkins for The Father, who wasn’t even there to accept. Hopkins was the first best actor winner not to be there to accept since Paul Newman in 1987.
It’s a similar story in the best actress category at the Oscars. The last best actress winner who wasn’t on hand to win in person was Katharine Hepburn in 1982.
Here are 20 times a big winner at an awards show was a no-show. This being Billboard, naturally we focus on music.
John Barry, 1967 Oscars
BTS‘ Jin has cooked up a Thanksgiving treat for ARMY. The singer dropped a new version of his solo track “Falling” on Tuesday (Nov. 26), spicing the finger-snapping, whistle pop tune with some additional vocals from collaborator and ONE OK ROCK lead singer Taka. The B-side from Jin’s recently released debut solo album, Happy, finds […]
One hundred shows over two years, waterfalls, pools, pyro, designer gowns, a career-spanning setlist and a one-of-a-kind vanishing act. Adele‘s epic Weekends With Adele residency at the Colosseum at Caesars Palace in Las Vegas wound down on Saturday, but the singer is still reminiscing about the epic time she had in Sin City.
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“Well what an adventure! Las Vegas you’ve been so good to me. This residency went on to mirror what 30 was about – lost and broken to healed and thriving! Seems so fitting in the end,” the singer wrote on Instagram on Monday (Nov. 25). The post was accompanied by a video chronicling the great adventure, featuring footage from the glamorous shows, including the tear-filled superstar summit last month when Adele met Celine Dion and the two shared a tear-stained moment.
Cued to 30‘s “Cry Your Heart Out,” the brief clip is a primer for anyone who didn’t make it to the glamorous twice-a-weekend gigs that Adele said she cherished, but is also ready to put in her rear view. “The only thing left to do in this case is move on,” she wrote. “These 100 shows have been so easy to love. They were all completely different because I got to really be with every single person in the room every night.”
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She concluded, “I’ve loved every single second of it and I am so proud of it! I will miss it terribly, and I will miss YOU all terribly too. Thank you! Thank you! Thank you! See you next time 🪐”
After kicking off the residency in November 2022, Adele — who typically goes off-the-grid for an extended period between albums/tours — informed the audience at her final show over the weekend that the future is wide open for now. “I don’t know when I’m next going to perform again,” she said. “I will miss it terribly, and I will miss you terribly.” She also added, “I’m not doing anything else. I’m actually s–ting myself about what I am going to do. I don’t have any f–king plans.”
Previously, Adele said she needs to take a break when her residency ended, with plans to temporarily step away from music. Adele added that she wants to take “a big break after this, and I think I want to do other creative things, just for a little while.”
Check out Adele’s tribute to her Vegas residency below.
Gamma., Kakao Entertainment and SM Entertainment have formed a strategic global alliance to launch British boy band dearALICE, the companies jointly announced on Tuesday (Nov. 26). The pact will include global distribution in the U.S., U.K. and Korea/APAC, along with label services across A&R, production, marketing, promotion, brand sponsorships and global business development.
dearALICE’s formation was documented in the six-part BBC One series Made in Korea: The K-Pop Experience, which was produced by Kakao, SM and British production company Moon&Back Media (The X Factor, Britain’s Got Talent). The show followed the group’s five U.K. members — Blaise Noon, Dexter Greenwood, James Sharp, Oliver (Olly) Quinn and Reese Carter — as they embarked on a 100-day K-pop-style training regimen at SM. An original soundtrack album from the show was also released.
The parties came together in L.A. to finalize the agreement. Those in attendance included Larry Jackson, co-founder/CEO at gamma.; Joseph Chang, co-CEO at Kakao Entertainment and CEO at SM & Kakao Entertainment America; Jung Min Choi, chief growth officer at SM Entertainment; Kevin Nishimura, COO at SM & Kakao Entertainment; Ben Cook, president of UK & Europe at gamma.; Russ Lindsay, co-founder at Moon&Back Media; and all five dearALICE members.
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dearALICE is slated to release its official debut single by the end of this year.
“I have found that it is a superpower in life to embrace the truth of ‘I know what I don’t know.’ I have always been intrigued by the music and culture coming out of South Korea, and to now partner with Kakao Entertainment and SM Entertainment on dearALICE affords gamma. an opportunity to learn from THE BEST in that culture,” said Jackson in a statement. “We are already finding a special creative kinship with Joseph, Kevin and their teams. Our ideations are very much aligned albeit informed by different life experiences, from disparate corners of the globe.”
Jackson continued, “The cleverness of creating this show, it premiering on the BBC in the U.K., and bringing this extremely talented group to the world by way of it, was their idea, and we are thrilled to be a part of it. Kakao Entertainment and SM have always been purveyors of true, patient artist development in Korea, and I have deeply respected their approach from afar. Expect to hear a lot from dearALICE in 2025.”
“Our partnership with gamma. represents an exciting step in our ongoing strategy for the successful launch of dearALICE,” said Chang. “Collaborating with a label of gamma.’s stature, known for its deep industry expertise and innovative approach, allows us to accelerate our efforts in bringing forward dearALICE to audiences worldwide. dearALICE stands out as a truly distinctive project for our company, blending British roots with the global reach and creative influences of Kakao Entertainment and SM Entertainment. We believe this collaboration will unlock new opportunities for the group to thrive internationally, while also showcasing their groundbreaking artistry to music fans across the globe.”
Added Lindsay, “What an amazing twelve months it’s been for the boys! From being cast in December last year, to experiencing a unique and unforgettable 100 days of K-pop training with SM Entertainment in Korea, then premiering a 6-part Saturday night BBC One TV series in the summer, followed by the Made in Korea: The K-Pop Experience Original TV Soundtrack EP release and a superb live performance on the UK’s highest-rated entertainment show, BBC One’s Strictly Come Dancing! It’s a testament to their incredible hard work and passion that sees them sign a major global recording and distribution deal with gamma., joining a stable with some of the world’s most talented artists and music executives.”