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A big part of the job at Saturday Night Live in the week leading up to showtime is convincing that week’s host or musical guest to appear in sketches that sometimes sound bizarre at best, or potentially disastrous at worst. That was the dilemma frequent SNL guest Justin Timberlake found himself in November 2008 when cast member Andy Samberg hit him up to see if he was in town to hop in on a bit that castmate Bobby Moynihan had cooked up.
“He said Bobby Moynihan has this great idea for a sketch about you, me, and him being Beyoncé’s background dancers that never made the cut,” Timberlake explained in the three-hour doc Ladies & Gentleman… 50 Years of SNL Music, which aired on NBC on Monday night (Jan. 27). “I was like ‘full leotard’? And he’s like, ‘yeah.’ I was like, ‘This is too funny. We have to do this.’”
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Here’s the thing: the three guys were totally down, but convincing Queen Bey to get super silly with them was going to be another matter entirely. In the exhaustive look at the show’s musical history co-directed by Oscar-winning Roots drummer Questlove, current SNL star Bowen Yang explained that “when you pitch a sketch that the musical guest is involved in potentially it can always go wrong.”
And, according to JT, at first Beyoncé was not into it. At all.
“She was very polite about it, but she was very hesitant. And when I say hesitant, I mean like, she was not having it,” Timberlake said. “I’m like: Does she know how funny this is gonna be? How beloved this whole moment will be?” Determined to commit to the bit, Timberlake decided that he had to show his fellow pop superstar how far he was willing to go to convince her.
“I put the leotard and the heels and the hose on and everything, and put a robe on,” he said. “I walked and knocked on her door, I threw the robe down and put my hands on my hips and she was like, ‘No you didn’t!’” Long story short, Bey said yea and the rest is SNL history.
In the final sketch (which is not officially available on YouTube), host Paul Rudd plays the “Single Ladies” video director introducing the singer to her new backup dancers, who she is nervous about.
“Oh look, don’t worry about the other dancers, B-Town,” Rudd tells her. “I hand-picked them myself, these guys are pros.” The three men then enter in all their black leotard, white tights and black heels regalia, assuring Bey that they are definitely warmed up, “like biscuits,” Moynihan says, with Timberlake adding the unhelpful second helping, “yeah, dance biscuits!”
Smash cut to the trio gyrating impertinently on, around and at Beyoncé and the singer repeatedly stopping filming until Rudd finally admits that they are his stepsons, who his wife said he had to spend more time with. “Aww, I didn’t know these were your sons,” Beyoncé says. “That’s very noble of you.”
“So you’ll let them be in your music video?” Rudd asks. “Hell no,” Bey replies.
Ladies & Gentlemen… 50 Years of SNL Music is available to stream now on Peacock.
Lady Gaga has been Mother Monster for about two decades. Now, she’s ready to be a mother.
In a cover story interview with Elle published Tuesday (Jan. 28) — just one day after the star finally announced her seventh studio album, Mayhem — Gaga revealed that she and fiancé Michael Polansky have talked “a lot” about starting their family very soon. In fact, the 13-time Grammy winner emphasized that her near future will focus on “me and Michael and our kids,” adding, “Sometimes I worry people will say I’m boring these days, but honestly, thank God I’m boring.
“Thank God!” she said. “Because I was living on the edge. I don’t know what was going to happen to me living that way.”
As for how she would navigate raising her children in the public eye, Gaga said, “That’s something Michael and I have talked about a lot — allowing our kids to be their own people…. It’s such an intense thing for kids coming into the world,” she continued. “And they’re told how to think and what to believe in and how to eat … I just kind of want to let my kids find out who they are.”
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The “Rain on Me” singer and businessman started dating shortly after meeting at a party in 2019, five years after which Polansky proposed in April 2024. The Joker: Folie à Deux actress has previously credited her fiancé with pushing her to make a new pop album, and while speaking to Elle, she revealed that Polansky helped pen “like, seven songs” on Mayhem — including single “Disease,” on which he’s credited as a songwriter.
The venture capitalist also spoke to Elle about being present for much of the creation of “Disease,” detailing how he would work on his laptop while watching his fiancée work her magic in the studio across the street from their home. “It’s been one of the most incredible parts of this chapter of my life, to live with and coexist alongside someone making art and being creative in ways that very few people get to experience,” he told the publication. “I think of myself as really lucky to have been there for it.”
Polansky also opened up about what it’s like to be in a relationship with one of the most famous women on the planet. “Accepting that you won’t have the privacy others might have was the hardest part,” he shared. “But [Gaga’s] comfort with it and patience with me has been amazing. Our relationship is probably a lot like everyone else’s. We just have to figure out how to do some of it in public.
“That makes it even more important for us to have strong friendships and close family relationships,” he added. “We find normalcy where we can.”
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. The girls in aespa are hitting the road for their 2025 world tour and the K-pop stars have launched a brand […]
On Jan. 28, 1995, Alan Jackson’s “Gone Country” hit No. 1 on Billboard’s Hot Country Songs chart.
The track was solely authored by Bob McDill and produced by Keith Stegall. In 2017, Billboard described the song as, lyrically, “reflective of a time period where many artists were coming to Music City from New York, Los Angeles and all points in between. Jackson told the press that he definitely understood the appeal of the format to newcomers and welcomed them all to town. Even so, there was a little bit of gently-placed sarcasm on this one, which helped to make it yet another No. 1.”
“Gone Country” was released as the third of five singles from Jackson’s album Who I Am, which yielded four Hot Country Songs leaders: “Summertime Blues” (three weeks), “Livin’ on Love” (three), “Gone Country” (one week) and “I Don’t Even Know Your Name” (one). Fourth single “Song for the Life” hit No. 6. Who I Am became his second of 14 No. 1s on the Top Country Albums chart.
“Gone Country” marked Jackson’s ninth of 26 No. 1s on Hot Country Songs. Dating to his first, “I’d Love You All Over Again,” in March 1991, he and Tim McGraw boast the most leaders: 26 each.
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Jackson was born Oct. 17, 1958, in Newman, Ga., and moved to Nashville in 1985 to follow his dreams. He became the first artist signed to Arista Records’ then-new country division in June 1989. His first of 84 Hot Country Songs entries, “Blue Blooded Woman,” peaked at No. 45. He followed with his first of 51 top 10s, the No. 3-peaking “Here in the Real World.”
In 1979, Jackson married his high school sweetheart, Denise Jackson (yep, same last name). The couple has been married for 45 years and has three daughters.
On Sept. 28, 2021, in an interview on NBC’s Today with Jenna Bush Hager, Jackson revealed that he had been diagnosed with Charcot-Marie-Tooth (CMT), a degenerative nerve condition which limits his ability to perform. Inducted into the Country Music Hall of Fame in 2017, he released his 21st studio set, Where Have You Gone, in May 2021. It arrived at its No. 2 best on Top Country Albums, becoming his 28th and most recent top 10.
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Source: 2K / Visual Concepts / WWE 2K25
WWE Superstar Roman Reigns gets all the acknowledgment on the cover star of WWE 2K25.
Visual Concepts’ WWE 2K video game franchise has become the undisputed champion of wrestling video games since returning from its hiatus to clean up the once extremely buggy game franchise.
With WWE 2K25, the franchise looks to continue its dominance in the virtual ring. Last night’s edition of Monday Night Raw on Netflix was the perfect time for 2 K to announce that Roman Reigns, The Original Tribal Chief and still the Head of the Table, is this year’s cover star.
The One & Only Tribal Chief Speaks On Grabbing The WWE 2K25 Cover
Reigns, looking like the real-life superhero he is, strikes a heroic pose on the cover of WWE 2K25’s Standard Edition ($69.99), which arrives on March 14. Along with his longtime manager and WWE Legend, his “Wiseman” Paul Heyman admires the true Tribal Chief.
“I am personally and professionally excited that the Original and Only Tribal Chief and the extended Anoa’i family are the focus of WWE 2K25,” said Roman Reigns. “We’ve been building toward this moment for generations, and I challenge players everywhere to show me and my Wiseman, Paul Heyman, what they’ve got, and prove they’re worthy of the attention of their Tribal Chief.”
WWE 2K25 is available for pre-order now.
Source: 2K / Visual Concepts / WWE 2K25
The Undertaker Graces The Deadman Edition of WWE 2K25
Celebrating 35 years of WWE dominance, The Undertaker takes centerstage on the cover of WWE 2K25’s Deadman Edition ($99.99), striking his signature pose that has stoked fear in many of his opponents during his decorated professional wrestling career.
The Deadman Edition includes the Standard Edition and Wyatt Sicks Pack, plus the Deadman Edition Bonus Pack, which includes thew Mattel Elite “Greatest Hits” Undertaker and Original Undertaker (’90) Persona Cards and playable Superstars, a useable Urn object, Undertaker ’95 Mask cosmetic item for The Island on PS5 and Xbox Series X|S only, and Brother Love Manager, plus a Season Pass to all five post-launch DLC character packs and 15,000 VC.
This version of the game also launches seven days before the Standard Edition.
Source: 2K / Visual Concepts / WWE 2K25
The Bloodline Gets A Cover Too
Roman Reigns also covers the game’s Bloodline Edition ($129.99). This edition features Reigns’ Solo Sikoa’s Bloodline factions, including Jey Uso, Jimmy Uso, Paul Heyman, Sami Zayn, Jacob Fatu, Tama Tonga, and Tonga Loa, interwoven into the roots and branches of the iconic Bloodline family tree. This is one of the dopest WWE 2K covers to date.
Per 2K, the Bloodline Edition will feature the Standard Edition and all bonus content included in the Deadman Edition, The Bloodline Edition includes the Ringside Pass (Season Pass plus Superstar Mega-Boost), The Rock Nation of Domination Pack, which features a Rock Nation of Domination Persona card and playable Superstar and will only be available as part of The Bloodline Edition, plus The Bloodline Edition Bonus Pack, which features Mattel Elite Series 114 Jey Uso and Mattel Elite “Greatest Hits” Roman Reigns Persona cards and playable Superstars.
For Xbox Series X|S and PS5 only, this pack includes a Family Above All Hoodie, OTC Shirt, Yeet tank Top, and Yeet Sunglasses cosmetic items for The Island, while for Steam only, it includes an additional 32,500 VC. Also included is the WrestleMania 41 Pack, which features the WrestleMania 41 Arena, two WrestleMania 41 Main Event Superstars Persona cards and playable Superstars, and a new Superstar Persona Card (TBA), which will all be available in Summer 2025.
Source: 2K / Visual Concepts / WWE 2K25
What’s New In WWE 2K25?
If you thought WWE 2K25 would be a rehash of last year’s game, think again. There are many new modes players can look forward to, like 2K Showcase: The Bloodline’s Dynasty and The Island.
Source: 2K / Visual Concepts / WWE 2K25
Per 2K:
2K Showcase: The Bloodline’s Dynasty: The all-new 2K Showcase, hosted by “The Wiseman” Paul Heyman, celebrates one of the most iconic wrestling family dynasties – The Bloodline and the extended Anoa’i family. Featuring Roman Reigns, The Rock, Yokozuna, Jacob Fatu, and more, players can relive historic showdowns or flip the script and change the outcome of select match-ups. Dream matches between members of The Bloodline and WWE Superstars and Legends offer a “what if?’ fantasy element to settle fan debates and start fresh feuds, in addition to some surprises in store.
The Island: An interactive world made up of a series of areas built around different WWE themes, The Island offers players the opportunity to explore and challenge other players, while vying to earn a WWE contract by impressing “The Original Tribal Chief” Roman Reigns. By completing quests, taking on challenges, competing in live events, earning unlockables, and upgrading and customizing MySUPERSTARS through multiple storyline chapters, The Island allows players to step outside the ropes and “Rule Beyond the Ring.” Available only on PS5® and Xbox Series X|S.
New Match Types and Improvements on Gameplay: Intergender wrestling makes its long-awaited debut in the WWE 2K franchise! WWE or player-created Superstars from the men’s and women’s divisions can now compete against each other to set up limitless matchups across all game modes. Additional features include the return of Chain Wrestling, Bloodline Rules Match, Underground Match, and new barricade diving! More details on each new match type will be shared soon.
Returning Game Modes
MyGM Online Multiplayer: Intrepid GMs can take their show on the road and challenge general managers worldwide in the enhanced MyGM for WWE 2K25, now with online multiplayer for up to four players. Players draft WWE Superstars and Legends to their weekly show’s roster and lead their brand through multiple-week seasons with a bigger selection of General Managers, cross-brand Premium Live Events, and more;
MyFACTION: The collectible, card-battle mode is back with updated features, new content, and more ways to play. Faction Wars now features new node types, and 50 new stages. World Tour replaces Proving Grounds, enabling players to travel to different locations in a non-linear approach, while additional match-type support for live events and online matches, and new community events offer enhanced replayability. New themed card packs and goals will continue to roll out regularly throughout the year with seasonal content refreshes*;
MyRISE: Players guide their MySUPERSTAR from the women’s or men’s division in a singular, multi-gender MyRISE storyline where Bayley, Kevin Owens, and other Superstars infiltrate NXT in an attempt to take control of the entire WWE. Featuring new personality choices that lead to specific storylines, as well as brawl environments, unlockable arenas, characters, useable objects, and more, plus new ally storylines involving Jey Uso, Bianca Belair, Seth Rollins, and other WWE Superstars;
Universe: WWE 2 K’s sandbox mode receives new upgrades to give players greater control over their Universe experience, including the long-awaited return of Promos! The new system includes multiple promo types and outcomes with new cutscenes and branching choices;
Creation Suite: The hallmark of the WWE 2K franchise, the best-in-class, most detailed and robust creation suite remains one of the driving forces behind players’ self-expression as they design their own custom Superstars, GMs, referees, arenas, entrances, move sets, championships, crowd signs, and more.
1. WWE 2K25
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WWE 2K25 wwe,roman reigns,wwe 2k25,the undertaker
2. WWE 2K25
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WWE 2K25 wwe,roman reigns,wwe 2k25,the undertaker
3. WWE 2K25
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WWE 2K25 wwe,roman reigns,wwe 2k25,the undertaker
4. WWE 2K25
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WWE 2K25 wwe,roman reigns,wwe 2k25,the undertaker
5. WWE 2K25
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WWE 2K25 wwe,roman reigns,wwe 2k25,the undertaker
Shaboozey is trading in his double shot of whiskey for something much sweeter during this year’s Super Bowl. The country superstar is set to appear in Nerds Gummy Clusters’ Big Game advertisement, and the candy shared a teaser of the spot on Tuesday (Jan. 28).
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In the 15-second clip, the Hot 100 chart-topper enjoys a bag of Nerds Gummy Clusters while strumming his guitar. Shortly after taking a bite of the popular candy, a gummy cartoon character appears on his shoulder, transforming his guitar into a Nerds-inspired instrument. The message, “Unleash your senses,” appears on the screen to end the preview.
For Shaboozey, teaming up with Nerds was a no-brainer. “I remember Halloween, getting those little boxes and pouring the candy into my mouth. I love them so much,” he tells Billboard of his nostalgic connection to the treat. “It’s awesome to just to see the process of how it all came together. I make country music, and to be able to have the guitar and my world, and have just everything that I’m into, combined with Nerds Gummy Clusters was just amazing. It’s combining two things that are really good on their own to make something even better.”
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Fittingly, in the spirit of the partnership, Shaboozey was ready to express what he’s a nerd about. “Music. [laughs] I love music,” he says. “I love video games, and just anything that you can get really involved in and find yourself being super immersed in.”
This year’s game down in New Orleans marks the star’s first time attending the Super Bowl, after taking the stage for a Thanksgiving Day NFL halftime show last year and appearing alongside Beyoncé during her Christmas halftime show. “I got the opportunity to play two really huge halftime shows. It was definitely a dream come true,” he recalls. “I grew up watching some so many different athletes, and I’m really excited to be a part of this Big Game. To be in a Super Bowl commercial with a brand I grew up on, it’s going to be hard to beat that.”
The Nerds Super Bowl ad is just the beginning of an exciting year for Shaboozey, who is nominated for five Grammy Awards thanks to his Beyoncé collaboration “SPAGHETTII” and his breakthrough hit, “A Bar Song (Tipsy),” which notched a record-tying 19th week at No. 1 on the Billboard Hot 100 in November. He’s also scheduled to perform at both Coachella and Stagecoach music festivals in the spring.
“It’s a dream. It’s surreal,” he says. “Every day I wake up, I’m just like, ‘Wow, we did that.’ I’m excited to keep making great music, and continue to give the people great things and great products. I’m also excited to keep improving and do better every day.”
Check out Shaboozey in the Nerds Big Game ad teaser below, and catch the full spot during Super Bowl LIX on Feb. 9, where the Kansas City Chiefs and Philadelphia Eagles will face off for the championship.
For the past five years, producer D’Mile has been on a hot streak. In 2021, he won a song of the year Grammy for his work on H.E.R.’s “I Can’t Breathe.” Shortly after, her “Fight for You” (from the film Judas and the Black Messiah) won D’Mile and H.E.R. the Academy Award for best original song. Then, in 2022, he became the first songwriter to score back-to-back song of the year Grammy wins when Silk Sonic’s “Leave the Door Open” took home the prize. And now, he could potentially claim that same landmark award again: He’s nominated for it at this year’s Grammys for his collaboration with Bruno Mars and Lady Gaga on the retro power ballad “Die With a Smile” — one of three nods he received, in addition to producer of the year, non-classical and best engineered album, non-classical (for Lucky Daye’s Algorithm).
But for the artist born Dernst Emile II — who, at 40, has now accumulated 20 career Grammy nominations — what may seem like overnight success actually took nearly two decades.
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His entry into the music industry was in many ways charmed. His late mother, Yanick Étienne, was a singer who toured with Bryan Ferry and Roxy Music, while his namesake father still works as a music producer and teacher. D’Mile himself joined the business at 19 and notched his first production credits in 2005 on projects by Rihanna and Mary J. Blige, before pop-R&B heavyweight Rodney “Darkchild” Jerkins (Destiny’s Child, SZA) took him under his wing as a mentor. In the years that followed, D’Mile logged songwriting and production credits for Janet Jackson, Justin Bieber and Usher, among others.
But for D’Mile, “chasing what was hot to get on projects” during those early days wasn’t satisfying. “I was slaving away making five to 10 tracks a day,” he recalls today, sitting in the cozy reception room in his Burbank, Calif., studio. “But things weren’t moving at the pace I would have liked.”
In 2008, he decided to take a mental break and recalibrate. He amicably ended his publishing agreement with Jerkins and made a pledge to himself: to do “what I love, and if it goes anywhere or doesn’t, it’s something I’m proud of.” Lo and behold, things started falling into place that had seemed elusive — like getting more opportunities to work directly with artists instead of “guessing and throwing spaghetti against the wall” when pitching songs. In turn, D’Mile was able to foster long-term relationships with future Grammy winners like Victoria Monét and Daye.
Despite that positive momentum, D’Mile still considered quitting around eight years ago, after “reaching a point of frustration” with industry politics. “It seemed like it was more of a popularity contest or knowing the right people to get in certain rooms or positions that I’d worked so long for,” he says. “I just felt like things weren’t progressing.” He posted his feelings on Instagram Stories, which elicited supportive comments from friends and colleagues telling him that he couldn’t give up.
That’s where Daye came in. Then only a songwriter, he told D’Mile that he wanted to become an artist in his own right — and to bring D’Mile on for a project. “Doing what we wanted to do was a life-saving kind of project for me,” D’Mile recalls of producing and co-writing what became Daye’s 2019 debut album, Painted, which then went on to receive a Grammy nod for best R&B album. “That was the battery in the back that I needed,” he says. In 2022, Daye’s Table for Two, which D’Mile executive-produced, won the Grammy for best progressive R&B album; now, the singer’s third studio set with D’Mile, Algorithm, is vying for best R&B album (which could give D’Mile another Grammy if Daye wins) and best engineered album, non-classical.
Joel Barhamand
What role have your Grammy wins played in your career thus far?
It’s funny. Every time Grammy season comes around, I’m always nervous. I’m so grateful to have the wins, but then I’m like, “One day, that’s going to stop.” With these new nominations, I’m happy that people still like what I do. The attention you receive is something I had to get used to, especially the first time, because I’m kind of a quiet guy. My phone was blowing up and I had to do interviews. It was crazy. But I also feel it has made things easier because a lot of people are coming to me more than I’m trying to get to them, which is great. Yet navigating that can also be overwhelming.
What do you feel is the secret behind your success as a songwriter and producer?
I always just try to bring out who the artist is by getting to know them. It could be a conversation that sparks something before we start or while we’re working together. Or I’ll hear a conversation between the artist and another songwriter, and I’m feeling the vibe, feeling them both out. I like to say that I don’t talk; I listen. And when I create, it’s like my interpretation of who the artist is.
You’re in strong company in the producer of the year, non-classical category this year. Is there more camaraderie among producers now compared with when you were coming up?
Growing up in this business, and being with Rodney, I feel like it was way more competitive back then. And maybe some people might feel that’s better, but it can be negative to be so competitive. I’ve heard horror stories about what people can do just to get something over somebody else. For me, even though I’m up against you, we could probably work together tomorrow — so let’s do something great together. I don’t think that was happening as much back in the day.
I’ve worked before with Mustard. And Dan Nigro and I always talk. I’m such a big fan of his and what he’s done with Chappell Roan and Olivia Rodrigo. I met Alissia a few years ago; it’s great that a female has been nominated. I know a lot of people might not know her, but she’s super-talented. I haven’t met Ian Fitchuk yet but I have heard his work. I learned that he’s a fan of me as well, and that’s cool.
What kind of change would you like to see the industry as a whole embrace?
Streaming is the biggest way that people are listening to music, but it’s not translating that way for songwriters and producers. We’ve just got to make it make sense. That’s the main thing as far as income is concerned. I’ve donated to small companies that are fighting for that, like the organization a friend of mine, Tiffany Red, founded called The 100 Percenters. It advocates for the rights of songwriters and producers. I want to get more involved in that fight for sure.
Given the hot catalog-sales climate, have you been approached about selling yours?
People have talked to me, but it’s never gone as far as “I want to do a deal with you.” I guess it’s situational. Yet in the grand scheme of things, why would you do that? But I don’t know… I’m still learning about all of it at this point.
As one of today’s principal architects of R&B, what’s your take on the state of the genre in 2025?
The most important thing is really caring about the song that you’re writing as an R&B artist. There’s a lot of great stuff happening, but sometimes I feel like some R&B songs topicwise only cater to a certain demographic of people. It’s about finding the balance in keeping the integrity of R&B/soul while making it so that all walks of life can relate. Toxic R&B, that’s a Black thing, and I don’t know how much many other people in the world relate to that. So I think it’s important to make a great song but leave it open a little more for interpretation. We just need to make songs that connect with more people. Then if the songs are more open, it will cause a domino effect. I would like to think that there isn’t really a wall for us not to get bigger than we can be. We’ve just got to be more intentional and not comfortable with where we are. That will change the game, because the industry just follows what’s making the most money. And I feel there’s a world where R&B will be that.
This story appears in the Jan. 25, 2025, issue of Billboard.
Hong Kong-based private equity firm HongShan Capital Group has agreed to acquire a majority stake in Marshall Group, makers of amplifiers that for decades have been a favorite among rock guitarists, in a deal valuing the company at 1.1 billion euros ($1.15 billion).
Under the deal, which needs regulatory approval in Europe, the Marshall family will retain “over 20%” ownership in the Stockholm, Sweden-based company. The investors divesting their stakes in the company include Swedish telecom Telia, private equity firms Altor and Time for Growth, as well as venture capital firm Zenith.
This will be the largest European investment to date for HSG, which also has offices in mainland China and London and lists TikTok owner ByteDance and the Chinese mega-retailer Alibaba in its portfolio.
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Terry Marshall, a board member and co-founder of Marshall along with his dad Jim, expressed optimism about the partnership’s potential to further the legacy of Marshall’s pioneering sound.
“We are now over 60 years into our journey, and the pioneering sound of Marshall continues to resonate across the world,” said Marshall. “Together with HSG and our team, we can further build on our history to amplify the love for music and the Marshall brand for decades to come.”
Established in 1962 in Hanwell, West London by Jim and Terry Marshall, Marshall Amplification swiftly built a loyal following by manufacturing larger-than-life amps for guitarists craving more muscle for their stage sound. Devotees of these high-wattage “Marshall stack” rigs over the years have included such guitar giants as Jimi Hendrix, Jimmy Page, Slash, Eric Clapton, Pete Townshend and Angus Young.
In 2023, Stockholm-based Zound Industries, known for their headphones and wireless speakers, acquired Marshall Amplification and rebranded it as The Marshall Group. The Marshall family retained a 24% stake in the company, with family heirs Terry and Victoria Marshall securing seats on the board of directors.
Today, the company still produces amps in the UK at their factory in Bletchley, Milton Keynes. It’s also about to introduce a new line of guitar pedals at this year’s NAMM tradeshow that it hopes will ” provide the unmistakable Marshall sound, no matter where you are.”
In early 2024, the company disclosed that a quarter of the Marshall Group’s sales come from headphones while 70% is derived from speakers and only 5% from amplifiers.
“Our mission is to support Marshall in unlocking its full potential by leveraging our expertise in digital channels and supply chain optimization,” said Taro Niggemann, managing director for Europe at HSG. “We aim to help bring Marshall’s exceptional products to even more customers globally while embracing and celebrating the spirit that has defined the brand for generations.”
Jeremy de Maillard, CEO of Marshall Group, added: “This deal is a testament to our team’s dedication and exceptional talent in making our vision a reality. Together with HSG and the Marshall family, we have the perfect conditions to continue building on Marshall’s iconic status and unlocking our full potential across the world.”
Wyclef Jean will be honored at an upcoming benefit on behalf of Music Will. The non-profit music education program for public schools will hold its annual event on April 9 in New York at Gotham Hall. Explore Explore See latest videos, charts and news See latest videos, charts and news In a release announcing the […]
Alex Cooper is expanding her broadcasting duties even further in 2025, with SiriusXM announcing new exclusive programming as part of a multi-year agreement with the world’s most-listened-to female podcaster.
Beginning on Feb. 11, Cooper – the host and executive producer of the Call Her Daddy podcast – will give SiriusXM subscribers the chance to get closer to her and the Unwell Network with two new channels and live shows.
The first of these, Unwell Music, is curated by Cooper and is presented as a mixtape featuring the songs that have scored her life. Broadcasting contemporary hits alongside nostalgic pop anthems, Unwell Music will feature names such as Miley Cyrus, Tate McRae, Sabrina Carpenter, Beyoncé, Gracie Abrams and more. Alongside its eclectic playlist, the music will also be complemented by personal commentary from Cooper and behind-the-scenes stories.
The second of these channels, Unwell On Air, is designed to deliver a “live and curated pulse on what’s trending now”. In addition to highlights from the Unwell Network’s podcasts, it will also feature live daily programming that puts their Daddy Gang fanbase as the center of the conversation.
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This live programming includes Dialled In, which sees hosts Rachel Friedman and Montaine taking calls from listeners about relationship problems, friendship drama, and more. Dialled In airs from Monday to Friday at 7pm ET (4pm PT).
The programming also features The Daily Dirty, which sees hosts Sequoia Holmes, Fiona Shea and Hannah Kosh providing an hour-long catch-up focusing on pop culture-focused sharp takes, candid conversations, and playful segments. The Daily Dirty airs from Monday to Friday at 6pm ET (3pm PT).
“I’m constantly trying to find new ways to interact with my audience and with Unwell Music and Unwell On Air I’m able to deliver brand new daily live shows and playlists curated specifically by me,” said Cooper in a statement. “I can’t wait for everyone to experience a whole new world of Unwell.”
“Alex Cooper and her Unwell brand continue to be at the vanguard of pop culture with their authentic and unfiltered approach,” said Scott Greenstein, President, and Chief Content Officer at SiriusXM. “With the launch of Unwell Music and Unwell On Air, Alex is creating something that is only possible through the power of SiriusXM: a live 24/7 audio destination for her fans to immerse themselves further into her world. We can’t wait for you to hear what she has in store.”
Cooper first rose to fame with the Call Her Daddy in 2018, which was swiftly acquired by Barstool Sports shortly after its launch. In 2021, Spotify took ownership thanks to a $60M deal before it found a new home with SiriusXM in August 2024. The multi-year agreement provides SiriusXM with exclusive advertising and distribution rights, content, events, and more for both the Call Her Daddy podcast and the other titles on the Unwell Network – the production house Cooper founded in 2023.