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Jay-Z was named in a refiled civil lawsuit against Sean “Diddy” Combs on Sunday (Dec. 8) with the complaint accusing the rapper and mogul of sexually assaulting a 13-year-old girl in 2000. The complaint was originally filed against Diddy back in October of this year and was readjusted to include Jay-Z’s name in the most recent filing.
In an exclusive report from NBC News, the complaint, filmed by an unnamed accuser, claims that Jay-Z, real name Shawn Corey Carter, was involved in the rape of the girl known as Jane Doe in the complaint. The outlet, which has details about the lawsuit, shared the contents within.
Jane Doe accused Combs and Carter of assaulting her at an MTV Video Music Awards after-party event. The lawsuit was filed by Tony Buzbee of Texas in the Southern District of New York. The outlet adds that Carter’s attorney, Alex Spiro, and other media representatives have yet to comment on the claim. In addition, reps for Combs also decided against offering comments. It is the first lawsuit filed by Buzbee to include a celebrity of Jay-Z’s magnitude.
The outlet laid out the details of the lawsuit and we must warn that what is explained might be triggering for some so proceed with caution.
Jane Doe claims that in 2000 at the age of 13, she was raped at a house party in New York after the MTV VMAs. Doe says that a friend dropped her off at the VMAs, which was held at the Radio City Music Hall venue. Doe says she asked several limo drivers on the premises for access to the award show or parties.
One driver heeded her call and said that he worked for Combs and that she “fit” the profile of what “Diddy was looking for” and was invited to the after-party. The driver then allegedly picked up Doe and took her to a home in New York and was ordered to sign a nondisclosure agreement to gain entry to the party.
Doe says she was given a drink that made her drowsy and went into a room to rest. She then claims that Combs and Carter came into the room, stating that Carter removed her clothes and sexually assaulted her. Combs allegedly came into the room and also assaulted the girl as Jay-Z and an unnamed woman celebrity watched.
The Roc Nation account on X has posted a response from Carter stating that Buzbee’s lawsuit filing is nothing more than a shakedown. Read below.
pic.twitter.com/jl8sgOllCM
— Roc Nation (@RocNation) December 9, 2024
https://platform.twitter.com/widgets.js
Jane Doe is seeking unspecified damages.
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Photo: Getty
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Donald Trump appeared on Meet The Press Sunday morning (Dec. 8), marking his first televised interview since becoming the president-elect in November after a tight race with Vice President Kamala Harris. Sitting down with Meet The Press moderator Kristen Welker, Donald Trump was measured at times but also slippery on some of his positions as observers on the X social media platform pointed out contradictions and flat-out lies in his statements where he received little pushback.
President-elect Donald Trump, 78, spoke in a conversational tone as he sat across from Kristen Welker, displaying a muted version of expressing himself in comparison to some of his fiery and off-the-rails campaign speeches. With the presidential victory in hand and emboldened by officially winning the Republican Party majority of both the House and Senate, Trump toned down the rhetoric but also said that he would carry out unpopular policies despite growing murmurs of discontent among his base and those far outside of it.
Trump spoke to Welker’s inquiry about his plans for the first 100 days in the White House, a longstanding marker of the president making his intentions known and setting a tone for the government as his leadership continues to come into view over the next four years.
After a rambling answer that covered everything from tackling crime in major cities and extending the so-called “Trump tax cuts,” Trump defended his nominee for Secretary of Defense, Pete Hegseth despite the mounting allegations against him. Trump’s answer was a masterclass of avoiding the actual question by using filler words and highlighting how much Fox News supported Hegseth, once more ignoring the fact that some of the allegations against his nominee originated within the network.
Early in the chat, Welker lobbed a question regarding tariffs, which some felt was one of several softballs tossed at Trump. Instead of getting Trump to explain how he’ll attack inflation and lower prices, since it was a key campaign point and why many voters pulled the lever for him, he elected not to offer a guarantee on one of his top promises.
“I can’t guarantee anything. I can’t guarantee tomorrow. But I can say that if you look at my — just pre-Covid, we had the greatest economy in the history of our country. And I had a lot of tariffs on a lot of different countries, but in particular China,” Trump said before meandering and calling the tariffs “beautiful,” but Welker did remind Trump that those “beautiful” tariffs cost Americans billions.
In other portions of the conversation, Trump still refused to concede the 2020 election results despite overwhelming evidence that the presidency was not stolen from him. He also doubled down on false claims that he improved the Affordable Care Act (ACA), which he continues to refer to as “Obamacare,” a law that took cues from Sen. Mitt Romney when he was governor of Massachusetts and the state’s health care reform law.
Trump continues to claim he “saved Obamacare” despite his many attempts to repeal the Affordable Care Act and insert a law of his own, even though it could harm those who voted for Trump in the long run. Trump also stuck to his incorrect statement that 13,099 murders in the past three years were allegedly committed by illegal immigrants. Welker attempted to get Trump to understand the number includes four decades of data but Trump insisted this exaggerated number came under President Joe Biden’s tenure.
On X, formerly Twitter, Donald Trump’s Meet The Press interview found its way onto the timeline with many pointing out how it missed several marks. Check out the replies below.
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Photo: Getty
Eugenio Derbez is walking back his harsh comments about Selena Gomez‘s performance in the Netflix musical movie Emilia Pérez.
During a recent appearance on the Hablando de Cine podcast, the Mexican actor and comedian criticized Gomez’s attempt at speaking Spanish in the film, calling her performance “indefensible.”
Gomez, who plays Jessi del Monte in the Jacques Audiard-directed film, speaks Spanish in the movie but is not fluent in the language.
“Selena is indefensible,” Derbez said in a clip from the podcast, which was shared on TikTok. “I was there [watching the movie] with people, and every time a scene came [with her in it], we looked at each other and said, ‘Wow, what is this?’”
Derbez agreed with Hablando de Cine host Gaby Meza, who suggested that Gomez struggled to add nuance to her performance because Spanish isn’t her first language and she didn’t fully understand what she was saying.
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Gomez responded to the criticism in the comments section of the TikTok post. “I understand where you are coming from. I’m sorry I did the best I could with the time I was given,” the Only Murders in the Building actress wrote. “Doesn’t take away from how much work and heart I put into this movie.”
The Grammy-nominated singer and actress also addressed Derbez’s comments directly: “Also, do not ever say my fans are the problem standing up, as you say, for me.”
The CODA star later posted an apology to Gomez in a letter posted to TikTok. “I truly apologize for my careless comments — they are indefensible and go against everything I stand for,” Derbez wrote. “As Latinos, we should always support one another. There’s no excuse. I was wrong, and I deeply admire your career and your kind heart.”
Emilia Pérez tells the story of cartel boss Manitas del Monte (played by Sofía Gascón), who retires from the business to undergo gender reassignment surgery and become the titular character. The film’s plot is further defined by musical numbers that blend rock, pop and rap, all sung in Spanish, capturing the transformation of its central characters. The film also stars Zoe Saldaña.
Taylor Swift’s The Tortured Poets Department returns to No. 1 on the Billboard 200 albums chart for a 16th nonconsecutive week, as the set vaults 8-1 on the chart dated Dec. 14, following the first physical release of the album’s deluxe Anthology edition, exclusively at Target in the U.S. The set earned 405,000 equivalent album units in the U.S. in the week ending Dec. 5 — up 839% — according to Luminate, largely driven by physical album sales. It’s the biggest week for any album since Poets’ second week, when it tallied 439,000 units.
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TTPD was initially released on April 19 as a standard 16-song digital download album, as well as an in array of 17-song physical configurations. Two hours after the album dropped, Swift issued an expanded 31-song edition of the album, dubbed The Tortured Poets Department: The Anthology, which added 15 additional songs. However, the Anthology edition was only available as a digital download and streaming set until Nov. 29, when its CD and vinyl editions became available for purchase exclusively through Target. The Target CD and vinyl additionally boasted four bonus acoustic tracks (which were previously released in other alternative versions of the album).
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The announcement of Poets’ return to No. 1 comes on the same day (Dec. 8) that Swift closes her globe-trotting, stadium-filling The Eras Tour in Vancouver, after 149 dates. The retrospective trek launched in March 2023 and visited 21 countries across five continents.
Also in the top 10 of the new Billboard 200, Juice WRLD’s The Party Never Ends debuts at No. 4, securing the late rapper his sixth top five-charting set. Plus, the top 10 is getting festive, as the region welcomes its first holiday titles this season: Michael Bublé’s former No. 1 Christmas jingles 12-7 and Bing Crosby’s new compilation Ultimate Christmas dashes 18-9. With the latter, Crosby claims his first top 10 album in nearly 64 years.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 14, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Dec. 10). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of The Tortured Poets Department’s 405,000 equivalent album units earned in the week ending Dec. 5, traditional album sales comprise 368,000 (up 4,377%; it surges 17-1 on Top Album Sales for a ninth nonconsecutive week on top), SEA units comprise 37,000 (up 6%; equaling 48.19 million on-demand official streams of the set’s songs; it holds at No. 9 on Top Streaming Albums) and TEA units comprise a negligible sum (down 21%).
Of TTPD’s 368,000 album sales for the week, vinyl sales comprise 191,000 (up 3,284%) and CD sales comprise 177,000 (up 7,738%), largely driven by sales from the exclusive editions sold at Target. (Digital download and cassette sales comprise a negligible sum for the week.)
Poets spent its first 12 weeks on the Billboard 200 at No. 1 (charts dated May 4-July 20), fell to No. 4 for two weeks, returned to No. 1 for three more weeks (Aug. 10-Aug. 24 charts) and then departed the top slot until the latest chart.
With a 16th week at No. 1 on the Billboard 200, The Tortured Poets Department now solely has the third-most weeks at No. 1 among albums by women (since the list began publishing on a regular, weekly basis in March 1956). It steps past Carole King’s Tapestry, which registered 15 weeks at No. 1 in 1971. Only Adele’s 21 (24 weeks in 2011-12) and the Whitney Houston-led soundtrack to The Bodyguard (20 weeks in 1992-93) have more weeks at No. 1 among women.
The last album to spend at least 16 weeks at No. 1 was Morgan Wallen’s One Thing at a Time, which logged 19 nonconsecutive weeks at No. 1 between March 2023 and this March. The last album by a woman to spend at least 16 weeks at No. 1 was Adele’s 21, which earned 24 nonconsecutive weeks on top in 2011-12.
With Poets — Swift’s longest-leading album on the Billboard 200 — she adds her 85th career week at No. 1 on the chart, extending her record among soloists. (Elvis Presley has the second-most among soloists, with 67.) The total encompasses her 14 No. 1 albums. (She’s tied with Jay-Z for the most No. 1s among soloists.)
Kendrick Lamar’s GNX falls 1-2 on the Billboard 200 in its second week with 165,000 equivalent album units earned (down 48%). The Wicked film soundtrack dips 2-3 in its second frame, with 108,000 units earned (down 22%).
The late Juice WRLD collects his sixth top five (and top 10) charting effort — the entirety of his charting releases — as The Party Never Ends debuts at No. 4. The set bows with 86,000 equivalent album units earned. Of that sum, SEA units comprise 84,000 (equaling 123.43 million on-demand official streams of the set’s tracks; it debuts at No. 2 on Top Streaming Albums), album sales comprise 2,000 and TEA units comprise a negligible sum.
The new album was preceded by the Billboard Hot 100 chart hit “AGATS2 (Insecure)” (with Nicki Minaj), which reached No. 68 on the Nov. 30-dated chart. On the Hot Rap Songs chart, it debuted and peaked at No. 11.
The Party Never Ends is the third posthumously released charting effort for Juice WRLD, who died on Dec. 8, 2019. Since his passing, he’s notched Billboard 200 entries with Legends Never Die (two weeks at No. 1 in 2020), Fighting Demons (No. 2 in 2021) and now The Party Never Ends.
Sabrina Carpenter’s chart-topping Short n’ Sweet falls 3-5 on the Billboard 200 with 68,000 equivalent album units earned (down 1%), while Billie Eilish’s Hit Me Hard and Soft slips 5-6 with 59,000 units (though up 18%).
Bublé’s chart-topping Christmas returns to the Billboard 200’s top 10, jumping 12-7 with 56,000 equivalent album units earned (up 53%). The set, first released in 2011, spent five weeks at No. 1 in December 2011 and early January 2012 and has returned to the top 10 in every following holiday season. In the latest tracking week, of its 56,000 units, SEA units comprise 48,000 (up 59%; equaling 63.79 million on-demand official streams of its songs; it climbs 13-5 on Top Streaming Albums), album sales comprise 8,000 (up 23%; it falls 27-30 on Top Album Sales) and TEA units comprise a negligible sum.
Chappell Roan’s The Rise and Fall of a Midwest Princess rises 10-8 on the Billboard 200 with 52,000 equivalent album units earned (up 23%).
The legendary Crosby is back in the top 10 on the Billboard 200 for the first time in nearly 64 years, as his new holiday compilation Ultimate Christmas climbs 18-9. The set earned 50,000 equivalent album units in the week ending Dec. 5 (up 59%). Of that sum, SEA units comprise 46,000 (up 62%; equaling 61.37 million on-demand official streams of the set’s tracks; it jumps 16-6 on Top Streaming Albums).
Crosby, who died in 1977, was last in the top 10 on the Billboard 200 with his classic Merry Christmas album, which ranked at No. 9 on the Dec. 31, 1960-dated chart. It had previously spent a week at No. 1 on Jan. 6, 1958-dated chart.
Merry Christmas became the second holiday album to top the Billboard 200, following its launch as a regularly published weekly chart in March 1956. Elvis Presley’s Elvis Christmas Album was the first chart-topping holiday set, as it topped the chart for three weeks in December 1957, moved aside for Crosby for a week and then returned to No. 1 for one more week in January 1958.
Ultimate Christmas is available as 14-song standard album, an expanded 28-song edition, and a deluxe 58-song version. All versions of the album contain such classic Holiday 100-charting tunes from Crosby as “White Christmas” (featuring The Ken Darby Singers and John Scott Trotter and His Orchestra), “It’s Beginning To Look a Lot Like Christmas,” “Do You Hear What I Hear?,” “Mele Kalikimaka” (with The Andrews Sisters) and “Silent Night” (featuring John Scott Trotter and His Orchestra and Max Terr’s Mixed Chorus).
Rounding out the top 10 of the latest Billboard 200 is Tyler, The Creator’s chart-topping CHROMAKOPIA, falling 4-10 with 49,000 equivalent album units earned (down 19%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
BTS‘ V and the late Bing Crosby‘s duet version of “White Christmas” has topped this week’s new music poll, which highlights releases from artists across a variety of genres.
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Music fans voted in a poll published Friday (Dec. 6) on Billboard, naming the new rendition of the holiday classic their favorite new music release of the past week.
“White Christmas” secured nearly 51% of the vote, outpacing new releases from ROSÉ (rosie), TWICE (Strategy), Bad Bunny (“EL CLÚB”), Khalid and Normani (“Personal”), and more.
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In the festive collaboration, V and Crosby trade lines, harmonizing on the iconic lyrics: “I’m dreaming of a white Christmas/ With every Christmas card I write/ May your days be merry and bright/ And may all your Christmases be white.”
“I’m so grateful to have had the chance to be featured in a song with my all-time favorite jazz artist, Bing Crosby,” V previously said of the track in a statement. “I grew up listening to his song ‘It’s Been a Long, Long Time’ countless times a day, and I feel incredibly fortunate and honored to have sung along on ‘White Christmas’ with the voice of someone I consider an idol.”
“Being a huge fan of his, I sang with the utmost sincerity and admiration for him,” continued the superstar, who previously covered “It’s Beginning to Look a Lot Like Christmas.” “I hope many people enjoy it as much as I enjoyed singing it. Lastly, I wish a lovely holiday season to everyone listening to the song.”
Crosby passed away in 1977. His daughter, Mary Crosby, expressed her excitement about her father’s new posthumous collaboration, saying, “As a family, we are thrilled to have V and Dad singing together on this ultimate Christmas song. Their voices blend beautifully, capturing the holiday spirit in the best possible way.”
The Christmas classic, written by Irving Berlin in just 18 minutes, remains the best-selling song of all time, with over 50 million copies sold worldwide, according to Guinness World Records. “White Christmas” also won the Oscar for best original song in the 1942 musical Holiday Inn and was inducted into the Grammy Hall of Fame in 1974.
Trailing closely behind V and Crosby in this week’s poll is BLACKPINK’s ROSÉ, whose debut solo album, rosie, garnered almost 48% of the vote. The 12 tracks on the set include the hit single “APT.” with Bruno Mars, which has held the No. 1 spot on the Billboard Global 200 for six consecutive weeks, as well as “Number One Girl.”
Check out the full results of this week’s poll below and head to Billboard‘s Friday Music Guide for more must-hear releases.
Saturday Night Live is taking a playful jab at Timothée Chalamet at the premiere of his upcoming film A Complete Unknown.
In a sketch during the Dec. 7 episode, hosted by Paul Mescal, SNL cast member Heidi Gardner plays a fictional BuzzFeed reporter on the red carpet for the debut of the new Bob Dylan biopic, which stars Chalamet as the legendary folk musician. The sketch opens with Chalamet (played by Chloe Fineman) admitting he had a “Brat summer,” a reference to the Charli XCX-inspired trend.
“Oh, man, it was crazy. Nuts,” Fineman’s Chalamet says.
As the two continue their conversation, Dylan (portrayed by SNL’s James Austin Johnson) strolls up and is asked if he too had a Brat summer. “What?” the iconic musician replies. “A Brat summer,” Gardner’s reporter repeats. “Did you have a Brat summer?” Dylan, clearly thinking about food, mistakes the question, thinking he’s being asked about bratwurst.
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“All this sausage talk has awoken my hunger,” Johnson’s Dylan says, in the artist’s signature gravelly voice. “I hear there’s a hot bar at the end of this, so if you’ll excuse me.”
The red carpet conversation continues as Bruce Springsteen (played by Andrew Dismukes) joins the group. “Baby, I was born to watch this movie,” the Boss declares. When Dylan asks if Springsteen hit the hot bar, Dismukes’ Springsteen responds, “Sure did, Bob. The vibes might be small but the flavor’s big.”
Next up, U2 frontman Bono (played by Gladiator II star Paul Mescal) steps in. When asked about his own Brat summer, Bono answers, “I didn’t have a Brat summer. Could not possibly. Because of the sweltering heat brought on by climate change. We must act now.” Mescal’s Bono continues, “I just saw a documentary about the devastating effects of global warming. It was called Hot Frosty,” referencing a new holiday Netflix movie.
A Complete Unknown, which hits theaters on Christmas Day, also stars Elle Fanning, Monica Barbaro and Edward Norton. The biographical drama is inspired by Elijah Wald’s 2015 book Dylan Goes Electric. Director James Mangold has revealed that Dylan himself gave feedback on the script.
Fans first spotted Chalamet filming in New York earlier this year. Mangold confirmed that Chalamet will do his own singing in the film, and to prepare, the actor sifted through 12 hours of unreleased Dylan tracks sent to him by the musician’s longtime manager and producer Jeff Rosen.
The SNL episode also featured breakout country star Shaboozey, who made his debut as musical guest on the long-running sketch comedy show, performing his 19-week Billboard Hot 100 chart-topper “A Bar Song (Tipsy)” alongside his new ballad “Good News.”
Watch SNL‘s “A Complete Unknown Red Carpet” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Shaboozey brought his massive hit to Studio 8H during his Saturday Night Live debut on Dec. 7.
The 29-year-old breakout country star took the stage as musical guest on the Paul Mescal-hosted episode, performing his 19-week Billboard Hot 100 chart-topper “A Bar Song (Tipsy)” alongside his new ballad “Good News.”
Introduced by Gladiator II star Mescal, the Virginia native opened with “Good News,” his first new single since the release of his third album, Where I’ve Been, Isn’t Where I’m Going, which peaked at No. 5 on the Billboard 200 in May.
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The song’s wistful lyrics — “I need some good news/ Sittin’ here, sippin’ on cold truth/ Nobody knows what I’m goin’ through/ Bet the devil wouldn’t walk in my shoes” — were underscored by gentle acoustic guitar, plaintive fiddle and a healthy dose of pedal steel.
Later in the show, Shaboozey returned to perform his inescapable hit “A Bar Song (Tipsy).” Dressed in a shiny brown jacket and matching pants, the country star delivered the track in a dimly lit, bar-like setting, surrounded by his backing band.
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The SNL appearance marks another milestone in a whirlwind year for Shaboozey. On Thanksgiving, he performed at the halftime of the Detroit Lions vs. Chicago Bears game at Ford Field, singing “Last of My Kind,” “Highway” and “A Bar Song (Tipsy).” Just weeks earlier, he received five Grammy nominations, including nods for best country song and song of the year.
SNL is currently celebrating its 50th anniversary season, which launched in September and will culminate in a special live primetime event on Feb. 16. Next week, Gracie Abrams will make her SNL debut on the Chris Rock-hosted episode, followed by Hozier’s return with Martin Short as host.
Watch Shaboozey’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
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Suppose you’re one of the millions of gamers wondering where the second GTA 6 trailer or any news on the game is. In that case, a former GTA V developer explains why Rockstar Games is so silent about the highly-anticipated game.
We know the game is still slated for a fall 2025 release, according to the studio. We only got a tease of what to expect from the leaked trailer, forcing Rockstar Games to release ahead of its official premiere a year ago. Still, outside of that, the game studio has been very tight-lipped on the next installment in the iconic franchise.
According to Mike York, a former developer on GTA V, this is pretty much normal for Rockstar Games when it comes to its big releases; in fact, he says it’s all by design. He broke it all down on his personal YouTube page.
“It creates allure, and it creates mystery, and it creates people talking about it without them having to do anything, right?” York says. “The more they’re silent, the better it is, because the more people will be antsy and want to talk about it, and kind of have this feeling of not knowing what’s going to happen. They could easily release the trailer date and be like, ‘Hey, this is when the trailer’s coming out,’ but they don’t do it, and they don’t do it on purpose.”
When Is The Next Trailer For GTA 6 Dropping?
Basically, what he is saying keeps us talking about the game, hence this article. But honestly, does Rockstar Games even need to go this route because GTA is arguably one of the most popular game titles on the planet?
GTA V, which has lived in three console cycles, is still being played almost a decade later, thanks to the release of the enhanced version for the PS5 and Xbox Series X consoles.
Who knows? Maybe another trailer has already been cut, and Rockstar Games will either surprise us with it or give Geoff Keighley the honor of blowing our minds by premiering it at The Game Awards next week.
Whatever the case, the ball is clearly in Rockstar Games’s court, and honestly, we don’t blame them for keeping this so close to the chest because we are tired of seeing things being “leaked” for clout.
“Long live all the magic we made.” This line, from Taylor Swift’s fan-favorite Speak Now track “Long Live,” is plastered on a giant mural outside of Vancouver’s BC Place this weekend (Dec. 6-8). It’s one of the first things fans see before scanning their tickets and stepping foot inside the stadium, and there is no […]
How will The Eras Tour end? Here on Dec. 6, 2024, on a Friday night in Vancouver — home of Taylor Swift‘s final three Eras shows (Nos. 150-152, for those counting) — we’re among about 60,000 kindred spirits at BC Place. “You and I, we’re about to go on a little adventure,” Swift, in a […]