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Chris Brown Calls Cap On Leaving Housekeeper After Dog Attack

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Chris Brown is denying reports regarding neglecting his housekeeper when she was attacked by one of his dogs.

Back in 2020, Maria Avila was Breezy’s housekeeper and claims that she was taking the trash out when one of the singer’s dogs attacked her. Which allegedly left her bleeding and needing medical attention. The former housekeeper claims that Brown was home at the time, and when he was informed of what occurred, he dipped.

Breezy is calling cap to the original story, saying that he never left the housekeeper, “bleeding to death.” The VA native claims that he never saw blood and that he stayed on the scene until his security arrived. Further explaining his piece, “I didn’t touch her. I bent down and I looked, I was making sure she was breathing. From there, I ran to put the dogs away and told the security guard to come over.”

Following the R&B star denying the claims was a request to the judge to dismiss specific parts of the lawsuit, which included punitive damages and emotional distress compensation. The case has not reached an official ruling and has been active since the attack in 2020.

Since then, Chris Brown has been on his Breezy Bowl World Tour, celebrating 20 years since his debut self-titled album. While laying low, he’s been performing and partying in every city. As well as beefing with Kevin McCall to keep himself busy, but that’s a different story for a different day..

Rapper Ghetts Arrested & Held After Fatal Hit-And-Run Incident

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Ghetts, an award-winning rapper who resides in the United Kingdom, was arrested and held in custody due to a fatal hit-and-run incident that he was reportedly involved in. Earlier this week, Ghetts appeared in a London court to hear his charges as he awaits his fate during the investigation.

BBC News reports that Ghetts, real name Justin Clarke-Samuel, was in Stratford Magistrates’ Court this past Monday (October 20) to hear charges related to the alleged incident that took place on October 18 in London. The victim was a 20-year-old man who died from his injuries the same day Clarke-Samuel appeared in court.

Ghetts also performed as an actor and held a role on the Netflix science fiction show, Supacell.

The outlet adds that the 41-year-old rapper will be in custody and has a court appearance at the Barkingside Magistrates’ Court scheduled for October 27.

Photo: Getty

Ariana Grande Says Madonna & Beyoncé Were First to Reach Out After She Got Famous: ‘It Made Me Feel Safe’

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When Ariana Grande emerged as the main pop girl to watch in the early 2010s, she already had two women whose careers she admired in her corner: Madonna and Beyoncé.

While appearing on a new episode of the Shut Up Evan podcast posted Friday (Oct. 24), Grande revealed how the two icons welcomed her with open arms after her music career first started taking off post Victorious. “I’m very lucky that my idols have been very kind to me,” she began.

“I remember Madonna immediately was very kind,” the Wicked star continued. “I think she was one of the first people to reach out and, like, give me a warm welcome, and it was just really cool. I was overwhelmed by it, because I love her so much.”

Madge would go on to support Ari throughout her career, even recording a voice-over for Grande’s 2018 “God Is a Woman” music video. On the podcast, the R.E.M. Beauty founder also shouted out Mariah Carey — “And then, of course, Mariah,” were her words — as a personal hero who took her under her wing. The pair have since collaborated a handful of times, including on a remix of Grande’s Billboard Hot 100-topping single “Yes, And?”

As for Queen Bey, Grande recalled how the Destiny’s Child alum extended an invitation to meet her in 2013. “Beyoncé had me come visit a music video she was shooting, and I was just there in the corner,” she told host Evan Ross Katz. “I was like, ‘Why am I here?’ It was after I sang ‘Tattooed Heart’ on the AMAs. She invited me to set to visit her, and she just was being kind — she gave me a little bit of advice, and, you know, I asked, but she was so kind.”

“But yeah, I feel like I had people I really looked up to embrace me,” Grande added. “It made me feel safe.”

More than a decade later, and Grande is now arguably in the same league as all of the personal heroes she mentioned. The vocalist has earned two Grammys and six No. 1 albums on the Billboard 200, to name just a couple of her successes.

But, as revealed on the podcast, Grande recently considered quitting music. After landed a role in Wicked, she thought that 2020’s Positions would be her last album.

“I didn’t think I was gonna make an album ever again,” she shared. “When I left for London, that was kind of my secret, but I didn’t think I was going to.”

Thankfully, Grande said that playing Glinda in the movies “totally rearranged everything about [her] relationship to creating,” which would inspire her to make 2024 album Eternal Sunshine. She’s now gearing up to go on a mini tour in support of the LP in 2026.

Watch Grande’s full interview on Shut Up Evan above.


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Executive Turntable: Avatar Concert Startup Staffs Up, Plus Spinnin’ Expats Become Fluent

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Unit1 Studio has entered the scene as an independent producer of avatar concerts, backed by a roster of seasoned industry figures. The company is betting on advances in visual effects and AI-driven CGI to deliver hyper-realistic artist avatars more quickly and affordably, reimagining iconic live performances for modern audiences while addressing the high production costs that have long handcuffed immersive entertainment.

The startup is led by CEO Barney Wragg, a digital leader with impactful stops at Andrew Lloyd Webber’s Really Useful Group, Universal Music, EMI and AEG, along with creative director Jonathan Butterell and technical director Pavle Mihajlovic (Electric Saint and Flavourworks). Backed by influential investors Mercuri VC, The Taylor Brothers and longtime U2 manager Paul McGuinness, with John Kennedy (former Universal Music UK CEO) on its board, Unit1 aims to unlock new revenue streams for artists and rights holders.

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Its debut project features Grammy-nominated singer-songwriter KT Tunstall ahead of the upcoming re-issue of her hit debut studio album Eye To The Telescope. For the Tunstall showcase, Unit1 is teaming up with several industry innovators, including Woodroffe Bassett Design (Elton John), Roe Visual (ABBA Voyage), and Brompton Technology (Adele, Metallica).

“There are so many concerts I wish I could have seen but never had the opportunity to experience live,” said Wragg. “Elton at the Troubador, Queen at Live Aid, Hendrix at Woodstock or The Beatles at The Cavern. We are raising the bar in avatar and stage technology to be able to immerse audiences in the embodiment of those moments and transport fans into a world with the artists they love. Critically, we can now do this at a price point that makes commercial sense for the industry. Our goal is to wow audiences, stay true to the artist and their music, and help realise the immense potential in this new form of entertainment.” 

Check out a full rundown of this week’s staffing news below.

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“Selena y Los Dinos” Director, Isabel Castro, & Suzette Quintanilla Unite at Billboard Latin Music Week to Celebrate the Queen of Tejano Music & their Netflix Documentary

Selena Quintanilla is undoubtedly one of the pinnacles of Latin music. At this year’s Billboard Latin Music Week in Miami, Selena’s sister, Suzette joined director, Isabel Castro to give attendees an exclusive look at their upcoming Netflix documentary, during the “Selena y Los Dinos” Panel. Not only did Suzette, who serves as an executive producer on the film, share memories of being a band, she showed home videos from the family’s personal archive, which can be seen for the first time when the Netflix documentary premiers on November 17, 2025. 

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Isabel Castro, Suzette Quintanilla, Jessica Roiz during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Isabel Castro, Suzette Quintanilla, Jessica Roiz during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Gustavo Caballero/Billboard


Billboard’s assistant editor Latin, Jessica Roiz, moderated the conversation which explored Selena’s meteoric rise to fame, her dreams for the future, and the impact of family on her and her career. They kicked off the panel by showing the trailer for the film. It’s full of inspiring words from Selena herself, interviews with the Quintanilla family and bandmates, and a ton of home movies. They granted Castro unprecedented access to their personal media collection and sat down for in-depth interviews in the documentary to show viewers a side of the Queen of Tejano Music which only those closest to her would know. 

Suzette Quintanilla during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Suzette Quintanilla during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Gustavo Caballero/Billboard


Suzette explained what it was like welcoming Castro into their world. “I gave her a key to what we call ‘The Vault’.” The director went on to describe The Vault as “a medium sized room and there are floor to ceiling bookcases with hundreds if not thousands of VHS tapes, Betacams, CDs, flash drives.” The first step in making the documentary was digitizing all of the personal footage and stringing it out before even interviewing the family.

Isabel Castro during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Isabel Castro during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Gustavo Caballero/Billboard


Suzette shared why this was the first documentary their family wanted to participate in and why Isabel was the perfect director for this monumental film. Four to five years ago, Suzette asked her lawyer to find someone that could help the Quintanilla family finally tell their own story. He found Castro’s 2022 award-winning documentary “Mija” and was inspired to set up a meeting between the two, over Zoom. Suzette said, “Instantly, I knew that she was going to be the person that was able to tell this story for us.” The two bonded over being big sisters and now call each other friends.

Suzette Quintanilla, Isabel Castro during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Suzette Quintanilla, Isabel Castro during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Gustavo Caballero/Billboard

Fans will see Selena as a sister, daughter, and wife in “Selena y Los Dinos” through never-before-seen footage and first-hand accounts from her parents, sister, brother, husband and bandmates. In one clip shared with attendees, the family describes how they saw the joy that Cumbia music brought their community and how the entire family was essential in developing that sound. By seeing what happened behind the scenes, Castro was moved to show the importance of family in what Selena would become. She said, “I was a Selena fan, but I didn’t totally understand the extent of it until I made this project. As I was discovering that, it was really important to me that that was a main focus of the film. And that’s why it’s called ‘Selena y Los Dinos’” Suzette reaffirmed what Isabel felt while making the film saying “Yes, Selena was the star, and she will continue to be that, but there was another element that made Selena as well. And that was our family and our family band.” 

Isabel Castro, Suzette Quintanilla during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Isabel Castro, Suzette Quintanilla during the Billboard Latin Music Week Miami 2025 Selena y Los Dinos (Presented by Netflix) panel at the Fillmore Miami Beach on October 22, 2025 in Miami Beach, Florida.

Gustavo Caballero/Billboard

Suzette, Isabel, and Jessica ended their conversation by discussing what they hope viewers take away from the film. For Suzette, she said “What I would love for them to take away is that we’re a normal family that started a band that became global.” For Isabel, she wants to celebrate bi-cultural identities, saying “I want people to see this and how much joy and pride there can be in not being from here or there but being from a mixture of two places. I just think that’s so beautiful.” And that diversity is seen and appreciated within Selena’s fandom. Suzette described the pride she feels for the more than two generations of fans her sister has. “Selena is not just a Latin artist. She is global. She is a global artist, and it doesn’t matter what nationality you are, you listen to her music and you’re a fan. And for that I am grateful.” 
  
There is no denying the impact Selena Quintanilla has had on the Latin music world and pop culture at large. We’ve seen the talent and charisma which made her a top tier artist and performer. Soon, you can see what made Selena a superstar at home in the eyes of her family when “Selena y Los Dinos” premieres on November 17, 2025, only on Netflix. 

Want to Protect Your Ears at Concerts? Loop & Swarovski’s Latest Collaboration Has You Covered

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Who said ear protection couldn’t be chic?

Loop just dropped a collaboration with Swarovski, and it’s anything but boring. Centered around Loop’s protective Experience 2 earbuds and Swarovski’s love of all things shiny, the drop is perfect for the fashion-forward concertgoer in your life. The collaborative piece is available right now on Swarovski’s website, retailing for $125. Each earplug features a squishy silicone tip that gives the plugs a nice and snug fit without irritation.

The loop portion is crafted of stainless steel with a high-shine PVD chrome coating that transitions into six dazzling integrated crystals. Each crystal is presented in a variety of distinctive shapes and cuts while the precise faceting ensures a jewel-like finish. If the silicone tip isn’t fitting snugly, you can upgrade the size for a perfect fit, even in the smallest of ears. These earplugs are reusable, made for long-term use thanks to their sturdy silicone and AB composition. If the earplugs weren’t cool enough, they also come with a carrying case in white with Loop’s name embossed on the front.

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A keyring is connected to the circular case with a Loop-branded hangtag. The added keyring allows you to hook your earplugs onto your bag or keys, keeping you and your ears protected wherever you may go. Of course, they’re super chic, but these earplugs also protect the ears.

Loop x Swarovski Experience 2 Earplugs

Decorative earplugs.

Unlike your traditional earplugs that block sound, Loop’s offerings filter sound to reduce overall volume, while keeping speech and music clear. This makes Loop earplugs a must-have for concerts or festival settings, given that you can still hear the music nice and clear without damaging your eardrums.

Soundwaves enter the Loop plug via a small opening. Those waves then travel through the hollow channel on the inside of Loop. This shallow channel acts as an acoustic resonator. It is the same length as your ear canal and has a quarter-wavelength resonance at 2700 Hz. By mimicking the way your ears function, the sound you receive with the earplugs sounds natural.

The whole goal of earplugs like these is to marry fashion and function, giving prospective buyers more interesting options than your standard earplugs. Not just a pretty face, Loop’s product is backed by innovation, giving you the best quality without sacrificing a thing.

Stephen A. Smith Apologizes To Rep. Jasmine Crockett Critiques

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Stephen A. Smith used his massive platform to lash out at Rep. Jasmine Crockett, urging the Texas congresswoman to put aside her grievances with President Donald Trump. With the smoke clearing and after getting blasted online and in the media, Stephen A. Smith walked back his critiques of Crockett and took a shot at Trump as well.

Via his Straight Shooter With Stephen A program, Stephen A. Smith, apparently inspired by President Trump and his administration’s targeted attacks against Rep. Crockett, gave an apology that wasn’t as full-throated as his earlier digs against the Texas congresswoman.

“I can look Jasmine Crockett in the face and say I’m sorry for any kind of noise I caused in your direction, because she is accomplished, and she is smart, and she does have an incredible, incredible challenge working in this political climate on Capitol Hill,” Smith said.

Smith also said, “I saw something disturbing in regards to President Donald Trump and how he came at Representative Jasmine Crockett. I get it now with Trump feeding into that nonsense, giving him ammunition to continue to go out there and talk about our Black women that way, I got it.”

President Trump referred to Congresswoman Crockett as a “low IQ person” this past June, a shot she didn’t take without returning fire of her own.

Smith also hit back at his critics, who felt that his words were meant to attack or harm Crockett because she’s a woman.

“When somebody tries to take that to accuse me of being disrespectful or in any way misogynistic, I’m going to push back on that because that’s emphatically false. There’s no truth to that whatsoever, and I’m not accepting that, and I’m not owning that,” Smith added.

Smith also took a dig at the Democratic Party, suggesting that its leaders figure out better strategies to appeal to voters, stating that Trump won the past election due to frustrations with the party at large.

Photo: Getty

Shaquille O’Neal’s Custom 2025 Range Rover Stolen In “Highly Coordinated Criminal Scheme”

Shaquille O'Neal's Custom 2025 Range Rover Stolen
NurPhoto / Shaquille O’Neal

Shaquille O’Neal is down one of his custom vehicles before reaching its destination.

The NY Post reports that Hall of Fame NBA Champion Shaquille O’Neal’s custom 2025 Range Rover was stolen in what the company responsible for transporting the tricked-out vehicle described as “a highly coordinated criminal act.”

According to TMZ Sports, the custom vehicle was lifted in Georgia. The Lumpkin County Sheriff’s Office (GA) told the celebrity gossip site they received a report that a Black luxury SUV that underwent work at a local shop in Dahlonega, GA, was missing.

The 2025 Range Rover, which underwent custom work, including the installation of seats to accommodate O’Neal’s 7’1 frame, was to be transported from Georgia to Baton Rouge, Louisiana, by a shipping company, but was stolen by someone impersonating the company, according to law enforcement.

Effortless Motors, which sold Shaq the vehicle and arranged its transport, is offering a $10K reward for the return of the Range Rover.

Per TMZ Sports:

“Effortless Motors was the authorized selling dealership and arranged transport through a third-party company that appeared fully verified. Upon the vehicle’s scheduled delivery, it was discovered that the company’s internal systems had been compromised and hijacked, resulting in the car being unlawfully taken during transit,” we’re told.

“We take the security and trust of our clients very seriously,” said a spokesperson for Effortless Motors. “This was a highly coordinated criminal act targeting the transport company’s network. We are working closely with law enforcement and federal investigators to recover the vehicle and hold those responsible accountable.”

No arrests have been made, and the investigation is still ongoing, according to TMZ Sports.

We hope the big fella gets his whip back.

Watch Halle Bailey Reveal How Beyoncé Reacted to Her New Song With Sister Chloe Bailey

To celebrate the release of her debut solo studio album, Halle Bailey gets strikingly honest in the latest episode of Billboard’s Takes Us Out video series.

The six-time Grammy-nominated singer-songwriter took Billboard’s Tetris Kelly out to H.O.P.E. (Healthy Organic Positive Eating) in Studio City, Calif., where the pair dug into a spread of some of Halle’s favorite vegan bites. While conversing over spring rolls and green curry dumplings, the pair discussed The Little Mermaid, accepting the Billboard Women in Music Rising Star Award in 2020, her first love, working with Mariah the Scientist and GloRilla, and Beyoncé‘s reaction to her debut solo album, Love?… Or Something Like It.

Released on Friday (Oct. 24) via Parkwood Entertainment and Columbia Records, Halle’s new LP features collaborations with Chlöe, Mariah the Scientist, GloRilla and H.E.R., as well as the previously released singles “Angel,” “Because I Love You,” “In Your Hands,” “Braveface” and “Back and Forth.” Notable cowriters and producers include RAYE, D. Phelps, Freaky Rob, Sevyn Streeter, BongoByTheWay, and, of course, Bailey herself.

“I hear my sister on so many songs, I think it’s the way my brain is wired,” she tells Billboard. “I hear her, I hear what she can add, like, ‘She would be good on this; she would be good on that!’ When it came to our song ‘Feel Again,’ I was like, ‘I cannot do this song without Chlöe, I need to hear her on this.’ My sister is a freakin’ cool musical genius; she travels with her equipment. She can record wherever she is because she brings all her s—t with her.”

And if there’s been one constant in Halle’s life as she navigates the music industry — outside of her sister — it’s Beyoncé, the music icon who mentored the sibling duo and signed them to her Parkwood label.

“I played this one for [Beyoncé] too,” Halle reveals. “And she was obsessed with hearing our voices again together.”

The new record arrives as Halle’s first full-length solo offering since her sister duo of Chloe x Halle took a hiatus following the release of 2020’s breakthrough Ungodly Hour album. As her older sister embarked on a career that has yielded two solo albums and buzzy music videos, Halle focused on bringing Princess Ariel to life in the 2023 live-action remake of The Little Mermaid, securing safety and stability for her son Halo (whom she shares with ex DDG), and figuring out her solo sound.

Watch the latest episode of Takes Us Out above.


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Nicki Minaj Had a 1-Word Response to James Blunt’s Playful Jab Over His 2005 Hit

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Nobody had Nicki Minaj and James Blunt engaging in a playful exchange on X on their 2025 bingo card, but here we are.

Earlier this week, Minaj looked to deliver an empowering message for her Barbz on the social media platform, writing, “Idk who needs to hear this, but you’re beautiful.”

Nicki’s post got onto James Blunt’s radar on Thursday (Oct. 23), and the “You’re Beautiful” artist had some fun with the Young Money rapper. “You’re a little slow to the party,” he quipped in response to her post.

Blunt’s post quickly went viral and has compiled more than 200,000 likes on X. The replies represented a generational divide, as some weren’t in on the joke and others enjoyed a laugh at the recall to his 2005 single, which topped the Billboard Hot 100 in 2006.

“Barbz Chill he was playful because he got a song called you are beautiful. I know some of ya’ll are very young,” one person attempted to clarify in an effort to calm some angry Nicki fans.

Minaj eventually saw Blunt’s viral reply and tipped her cap to the British artist. “Touché,” she wrote on Friday.

“You’re Beautiful” landed on Blunt’s Back to Bedlam debut album in October 2004. The track gained momentum after being released as a single in May 2005, and eventually became a ubiquitous hit in the U.S., topping the Billboard Hot 100. It replaced Beyoncé’s “Check on It” at the Hot 100’s summit before being replaced by NE-YO’s “So Sick.”

At the time, Blunt became the first British artist to top the Hot 100 since Elton John in 1997. “You’re Beautiful” received three Grammy nominations for song of the year, record of the year and best male pop vocal performance.


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