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One of the most anticipated boxing matches of the year takes place today, as Oleksandr Usyk and Tyson Fury meet in the ring in Saudi Arabia.

Fresh off the Jake Paul vs. Mike Tyson boxing fight, Usyk and Fury meet for a rematch that was so highly-anticipated, it apparently had to wait until the end of the year to take place. Organizers are expecting a huge audience for Fury vs. Usyk 2, which is shaping up to be a competitive matchup. Want to watch the Fury and Usyk fight online? Here’s what you need to know.

Tyson Fury vs. Oleksandr Usyk Fight: Date, Time

The Fury vs. Usyk boxing fight takes place today, Saturday, December 21 at the Kingdom Arena in Riyadh, Saudi Arabia. The event kicks off at 11 a.m. ET / 8 a.m. PT, with the main card (and Fury vs. Usyk) expected to take place around 5 p.m. ET / 2 p.m. PT.

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How to Watch Tyson Fury vs. Oleksandr Usyk Rematch Online

This is an official pay-per-view event so the only way to watch Fury vs. Usyk 2 from the U.S. is by purchasing the PPV feed on DAZN. The PPV price is $39.99 and lets you livestream the Fury vs. Usyk fight on your laptop, phone, tablet or TV.

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While there may be free streaming links floating around on sites like Reddit and X (formerly Twitter), the only official live feed is through DAZN. There is no (legal) way to watch Usyk vs. Fury 2 online for free.

Usyk vs. Fury 2: Odds, Predictions

This is the second meeting between the two fighters this year: Usyk and Fury first met in May, with the undisputed world heavyweight title on the line and it was Usyk claimed the title, becoming the first four-belt champion in the division’s history.

Fury gets his chance to take the title back in today’s rematch, where a win will also make him a unified champion for the first time. Oddsmakers have Usyk though as the betting favorite, with Fury as the underdog.

Watch the Oleksandr Usyk vs. Tyson Fury’s rematch today on DAZN.

“Yesterday, somebody whacked out my mural/That energy’ll make you n—as move to Europe,” were the first bars we heard from Kendrick on the intro track from his latest album GNX right after mariachi singer Deyra Barrera set the table with her beautiful voice in an effort for Lamar to showcase the full range of Southern California’s street culture.

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The mural the Compton rapper was referring to was painted on the side of Tam’s Burgers — the burger joint featured in his “Not Like Us” video — and was painted by artist Mike Norice. According to Norice on his Instagram, he recorded a video of the defaced mural and said it happened after a Dodgers game.

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However, he also could’ve been talking about another mural painted by artists Sloe Motion and Gustavo Zermeño Jr. earlier this summer on the back of a Honduran restaurant Mi Sabor on Rosecrans in Compton that’s now been defaced multiple times. Sloe Motion reposted a XXL IG post about the mural and commented on the post, writing, “I was one of the artist who painted the mural and the guy who blacked out the Kendrick face literally just made it worse.”

Back in November, they shared an IG Reel featuring security footage of a vandal defacing the mural and referred to the song “wacced out murals” along with a caption that read:

“A couple months ago our Kendrick mural got hit. Of course we were pissed and wanted to fix it but it just kept getting worse. Flash forward to today and Kendrick drops a song about the situation. It doesn’t necessarily make it ok but it does feel good to have our hard work for the community immortalized in a song by one of the greatest to ever do it. Thank you @kendricklamar for making this situation a little better today.” 

The aforementioned Barrera, spoke to Billboard about her involvement in Lamar’s surprise album and talked about being invited by Norice to be featured on an upcoming episode of his YouTube series Art & Soul centered around the mural

“The artist who made that painting spoke to me. His name is Mike Norice,” she told deputy editor of Billboard Español Sigal Ratner-Arias in quotes that didn’t make the interview. “I don’t know if you know a little bit about what happened when he did that painting, that it was scratched, vandalized, from Kendrick’s previous album, and because of that  Kendrick made the song ‘Wacced Out Murals,’ the first song of the album where I appear.”

Adding, “Then the artist invited me to be there. It was something very nice, because somehow we connected and we have that in common. There’s a documentary coming out of the artist who made that painting, so soon it’s going to come out. Very cool to be there, because we both, in some way, have that in common with Kendrick.”

Travis Scott has one final gift for fans this holiday season with the release of his Air Jordan 1 Low “Velvet Brown” this weekend. Ahead of the dark mocha Cactus Jack kicks hitting retailers, La Flame connected with Dennis Rodman for an Air Jordan x Cactus Jack commercial supporting the “Velvet Brown” release. Scott and […]

SZA releases her highly anticipated ‘SOS Deluxe: LANA’ with the help from Ben Stiller who stars in the music video for ‘Drive.’ The album features SZA in an alien costume as well as another collab with Kendrick Lamar called “30 For 30.” Tetris Kelly The wait is over, as SZA’s much anticipated ‘SOS Deluxe: LANA’ […]

In a miserable week for stock markets worldwide, Spotify continued to fall from its all-time high, K-pop stocks sank and one of the smallest companies on the Billboard Global Music Index posted a double-digit gain.
LiveOne was the week’s biggest gainer as the music streaming company’s shares rose 19.6% to $1.22 after it announced on Wednesday (Dec. 18) that its partnership with Tesla surpassed 350,000 subscribers. On Friday (Dec. 20), the company also said it has regained compliance with the Nasdaq exchange’s minimum bid price requirement.

Only two other music stocks posted gains this week. Sphere Entertainment Co. rose 2.5% to $38.74, bringing its year-to-date gain to 14.0%. Sphere Entertainment shares have lost 12.1% since the company announced its fiscal first-quarter results on Nov. 12. Reservoir Media also improved 2.3% on the week after jumping 4.8% to $9.26 on Friday.

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The Billboard Global Music Index (BGMI) fell 3.3% to 2,168.69, lowering its year-to-date gain to 41.4%. Just three of the index’s 20 stocks finished the week in positive territory. After increasing each week from late October to early December, the BGMI lost 4.9% over two consecutive weekly losses. The latest 3.3% weekly decline is only the fourth time in 2024 that the index has dropped more than 3% in a calendar week.

Stocks’ bad week extended beyond music companies. In the United States, the Nasdaq composite dropped 1.8% to 19,572.60 and the S&P 500 declined 2.0% to 5,930.85. In the United Kingdom, the FTSE 100 was down 2.6% to 8,084.61. South Korea’s KOSPI composite index fell 3.6% to 2,404.15. China’s Shanghai Composite Index dipped 0.7% to 3,368.07.

Among other music companies, Live Nation had a modest decline of just 2%, dropping to $133.17 despite more analysts increasing their price targets on the stock this week. Morgan Stanley raised its price target to $150 from $140 and Benchmark increased it to $160 from $144 and maintained its “buy” rating.

Spotify, the index’s most valuable company, fell for the second consecutive week. After closing above $500 on December 4, Spotify shares dropped 8.3% and closed at $460.88 on Friday, down 4.8% for the week. Overall, streaming had more losers than winners this week. Cloud Music fell 7.9% to 116.60 HKD ($14.99), marking the second-largest decline of the week. SPDB International began coverage of Cloud Music this week at a 145 HKD ($18.64) price target and “buy” rating. Elsewhere, Anghami fell 3.7% to $0.79.

Four K-pop stocks declined an average of 5.1% this week, reflecting the ongoing political uncertainty in the South Korean market. SM Entertainment was down 6.3%, JYP Entertainment fell 5.8%, HYBE dropped 4.3% and YG Entertainment sank 3.9%. Year-to-date, the four South Korean companies are down an average of 18.3%, a far deeper deficit than Universal Music Group (down 5.6% YTD) or Warner Music Group (down 12.9% YTD).

iHeartMedia, the week’s biggest loser, dropped 17.5% to $1.89. The radio company’s stock was trading at $1.00 on July 21 and rose to $2.61 on Dec. 6. In the last two weeks, however, its shares have slipped 27.6%.

Southwest T is officially a free man. Terry Flenory is known in the hip-hop community for founding the organized crime organization Black Mafia Family alongside his brother Demetrius “Big Meech” Flenory in 1985 Detroit. He and his brother were sentenced to 30 years in 2008 for running a nationwide crime ring. Terry was released on […]

This week on the Greatest Pop Stars podcast, we have begun unveiling the top 10 of our Greatest Pop Stars of 2024 list — and even though we’re still a few days away from the unveiling of our top two (coming up this Monday, Dec. 3), we’re already well in the thick of artists who were given strong consideration for the top spot.

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On our latest episode, host Andrew Unterberger is joined by Billboard Pride editor Stephen Daw and staff writer Hannah Dailey to talk about our Nos. 6 through 3 artists, which we unveiled Wednesday and Thursday (Dec. 18-19) this week. We start at No. 6 with Ariana Grande, an all-century pop star whose 2024 got off to a great start, was in danger of being overshadowed by an impossibly packed summer, and now is ending even stronger than it began. We discuss our feelings about Eternal Sunshine and Wicked and debate how long the wait is likely to actually be until we next get new music from her.

Then, at No. 5 (we remember the Year of Charli XCX (25:30), a pop star whose brilliance seemed destined to be underappreciated in her own time, but which everyone seemed to finally realize at once in 2024. We share our memories of the impossible highs of Brat Summer, and what it was about this era of Charli’s — and how it kept expanding and evolving over those months — that made her truly unignorable in the larger pop culture. We also offer takes on what the true greatest artistic achievement of her year was, and play a fun guessing game related to the Brat and It’s Completely Different But Also Still Brat remix album.

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After that, at No. 4, it’s Chappell Roan (1:05:30), an absolute supernova of a 2024 pop star, who emerged from cult hero-dom to scorch her way through the mainstream this year. We talk about what it means for pop stardom in general in 2024 that someone once believed to be primarily be a niche artist like Roan could unquestionably become one of the biggest stars in the world, and we marvel at how she was able to dominate the year while only releasing one new song. We also look at what the next year or two could look like for Roan as she acclimates to her insane new life circumstances and (hopefully) prepares for a globe-conquering second album.

Finally, at No. 3 (1:42:30), it’s Taylor Swift, already one of the greatest pop stars of all time. We discuss the cases for whether she’s too high on this list, too low or just right. We also look back at the legacies of her charts-conquering The Tortured Poets Department and her globe-conquering Eras Tour, and wonder what the hell she could possibly do next to try to follow all of it up. (Don’t worry, we have ideas.)

Check it all out above, and be sure to come back on Monday (Dec. 23) as we reveal our brutally difficult decision for the top two Greatest Pop Stars of 2024.

From being a virtually unknown mariachi singer, Deyra Barrera has gone on to headline international news as the surprise Spanish voice that opens Kendrick Lamar‘s GNX album. “Siento aquí tu presencia/ La noche de anoche/ Y nos ponemos a llorar,” she sings soulfully at the beginning of “Wacced Out Murals,” reappearing again in the middle of the song.
And her sweet, penetrating voice resonates in two more tracks: “Reincarnated,” a tribute to the late Tupac Shakur, and the closing song “Gloria,” with SZA. The LP has been No. 1 on the Top Rap Albums, Top R&B/Hip-Hop Albums and all-genre Billboard 200 charts for last three weeks.

“I didn’t expect it because I didn’t know what was going to happen,” Barrera tells Billboard Español about her appearance on the album after what had already been reported: in late October, she was invited to sing at the Dodger Stadium in tribute to her late friend, the Mexican baseball player Fernando Valenzuela. Lamar — “or his team,” she’s not sure — heard her, and a few days later they contacted her.

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Everything happened very quickly, and the interest in the artist has grown in ways previously unimaginable for her, but Deyra Barrera is not a rookie. Originally from Villa Juárez, Sonora, Mexico, the singer — who arrived in Los Angeles at the age of 17 and has spent more than half her life in the U.S. — has been trying to make her way in music for decades on both sides of the border.

“I was first in [the singing competition] La Academia in Mexico City in 2010. And then I was in La Reina de la Canción on Univision,” she shares. “I also returned to La Voz México in Mexico City in 2021, during the pandemic. It was tough. As I tell you, I’ve been knocking on doors for many years.”

“It’s a very difficult career but well, this is what I love to do. Since I live here, I live off music,” she adds, detailing that she has been in various regional Mexican female bands, including Las Adelitas and Mariachi Divas. More than 10 years ago she formed the quartet Corazón de México, which was reduced to the current Trío Corazón, made up with her sister Verónica and Cynthia Reifler Flores. “We work a lot at parties,” Barrera says.

Now that she’s the talk of the town — far beyond Mexican or Latin music — she reflects that what she is experiencing at this moment is owed to her great friend Valenzuela.

“I was always joking with him and telling him, ‘Oh, take me to sing at Dodgers,’ and finally he took me when they retired his number in August 2023,” she explains. “Thanks to that, they called me after [he died] to sing at the tribute along with my friend Julián Torres, who is another ranchera music singer whom I admire very much and who is the one who always sings at the stadium.”

Barrera confessed to Billboard Español that up until now she didn’t follow rap music, and spoke about her newfound appreciation for Lamar and his work, her gratitude for the cultural bridges he has built by inviting her to be part of his project, and her own future plans and prospects.

To start, what did you feel when you hit play and the first thing you heard was your voice on Kendrick Lamar‘s album?

I got goosebumps. It was a surprise for me. I didn’t expect it, because I didn’t know what was going to happen. Then I got a call from Rolling Stone magazine, and that’s how I found out.

And you’re not on just one song, you’re on three! What DID you know when you recorded your parts?

I’m not allowed to talk much about it. The only thing, and what everyone already knows, is that I was at a baseball game where they invited me to sing in a tribute to Fernando Valenzuela. He [Lamar] was there, or his team. Then they contacted me. I went and recorded without thinking it was going to be something so big. I didn’t imagine it.

Did you get to meet Kendrick in the studio?

Yes, he came quickly and left. But it was something magical, like a dream.

Have you spoken to him since his album came out?

No.

Have you thought about the possibility that he might take you on his next tour with him?

Well, I have all my prayers. I have it well visualized in my mind; whatever comes next for me, then let it be. I have many years in this music career looking for opportunities, throwing in the towel, picking it up again. So God’s timing is perfect. A moment in my life that I never expected — always wanting to collaborate with artists of my own genre, I never imagined that I would collaborate with the No. 1 American rapper in the world. I mean, rap music! And that it would take me to something so big.

Did you listened to rap music or followed Kendrick Lamar’s career before?

No, I honestly don’t listen to much rap music. Obviously, I knew who he was, he has many hits. And yes, I like the music… but I am 100% Mexican. I’m always listening to mariachi music, regional Mexican music.

Have you heard more of Kendrick’s discography as a result of this collaboration?

Yes, of course. I have looked at everything he has done and wow, he is so great. Everything he does — I understand why, on this new album, he put his genius mark, like putting my voice on three of the songs as an introduction.

Why do you think he did it?

He loves giving those surprises, from what I’ve read. But more than anything to unite cultures, and that is what I appreciate the most. I’m super happy that he loves our music and wants to unite our cultures, our music with his.

Did he tell you anything about Mexican music?

No, I didn’t talk [about that] with him. It was just “Hello, thank you, goodbye.” That was all. But I thank him for that, for uniting us. I never imagined that I would now have so many fans of rap music. I mean, the little bit that I sang, they tell me so many beautiful things, they flatter me. They say, “What a beautiful voice.” It’s wonderful that we have united our cultures.

It’s exciting to see a female regional Mexican music singer being highlighted in this way, as they are a minority in a genre traditionally dominated by men.

Yes, believe me, I have also been so emotional and also in carrying the name of so many women, raising the Mexican flag in representation of so many women of our mariachi music. There is so much talent, so many beautiful voices, and I feel blessed to have been the one chosen to be here at this moment.

What did your Trio Corazón bandmates say when they found out about this?

They couldn’t believe it. I couldn’t say anything until it came out. And wow, they are super proud. Now I have to work hard to make the most of this moment and let people know who Deyra Barrera is.

What doors has this experience opened for you? Have any record labels contacted you?

We’re working on that, yes. But imagine, it’s the Anglo-Saxon people, the American people, everyone is talking! Sometimes I listen to myself in the car and I hear [on the radio] that they are still talking about this. Then I see reaction videos of people who listen to pure rap music and they’re like, “What? What is this?” And yes, I feel that many doors have been opened and that’s why I want to keep working, fighting for my dreams. What life is giving me now, what I always asked God for, he sent it to me like this.

What are you hoping for in 2025?

¿Qué esperas para el 2025? ¿En qué estás trabajando?

I want to record.

Do you write your own music?

Unfortunately, that hasn’t happened for me. Although the parts I sang for Kendrick, I wrote them. I’m already enrolled to record songs. Why not!

If you had Kendrick Lamar in front of you today, what would you say to him?

Thank you. Thank you for respecting our music. For listening. For inviting me to this new album. And may God bless him and may we unite more. Music is universal. Music can unite so much in everything, it can unite cultures.

Robbie Williams’ song “Forbidden Road” was removed from the 2025 Oscar shortlist for best original song on the grounds that song incorporates material from an existing song that was not written for the film in which it appears, Better Man (Paramount Pictures). Williams co-wrote the song with Freddy Wexler and Sacha Skarbek.
The Academy of Motion Picture Arts & Sciences will not replace the song on the shortlist. Members of the music branch will choose the five nominees from a shortlist of 14 songs, rather than the customary 15.

The song is nominated for a Golden Globe for best original song. It is still listed on the Globes site as a nominee, though it has already been removed from the list of shortlisted songs that appears on the Oscars site.

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Here’s the text of a letter sent to Academy’s music branch members from the branch’s executive committee, explaining the decision:

“Dear Music Branch members,

The shortlisted Original Song achievement, “Forbidden Road,” from the film BETTER MAN, incorporates material from an existing song that was not written for this film.

The Music Branch Executive Committee has met and reviewed materials.  It was determined the achievement does not meet the 97th Awards Rules criteria for eligibility in the Original Song category: An original song consists of words and music, both of which are original and written specifically for the motion picture. [Rule Eighteen, Section 1-B].

Therefore, the song has been deemed ineligible for award consideration for the 97th Oscars and will be removed from the Academy’s shortlist in the Original Song category.

This is a decision that both honors our rules and protects the special nature of the Original Song and Score categories.

Sincerely,

The Music Branch Executive Committee”

The Oscars run a very tight ship. Eleven years ago, a nominated songwriter, Bruce Broughton, was overzealous in promoting his song, running afoul of Academy regulations. The Academy rescinded the nomination. The explanation of what happened still appears on the Oscar site all these years later: “After the nominations were announced on January 16, 2014, it was determined that Mr. Broughton had taken actions in promoting the song that were inconsistent with the Academy’s campaign regulations. The Board of Governors voted to rescind the nomination on January 29, and only four songs were included on the final ballot.”

Better Man will have a limited release opening on Christmas Day. It will go wide on Jan. 10. Williams is portrayed by a computer-generated monkey in this film about his life which was co-written, produced and directed by Michael Gracey.

Jennifer Hudson shares to Billboard Pop Shop hosts Katie Atkinson and Keith Caulfield about why she wanted to make her Christmas album ‘The Gift of Love,’ how she chose the songs both classics and new originals she co-wrote, interviewing Michelle Obama on her talk show and more!

Jennifer Hudson

I don’t know what could top ever top her as a guest is hands out my favorite by far. 

Tetris Kelly 

Jennifer Hudson dropped by Billboard’s Pop Shop podcast with Keith Caulfield and Katie Atkinson to discuss her new holiday album, The Gift of Love,’ and her recent interview with Michelle Obama. We talk about the song selections for the album, the inspiration and why now was the time to do it? 

Jennifer Hudson  

Well, because I’ve always wanted to do a holiday album, and I couldn’t think of a better time than now. The question to me, I think, is, why not now, you know? And I finally was able to narrow it down to my favorite Christmas songs… 

Keith Caulfield   

Your favorite things? 

Jennifer Hudson   

Yes my favorite things there you go, yeah, and pick, you know, the songs that was most personal to me for this holiday album.

Keith Caulfield 

You know, this album has familiar favorites, like, we just, I just sort of hinted at “My Favorite Things,” but also some new material that you co-wrote. What was the process like for you to determine the songs that you wanted on the album? Like, how did you decide what would ultimately be on the album? 

Jennifer Hudson  

Originals or classics? 

Keith Caulfield 

Well, let’s start with the classics.

Jennifer Hudson 

Well, okay, so that’s what I’m saying. Like, it was difficult to say, I love all holiday music first of all. So it’s like, how do I narrow it down to know what to put on the holiday album? But I picked what was most personal to me, like “The Christmas Song.” For instance, my grandmother used to love that song, so I recall hearing that as a little girl throughout each and every holiday of her playing that song.

Watch the full video above!