State Champ Radio News
Page: 170
Trending on Billboard Samara Joy will be adding another checkmark to her growing list of milestones this weekend when she makes her debut on Austin City Limits. The 2025 NAACP Image Award winner and five-time Grammy-winning artist will take her bow on PBS stations nationwide tomorrow, Nov. 1 (7 p.m. CT/8 p.m. ET). Explore See […]
Trending on Billboard Some people dress up in elaborate costumes on Halloween, but this year Taylor Swift is stripping things all the way back. The pop juggernaut surprise released an unplugged version of her The Life of a Showgirl hit “The Fate of Ophelia” on Thursday night (Oct. 30). The acoustic guitar-forward “The Fate of […]
Trending on Billboard
Disgraced hip-hop mogul Sean “Diddy” Combs was transferred to the federal correctional institution at Fort Dix, N.J. to serve out his 50-month sentence. The New York Times reported that a spokeswoman for the Bureau of Prisons confirmed on Thursday (Oct. 30) that 55-year-old Combs will be housed at FCI Fort Dix following his sentencing earlier this month to four years and two months in prison for two counts of transportation to engage in prostitution.
Explore
See latest videos, charts and news
Following his Oct. 3 sentencing, Combs’ lawyers asked judge Arun Subramanian to recommend that the Bureau of Prisons send their client to Fort Dix, “in order to address drug abuse issues and to maximize family visitation and rehabilitative efforts.”
Combs, who will get credit for time served in detention at the Metropolitan Detention Center (M.D.C.) in Brooklyn since his arrest in Sept. 2024, should be eligible for release in May 2028. During the eight-week trial, prosecutors called two of Combs’ former girlfriends to the stand to describe their participation in marathon, drug-fueled “freak-off” sex parties with hired male prostitutes. In July, the jury in the case acquitted Combs of the more serious charges of sex trafficking and racketeering conspiracy.
As he begins his time at Fort Dix, Combs’ lawyers are attempting to expedite his criminal appeal, arguing that he could be close to the end of his sentence by the time his case is heard if forced to follow the typical, drawn-out argument timeline. Combs’ team is challenging both his July conviction and the resulting four-year prison sentence in the case.
In the Second Circuit Court of Appeals where Combs’ case will be heard, it can take nearly a year and a half on average to get a criminal appeal decided and his lawyers don’t want to wait that long. In a court filing on Tuesday (Oct. 29) they said Combs could complete most of his sentence during the appeal timeline. Combs has already gotten credit for time spent in jail since his arrest and could have his sentence further reduced for good behavior or participation in a drug abuse rehab program.
ABC News reported that Combs’ legal team requested the Fort Dix facility because it offers a special drug treatment program that, if he completes it successfully, could take time off his sentence. ABC quoted sources saying that Combs is not being housed in the prison’s general population, but in the special drug program unit.
In filings from Combs’ team before his sentencing, they said that during his time at M.D.C. their client was sober for the first time in 25 years and that he had been leading an informal six-week business and entrepreneurship education program for other inmates he called “Free Game with Diddy.”
While rumors of a potential pardon from Donald Trump have been floated in the press, on Oct. 21 the White House Communications Office threw cold water on a TMZ report that had quoted a “high-ranking White House official” saying that the president was considering commuting Combs’ sentence soon. “There is zero truth to the TMZ report, which we would’ve gladly explained had they reached out before running their fake news,” the White House spokesperson said.
Just days after Diddy’s sentencing, Trump confirmed that the producer’s legal team had officially requested a presidential pardon. “A lot of people have asked me for pardons,” the president said at the time. “I call him Puff Daddy. He has asked me for a pardon.”
Trending on Billboard
A Turnstile concert in Richmond, Va., has resurfaced in the news following viral footage of an audacious stage dive and an earlier pepper spray incident that prompted backlash and an ongoing investigation into police conduct.
Explore
See latest videos, charts and news
The Baltimore hardcore band played Brown’s Island in September, and as is typical for their high-octane live shows, fans were encouraged to join the band onstage during their performance of “Birds.”
In video footage that recently gained traction online, one fan is seen sprinting across the stage and launching himself over the photo pit, attempting to clear a large gap between the stage and the barricade. The crowd erupts as he rotates midair, landing with the back of his legs clipping the top of the barricade before crashing into the audience.
The stunt is just one of several wild moments from the show. That same night, another fan was pepper sprayed by a local sheriff’s deputy — an act that drew widespread criticism after fan-filmed footage captured the officer brandishing a can of spray and firing it directly into a teen’s face. Bassist Franz Lyons, standing nearby onstage, is seen recoiling and shielding his eyes from the dispersing spray.
Speaking about the incident at the time with The Guardian, Turnstile frontman Brendan Yates called it “A cowardly action from an officer coming in and spraying a 15-year-old kid and then walking away – I don’t think that’s an isolated event. But at our shows, it was a new thing. It’s something that we strive to keep away.”
The incident was later confirmed to be under review. Richmond Sheriff Antoinette Irving announced that her office had launched an internal investigation and was reviewing bodycam footage to determine the circumstances around the use of force. Further details about the outcome of the investigation have not yet been released.
Turnstile has become one of the most critically acclaimed live acts in recent years, breaking out of the underground with their 2021 album Glow On. The record debuted at No. 30 on the Billboard 200 and landed the band three Grammy nominations: best rock album (Glow On), best rock song (“Holiday”), and best rock performance (“Blackout”).
Their live shows — often defined by nonstop mosh pits, stage dives, and cathartic fan interaction — have helped them secure spots on major festival stages including Coachella, Glastonbury, and Lollapalooza. The Brown’s Island show was part of their fall U.S. tour ahead of a U.K. and European run that kicked off in Dublin on Oct. 31.
The European tour includes upcoming stops in Glasgow, Manchester, and London, before heading through Hamburg, Amsterdam, Milan, Paris and more. Turnstile will then head Down Under in January for a series of Australian shows.
Trending on Billboard
Taylor Swift continues her domination of the ARIA charts this week, locking in her fourth consecutive double-header as The Life of a Showgirl and “The Fate of Ophelia” remain at No. 1 on the Albums and Singles charts, respectively.
Explore
See latest videos, charts and news
The feat marks yet another high in a standout year for Swift, with both her re-recordings and original material continuing to perform strongly in Australia. Her latest chart-toppers have held steady across Halloween week — a fitting flex for a pop sorceress who’s made chart magic her signature move.
Meanwhile, Australian country artist James Johnston celebrates a new career high, debuting at No. 5 with his sophomore album Where You’ll Find Me, which also lands at No. 1 on the ARIA Australian Albums Chart. It follows the success of his debut Raised Like That, which peaked at No. 7 in 2023.
British pop icon Lily Allen returns to the top 10 with West End Girl, her first album in seven years. The project opens at No. 6, becoming her fifth top 10 ARIA album. Her previous efforts include 2009’s chart-topping It’s Not Me, It’s You and 2014’s Sheezus, which peaked at No. 4.
UK rapper Dave also makes a strong entrance with The Boy Who Played the Harp, debuting at No. 7. It follows his 2021 project We’re All Alone in This Together, which reached No. 5.
Melbourne’s Paul Dempsey claims the No. 8 spot with Shotgun Karaoke Vol. II, a covers record that features renditions of songs by R.E.M., Patti Smith, Cher, and more. The Something for Kate frontman also lands at No. 2 on the ARIA Vinyl Albums Chart. Dempsey has a long history of top-charting albums, both solo and with his band, including No. 1 albums The Official Fiction (2003) and Desert Lights (2006).
On the Singles Chart, Olivia Dean continues her Australian ascent. “Man I Need” holds firm at No. 2, while “So Easy (To Fall In Love)” jumps to No. 7 from No. 22. Former hit “Nice To Each Other” climbs from No. 16 to No. 12. Dean now has five tracks in the top 50 as she gears up to perform at the ARIA Awards on Nov. 19.
Fleetwood Mac’s Rumours holds the No. 1 spot on the On Replay Albums Chart, while Teddy Swims’ “Lose Control” continues its reign atop the Hitseekers Singles Chart.
Trending on Billboard Ken Carson is back with a haunting new single just in time for Halloween. Released Oct. 31, “yes” sees the Opium rapper dive deeper into his blown-out, post-apocalyptic sound — arriving alongside his ongoing run on Playboi Carti’s Antagonist 2.0 world tour. Produced by Clif Shyne, the track delivers Carson’s signature distortion-drenched […]
Trending on Billboard
Offset has delivered a Halloween treat to fans, releasing his surprise new solo album Haunted by Fame.
Released via UMG Recordings, Haunted by Fame features guest appearances from NBA Youngboy, NoCap, and Lil Dump. Offset also dropped a horror-themed music video for lead track “Ya Digg,” directed by HousePartii, pairing eerie visuals with haunted-house production.
The Migos rapper teased the project just hours before release, writing cryptic messages on social media and sharing a masked teaser clip that hinted at the darker sonic palette.
Explore
See latest videos, charts and news
The 11-track project arrives just two months after his introspective third solo effort Kiari, continuing a prolific run for the Atlanta rapper. While Kiari leaned introspective, Haunted by Fame sees Offset trading raw confessionals for paranoia-laced production, distorted hooks, and sparse 808s.
Offset’s Billboard chart history includes more than 30 entries on the Hot 100 as a solo artist, though he has yet to score a No. 1 hit on the chart.
Offset has logged over 30 solo entries on the Billboard Hot 100, though he’s yet to claim a solo No. 1. His highest-charting solo cut, “Ric Flair Drip,” reached No. 13, while featured spots on hits like Tyga’s “Taste” (No. 8) and Kodak Black’s “Zeze” (No. 2) helped boost his profile.
His debut album Father of 4 opened at No. 4 on the Billboard 200 in 2019 with 89,000 units, followed by Set It Off in 2023, which debuted at No. 5 with 70,000 units and hit No. 2 on the Top R&B/Hip-Hop Albums chart. Offset’s collaborative run—spanning Cardi B, Travis Scott, 21 Savage, and more—continues to keep him in rotation. And with Migos, he hit No. 1 on the Hot 100 in 2017 with “Bad and Boujee” featuring Lil Uzi Vert.
Haunted by Fame marks Offset’s fourth solo project and second album of 2025.
Stream Haunted By Fame below.
Trending on Billboard
Dan Rosen has been promoted to an expanded role at Warner Music Group, now overseeing both the Australasia and Southeast Asia markets in a strategic move that consolidates leadership across a region of more than 550 million people.
Rosen, who currently serves as president of Warner Music Australasia, will now also lead recorded music operations in Indonesia, Malaysia, the Philippines, Singapore, Thailand and Vietnam. He continues to report to Lo Ting-Fai (Lofai), president of Warner Music Asia-Pacific.
Related
Under the new unified structure, Rosen will guide teams across eight diverse markets, with Warner Music citing the region’s heavy engagement with digital platforms and its increasing global influence. Southeast Asia is considered a “trigger region” by major labels — where digital momentum can break songs globally. WMG notes that some of its biggest acts receive up to a third of their global streams from this region alone.
“This region is richly diverse, full of extraordinary artists, talented entrepreneurs, and young passionate fans, who are highly engaged with a booming music ecosystem,” said Lofai. “Under Dan’s skilled leadership, our artists will tap into both the economic value and weight of population across all eight countries, providing a powerful springboard to global fame and fortune.”
The company also confirmed that Warner Music Australasia is evolving its domestic artist structure to double down on developing local acts. Recent global breakthroughs under Rosen’s leadership include Balu Brigada, Budjerah, Boy Soda, Kita Alexander and Thelma Plum.
“Our mission has always been to find dynamic ways to help our local artists go global, and for our global artists to grow passionate local fanbases,” Rosen said. “I’m honoured to lead a talented, focused team, and work with our amazing local partners, in these six diverse and exciting markets in Southeast Asia, while reinforcing our commitment to Australian and NZ artists.”
As part of Warner’s growing Southeast Asian presence, the company recently launched a pan-regional campaign for Vietnamese indie artist Vũ, who is set to embark on the largest-ever Australian tour by a Vietnamese artist.
Rosen will continue to lead Warner Chappell Music in Australia and New Zealand. Publishing operations in Southeast Asia remain under Arica Ng, president of Warner Chappell Music APAC, who reports to Guy Moot, co-chair and CEO of Warner Chappell Music.
Trending on Billboard
Florence + The Machine rang in Halloween with a fittingly eerie performance for SiriusXM’s The Spectrum, delivering a live mash-up of Lady Gaga’s “Abracadabra” and their own fan-favorite deep cut “Which Witch.”
Explore
See latest videos, charts and news
The appearance doubles as a preview of their new era, with Florence Welch and company dropping their sixth studio album Everybody Scream on Oct. 31 and plotting a North American headline tour for 2026.
The band’s take on “Abracadabra” — originally released by Gaga in February as part of Mayhem — merged seamlessly with “Which Witch,” a theatrical, chant-like track from the deluxe edition of How Big, How Blue, How Beautiful (2015). Welch’s vocals soared over gothic percussion and swelling strings, as the mash-up unfolded in true Florence fashion: dramatic, mystical, and steeped in raw emotion.
The Halloween broadcast marks one of the first full performances tied to Everybody Scream, the group’s first full-length album since 2022’s Dance Fever, which peaked at No. 7 on the Billboard 200 and at No. 1 on the U.K.’s Official Albums Chart.
Described by Welch as a fever dream of “witchcraft, mysticism, magic, poetry, and insanity,” the new LP taps into themes of mortality, rebirth, and feminine rage — inspired in part by the emergency surgery she underwent following a near-fatal ectopic pregnancy last year.
“The closest I came to making life was the closest I came to death,” Welch recently told The Guardian, adding that her creative recovery shaped much of the new project’s emotional scope.
Everybody Scream features the previously released singles “Sympathy Magic” and “Spell It Out,” both of which lean into the band’s darker sonic palette and mythic lyrical themes. The album drops on Oct. 31 via Republic Records.
Following the release, Florence + The Machine will head out on a North American headline tour in 2026. The Everybody Scream Tour kicks off in Minneapolis on April 8, with stops in New York, Los Angeles, Chicago, and Toronto. Support acts will include rising stars Rachel Chinouriri, CMAT, and Sofia Isella across select dates.
Tickets go on sale Wednesday, Nov. 5, at 10 a.m. local time, with a pre-sale beginning Monday, Nov. 3 at 12 p.m. local.
Drake / Shohei Ohtani
Toronto superfan Drake had a lot to say about Shohei Ohtani and the Los Angeles Dodgers.
Recent Blue Jays fan Drake decided to talk trash about Shohei Ohtani and the Los Angeles Dodgers following their Game 5 loss.
The Dodgers have lost two games in a row following their dramatic 18th-inning victory, thanks to a clutch home run from Freddie Freeman. Now, they are facing elimination, as they head to Toronto following a dominant pitching performance from Trey Yesavage, who had 12 strikeouts. Still, one of those punch-outs caught the attention of the rapper.
Drizzy shared a photo of Yesavage walking back to the dugout after striking out Ohtani with the caption, “Savage already otw to the dugout boss lol.”
Love Pop Culture? Get more! Join the Hip-Hop Wired Newsletter
We care about your data. See our privacy policy.
Drake, an avid sports fan and sports bettor, might have beef with Ohtani, like fellow Blue Jays fans, because the pitcher/slugger passed on signing with Toronto only to join the Dodgers.
Ohtani has been hearing “We don’t need you!” chants from Blue Jays fans.
The Dodgers superstar has been quiet since his phenomenal Game 3 performance, when he reached base nine times and hit two home runs.
The Blue Jays are trying to prevent the Dodgers from winning a consecutive World Series, a feat last done by the New York Yankees after they completed a three-peat.
Drake better be careful; his trolling might reignite that competitive fire in Ohtani and his teammates, allowing them to get back in this series.
