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The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 albums chart dated Dec. 21, 2024, we look at Taylor Swift’s recently resumed reign on the chart, and whether the solo bow of a K-pop star can challenge it.
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Taylor Swift, The Tortured Poets Department (Republic): Since late August, Taylor Swift’s The Tortured Poets Department album has been stuck at 15 weeks at No. 1 – still the longest run of both Swift’s career and of any 2024 album. But now, its reign has resumed, thanks in large part to the physical release of the album’s 31-track Anthology edition – which had never been previously available for purchase besides in digital form – as a Target in-store exclusive on both CD and vinyl, with four additional bonus tracks (which had previously been released in other alternative versions of the album).
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The album sold 368,000 copies last tracking week (ending Dec. 5) – split nearly evenly between CD and vinyl purchases – and moved 405,000 units overall, according to Luminate. That was good not only for the biggest single-week number posted by an album since Poets itself moved 439,000 in its second week of release, but also a bigger number than any non-Swift artist has managed in 2024 outside of Beyoncé, whose Cowboy Carter debuted with 407,000 units in April.
That number probably won’t be as sizeable this week, but the drop off might not be as steep as some other albums that get big post-release bumps from physical drops. Swift also released Poets for order from Target.com shortly after the in-store release, with those copies impacting this current tracking week (and thus next week’s Billboard 200). So don’t be surprised if the album sells well into the six digits again this week – and perhaps gets Swift to a 17th week at No. 1 for Poets, moving it just two weeks shy of Morgan Wallen’s 2020s-best 19 weeks at No. 1 with 2023’s One Thing at a Time.
ROSÉ, Rosie (The Black Label/Atlantic): One of the year’s most-anticipated solo debuts comes from BLACKPINK breakout star ROSÉ, with her first official solo LP Rosie. The set obviously comes pre-blessed with a true breakout hit in the Bruno Mars collab “APT.,” which debuted at No. 8 on the Billboard Hot 100 – a higher peak than ROSÉ had previously reached, with or without her superstar group – and has also topped the Global 200 for seven weeks and counting.
Mars is the only featured artist on the album’s 12-song tracklist, but the writer and producer credits are littered with recognizable names: Amy Allen, Cirkuit, Rock City, Sarah Aarons, D’Mile, Omer Fedi, Emily Warren and Greg Kurstin all among them. Mars himself even shows up a second time, as a co-writer on “Number One Girl,” the album’s lead track and second single. Everything points to the album being a big priority for her Atlantic label, and a set likely to launch ROSÉ to true solo stardom.
A No. 1 bow on the Billboard 200 may be a tougher ask, however, with Swift’s blockbuster album still doing the kind of numbers it is. Nonetheless, ROSÉ is expected to stream well – helped in no small part by “APT.,” which is still in the top 20 of the Streaming Songs chart even following an avalanche of Christmas classics and new Kendrick Lamar songs taking over the listing – and sell in robust numbers, with more than 15 different physical variants of the album made available across CD and vinyl, all coming with collectibles, some of which are randomized. (There’s also a digital edition on her webstore with an exclusive live version of “Number One Girl.”)
Sabrina Carpenter, Fruitcake (Island): Have you watched A Nonsense Christmas With Sabrina Carpenter yet on Netflix? If so, and if you’re still in the (slightly naughty) festive spirit afterwards, you might do well to revisit Carpenter’s Fruitcake EP, released in late 2023 — which included a holiday-themed spin on her breakout hit “Nonsense” new originals like “Santa Doesn’t Know You Like I Do” and “Cindy Lou Who” and even a version of the Irving Berlin perennial “White Christmas” (cheekily stylized “White Xmas”).
And more good news for you there: Fruitcake was also finally given wide physical release on Friday, with the album being issued on CD, cassette and vinyl – with three different variants of the latter, including a Target exclusive. (Previously, the set was only available in one color of vinyl on her webstore.) The “Queen of Christmas” title may already be spoken for by the artist currently claiming the Hot 100’s top spot, but perhaps room can be made for a new Princess.
TWICE, STRATEGY (JYP Entertainment): Star K-pop nonet TWICE has already topped the Billboard 200 once this year with March’s With YOU-th – though it’ll be a tougher mountain to climb in this packed week for the group’s seven-track latest STRATEGY. Nonetheless, the set – which features a guest verse from U.S. rap superstar Megan Thee Stallion on its title-track opener — should sell very well, with help from 15 different physical variants of the album across CD and vinyl formats. There are also a number of digital album variants available with “voice memo” bonus tracks exclusive to the group’s webstore.
Cardi B was the victim of a prank in October when someone anonymously called Child Protective Services claiming that she and Offset were abusing their children.
CPS apparently continued their investigation into Cardi and her family, which the Grammy-winning rapper has deemed to be “harassing” amid what she says is “bogus” claims. Cardi, who previously denied all allegations of mistreating her kids, addressed CPS and the agency’s investigation during an explosive Instagram Live session on Tuesday (Dec. 10).
“You keep harassing me and there are actual kids about there that are being abused,” she said. “None of my kids have ever got touched. None of my kids ever got a little pow-pow, a little whooping, a little nothing. None of that.”
Cardi continued: “A month later, because I didn’t give them my kids’ information, now they want to fake come back to my house again, interview my kids, look at my kids. Why are you harassing me for my daughter’s information? What that has to do with anything? My daughter doesn’t even have a social security because I don’t want nobody knowing her name.”
The Bronx native says she’s willing to go to whatever lengths it takes to legally end the investigation even if that means exposing the CPS agent’s information or writing a five-figure check to her attorneys.
“Even after you check, you still want to harass,” she added. “No b—h, you’re being f–king annoying … You doing the most because I’m a f—–g celebrity. Mind you there’s parents that don’t even buy them a f–king coat because they f–king hate them… This f–king four-eyed b—-h keep pissing me the f–k off.”
Cardi went on to play a recorded phone call conversation between herself, Offset and a CPS agent. The agent revealed that anyone can make a call to CPS in the state of New Jersey and the agency would investigate the claims.
Billboard has reached out to Cardi B and New Jersey’s Department of Children and Families for comment.
About six weeks ago, Cardi revealed from a hospital bed that an anonymous person had called CPS on her in what was a horrible prank, alleging that she abused her 6-year-old daughter Kulture, 3-year-old son Wave and newborn baby.
“I swear to you I’m gonna get to the bottom of it. For you motherf–kers to do a little prank call with Child Protective Services to come to my gated mansion at 11 p.m. while my children are sleeping because there’s an anonymous call that my kids have been getting abused and beaten,” she said on Instagram Live at the time, during which she also denied the abuse allegations. “Are you f–king dumb? This is when the pranks start getting too far — when you a——s think it’s funny.”
As Billboard Latin Artist on the Rise, Christian Alicea talks about the importance of his Puerto Rican heritage and his love for salsa music. Watch the singer reflect on his rising star. Christian Alicea:Family, how are you? This is Christian Alicea, and I am Billboard’s Latin Artist on the Rise. My passion for music was […]
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Source: Jeff Swensen / Getty / Luigi Mangione
Following the arrest of Luigi Mangione, the alleged killer of UnitedHealthcare CEO Brian Thompson, things have been quite interesting on social media.
After it was confirmed by law enforcement that Luigi Mangione was a suspect and subsequently arrested in connection with the targeted killing of UnitedHealthcare CEO Brian Thompson, Mangione’s social media accounts became a hotbed for attention.
Like most people his age, the 26-year-old was active on social media platforms like X, Facebook, Instagram, Goodreads, and others. Social media detectives didn’t take long to find his accounts.
At the time of this writing, his accounts on Facebook and Instgram were taken down, his Goodreads account is private,e and his X account is hilariously still active, which should tell you everything about the Elon Musk-owned platform and just how poorly run it is.
Since being pinched (arrested for those who are not hip), Mangione has gained cult-like status among those who feel he is a “hero” and has even gained 100K followers on X.
The Hypocrisy Is Loud On Social Media
There has even been a debate sparking with those on the right, yes, the same people who propped up Kyle Rittenhouse and now recently acquitted Daniel Penny, claiming that leftists are celebrating Mangione allegedly killing Thompson.
One post on X spoke on the hypocrisy going on, saying, “Conservatives condemning Luigi Mangione and calling leftists crazy for supporting him, yet they turned Kyle Rittenhouse into a celebrity after he drove to a BLM protest with an AR-15 and killed 2 people…the math isn’t matching.”
Mangione’s posts on social media have also gone viral, like a post about one of his fish being sucked into a filter and another one about his last log for Goodreads being Dr. Seuss’ The Lorax.
We are truly living in some strange times.
We don’t know if this man did the crime, but if he did, we don’t see him as no John Q either, even though we agree the United States healthcare system and insurance companies are a hot mess.
You can see more reactions in the gallery below.
1. Y’all are very unserious
3. Interesting observation
4. Interesting
5. Of course there are jokes
6. Britney Spears gets him hyped
Stray Kids perform “S-Class” and “LALALALA” at the 2023 Billboard Music Awards, giving “LALALALA” its debut performance at an awards show. Stray Kids are a finalist for Top Global K-Pop Artist and Top K-Pop Album at the 2023 BBMAs. The 2023 BBMAs feature performances from artists whose music dominated the Billboard charts between November 19, […]
Morgan Wallen accepts the awards for Top Male Artist, Top Hot 100 Artist, Top Streaming Songs Artist, Top Country Artist, Top Country Male Artist, Top Country Tour, Top Billboard 200 Album for “One Thing At a Time,” Top Country Album for “One Thing At a Time,” Top Hot 100 Song for “Last Night,” Top Streaming […]
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Source: Prince Williams / Getty
Mario isn’t a stranger to showing new rising stars some love. The R&B singer behind hits like “Let Me Love You,” is from Baltimore, and you can hear that city’s vibe in his music. Growing up there, Mario mixed the city’s soul, street life, and real struggles into his sound. His music easily carried our childhoods and gave us the courage to walk up to our high school crush.
Mario helped put Baltimore on the map in R&B, showing the world that the city’s got talent that can compete with the best. Now the Milford Mill Academy alumni is showing love to a new artist coming out of the city. B-More native, Taylor Avontè has been making noise with her latest single ‘Gangsta Love’ making every baddie wanna slide for the love of her life.
Check out Mario reacting to Taylor Avontè’s latest single ‘Gangsta Love’:
#HHWexclusive: Mario [@OHYESMARIO] co-signs New Artist from Baltimore @taylor_avonte 🔥
Read more here: https://t.co/2FNqKK6u2J pic.twitter.com/LIQFnf8WWD
— HipHopWired (@HipHopWired) December 11, 2024
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Who is Taylor Avontè?
Baltimore R&B and soul artist Taylor Avonté found her passion for music at just three years old, inspired by the legendary Destiny’s Child. With a powerful and soulful voice, she embarked on her musical journey in high school, eager to make a difference. Drawing inspiration from icons like Etta James and Jennifer Hudson, Taylor aims to motivate others and uplift her community. She believes in showing that great achievements are possible regardless of one’s background. Keep an eye on Ms. Avonté; she has a lot in store as she rises in the music scene.
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Source: Johnny Nunez / Getty
A$AP Rocky will indeed be taking his main character energy to Hollywood. Spike Lee has confirmed he will have the main role in his new upcoming film.
As reported by Hype Beast the legendary movie marker recently conducted an interview with Deadline. During the Q&A the Brooklyn, NY native discussed reuniting with his longtime collaborator Denzel Washington on his forthcoming film Highest 2 Lowest. The project is inspired by the 1963 crime thriller High and Low. “This is not a remake, this is a reinterpretation of Akira Kurosawa’s great film” Spike says. The original follows a high profile executive who is extorted after his chauffeur’s son is kidnapped by mistake and held for payment.
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“In Kurosawa’s film, Toshiro Mifune is a shoemaker,” said Lee. “In our film Denzel Washington is a music mogul with his own label and his reputation as the best ears in the business. So, this is the fifth film with the dynamic duo.” The two have worked on several iconic movies including Malcolm X, Inside Man, He Got Game and Mo’ Better Blues. When asked for further details on the plot Spike Lee didn’t elaborate further but did share that A$AP Rocky has the “the main role” in the film. Fellow rapper Ice Spice also has a part in Highest To Lowest.
You can see Spike Lee discuss the project below.
Trigger warning: the following story describes allegations of sexual abuse and illicit drug use.
An anonymous accuser who claims he was sexually assaulted by jailed music mogul Sean “Diddy” Combs at one of the Bad Boy Records founder’s infamous White Party gatherings in 2007 has broken his silence to speak to CNN. The man — who the network ID’d as a John Doe to protect his anonymity –first filed a civil suit against Combs on October 14, claiming he was drugged and sodomized at the party in 2007.
The man said he kept the alleged assault a secret all these years, even from his then-wife due to the shame he carried from the incident at Diddy’s estate in East Hampton, N.Y., where he was hired to provide security. “The full gravity of it lives with me to this day,” the New Jersey man told the network, which obscured his voice and face in a video of the interview. “It affects every single thing you do for the rest of your life.”
CNN said that reps for Combs initially declined to comment on Doe’s allegations, noting that at the time of the original complain’s filing in October the rapper’s lawyers issued a blanket statement about that complaint and others filed that same day.
“Mr. Combs and his legal team have full confidence in the facts, their legal defenses, and the integrity of the judicial process. In court, the truth will prevail: that Mr. Combs has never sexually assaulted anyone—adult or minor, man or woman,” read the original statement. The Doe complaint was one of a series of similar ones filed by attorneys Tony Buzbee and Andrew Van Arsdale, who’ve said they represent up to 120 accusers who plan to file suits against Combs; to date the pair have filed 20 such lawsuits.
“At first he was incredibly friendly, very gracious,” the man said of Combs’ demeanor that night, adding that later in the night Combs handed him a drink that made him feel off. He said that feeling was intensified after a second drink, which he believes were spiked with the strong party drugs GHB and ecstasy. “Sadly, Sean Combs was waiting in the wings. He was watching from some sort of vantage point, and once I was in a helpless position and he was sure that he was in a position of power, then he took advantage of the situation,” the man said.
After the second drink, the man claimed in the suit that he felt “extremely ill,” at which point Combs allegedly approached him with what he initially “interpreted as concern,” before allegedly forcing the man into an empty car. Once inside, Doe’s suit claims that Combs held him down, ignoring pleas for help, and sodomized him.
“It was just an amazing level of incapacitation that I had never experienced before and I felt powerless,” said the man of the two spiked drinks that he said “felt more like 15,” leaving him unable to stand up.
CNN noted a number of inconsistencies between details shared by Doe in his interview with the network and the original complaint’s language, including discrepancies on the year the alleged assault took place and location and whether Doe had ever been married; Doe’s attorneys reportedly filed an amended complaint withe court afterwards, acknowledging mistakes made during the rushed filing.
Doe said that after the alleged assault he struggled to leave the party due to the effects of the drugs and the pain in his body, later allegedly reporting the incident to his supervisor, according to the suit. “I was screaming, I was telling him to stop. It was incredibly painful and he was acting like it was nothing… it was abusive beyond belief,” the man told CNN.
He was allegedly never asked to work for that security firm again. “He just dismissed it and said, ‘I’ll talk to him,’” Doe said about a conversation he recalled with his manager about the alleged sexual assault. “After that, he didn’t talk to me again, he cut me out of everything … I was totally blacklisted after that. I had to find a different field.”
Combs has been denied bail three times to date ahead of his sex trafficking and racketeering trial set for next year. The once high-flying music and fashion tycoon has been behind bars since his arrest in September following an indictment on charges that he ran a sprawling criminal operation predicated on satisfying his need for “sexual gratification.”
Combs, 55, has denied and pleaded not guilty to charges that he coerced and abused women for years with the help of a network of associates and employees, allegedly silencing his victims via blackmail and violence that included kidnapping, arson and physical assault.
The allegations against Combs first began in November 2023 when former longtime girlfriend singer Cassie filed a lawsuit accusing him of years of sexual misconduct and abuse; that suit was settled in a private manner within 24 hours. That legal action unleashed a flood of more than two dozen similar sexual misconduct-related lawsuits alleging sexual abuse and coercion, allegations that Combs has categorically denied to date.
Combs’ homes in Miami and Los Angeles were raided by Homeland Security in March and since then his once-formidable multi-media and fashion empire has begun to wither amid the avalanche of shocking claims about incidents that accusers have said ruined their lives and left them traumatized.
Doe told CNN that he no longer works security and that his marriage ended as a result of the alleged abuse because of the negative impacts of the trauma on his personal relationships. He also said for the first time that an unnamed “high-profile” celebrity witnessed the alleged abuse, claiming the person “saw what happened and found it amusing.”
“Nothing could give me back the person I was before that evening,” the man told CNN.
While Combs’ reps initially declined comment on Doe’s claims, they issued a statement following the airing of the CNN interview. “After Buzbee was exposed this week for pressuring clients to bring bogus cases against Mr. Combs, and after public records showed that — contrary to his allegations — there was no white party in the Hamptons in 2006, Buzbee amended this complaint to walk back the allegations and now claim a different day and wholly different year,” Combs’ attorneys wrote.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: A shocking civil lawsuit against Jay-Z accusing him of raping a teen girl in 2000 alongside Sean “Diddy” Combs; a deep-dive into possible motives behind Drake’s legal actions against Universal Music Group; a threat of defamation lawsuits over “Y.M.C.A.” being labeled a “gay anthem”; and much more.
THE BIG STORY: Jay-Z Pulled Into Diddy Debacle
Three months after Sean “Diddy” Combs was indicted on sprawling sexual abuse charges, a new civil lawsuit claims Jay-Z participated in one of Diddy’s assaults – a shocking allegation against one of the music industry’s most powerful figures.
In a complaint filed Sunday evening in New York federal court, an unnamed Jane Doe alleges the star (Shawn Carter) raped her as a 13-year-old girl in 2000 alongside Combs at an after-party following the MTV Video Music Awards. The case was filed by Tony Buzbee, a Texas attorney who has filed more than 20 such lawsuits against Combs and has threatened dozens more.
“Another celebrity stood by and watched as Combs and Carter took turns assaulting the minor,” the lawsuit reads. “Many others were present at the afterparty, but did nothing to stop the assault.”
To say that Jay-Z has denied the allegations would be putting it lightly. In a forceful statement Sunday night, he called the lawsuit a “blackmail attempt” filed by a “fraud” attorney. Then, less than a day after the case was filed, his attorneys responded in court by calling the case “extortionate” and arguing that the accuser should be required to litigate such “heinous allegations” under her real name. And in yet another filing on Tuesday, they accused Buzbee of pressuring another client to lie – a claim he has denied and called “nothing short of defamation.”
Beyond the lawsuit itself, the allegations against Jay-Z have also sparked a broader legal war — pitting the star’s team and his attorneys at the prestigious BigLaw firm Quinn Emanuel against Buzbee and his prolific plaintiffs’ firm.
For starters, it turns out that it was Jay-Z who filed the mysterious extortion lawsuit against Buzbee last month, accusing him of concocting a “cynical” scheme to extract settlements from innocent celebrities by threatening to link them to Diddy. Buzbee, meanwhile, has fired back with a lawsuit of his own, suing Quinn Emanuel in Texas over allegations that the firm has been harassing him and his clients with “bogus” lawsuits and other “outrageous” conduct.
Jay-Z’s lawyers have already asked for a fast-tracked hearing on their motions, so stay tuned at Billboard for more developments as the case moves forward.
Other top stories this week….
DRAKE’S MOTIVES – What could Drake possibly be thinking? That’s the question Billboard’s Steve Knopper set out to answer in his excellent piece examining the possible motives behind the rapper’s widely-ridiculed legal actions against Universal Music Group over Kendrick Lamar‘s savage diss track “Not Like Us.” Is Drake perhaps seeking leverage to “alter his existing deal” with UMG? Or is it just a “publicity stunt”? Go read Steve’s whole story to find out what industry attorneys had to say.
DON’T SAY GAY? Village People singer Victor Willis is threatening to file defamation lawsuits against news outlets that describe his iconic 1978 disco hit “Y.M.C.A” as a “gay anthem,” saying there’s “nothing gay” about lyrics that have been widely interpreted as a double entendre about gay life. But legal experts told Billboard that such cases that would face serious obstacles in court, thanks largely to the First Amendment and its robust protections for free speech: “Mr. Willis’ threatened libel claim would be a nonstarter for numerous reasons,” one media attorney said.
NBA YOUNGBOY SENTENCED – YoungBoy Never Broke Again was sentenced to 23 months in prison after striking a deal with prosecutors to finally resolve all of his various legal entanglements. The plea deal, which also included 60 months of probation after his release, could see him released as soon as next year due to credit for time he has already served in jail awaiting trial.
BASSNECTAR TRIAL LOOMS – A federal judge refused to dismiss a civil lawsuit accusing electronic music producer Bassnectar of sexually abusing three underage girls, sending the long-running case to a jury trial. Ruling on claims made by one alleged victim, the judge noted that she was “only sixteen” at the time and the DJ was “obviously able to observe her in person,” meaning a jury could find that he had “recklessly disregarded” that she was under the age of 18.
STEREOPHONIC SETTLEMENT – The creators of the hit Broadway play Stereophonic reached a settlement to resolve a copyright lawsuit claiming they stole elements of the show from a memoir written by music producer Ken Caillat about the infamous recording of Fleetwood Mac’s Rumours. Caillat claimed that the play – widely seen as a winking reference to Fleetwood – was an “unauthorized adaptation” of his book.
YSL JURY VERDICT – After hearing more than a year of testimony, an Atlanta jury handed down a verdict that largely acquitted the final two remaining co-defendants (Deamonte “Yak Gotti” Kendrick and Shannon Stillwell) in a sweeping racketeering trial over accusations that Young Thug ran a violent street gang under his YSL moniker. Coming a month after Thug himself escaped the case by pleading guilty and receiving a sentence of only probation, the verdict marks the end of criminal trial that has captivated the music industry for nearly than two years – and a major loss for the Fulton County District Attorney filed it.
TIKTOK BAN RULING – A federal appeals court ruled against TikTok and upheld a law that could ban the service from the country, handing a resounding defeat to the popular social media platform that has become a crucial music promotion tool in recent years. The Chinese-owned company argued that the statute ran afoul of the First Amendment and its protections for the freedom of speech, but the court was unswayed: “The government acted solely to protect that freedom from a foreign adversary nation and to limit that adversary’s ability to gather data on people in the United States.”