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Dominic “Mick” Mazzone OAM, a revered Australian music industry veteran, has passed away, his family has confirmed.
“The family of Mick Mazzone would like to announce the sudden and sad passing of our beloved dad, brother and uncle,” a statement issued on the afternoon of Thursday, April 17 read. “A stalwart of his family, he was surrounded by his loved ones in his last days.
“He will be remembered by many in the Australian music industry, which he worked in and loved for over four decades and deeply missed by his countless friends,” it continued. “We appreciate all the love and support shown to us. His legacy will live on.”
Mazzone grew up in Torrensville, a suburb of the South Australian capital of Adelaide, where he learnt to play the guitar as a young teenager. Performing in a number of local bands, he relocated to Sydney to embark on a career in the music business. Initially working with the Brenton Roberts Band (who were under the managerial guidance of veteran promoter Michael Chugg), Mazzone soon became regarded as an “industry all-rounder” for his versatility in the fields of sound engineering, production, and tour management.
Mighty Management was established by Mazzone where he oversaw names such as Cold Chisel guitarist Ian Moss and Sydney rockers The Radiators. Mazzone also extended his focus into the world of labels, with M Records featuring The Radiators alongside hard rock outfit De Mont, who were also part of the Mighty roster.
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Working on tours for the likes of Madonna, Billy Joel, Bon Jovi, and R.E.M during their time in Australia, Mazzone later served as founding member of the Music Managers Forum, and would become a founder and trustee of the industry charity the Golden Stave Foundation. In 2018, Mazzone received a Medal of the Order of Australia (OAM) in recognition of his contributions to the industry and his charitable endeavors.
In February 2024, Mazzone adopted the role of manager for ARIA Hall of Famers the Hoodoo Gurus, who topped the Alternative Airplay chart in 1989 with “Come Anytime,” and hit No. 3 in 1991 with “Miss Freelove ’69.” Mazzone’s promotion to the top job came after longtime manager Michael McMartin stepped down from the role, ultimately passing the following month.
In the wake of his passing, the Hoodoo Gurus shared a statement remembering Mazzone, noting they were “utterly devastated at the sudden loss of our dear friend.”
“It is impossible to convey the shock and grief we are feeling right now,” they wrote. “We have already shed many tears, and there will be many more to come, but our loss is nothing compared to the one that has been dealt to Mick’s close family and friends and, in particular, to his beloved kids, Frank, Antonia and Alex. Our hearts go out to them at this dreadful time.”
The Radiators also offered their condolences to Mazzone and his family, naming him one of their “great friends” and noting his “fantastic ear” and sharp managerial mindset.
“Mick holds a special place in our hearts, and we will forever be grateful for his time spent guiding and mentoring the Rads when we were at a low point in our career,” the band wrote. “His management helped lift us up, and without his strong, sure and steady hand, we as a band may not have been able to navigate the ‘90s.
“He will be sadly missed by so many people in the industry,” they concluded. “He was an incredible human. A quiet genius. Gone way way too soon. The world is a poorer place today, for the loss of one Mick Mazzone.”
For the past 25 years, Mazzone also served as the Technical Director and Production Manager for the annual APRA, Art and Screen Music Awards, held by copyright management organizations APRA AMCOS (Australasian Performing Right Association and Australasian Mechanical Copyright Owners Society).
“Mick’s warmth and sense of humour were legendary among those who had the pleasure of knowing him, like we did,” said APRA Chair Jenny Morris in a statement. “His genuine kindness made everyone feel welcome and valued, creating lasting memories for all who crossed his path. His contributions to the music industry and community will be deeply missed.”
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Ben Montgomery
Shein and Temu shoppers in the US, we have some bad news for you: yesterday’s price will not be today’s price beginning next week when the two Chinese-based companies raise their prices.
Spotted on The Verge, the two “ultra-cheap” retailers sent a letter to customers warning them of price adjustments due to Donald Trump’s abuse of tariffs.
Orange Mussolini has been on a roll when it comes to making our lives miserable, wrecking the global economy, while sending the US stock market into a free fall when he walked out into the White House rose garden and announced a bunch of “reciprocal” tariffs on what he called “liberation day.”
While he has since paused most of the tariffs, he raised tariffs on goods imported from China to 145 percent, with his brain-dead administration claiming that tariffs on other imports, such as electric vehicles, could hit 245 percent when added to existing tariffs.
To make matters worse for both companies, the US announced it would be eliminating the de minimis exception, which allowed goods valued under $800 to avoid tariffs. As you would expect, Shein and Temu both benefited from the exception for years.
After May 2, you can expect prices to increase on the affordable toys, clothing, and home goods that companies sell.
“Until April 25, prices will stay the same, so you can shop now at today’s rates,” Shein and Temu said to shoppers on their websites. “We’re doing everything we can to keep prices low and minimize the impact on you.”
Bruh, Donald Trump can kick rocks.
Katy Perry went to space with Lauren Sanchez, Gayle King and others on a Blue Origin spacecraft. The public and celebrities alike shared their opinions about the women being sent to space. Keep watching to find out what some Billboard staffers had to say about the trip.
What do you think of Katy Perry going to space? Let us know in the comments.
Stefanie Tanaka:
If anyone out there has $150,000, then you can go to space too.
Tetris Kelly:
All right, so Billboard squad, five ladies went to space, but everybody seems to just be mad at Katy Perry. Are we mad? What’s going on?
Jerah Milligan:
I don’t care.
Stefanie Tanaka:
I can understand why people are mad. I don’t know if I feel that strongly about it.
Tetris Kelly:
Why? What are people upset about?
Stefanie Tanaka:
I mean, a lot of people, you know, times are tough right now. It doesn’t really like look super inspiring to see, like, super rich people just going into space.
Ciara Zimring:
It’s not giving what they think it’s giving. They think it’s giving inspiring, sending a bunch of women to space, but it’s giving more sending a bunch of rich people in space, as opposed to actual female astronauts that should be sent up.
Stefanie Tanaka:
Yeah, yeah.
Ciara Zimring:
That would give more.
Stefanie Tanaka:
It’s like, it’s cool for, like, the aesthetics of it, like to see a group of women, women of color, going into space. Like, it looks good as a photo-
Jerah Milligan:
As a photo.
Stefanie Tanaka:
But it’s like, this was all funded by Jeff Bezos. They wouldn’t be going up there without him. If this is Elon Musk, people would be reacting the same way. All these billionaires are obsessed with going to space because they’re gonna leave this planet completely f—ed
Tetris Kelly:
Stefanie’s mad.
Stefanie Tanaka:
They’re going to go up there the minute this planet goes to hell because of climate change.
Tetris Kelly:
I mean, and I think the funny part to me is that you have, like, this inspirational moment, but then I feel like the whole time I watched Gayle be a part of this, she was looking scared. She didn’t even want to go. And she’s like, why am I here? How did I get on this spacecraft?
Keep watching for more!
Akon is the latest hip-hop artist to venture into the world of country. TMZ caught up with Akon as he was signing autographs in New York City and asked his thoughts about artists like Snoop and BigXthaPlug collaborating with country artists. That’s when he revealed that he’s been working on remixing songs from his catalog […]
American Idol contestant Doug Kiker died of an accidental overdose, the Denver Medical Examiner confimed Thursday (April 17). The official cause of death was the combined toxic effects of fentanyl, methadone and amphetamines, along with recent cocaine use, People reports. (TMZ broke the news.) Kiker died last month at age 32. The singer’s sister, Angela […]
Spike Lee gave fans some new details about his upcoming movie Highest 2 Lowest starring Denzel Washington and A$AP Rocky. During a recent conversation on Carmelo Anthony’s podcast 7PM in Brooklyn, Lee praised the Harlem rapper’s acting skills and said he’ll be playing Denzel’s son in his “reinterpretation” of Japanese director Akira Kurosawa’s 1963 classic […]
Ed Sheeran immersed himself in Persian culture for his “Azizam” single, and there’s no better way to visually represent that culture than a Persian wedding, which takes center stage as the theme of the track’s just-released video.
In the video released Thursday (April 17) and directed by Saman Kesh, Sheeran is seen frustrated while going through writer’s block with his producer, Ilya Salmanzadeh, in the studio.
The Grammy-winning singer/songwriter is thrust into the chaos of preparing for a Persian wedding. Sheeran gets a loaded crash coarse on all things related to the extravagant ceremony as he samples different cuisine, fashion, dancing and more to get him ready for the day.
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“When we had all finished ‘Azizam’ in the studio, I asked @ilya_music what we should do for a music video, and he said ‘you gotta do it as a Persian wedding, thats the best way to showcase all of the culture in a video,’” Sheeran wrote to IG. “I contacted @saman_kesh, who I have worked with before, who is also Persian, and asked him to basically make a video which is me going on a crash course Persian wedding. He wanted to make it like other non Persians would experience a wedding for the first time, and how full on, but fun it is.”
He continued: “I found it was so similar in ways to the Irish weddings I grew up going to, but obviously so different in other ways. Much like the rhythms and instrumentation of the song, I find our two cultures have so much intertwined similarities. But underneath it all is love and pride. I loved the day shooting, I learnt so many new things, got to experience all of it with my dad, and work with amazing people.”
The celebratory clip comes to a close with Sheeran returning from the wedding feeling inspired and ready to make another hit song, which the pop star has done plenty of in the past.
“Azizam,” which translates to “my dear” or “my beloved” from Arabic to English, is set to appear on Sheeran’s upcoming Play album. “Azizam” serves as Sheeran’s first single of 2025 jetsetting into the LP.
Like his mathematical symbol album series, Play will follow a similar pattern, including other albums coming down the pipeline like Fast-Forward, Rewind and Stop.
Sheeran stopped by The Tonight Show last month, where he premiered an unreleased single titled “Old Phone,” while “Azizam” was released earlier in April to officially kick off his new era.
Look for Play to arrive later this year and watch the “Azizam” video below.
Little Big Town is set to perform at The Women’s Cancer Research Fund’s “An Unforgettable Evening” gala, taking place Monday, April 28, at the Beverly Hilton Hotel in Beverly Hills, California. Comedian, actor and writer Whitney Cummings will host the event. Actress and activist Olivia Munn will receive the Courage Award. Little Big Town, consisting […]
Boosie BadAzz is blaming Atlanta hospitals for some health issues he’s experienced since being involved in a nasty car crash earlier this month. On Wednesday, Boosie hopped on Instagram to explain how he’s been having chest pains since the accident, and blamed Atlanta hospitals for not taking his injuries seriously. “I keep going to the […]
Stax: Soulsville U.S.A., Will and Harper, Super Man: The Christopher Reeve Story, Shōgun, Hacks and comedy specials starring Alex Edelman and Ramy Youssef are among music, comedy and entertainment-related programs that have been nominated for 2025 Peabody Awards.
Stax: Soulsville U.S.A. tells the story of the fabled label that rose out of Memphis, Tennessee, to become one of the most successful R&B labels in music history. The label was founded by two siblings, business partners Jim Stewart and Estelle Axton (whose last names formed the basis of the label’s name). Booker T. & the M.G.’s served as the label’s house band. Other artists signed to the label in its glory years include Rufus Thomas, Carla Thomas, Otis Redding, Sam & Dave, Eddie Floyd and Isaac Hayes.
Other nominated programs or films with a strong music tie-in are Any Other Way: The Jackie Shane Story, about a Black trans soul singer, and We Are Lady Parts, a comedy about an all-female Muslim punk band.
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Alex Edelman won a Primetime Emmy in September for outstanding writing for a variety special for his HBO special Alex Edelman: Just for Us. The comedian won a special Tony three months before that for the Broadway show which was the basis for the special.
Nominees in the Arts, Children’s/Youth, Entertainment, and Interactive & Immersive categories were announced on Thursday (April 17). Nominees in Documentary, News, Public Service, and Radio/Podcast categories were announced on April 15.
Winners of the 85th Annual Peabody Awards will be announced on May 1, and celebrated on Sunday, June 1, at the Beverly Wilshire Hotel in Beverly Hills, Calif. The ceremony will be hosted by Roy Wood Jr. Longtime NBC News correspondent Andrea Mitchell will receive the Career Achievement Award and landmark NBC sketch-comedy series Saturday Night Live will be honored with the Institutional Award.
Here are 2025 Peabody Award nominees that have a connection to music, comedy or entertainment. The capsule descriptions of each show are provided by the Peabody organization.
DOCUMENTARY
Any Other Way: The Jackie Shane Story (Crave; Bangers Films and the National Film Board of Canada)
“This film brings to life the powerful voice and legacy of Jackie Shane, a Black trans soul singer who vanished at the height of fame and now tells her story in her own works. Blending rare audio recordings, animated visuals, and family revelations, the film honors Shane’s trailblazing journey, celebrating her impact as an icon who lived authentically long before the world was ready.”
Queendom (A Galdanova Film Production in association with Sundance Institute Documentary Film Program, International Documentary Association, InMaat Productions, Doc Society and Sopka Films)
“Jenna, a 21-year-old queer artist from a remote Russian town, uses haunting, otherworldly performances in the streets of Moscow to protest LGBTQ+ oppression and challenge societal norms around beauty and identity. Documenting Jenna’s bold art and activism, this film offers a powerful, intimate look at resilience under repression.”
Stax: Soulsville U.S.A. (HBO | Max; HBO Documentary Films presents in association with Concord Originals, Polygram Entertainment, Warner Music Entertainment; A Laylow Pictures production; A White Horse Pictures production)
“This four-part documentary series traces the rise and fall of Stax Records, the groundbreaking Memphis-based, interracial, soul label that launched the careers of icons such as Otis Redding and Isaac Hayes. Through rare archival footage, intimate interviews, and an immersive sonic experience, the series offers an unflinching, deeply human portrait of artistic innovation, community resilience, and the enduring struggle for Black empowerment in America.”
Super/Man: The Christopher Reeve Story (HBO | Max; DC Studios / HBO Documentary Films / CNN Films)
“After a devastating accident left him paralyzed, Christopher Reeve became a powerful symbol of resilience, using his platform to inspire hope and advocate for disability rights. Throughout it all, he remained a passionate actor, filmmaker, and devoted family man, with his wife Dana as his unwavering support.”
Will & Harper (Netflix; A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production)
“Actor Will Ferrell and his longtime collaborator and friend Harper Steele take a road trip across America together, getting reacquainted after Harper’s midlife gender transition. They experience mixed reactions at different stops along the way as Will asks occasionally awkward questions and realizes the limits of his fame to combat prejudice, painting a realistically complex portrait of allyship.”
RADIO/PODCAST
The Good Whale (Serial Productions and The New York Times)
“Serial Productions and The New York Times tell the story of efforts to free the orca who played the title role in the film Free Willy from an amusement park in Mexico City. The epic experiment takes a number of unexpected turns, calling into question the practice of keeping animals in captivity—even, and maybe especially, celebrity animals.”
Pulse: The Untold Story (Trevor Aaronson, Western Sound, and Audible)
“In this Audible production, host Trevor Aaronson challenges the established narrative surrounding the Pulse nightclub shooting, revealing that it was not a premeditated anti-LGBTQIA+ hate crime, but rather an opportunistic act by shooter Omar Mateen—a shocking revelation that has received little coverage.”
CHILDREN/YOUTH
Out of My Mind (Disney+)
“This coming-of-age film, based on a 2010 novel by Sharon M. Draper, stars Phoebe-Ray Taylor as a sixth-grader with cerebral palsy facing the challenges of being in a mainstream class for the first time. Her thoughts are voiced by Jennifer Aniston, the non-verbal character’s favorite actress from Friends, and her family is played by Rosemarie DeWitt, Luke Kirby, and Judith Light.” (Big Beach, Participant, EveryWhere Studios LLC, and Disney Branded Television)
ENTERTAINMENT
Alex Edelman: Just For Us (HBO | Max)
“Comedian Alex Edelman presents his deeply personal solo show about identity, assimilation, and empathy, centered around his real-life experience attending a meeting of White Nationalists as a Jewish man. Over seven years, the show evolved through conversation, revision, and audience engagement, ultimately becoming a celebrated HBO special that resonated profoundly in a time of rising antisemitism and ideological division.” (HBO in association with Enfield Tennis Academy, Above Average, and Seaview Productions)
Baby Reindeer (Netflix)
“Baby Reindeer follows Donny, a troubled comedian entangled in a toxic relationship with a stalker, as he gradually unravels how his past has shaped his self-destructive behavior and relationships. At its core, the series explores how unaddressed trauma perpetuates cycles of harm, ultimately becoming a powerful and resonant meditation on healing, empathy, and the enduring impact of abuse.” (A Netflix Series / A Clerkenwell Films Production)
Clipped (FX/Hulu)
“This sports docudrama, created by Gina Welch, based on the ESPN 30 for 30 podcast The Sterling Affairs, tells the story of Los Angeles Clippers owner Donald Sterling’s downfall after his recorded racist remarks were publicized.” (FX Productions)
Fantasmas (HBO | Max)
“Created by and starring Julio Torres, Fantasmas is a surreal, genre-defying HBO comedy series that blends narrative and sketch to explore themes of alienation, queerness, and identity through a whimsical quest for a lost oyster earring in a dreamlike version of New York City. With its bold visual style, diverse cast, and deeply personal storytelling, the show stands as a singular testament to the value of unconventional, imaginative voices.” (HBO in association with Irony Point, Fruit Tree, 3 Arts Entertainment, and Space Prince Inc.)
Hacks (HBO | Max)
“Season 3 of Hacks explores the renewed dynamic between comedy legend Deborah Vance and young writer Ava Daniels as they reunite after a year apart, reigniting their creative spark just in time for Deborah’s shot at hosting Late Night. As Deborah fights to claim a long-denied dream and Ava learns to advocate for herself, the season becomes a powerful reflection on ambition, legacy, and the courage it takes—especially for women—to boldly ask for what they want.” (Universal Television, a division of Universal Studio Group, in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment)
Mr Bates vs The Post Office (PBS/MASTERPIECE)
“This four-part drama is based on the true story of U.K. sub-postmasters who were falsely accused of theft due to a faulty computer system, revealing one of the worst miscarriages of justice in British history. The series sparked nationwide outrage, led to real-world legal reform, and highlighted the extraordinary courage of ordinary people fighting back against institutional abuse.” (A Co-Production of ITV Studios, Little Gem, and MASTERPIECE for ITV)
One Hundred Years of Solitude (Netflix)
“One Hundred Years of Solitude follows José Arcadio Buendía and Úrsula Iguarán as they flee their village and found the mythical town of Macondo, where generations of their family grapple with love, madness, war, and a haunting curse in this stunning adaptation of Gabriel García Márquez’s 1967 masterpiece.” (Netflix / Dynamo)
Ramy Youssef: More Feelings (HBO | Max)
“In Ramy Youssef: More Feelings, the comedian reflects on the complexities of being a Muslim public figure in America, confronting issues of representation, Islamophobia, and the emotional toll of being expected to respond to global crises.” (HBO presents a Cairo Cowboy and A24 production)
Ripley (Netflix)
“Ripley follows a cunning grifter in 1960s New York who is hired to retrieve a wealthy man’s son from Italy, setting off a dark journey into deception, fraud, and murder. Based on Patricia Highsmith’s acclaimed novels, the limited series explores the chilling transformation of Tom Ripley as he manipulates his way through a life built on lies.” (Showtime and Endemol Shine North America in association with Entertainment 360 and Filmrights for Netflix)
Say Nothing (FX/Hulu)
“This FX limited series, adapted from Patrick Radden Keefe’s nonfiction book, traces the unsolved murder of Jean McConville and the brutal complexities of The Troubles in Northern Ireland. Through deeply human storytelling, the series transcends its historical setting to explore universal themes of violence, trauma, idealism, and the moral ambiguities of political conflict.” (FX Productions)
Shōgun (FX/Hulu)
“Creators Rachel Kondo and Justin Marks reimagine James Clavell’s classic tale through a modern lens, exploring what it means for two cultures to collide and transform one another with empathy and authenticity. By involving Japanese collaborators in every facet of production, they move beyond the “stranger in a strange land” trope to create a more inclusive, respectful, and culturally rich storytelling process that could serve as a new standard for global filmmaking.” (FX Productions)
We Are Lady Parts (Peacock)
“We Are Lady Parts is a bold, joyful comedy about an all-female Muslim punk band navigating identity, ambition, and sisterhood, blending sharp humor with themes of inclusivity and representation. In its second season, the series elevates its complexity, challenging cultural stereotypes with heart, humor, and killer music as the band experiences the pressures of success and navigates how to remain true to themselves while monetizing their art.” (Working Title Television, a part of Universal International Studios, a division of Universal Studio Group)