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05/15/2024

From globally focused crossover hits to modern-classical compositions, which of these 11 standout releases gets your vote?

05/15/2024

With Pride season just a few short weeks away, there’s no better time to prepare with new tracks from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
From Camila Cabello and Lil Nas X’s flirty new collaboration to Beabadoobee’s dreamy new single, check out just a few of our favorite releases from this week below:

Camila Cabello feat. Lil Nas X, “He Knows”

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There’s nothing quite like a Friday night out after a stunningly bad week, so Camila Cabello and Lil Nas X decided to bring you an anthem for those unhinged evenings on the town. While “He Knows” continues Cabello’s divisive dance-pop release strategy, the new track takes a few small steps back from “I Luv It,” focusing on a laid-back groove and entrancing vocals rather than a turbocharged beat. And it turns out Lil Nas and Camila make for excellent collaborators, matching one another’s sultry energy with each passing bar to let the boys at the club know that they’re on the prowl.

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Beabadoobee, “Take a Bite”

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Beabadoobee is back, and with “Take a Bite,” she’s sharper than ever. The introspective pop-rock ballad follows Bea Kristi through her own occasionally intrusive thoughts about the grass being greener on the other side of everything — relationships, careers, and everything in between. Her silky voice glides over a simple beat and some sumptuous guitar chords, making “Take a Bite” an excellent return for the singer-songwriter.

Orville Peck, Stampede: Vol. 1

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For his third studio album, Orville Peck is throwing a celebration. On Stampede: Vol. 1, the country crooner is teaming up with stars from all over the spectrum of music to toast their game-changing contributions to country, rock, pop and Americana. Between his excellent duet with Willie Nelson on “Cowboys Are Frequently Secretly Fond of Each Other” and his rollicking rendition with Elton John to “Saturday Night’s Alright (For Fighting),” plus collaborations with Allison Russell, Nathaniel Rateliff and plenty more, Peck proves that he’s more than just a singer with a mask — he’s a world-class curator paying tribute to the stars who helped pave the way for him.

Adam Lambert, “Whataya Want From Me ’24 (White Shadow’s HEmix)”

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It may not seem like 2009 was all that long ago, but plenty has changed in the 15 intervening years. For starters, LGBTQ+ artists didn’t used to feel comfortable singing using their romantic interests’ pronouns. So, Adam Lambert decided to correct the record with a “HEmix” of his 2009 hit “Whataya Want From Me.” Along with bringing in White Shadow to update his classic power ballad with a crunchy EDM beat, Lambert updates one key lyric — instead of singing that “It messed me up/ Need a second to breathe,” the rock singer now declares that “he messed me up.” It might seem like a small update for 2024, but a two-letter word can make all the difference, as Lambert proves on this thrilling remix.

Rainbow Kitten Surprise, Love Hate Music Box

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Since unveiling their debut album in 2013, Rainbow Kitten Surprise has made a career out of refining their familiar indie rock sound. But 11 years in, the band is ready for something different. Enter Love Hate Music Box, a sprawling 22-track LP that throws the band’s established sound out the window, aiming for bolder, brighter sounds in pop, rock, dance and Americana, all while maintaining some of the sharpest songwriting in the group’s history courtesy of frontperson Ela Melo. For just over an hour, Love Hate Music Box promises to make you feel just about everything — and we can confidently say that it delivers on that promise.

Remi Wolf, “Toro”

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Remi Wolf has always excelled at taking hyper-specific, intimate moments and turning them into grade-A pop bangers. “Toro” is no exception to that rule, as Wolf transforms a last-minute, high stakes romantic encounter and turns it into a grooving, deliciously sexy alt-pop jam. With a bass line that refuses to stay still, Wolf lets the audience know exactly what’s up on the instantly-memorable chorus: “We’re waking up the people down the hall/ You’re a bull, and I can’t help but saying ‘Toro, Toro.’”

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

The weather is warming up, which means today’s top stars are gearing up for summer with some hot music drops. Post Malone and Morgan Wallen unveiled their long-awaited collaboration, “I Had Some Help” on Friday (May 10), less than a month after they debuted the track during Wallen’s headlining spot at the country music festival, Stagecoach. Rumors […]

With summer fast-approaching, why not fill up your warm-weather playlists with new songs from your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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From St. Vincent’s raucous new album to Anitta’s exhilarating funk-flavored new LP, check out just a few of our favorite releases from this week below:

St. Vincent, All Born Screaming

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To distill All Born Screaming down to one particular concept is to misinterpret it as a work of art. Throughout St. Vincent’s stunning, self-produced seventh studio album, Annie Clark flits in and out of genres, themes and ideas with ease, instead opting to create an album that is at all times changing its shape while maintaining the artistry it took to make it. Whether she’s waxing romantic via art-rock banger “Flea” or giving nihilism a disco-funk makeover on “Big Time Nothing,” St. Vincent has never been more immediately herself than on this thrilling new project.

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Anitta, Funk Generation

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After proving her dominance as the premiere Brazilian pop sensation, Anitta is ready to help introduce you to her culture. Funk Generation, the latest LP from the Grammy-nominated artist, is a love letter to Brazilian funk music, as she showcases a formative genre of her home for an international audience. The entire album plays as a well-crafted ode to the sounds of favelas, but “Ahi” in particular stands out, as Anitta and guest Sam Smith give audiences a crash course in how to get down.

Salute feat. Rina Sawayama, “Saving Flowers”

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Salute wants you to immediately fall into the sounds of summertime with their thrilling new song “Saving Flower.” An ecstatic electronic anthem featuring vocals from British pop star Rina Sawayama, “Saving Flowers” is a song that refuses to take its foot off the gas, maintaining its fervent pop sound for a blissful three and a half minutes. Pairing nicely with Sawayama’s airy voice, Salute’s new song comes just in time to become your new favorite song of the summer. c

Trixie Mattel, “Shadow” (Ashlee Simpson cover)

Drag superstar Trixie Mattel delivering a stirring acoustic rendition of a 20-year-old pop-rock track may not have been on your bingo card for 2024, but that only makes her new Spotify Single that much more interesting. Taking Ashlee Simpson’s “Shadow” and transforming it into a heartfelt ballad, Mattel flexes her crystal-clear baritone voice, adding in just enough folk-flavored twang to make the song definitively her own.

Christine and the Queens, “Rentrer Chez Moi”

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After experimenting with his sound, his look and his persona for the last few years, Christine and the Queens would like to come back home. On his moving new song “Rentrer Chez Moi,” Chris returns to the quiet, echoing music that defined much of his early career, singing entirely in his native French about a relationship that’s run its course. The simple-yet-elegant production (the artist produced the song himself) matches Chris’ vocal fragility on this stunning new single.

Isaac Dunbar, Beep Beep Repeat

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Step into Isaac Dunbar’s time machine and allow him to transport you back to the musical universe of 1970’s New York City. That’s the world Dunbar thrives in throughout his new EP Beep Beep Repeat — one populated by transient bass, four-on-the-floor drums and theatrical vocals. For six songs, Beep Beep Repeat invites you to disengage from our stark reality and simply revel in some good old-fashioned house parties (“Apartment A”), hangovers (“American High”) and heartpounding rhythms (“Photoshoot Tonight”).

Durand Bernarr, “Unknown”

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Durand Bernarr doesn’t have time to wait around for you to make up your mind. On “Unknown,” the latest slice of smooth R&B from the fast-rising artist, follows Bernarr as he narrates the story of a frustrating, lovesick missed connection, where two people who could have been together missed their moment. The slick, pared down production certainly gives the track a boost, but as with every other Durand Bernarr song, the true star is the singer’s unmatched vocals; Bernarr dives into his soulful baritone just as effortlessly as he flips into a sonorous falsetto, making “Unknown” the best kind of sensual vocal rollercoaster ride that you could ask for.

Trinity the Tuck feat. Jujubee, “‘Til Death Becomes Us”

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In the immortal (literally) words of Meryl Streep, “these are the moments that make life worth living.” With her new song “‘Til Death Becomes Us,” Drag Race star Trinity the Tuck aims for revenge in a thrilling homage to 1992’s Death Becomes Her. With fellow Drag Race alum Jujubee, the pair deliver a slick, early-2000’s dance-pop banger based solely on that deep, petty loathing you feel for that one person who just won’t get out of your life. Add in their hilarious, campy music video, and you’ve got the recipe for a winning new song from a pair of drag superstars.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

Watch Latin American Music Awards With April coming to an end, music is still in full swing with a bunch of new releases. It’s a big day for hip-hop and R&B, as Normani teamed up with Gunna for the sultry “1:59,” which is set to be featured on the former Fifth Harmony singer’s long-awaited solo […]

St. Vincent is back. The musician, songwriter and guitarist unveiled her seventh studio album, All Born Screaming, on Friday (April 26). The album features previously released single “Broken Man,” “Flea” and “Big Time Nothing.” “There are some places, emotionally, that you can only get to by taking the long walk into the woods alone — […]

When you’re finished listening to Taylor Swift’s Tortured Poets Department, why not dive into some new tunes from your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Joy Oladokun’s reflective new song to Lava La Rue’s rallying cry against oppression, check out just a few of our favorite releases from this week below:

Joy Oladokun, “Questions, Chaos & Faith”

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For anyone dealing with the problem of existentialism, Joy Oladokun doesn’t have any answers for you — but she does hope you’re not alone in feeling lost. On her stunning new single “Questions, Chaos & Faith,” the singer-songwriter wrestles with the big questions of life, death, God, endings and all of the intermediate things between. With a set of stacked vocals and an acoustic guitar strumming behind her, Oladokun aims away from certainty, knowing that she can’t provide it over some chords and a pleasing melody. Yet when she delivers the chorus’ opening line, “Nothing is certain, everything changes,” there is no sadness in her voice; just a soft, beautiful acceptance of all those things she cannot change.

Trending on Billboard

Lava La Rue, “Humanity”

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In the opening moments of her new music video, Lava La Rue delivers a message directly to her audience: “Be very skeptical of anyone who promotes the narrative that in order to care about the humanitarian right of one group of people, that means you don’t care about another group.” It’s a simple, and extremely effective thesis for the song that follows. “Humanity” tracks La Rue’s own difficult relationship with the concept of collective conscientiousness, wondering why, exactly, we seem to have lost the plot on caring about the people around us. Mixed with her signature groove and pared down for an intimate listening experience, the song poses a question that will ring in your ears: “So many humans, and where’s the humanity?”

Debby Friday, “To the Dancefloor”

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If you’re ready to unplug and just feel yourself for a minute, electronic star Debby Friday’s got you covered. “To the Dancefloor” brings a superbly-produced dance track designed to get you out of your feelings and into your body. The scintillating beat and echoing vocal production brings about a thrilling vibe, while Friday’s commanding-but-casual voice draws you even further into her sonic world. You heard what she said — get to the dancefloor, already!

Wafia, “Background”

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Indie pop darling Wafia is back, and she’s ready to stand firmly at center stage. With her latest single “Background,” the singer-songwriter sings to a lover who wants to share the limelight with her whenever she can. Through softy-strummed guitars and some delicate synths, Wafia communicates that she’s more than happy to share, and even take a backseat in order to help them feel the warmth of the sun. “if you need me now,” she sings, “I’ll be in the background.”

Pillow Queens, Name Your Sorrow

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Packing as much thematic content as they could into their latest album, Pillow Queens are ready to have a frank conversation about the emotinal ebbs and flows of living today. Name Your Sorrow follows through on the promise of its title, with the group diving headfirst into complicated, aching songs about heartbreak, grief, loss, and ulitmately elation, all encompased in cozy, occasionally haunting indie-rock stylings. But don’t let the title fool you, either — Name Your Sorrow may deal in hardship, but it’s a joy to listen to.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

Coachella 2024 is officially upon us, and whether or not you’re heading out to the desert, there’s a bunch of new music to jam to all weekend long. Future and Metro Boomin teamed up once again for their second collab album, We Still Don’t Trust You. We Still Don’t Trust You arrives three weeks after We Don’t Trust […]

In need of some new jams from your favorite queer artists to freshen up your playlists? We’ve got you covered. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Kehlani’s delectable dance anthem to Chappell Roan’s ecstatic synth-pop jam, check out just a few of our favorite releases from this week below:

Kehlani, “After Hours”

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R&B superstar Kehlani is ready to take it to the dancefloor. “After Hours,” the singer’s new single, sees Kehlani embracing a bouncier, dance-inspired sound as she lets her lover know that she’s tired of beating around the bush — it’s time to make something happen. Utilizing an expertly-placed sample of Cordel “Scatta” Burrell’s “Coolie Dance Rhythm,” Kehlani makes a persuasive case for spending some extra time with her “After Hours.”

Trending on Billboard

Chappell Roan, “Good Luck, Babe!”

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Everyone’s journey to embracing their sexuality is different — and Chappell Roan would just like to wish everyone the best of luck in figuring it out. With “Good Luck, Babe!”, the rapidly-rising pop star pens a heartfelt message to the “babe” in question — a girl who, despite fooling around with Roan, still thinks she might be straight. The effervescent pop track benefits massively from Roan’s operatic vocals on the song’s undeniably catchy chorus, making “Good Luck, Babe!” an instant anthem.

Omar Apollo, “Spite”

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On his new song “Spite,” Omar Apollo is feeling a little petty. With a grooving melody filled to the brim with light guitar licks and pounding rhythms, “Spite” follows Apollo as he navigates through the confusing, often infuriating emotions of being in a long distance relationship. Oscillating effortlessly between desperately missing his partner and wanting to prove that he’s fine without them, the singer lands somewhere in a dangerous middle: “Every time I see you on my phone/ Hate that I still need you in my life,” he croons.

Orville Peck feat. Willie Nelson, “Cowboys Are Frequently Secretly Fond of Each Other”

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If you’re still looking a little more yee to your haw after spending a week with Beyoncé’s excellent Cowboy Carter, Orville Carter is here to help. Teaming up with country legend Willie Nelson, Peck reimagines Ned Sublette’s quintessentially queer country classic “Cowboys Are Frequently Secretly Fond of Each Other,” in which the pair detail a saga of gay gauchos on the frontier. With a pair of immediately recognizable voices blending perfectly on this subversive single, Peck and Nelson’s rendition of “Cowboys” is sure to make plenty of waves among country listeners.

Rainbow Kitten Surprise feat. Kacey Musgraves, “Overtime”

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When caught in the nebulous space between “on” and “off” in an on-again, off-again relationship, it can be hard to figure out just how you’re feeling. Yet Rainbow Kitten Surprise teamed up with singer-songwriter extraordinaire Kacey Musgraves to put those feelings into words on “Overtime,” the latest track off the band’s forthcoming new album. Giving a much gentler tone than RKS’ last song “Superstar,” the track sees lead vocalist Ela Melo trying to find her place in the new normal, pleading alongside Musgraves for just a hint of clarity amid a confusing bit emotional drama.

Zolita, “Small Town Scandal”

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“Still looking for more queer country music? Perhaps this country-pop jam from Zolita will help. Throughout the rollicking “Small Town Scandal,”Still looking for more queer country music? Perhaps this country-pop jam from Zolita will help. Throughout the rollicking “Small Town Scandal,” Zolita revels in a queer love affair that causes conservatives to shake in their boots, while riffing blissfully over a country-rock melody. With exquisite lyrics like “she’s a vers in the saddle,” and “save a horse, ride a cowgirl,” the rising pop singer is simply delighted to be creating her own “Small Town Scandal.”

JORDY, “Nice Things”

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With his latest single, pop singer JORDY would like to make it clear to all the dollar-dropping bros out there — money cannot buy class. “Nice Things,” a slick pop track that sees the singer making fun of the men who’ve “got a Benz, got a boat” and a “private jet every other weekend,” but don’t have his interest. Over a relentless beat complete with a ’90s R&B-style guitar lick, Jordy expertly calls out the “nepo baby” with a “mouth always bigger than the wallet” in a set of devastating lyrics: “I wouldn’t want it even if you paid me.”

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

April is officially here, and a number of today’s top music artists are welcoming the spring season with fresh new album releases.
It was a big week in R&B and hip-hop, as J. Cole surprised fans with a brand new project, Might Delete Later. The 12-track album features assists from a diverse range of artists including Gucci Mane, Cam’ron, Bas, Central Cee, Ari Lennox, Young Dro and more. J. Cole’s last album arrived in 2021 with The Off-Season, which topped the Billboard 200 to give the North Carolina rapper his sixth No. 1 album with 282,000 equivalent album units sold in the first week.

Meanwhile, Doja Cat unveiled the deluxe edition of her fourth studio album, Scarlet, dubbing the expanded version Scarlet 2: Claude, named after the villainous character from The Hunchback of Notre Dame. The new album features seven new tracks, including “Masc,” “Acknowledge Me,” “Head High,” “Gang,” “Rider,” “Urrrge” and “Hungry.”

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Bryson Tiller’s self-titled album also arrived, including collaborations with Victoria Monét on “Persuasion” and Clara La San on “Random Access Memory [RAM]” as well as previous singles “Outside,” “Calypso” and “Whatever She Wants.” The lattermost single scored Tiller his first Billboard Hot 100 top 20 single as a lead artist since his 2015 breakthrough debut single “Don’t,” and “Whatever She Wants” also reached No. 8 on Hot R&B/Hip-Hop Songs.

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Over in the alternative rock space, Vampire Weekend dropped their fifth album Only God Was Above Us, while in the Latin world, Young Miko introduced herself to fans with the deeply personal att.

Which is your favorite music release of the week? Check out our Friday Music Guide here, and let us know by voting below.

What’s Your Favorite New Music Release of the Week?