Music
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Time to enjoy some Brighter Days Ahead. Ariana Grande unveiled the highly anticipated deluxe edition of her Billboard 200 chart-topping album, Eternal Sunshine, on Friday (March 28). Explore Explore See latest videos, charts and news See latest videos, charts and news The extended edition of the original 13-song project features six new tracks, including “Twilight […]
Lil Durk’s incarceration hasn’t stopped his music output. The Chicago rapper released his Deep Thoughts album from behind bars on Friday (March 28). With Durk behind bars inside MDC Los Angeles, his management team picked up the slack to piece together his 20-track Deep Thoughts album with his blessing. The project features assists from Future, […]
Bachman-Turner Overdrive is takin’ care of business again with “60 Years Ago,” the Canadian stalwart’s first new material in more than 25 years. And there’s more where that came from.
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The sentimental single, releasing formally on Friday, March 28, was first written by Randy Bachman and his son Tal during their pandemic YouTube show Bachman & Bachman Friday Night Train Wreck and is part of a father-son album that has not yet been released. But after hearing that a highway section in Randy Bachman’s native Winnipeg was to be renamed the Bachman-Turner Overpass – with the dedication on April 18, the day before BTO plays there – inspired the Bachmans to revise the song and make the song public.
“I thought, ‘I’ll go and get “60 Years Ago,” and I’ll give it back to Winnipeg as a thank-you,’” Randy Bachman tells Billboard via Zoom from his current home in Victoria, B.C.. “There was no great plan for this song, y’know. But maybe they’ll play it on Winnipeg radio, and if you live in Winnipeg maybe you’ll want to download it and drive around singing ’60 years ago, so damn cold, so much snow’ and that kind of stuff. And I have a million BTO fans, followers on Instagram and my web site, so maybe some of them will download it.
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“I have a lot of people asking me, always, ‘Is there anything new? Is there anything new?’ So now… yes, there is.”
With its remembrances of the Winnipeg music scene of the mid-’60s, Bachman further torqued up “60 Years Ago” with some appropriate guests – childhood friend and fellow Winnipegian Neil Young, whose guitar solo can be heard at the end, and BTO co-founder Fred Turner who, despite spates of bad health, contributed vocals to the song. Both men are name-checked in the lyrics, along with Bachman’s Guess Who partner Burton Cummings and, as Bachman notes, Winnipeg’s frigid climate.
“I sent it to Neil Young and said, ‘Here’s a song about us and Winnipeg,’” Bachman says. “And he said, ‘I love this. I’ll scream something and play my solo at the end of the track.’ So we did that.” Turner’s part took a bit more doing, however.
“Fred Turner has suffered a lot in the last three years, from Covid, from his own illness. He lost his wife, that was depressing. He lost his voice,” Bachman explains. “When I sent him [the song] I said, ‘Just put this on your computer… put on headphones and sing to it. I just want your voice, Fred.’ He said, ‘I haven’t sang in two and a half years, but I gave it a shot. But I lost my voice in the second verse.’ But because of digital (technology) now you can get a little, tiny sound and make it big, so we managed to get a great vocal on him throughout the song.
“This wasn’t planned to be a single targeting the charts or anything like that. If we have success with this, it’ll be stunning. But people who hear it are saying to me, ‘You’ve done a great thing here. It sounds like BTO in 1976,’ which is great. The new [Rolling] Stones album doesn’t sound like the Stones, right? But this sounds like BTO.”
“60 Years Ago” comes as BTO prepares to hit the road for an extensive Canadian tour that kicks off an extensive, 22-date tour of Canada, followed by summer dates in the U.S., both on its own and with the Marshall Tucker Band, Jefferson Starship and the Outlaws. Bachman is also preparing a BTO live album from 1976 shows at the Budokan in Tokyo for release, and he’s hoping that Takin’ Care of Business, a documentary about finding his stolen Gretsch 6120 guitar while in the midst of a serious cancer battle a couple of years back will see wider release after running on the film festival circuit.
Bachman says more new BTO songs may be in the offing as well, including one called “Rock ‘n’ Roll is the Only Way Out.”
“Rock ‘n’ roll is the only way out of rap and all this crazy pop stuff that’s going on,” Bachman says, “and all this weird country stuff…everybody’s trying to get on the country bandwagon because they still sell CDs.” He’s also collaborating with Turner on other new songs.
“When we were doing [’60 Years Ago’] I said, ‘Have you got any songs, Fred? People are asking for new BTO,’” Bachman recalls. “And he says, ‘Yeah, here’s a couple of old songs. You want to do something new with ’em?’ All he’s got are little cassette tapes, but with AI I can lift off his vocal and get them reformatted and rewrite them and do this and that. I just get a BPM, tick-tick-tick and match his vocal to it. I play guitar. My son Tal plays guitar, drums, bass, flutes, everything. Then we’ll send it back to Fred and get him to sing once it’s a good demo and we’ve got the new groove and new feel. So I am working on new BTO stuff, which is amazing.”
Bachman is also looking forward to a return to the Guess Who now that he and Cummings have successfully wrested control of the trademarks and copyrights from former bandmates Jim Kale and Gary Peterson, who operated the band with other musicians – which Bachman calls “the clones” – until last July. The guitarist says he and Cummings – who have toured together since Bachman’s 1970 departure, including under the Guess Who moniker during the early 2000s – plan to be on the road together during 2026 playing the band’s material along with BTO and Cummings’ solo hits.
“We’re gonna really have an incredible show, about two hours,” Bachman says. “It’ll be a celebration of the Guess Who. The fans have been wanting it. We’ve already got offers for gigs – really big gigs, really good money. We’re just dealing with them all and working out who’s gonna be in the band – but definitely me and Burton. It’s like Joe Perry and Steven Tyler; you get a rhythm section, and as long as you have those two, you still get Aerosmith. With me and Burton, it’s still the Guess Who.”
BTO’s upcoming tour dates include:
Canada 2025 Tour Dates
April 1 – Save On Foods Memorial Centre, Victoria, BCApril 3 – Abbotsford Centre, Abbotsford, BCApril 4 – South Okanagan Event Centre, Penticton, BCApril 6 – Western Financial Place, Cranbrook, BCApril 8 – CN Centre, Prince George, BCApril 9 – Bonnetts Energy Centre, Grand Prairie, ABApril 11 – Event Centre at Grey Eagle Casino, Calgary, ABApril 12 – Event Centre at Grey Eagle Casino, Calgary, ABApril 13 – VisitLethbridge.com Arena, Lethbridge, ABApril 15 – Brandt Centre, Regina, SKApril 17 – Westoba Place at Keystone Centre, Brandon, MBApril 19 – Canada Life Centre, Winnipeg, MBApril 24 – The Aud (Kitchener Memorial Auditorium), Kitchener, ONApril 26 – Great Canadian Resort Toronto, Toronto, ONApril 28 – Meridian Centre, St. Catharines, ONApril 29 – Peterborough Memorial Centre, Peterborough, ONMay 1 – Canada Life Place, London, ONMay 2 – The Arena at TD Place, Ottawa, ONMay 4 – Sudbury Arena, Sudbury, ONMay 5 – Place Bell, Laval, QCMay 7 – TD Station, Saint John, NBMay 8 – Scotiabank Centre, Halifax, NS
US Tour Dates with The Marshall Tucker Band and Jefferson Starship
July 18 – Harrah’s Stir Cove, Council Bluffs, IAJuly 19 – Treasure Island Casino, Welch, MNJuly 20 – Scheels Arena, Fargo, NDJuly 22 – Kresge Auditorium, Interlochen, MIJuly 24 – Neuroscience Group Field, Appleton, WIJuly 25 – The Mill Terre Haute, Terre Haute, INJuly 26 – Rose Music Center, Huber Heights, OHAug. 1 – Lucky Star Casino, El Reno, OK#
# Outlaws replacing Jefferson Starship as special guest
US Tour Dates – BTO only
July 28 – Bloomington Center For The Performing Art, Bloomington, ILJuly 29 – The Village Green at the Charles Zettek Municipal Complex, Elk Grove Village, ILJuly 31 – MU Health Care Capital Region Amphitheater, Jefferson City, MOAug. 15 – Peppermill Casino, Wendover, NVAug. 16 – Vilar PAC, Beaver Creek, COAug. 18 – Western Idaho Fair, Boise, IDAug. 21 – Pala Casino, Pala, CAAug. 22 – We-Ko-Pa Casino, Ft. McDowell, AZ
A little over a year ago, Ariana Grande made the pop world a little bit lighter with the release of Eternal Sunshine, her seventh studio album. Crafted in the afterglow of her divorce from realtor Dalton Gomez during the 2023 SAG-AFTRA strikes that paused Wicked production, Eternal Sunshine arrived atop the Billboard 200 (her sixth […]
Los Angeles-based alt-pop duo Magdalena Bay have paid tribute to David Bowie for their recent appearance on Like a Version, the long-running segment from Australian radio station triple j.
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Premiering on the morning of Friday, March 28 (Australian time), the pair – which comprises Mica Tenenbaum and Matthew Lewin – recorded their performance during a recent trip to Australia in early March. The two-song set saw them performing original track “Image” before focusing on Bowie’s 1980 single “Ashes to Ashes.”
First released as the lead single to Bowie’s 1980 album Scary Monsters (and Super Creeps), the single did not impact the Hot 100, though it gave Bowie his first U.K. chart-topper since 1969’s “Space Oddity.” The album, meanwhile, peaked at No. 12 on the Billboard 200 and was Bowie’s first in six years to top the chart in his home country.
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“It’s a great, kind of weird experimental pop song that I think we took a lot of inspiration from,” said Lewin in a post-performance interview. ”We’re always just kind of listening to it, it’s never really left our rotation of songs that we love,” added Tenenbaum.
“I drew a lot of influence from his ideas of being an artist and what it means to create art,” continued Tenenbaum. “I found [it] very inspiring as we were going into the creation of our latest album, Imaginal Disk.
“It’s tough, because when you love a song so much and you know what you love about it and then you also want make it your own a little bit, it’s like, ‘How much should you really mess with it?’”
Magdalena Bay’s cover was indeed preceded by a cut from latest album, Imaginal Disk, with second single “Image” also performed in the Like a Version studio. The track was voted in at No. 147 in triple j’s annual Hottest 100 countdown, and in December 2024 was chosen by Billboard staff as one of the 20 Pop Songs From 2024 That Deserved to Be Smashes.
Having first launched in 2004, the Like a Version series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process.
The original Broadway cast recording of Maybe Happy Ending – led by Emmy Award and Golden Globe-winner Darren Criss and Helen J Shen – scores the year’s highest debut on Billboard’s Cast Albums chart, as the set enters at No. 5 on the list dated March 29. Maybe Happy Ending was released on March 14 […]
Just over two years since the arrival of their last record, English virtual band Gorillaz have confirmed that a new album will be arriving in 2025.
Word of the forthcoming LP was shared by frontman Damon Albarn in a nascent interview with French publication Les Inrockuptibles, where the prolific artist also touched on the premiere of his new opera, The Magic Flute II: La Malédiction, alongside his plans for the rest of the year.
“I’m finishing a new Gorillaz album,” Albarn explained. “One opera and one new Gorillaz album seems like enough for 2025! Unless someone accuses me of taking my foot off the gas!”
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Albarn’s Gorillaz collaborator Jamie Hewlett reportedly confirmed the news, with an Instagram account focused on the band sharing a DM from the musician in which he stated, “Yes, the new album is coming out this year.” That same post also noted that Albarn confirmed to a French podcast the record would be completed in “6 more weeks.”
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The current influx of French press from Albarn shouldn’t come as a surprise, especially given that his new opera premiered at Paris’ Théâtre du Lido on Thursday (March 27), and will run until Sunday (March 30). The production is a rather ambitious one, with The Magic Flute II: La Malédiction serving as the sequel to Mozart’s 1791 opera, The Magic Flute.
“The idea of me writing an opera and for it to be a continuation of The Magic Flute sounds ridiculous, it was and is, not only was I grappling with the genius of Mozart but I had Goethe to contend with too!!” Albarn said in a statement. “I suppose I took a relatively reductionist approach to the question, how the fuck do I do this? The answer came from a surprising source but one no less brilliant, Kraftwerk.”
Gorillaz last released a new album in 2023, with Cracker Island serving as their eighth record. It peaked at No. 3 on the Billboard 200 and was nominated for best alternative music album at the 2024 Grammys.
Albarn has remained busy since the release of the latest Gorillaz record, with Blur releasing The Ballad of Darren – their first album in eight years – in July 2023. It peaked at No. 94 on the Billboard 200 (their lowest-charting release since 1995) and hit No. 5 on the Top Alternative Albums chart, and would become their seventh consecutive release to top the U.K. charts.
Meanwhile, neither Gorillaz nor Blur have not made their return to the stage for some time, with the former not appearing live since the 2023 edition of the Coachella Valley Music and Arts Festival in California, and the latter not performing since the 2024 edition of the same event.
Miley Cyrus has upped her platinum records to 23. According to the Recording Industry Association of America (RIAA), her two hits, “Flowers” and “Used to Be Young,” have been certified 7x platinum and platinum, respectively. Explore Explore See latest videos, charts and news See latest videos, charts and news A platinum certification recognizes one million equivalent […]
The inaugural Femmy Awards kicked off in high style and spirit Thursday (March 27) in Miami.
Happening amid the many (many) events of Miami Music Week, the awards were put on by Femme House, the nonprofit founded by LP Giobbi and Lauren Spalding that works to create and celebrate equity in the music industry by amplifying voices of women, femme, gender-expansive LGBTQIA+ and BIPOC creators.
The afternoon ceremony took place on the waterfront patio at Palm Tree Club, the hotel opened by Kygo and his manager and Myles Shear this past December. In the sunshine and bay breezes, LP and Spaulding presented a variety of awards honoring artists, party brands, festivals, execs and other members across the dance music industry.
The event started with moving speeches by Barbara Tucker and Crystal Waters, who were honored with the Voice of House award for the prolific contributions they’ve made to the genre over the years. So too were DJ Minx and DJ Lady D each honored with the Pioneer Award for their everything they’ve each done to break barriers, reshape the dance and electronic music industries and pave the way for femme, non-binary, and LGBTQ+ artists.
The event also presented awards to a flurry of other artists, with Kaleena Zanders and Aluna Francis winning for best live performance, Coco & Breezy winning the Carolyn Horn Trailblazer Award (named for LP Giobbi’s longtime piano teacher who passed away in 2023), TSHA winning for best producer, Xandra being honored with the Rising Star Award and Sara Landry getting the award for producer of the year.
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The ceremony also honored a number of executives, with WME’s head of electronic music Stefanie LaFera getting the Theresa Velasquez Award for Outstanding Executive award and WME’s Bailey Greenwood winning for agent of the year. Billboard was the official media sponsor of the event.
See the complete winners list below.
2025 Ally Award: Le Chev2025 Breakthrough Artist: Alleycvt2025 Most Diverse Festival: Lightning in a Bottle2025 Theresa Velasquez Award for Outstanding Executive: Stephanie LaFera2025 Ableton Instructor of the Year: Mini Bear2025 Pass the Mic Media Award: DJ Mag2025 Pass the Mic Media Award: Billboard2025 Carolyn Horn Trailblazer Award: Coco & Breezy2025 Femme House Community Member of the Year: Shak Jackson2025 Best Live Performance: Kaleena Zanders + Aluna Francis @ Planet Pride
2025 Best Radio Mix: DJ Holographic2025 Album of the Year: Sofi Tukker, Bread2025 Best Sound Designer: Tokimonsta2025 Best Producer: TSHA2025 Best Vocalist: Kaleena Zanders2025 Best Engineer: Jayda Love2025 Best Mixer: Laura Sisk2025 Sonic Innovator Award: FKA Twigs2025 Best Visual Experience: The Blessed Madonna2025 Best Visual Experience: Nora En Pure2025 Activist & Impact Award: She Is the Music2025 Culture Shifter Award: Ronny Ho2025 Best Music Journalist: Katie Bain2025 Best Record Label: HE.SHE.THEY.2025 Manager of the Year: Julia Fugazy2025 Agent of the Year: Bailey Greenwood2025 Hospitality Visionary Award: Carly Van Sickle2025 Talent Booker: Heather Church2025 Best Club: Elsewhere2025 Icon Award: Honey Dijon2025 Song of the Year: Desiree, “Khuluma Nami”2025 Creative Director of the Year: Sophie Muller2025 Best Underground Promoter: Girls Room2025 For the Culture Award: Interna$hional Bounce2025 Voice of House Honoree: Barbara Tucker2025 Voice of House Honoree: Crystal Waters2025 Rising Star Honoree: Xandra2025 Producer of the Year Honoree: Sara Landry2025 Pioneer Award Honoree: DJ Lady D2025 Pioneer Award Honoree: Minx
Yolanda Saldívar, the 64-year-old woman who was sent to prison for the murder of Latin music superstar Selena in 1995, has been denied parole, the Texas Board of Pardons and Paroles announced Thursday (March 27) in an official statement posted on its website.
“After a thorough consideration of all available information, which included any confidential interviews conducted, it was the parole panels determination to deny parole to Yolanda Saldivar and set her next parole review for March 2030,” the statement reads. “The reason provided by the panel for denial was the Nature of the Offense: The record indicates that the instant offense has elements of brutality, violence, assaultive behavior or conscious selection of victim’s vulnerability indicating a conscious disregard for the lives, safety, or property of others, such that the offender poses a continuing threat to public safety.”
In October 1995, Saldívar was sentenced to life in prison with the possibility of parole in 30 years after being found guilty of murdering the tejano music icon, whose full name was Selena Quintanilla. It was initially reported that Saldívar had begun the review process earlier this year since she was up for parole on March 30.
The Quintanilla family and the late star’s widower, Chris Pérez, issued a statement just after the board announced its decision. “Today, we are grateful that the Texas Board of Pardons and Paroles has chosen to deny parole for Yolanda Saldívar,” the post reads. “While nothing can bring Selena back, this decision reaffirms that justice continues to stand for the beautiful life that was taken from us and from millions of fans around the world far too soon.”
One of the most consequential artists of her generation, Selena revolutionized Latin music with her tejano twist on norteño music and hip-swiveling techno-cumbias that showcased her versatility. With anthems like “Amor Prohibido,” “Bidi Bidi Bom Bom,” “Como La Flor” and “No Me Queda Más,” to name a few, Selena’s music has endured decades after her death.
On the Billboard charts, Selena earned 24 entries on Top Latin Albums, 16 of which hit the top 10 and seven of which hit No. 1 — among them Amor Prohibido, which spent 20 weeks at the top in 1994, and the posthumous Dreaming of You, which spent 40 weeks at the top in 1995. On the Regional Mexican Albums and Latin Pop Albums charts, the late artist placed seven and six titles at No. 1, respectively. Amor Prohibido topped the former chart for nearly 100 weeks.
Read the family’s entire statement on the parole decision below: